Kieran Flanagan is Senior Research Fellow in the School of Sociology, Politics and International Studies at the University of Bristol, UK. He is the author of Sociology in Theology: Reflexivity and Belief (2007); Seen and Unseen: Visual Culture, Sociology and Theology (2004); The Enchantment of Sociology: A Study of Theology and Culture (1996); and Sociology and Liturgy: Re-presentations of the Holy (1991), and co-editor with Peter C. Jupp of A Sociology of Spirituality (2007); Virtue Ethics and Sociology: Issues of Modernity and Religion (2001); and Postmodernity, Sociology and Religion (1996).

'Sociological Noir further expands Kieran Flanagan's unique commentary, over a series of works, on today's social and religious dystopias. As a 'sociological prophet' inhabiting the wilderness boundaries between sociology and theology, he delves into the shadow side of modern culture, calling both disciplines to account over troubling questions they too often neglect. What is to be said about the nature of our times? Are we post-modern? post-religious? secular? The argument here stakes out the territory as 'post-secular'. - James Sweeney CP, University of London, UK 'Kieran Flanagan confirms his status as one of the most provocative, creative and original thinkers in the field where sociology and theology meet. Sociological Noir makes us think again about the dark side of modernity and, indeed, about the hidden currents and spirits in the sociological tradition.' - Chris Shilling, University of Kent, UK'When 'God' -the word- becomes natural in conversation secularization is contravened. That normality emerges in this many-themed book where, for example, suffering and death stand high in Flanagan's ongoing sociological reconnoitering incursions into theological territories. His style fosters a critical curating of modernity and the post-modern through idioms of light, darkness and spectral presences while prompting thought and tempting solutions.' - Douglas J. Davies, Durham University, UK

• AcknowledgementsIntroduction1. A sociology of gloom: initial forebodings2. Collective memory: remembrance and the constitution of images 3. Ruins: irruptions in the fragments4. Dark Gothic: life in the shade 5. Satan: modernity’s imaginary friend 6. Sociology, sin and expiation 7. Sociodicy or theodicy? A matter of sociological choice Conclusion Appendix 1: Fingering apparitions: the sociologist and the vulgar statue Bibliography

Kieran Flanagan is Senior Research Fellow in the School of Sociology, Politics and International Studies at the University of Bristol, UK. He is the author of Sociology in Theology: Reflexivity and Belief (2007); Seen and Unseen: Visual Culture, Sociology and Theology (2004); The Enchantment of Sociology: A Study of Theology and Culture (1996); and Sociology and Liturgy: Re-presentations of the Holy (1991), and co-editor with Peter C. Jupp of A Sociology of Spirituality (2007); Virtue Ethics and Sociology: Issues of Modernity and Religion (2001); and Postmodernity, Sociology and Religion (1996).

'Sociological Noir further expands Kieran Flanagan's unique commentary, over a series of works, on today's social and religious dystopias. As a 'sociological prophet' inhabiting the wilderness boundaries between sociology and theology, he delves into the shadow side of modern culture, calling both disciplines to account over troubling questions they too often neglect. What is to be said about the nature of our times? Are we post-modern? post-religious? secular? The argument here stakes out the territory as 'post-secular'. - James Sweeney CP, University of London, UK 'Kieran Flanagan confirms his status as one of the most provocative, creative and original thinkers in the field where sociology and theology meet. Sociological Noir makes us think again about the dark side of modernity and, indeed, about the hidden currents and spirits in the sociological tradition.' - Chris Shilling, University of Kent, UK'When 'God' -the word- becomes natural in conversation secularization is contravened. That normality emerges in this many-themed book where, for example, suffering and death stand high in Flanagan's ongoing sociological reconnoitering incursions into theological territories. His style fosters a critical curating of modernity and the post-modern through idioms of light, darkness and spectral presences while prompting thought and tempting solutions.' - Douglas J. Davies, Durham University, UK

• AcknowledgementsIntroduction1. A sociology of gloom: initial forebodings2. Collective memory: remembrance and the constitution of images 3. Ruins: irruptions in the fragments4. Dark Gothic: life in the shade 5. Satan: modernity’s imaginary friend 6. Sociology, sin and expiation 7. Sociodicy or theodicy? A matter of sociological choice Conclusion Appendix 1: Fingering apparitions: the sociologist and the vulgar statue Bibliography

Kieran Flanagan is Senior Research Fellow in the School of Sociology, Politics and International Studies at the University of Bristol, UK. He is the author of Sociology in Theology: Reflexivity and Belief (2007); Seen and Unseen: Visual Culture, Sociology and Theology (2004); The Enchantment of Sociology: A Study of Theology and Culture (1996); and Sociology and Liturgy: Re-presentations of the Holy (1991), and co-editor with Peter C. Jupp of A Sociology of Spirituality (2007); Virtue Ethics and Sociology: Issues of Modernity and Religion (2001); and Postmodernity, Sociology and Religion (1996).

'Sociological Noir further expands Kieran Flanagan's unique commentary, over a series of works, on today's social and religious dystopias. As a 'sociological prophet' inhabiting the wilderness boundaries between sociology and theology, he delves into the shadow side of modern culture, calling both disciplines to account over troubling questions they too often neglect. What is to be said about the nature of our times? Are we post-modern? post-religious? secular? The argument here stakes out the territory as 'post-secular'. - James Sweeney CP, University of London, UK 'Kieran Flanagan confirms his status as one of the most provocative, creative and original thinkers in the field where sociology and theology meet. Sociological Noir makes us think again about the dark side of modernity and, indeed, about the hidden currents and spirits in the sociological tradition.' - Chris Shilling, University of Kent, UK'When 'God' -the word- becomes natural in conversation secularization is contravened. That normality emerges in this many-themed book where, for example, suffering and death stand high in Flanagan's ongoing sociological reconnoitering incursions into theological territories. His style fosters a critical curating of modernity and the post-modern through idioms of light, darkness and spectral presences while prompting thought and tempting solutions.' - Douglas J. Davies, Durham University, UK

• AcknowledgementsIntroduction1. A sociology of gloom: initial forebodings2. Collective memory: remembrance and the constitution of images 3. Ruins: irruptions in the fragments4. Dark Gothic: life in the shade 5. Satan: modernity’s imaginary friend 6. Sociology, sin and expiation 7. Sociodicy or theodicy? A matter of sociological choice Conclusion Appendix 1: Fingering apparitions: the sociologist and the vulgar statue Bibliography