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    1. Psykologi och pedagogik
    2. Psykologi
    3. Psykologi: jaget, identitet och personlighet

    Creativity and Morality

    AvHansika Kapoor,James C. Kaufman

    Häftad, Engelska, 2022

    Del i serien Explorations in Creativity Research

    1 436 kr

    Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Creativity and Morality summarizes and integrates research on creativity used to achieve bad or immoral ends. The book includes the use of deception, novel ideas to commit wrongdoings across contexts, including in organizations, the classroom and terrorism. Morality is discussed from an individual perspective and relative to broader sociocultural norms that allow people to believe actions are justified. Chapters explore this research from an interdisciplinary perspective, including from psychology, philosophy, media studies, aesthetics and ethics.

    • Summarizes research on creativity used for immoral purposes
    • Identifies individual and sociocultural perspectives on morality
    • Explores creativity in business, education, design and criminal behavior
    • Includes research from psychology, philosophy, ethics, and more

    Produktinformation

    • Utgivningsdatum:2022-10-28
    • Mått:152 x 229 x 20 mm
    • Vikt:450 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:Explorations in Creativity Research
    • Antal sidor:330
    • Förlag:Elsevier Science
    • ISBN:9780323856676

    Utforska kategorier

    • Psykologi: jaget, identitet och personlighet inom Psykologi och pedagogik
    • Filosofiska discipliner inom Filosofi och religion

    Mer om författaren

    Hansika Kapoor, PhD, is Research Author at the Department of Psychology at Monk Prayogshala - a not-for-profit academic research institution in Mumbai, India. She holds a PhD from IIT, Bombay in the area of dark creativity; specifically, her thesis explored the measurement, facets, and process components of negative creativity through behavioral and electrophysiological methods. She is the recipient of the Fulbright-Nehru Post-Doctoral Research Fellowship (2019-2020), through which she pursued more research on dark creativity at the University of Connecticut with Prof. James C. Kaufman. She has published over 20 peer-reviewed scholarly works, several in international academic journals, such as Creativity Research Journal, Thinking Skills and Creativity, and Personality and Individual Differences. She also regularly contributes to popular media publications, including Aeon Magazine, Psychology Today, Mint, and Firstpost. Dr. Kapoor has been cited as a subject matter expert in numerous features on social and cognitive psychology in the Indian context. Her research interests lie in cognitive, social, and moral psychology. James C. Kaufman is a Professor of Educational Psychology at the University of Connecticut. He is the author/editor of more than 45 books and 300 papers, which include theoretical contributions such as the Four-C Model of Creativity (with Ron Beghetto) and empirical work, such as the study that spawned the “Sylvia Plath Effect. He is a past president of Division 10 (Society for Psychology of Aesthetics, Creativity, & the Arts) of the American Psychological Association (APA). James has won many awards, including Mensa’s research award, the Torrance Award from the National Association for Gifted Children, and APA’s Berlyne, Arnheim, and Farnsworth awards. He co-founded two major journals (Psychology of Aesthetics, Creativity, and the Arts and Psychology of Popular Media Culture). He has tested Dr. Sanjay Gupta’s creativity on CNN, appeared in the hit Australian show Redesign Your Brain, narrated the comic book documentary Independents, and is set to appear in a 2021 Netflix documentary. He wrote the book and lyrics to Discovering Magenta, which had its NYC premiere in 2015, and co-authored a book on bad baseball pitchers with his father.

    Innehållsförteckning

    • SECTION I. INTRODUCTION1. The AMORAL model of dark creativity2. An interdisciplinary perspective on creativity and morality3. Beyond malevolent and benevolent: Why creativity and morality have more in common than we expect4. Morality and creativitySECTION II. CREATIVITY, MORALITY, AND THE ARTS 5. The relation between aesthetic and moral sensitivity6. Can you or will you imagine? Ability and willingness to imagine fictional scenarios depends on the type of imaginary world7. Video games, morality, and empathySECTION III. CREATIVITY, MORALITY, AND ORGANIZATIONS/TECHNOLOGY 8. Counterproductive work behaviors and creativity9. The relationship between creativity and (un)ethical behaviors among employees and leaders10. Creativity and morality in the world of technology: The intersection of creativity, design, and responsible problem solvingSECTION IV. DARK INFLUENCES ON CREATIVITY AND MORALITY 11. Creativity and individual and tribal ethical behavior12. Creativity, malevolent creativity, and the Dark Triad13. The intersection of morality, creativity, and deceptionSECTION V. CREATIVITY, MORALITY, AND THE SELF 14. The mixed moral implications of the creative identity15. The intersections of creativity and complex moral/immoral emotions16. Morality and creativity