Hitchcock & the Anxiety of Authorship

AvLeslie H. Abramson

Inbunden, Engelska, 2015

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Beskrivning

Hitchcock and theAnxiety of Authorship examines issues ofcinema authorship engaged by and dynamized within the director's films. Aunique study of self-reflexivity in Hitchcock's work from his earliest Englishsilents to his final Hollywood features, this book considers how the director'sreleases constitute ever-shifting meditations on the conditions and strugglesof creative agency in cinema. Abramson explores how, located in literal andemblematic sites of dramatic production, exhibition, and reception, andpopulated by figures of directors, actors, and audiences, Hitchcock's filmsexhibit a complicated, often disturbing vision of authorship - one thatconsistently problematizes rather than exemplifies the director's longstandingauteurist image. Viewing Hitchcock in a striking new light, Abramson analyzesthese allegories of vexed agency in the context of his concepts of andcommentary on the troubled association between cinema artistry and authorship,as well as the changing cultural, industrial, theoretical, and historicalmilieus in which his features were produced. Accordingly, the book illuminateshow Hitchcock and his cinema register the constant dynamics that constitutefilm authorship.

Produktinformation

Utgivningsdatum:2015-09-15
Mått:155 x 235 x 22 mm
Vikt:578 g
Format:Inbunden
Språk:Engelska
Antal sidor:282
Upplaga:2015
Förlag:Palgrave Macmillan
ISBN:9781137309693

Utforska kategorier

Film inom Kultur

Mer om författaren

Leslie H. Abramson,an adjunct professor at the Loyola University Chicago School of Law, USA, is afilm scholar teaching cinema and law. Her essays have been published in Hitchcockand Adaptation (2014), American Cinema of the 1960s (2008), Inthe Limelight and Under the Microscope: Forms and Functions of Female Celebrity(2011), New Constellations: Movie Stars of the 1960s (2012), and variousjournals. She holds a PhD from the University of Chicago.

Recensioner i media

"Just when it seemed like scholars had little new to write about Hitchcock's films, Abramson provides us with an original reading ranging from the early British films to the American productions of the 60s and 70s. By integrating the director's extensive nonfiction writings and interviews with the self-reflexive artistry that characterizes his movies, Abramson reveals how Hitchcock contradicts traditional auteurist claims about his work, allowing readers to (re)consider how the director articulates the complexities of the creative process. Abramson's accessible writing will encourage those new to Hitchcock to relish the joy of discovering his classic movies and film scholars to applaud her insights into this treacherous cinematic landscape." - Lester D. Friedman, Professor, former Chair, Media and Society Program, Hobart College, USA and William Smith College, USA

Innehållsförteckning

Introduction: Self-Reflexivity in Hitchcock's Cinema & Struggles of AuthorshipPART I: COMPROMISING POSITIONS: THE DIRECTOR1. Introduction2. Murder!3. Sabotage4. Notorious5. Vertigo6. PsychoPART II: DRAMATIC ARTFULNESS: THE ACTOR 7. Introduction8. The Lodger9. The 39 Steps10. Spellbound11. MarniePART III: DISTURBING SIGHTS: THE AUDIENCE 12. Introduction13. The Ring14. The Man Who Knew Too Much15. Strangers on a Train16. Rear Window17. The Birds Appendix: In Brief - Hitchcock's Cameos