Jane Bennett is a political theorist at Goucher College in Baltimore, Maryland. She is the author of The Enchantment of Modern Life and a coordinating editor of Theory & Event.

In a graceful and personal way, Jane Bennett offers a reading of Thoreau that is fresh and intellectually provocative. Most broadly, the book is important because it is sensitive to Thoreau's claim on our attention: it shows the 'postmodern' resonance of his concerns with self-fashioning and care of self, with the experience and representation of nature, with the power and limits of art. Of more specific importance is Bennett's exploration of the political bearing of the avowedly 'anti-political' ethos that Thoreau shapes from these concerns. In this regard, she uses her own ambivalence about Thoreau in a way that exemplifies the fruitfulness of intellectual honesty: she reads with and against Thoreau, to hold in tension his untimely idealism, and the genealogical critique she discloses in an extended discussion of Kafka. Bennett's reading of Thoreau, then, serves to articulate a political ethos that both defends and chastens political commitment. The result is a special book that theorizes politics by taking seriously the insights of literature and the practices of art.

• Chapter 1 Why Thoreau Hates PoliticsChapter 2 Techniques of the SelfChapter 3 Writing a HeteroverseChapter 4 Art and PoliticsChapter 5 Fronting Thoreau

Jane Bennett is a political theorist at Goucher College in Baltimore, Maryland. She is the author of The Enchantment of Modern Life and a coordinating editor of Theory & Event.

In a graceful and personal way, Jane Bennett offers a reading of Thoreau that is fresh and intellectually provocative. Most broadly, the book is important because it is sensitive to Thoreau's claim on our attention: it shows the 'postmodern' resonance of his concerns with self-fashioning and care of self, with the experience and representation of nature, with the power and limits of art. Of more specific importance is Bennett's exploration of the political bearing of the avowedly 'anti-political' ethos that Thoreau shapes from these concerns. In this regard, she uses her own ambivalence about Thoreau in a way that exemplifies the fruitfulness of intellectual honesty: she reads with and against Thoreau, to hold in tension his untimely idealism, and the genealogical critique she discloses in an extended discussion of Kafka. Bennett's reading of Thoreau, then, serves to articulate a political ethos that both defends and chastens political commitment. The result is a special book that theorizes politics by taking seriously the insights of literature and the practices of art.

• Chapter 1 Why Thoreau Hates PoliticsChapter 2 Techniques of the SelfChapter 3 Writing a HeteroverseChapter 4 Art and PoliticsChapter 5 Fronting Thoreau