Morality, Society and Culture – serie

This book engages with the classic philosophical question of mind and matter, seeking to show its altered meaning and acuteness in the era of the Anthropocene. Arguing that matter, and, more broadly, the natural world, has been misconceived since Descartes, it explores the devastating impact that this has had in practice in the West. As such, alternatives are needed, whether philosophical ones such as those offered by figures such as Whitehead and Nagel, or posthumanist ones such as those developed by Barad and Latour. Drawing on recent anthropological work ignored by philosophers and sociologists alike, the author considers a radical alternative cosmology: animism understood as panpsychism in practice. This understanding of mind and matter, of culture and nature, is then turned against present-day posthumanist critiques of what the Anthropocene amounts to, showing them up as philosophically misguided, politically mute, and ethically wanting. A ground-breaking reconceptualization of the natural world and our treatment of it, Cosmologies of the Anthropocene will appeal to scholars of sociology, social theory, philosophy and anthropology with interests in our understanding of and relationship with nature.

Guilt is the dark force behind haunting anxiety, obsessive-compulsive behaviour, life meaninglessness, and depression – a force to be kept in check. Yet guilt is equally our richest and most hidden resource, the essence of our humanness, and it drives us on to our highest achievements. Today, when individuals feel bad it is not usually because of something specific they have done. Rather, thundering around in the depths of their being is guilt: obscure, unconscious, yet irrepressible and ever-present. Where does it come from, what are its ways, and how might it be put to useful work? This book explores the nature of guilt, shedding light on how the modern West came increasingly to understand it as ‘the most terrible sickness’. It traces the psychological origins of guilt in each person’s family, and demonstrates the historical rise of guilt in parallel with civilization. It examines the modern predicament: the difficulty of finding explanations for guilt in a secular, post-church society – and the possibility of relief from its curse, while channelling it into a fulfilling life. As such it will appeal to those with interests in sociology, psychology, psychiatry, cultural studies, cultural history, and anthropology.

Guilt is the dark force behind haunting anxiety, obsessive-compulsive behaviour, life meaninglessness, and depression – a force to be kept in check. Yet guilt is equally our richest and most hidden resource, the essence of our humanness, and it drives us on to our highest achievements. Today, when individuals feel bad it is not usually because of something specific they have done. Rather, thundering around in the depths of their being is guilt: obscure, unconscious, yet irrepressible and ever-present. Where does it come from, what are its ways, and how might it be put to useful work? This book explores the nature of guilt, shedding light on how the modern West came increasingly to understand it as ‘the most terrible sickness’. It traces the psychological origins of guilt in each person’s family, and demonstrates the historical rise of guilt in parallel with civilization. It examines the modern predicament: the difficulty of finding explanations for guilt in a secular, post-church society – and the possibility of relief from its curse, while channelling it into a fulfilling life. As such it will appeal to those with interests in sociology, psychology, psychiatry, cultural studies, cultural history, and anthropology.

In a world in which individuals will undergo multiple career changes, is it possible any longer to conceive of a job as a meaningful vocation? Against the background of fragmentation and rationalisation of work, this book explores the significance and meaning of work in contemporary life, raising the question of whether people continue to feel motivated to dedicate their lives to their work, or must now look to other areas of life for meaning. Based on rich, in-depth interviews conducted with workers of different ages and across a broad range of occupations in the major city of Melbourne, Making a Living, Making a Life reveals that work continues to be a source of pride, passion and purpose, the author shedding light on the ways in which cultural narratives, collective meanings and structural factors influence people’s feelings about work. An engaging and empirically grounded examination of the meaning and centrality of work to people’s lives in today’s 'liquid' modern world, this book will appeal to sociologists with interests in cultural sociology, social theory, ethics, the sociology of work and questions of identity.

This intriguing book re-evaluates a narrative of cultural decline that developed in the wake of Max Weber’s The Protestant Ethic and the Spirit of Capitalism. For Weber, and a group of influential sociologists that followed, Western modernity is marked by growing disenchantment with the beliefs and values that had previously given a sense of structure and meaning to life. Despite its unparalleled material achievements, the modern West in this reading is suffering from a crisis of meaning and is no longer able to provide authoritative answers to the only really important question: ‘What shall we do and how shall we live?’ This book examines two influential responses to this question: the German bourgeois ideal of the late nineteenth century and the mid-twentieth century American celebration of the middle class. In each period, the exploration is guided by a close reading of a contemporary and retrospective text. For Germany, Gustav Freytag’s novel Debt and Credit (1855) is read against Thomas Mann’s Buddenbrooks (1901), and, for the US, the domestic comedy Father Knows Best (1954–1960) is read against the cable television drama Mad Men (2007–2015). The Anxiety of Ascent casts Weber’s narrative in a more optimistic light, pointing towards the redemptive possibilities contained within everyday life. As such, it will appeal to sociologists and cultural studies scholars interested in cultural sociology, social theory, morality, meaning and the culture of middle-class life.

This book explores the demise of the grand narrative of European modernity. That once commanding narrative located the meaning of the past in the present and the meaning of the present in an ever-receding future. Today, instead, the present defines both the past and the future. The ‘contemporary’ has replaced ‘modern’ and ‘post-modern’ self-understandings. The times of the past and the future have been transformed into versions of ‘now’ while the present has acquired its own history. History of the Present describes the emergence of this ‘contemporary’ historical consciousness across a wide spectrum of cultural phenomena ranging from historiography to heritage and museum studies, and from the globalization of the novel to the rise of science fiction. The culture of the ‘contemporary’ appears particularly clearly in the merging of high and low culture along with art and fashion. This book will appeal to scholars of sociology, cultural and social theory, museum and heritage studies, and literary history and criticism.

This book explores the demise of the grand narrative of European modernity. That once commanding narrative located the meaning of the past in the present and the meaning of the present in an ever-receding future. Today, instead, the present defines both the past and the future. The ‘contemporary’ has replaced ‘modern’ and ‘post-modern’ self-understandings. The times of the past and the future have been transformed into versions of ‘now’ while the present has acquired its own history. History of the Present describes the emergence of this ‘contemporary’ historical consciousness across a wide spectrum of cultural phenomena ranging from historiography to heritage and museum studies, and from the globalization of the novel to the rise of science fiction. The culture of the ‘contemporary’ appears particularly clearly in the merging of high and low culture along with art and fashion. This book will appeal to scholars of sociology, cultural and social theory, museum and heritage studies, and literary history and criticism.

This book engages with the classic philosophical question of mind and matter, seeking to show its altered meaning and acuteness in the era of the Anthropocene. Arguing that matter, and, more broadly, the natural world, has been misconceived since Descartes, it explores the devastating impact that this has had in practice in the West. As such, alternatives are needed, whether philosophical ones such as those offered by figures such as Whitehead and Nagel, or posthumanist ones such as those developed by Barad and Latour. Drawing on recent anthropological work ignored by philosophers and sociologists alike, the author considers a radical alternative cosmology: animism understood as panpsychism in practice. This understanding of mind and matter, of culture and nature, is then turned against present-day posthumanist critiques of what the Anthropocene amounts to, showing them up as philosophically misguided, politically mute, and ethically wanting. A ground-breaking reconceptualization of the natural world and our treatment of it, Cosmologies of the Anthropocene will appeal to scholars of sociology, social theory, philosophy and anthropology with interests in our understanding of and relationship with nature.

In a new reading of Immanuel Kant’s work, this book interrogates his notions of the imagination and anthropology, identifying these – rather than the problem of reason – as the two central pivoting orientations of his work. Such an approach allows a more complex understanding of his critical-philosophical program to emerge, which includes his accounts of reason, politics and freedom as well as subjectivity and intersubjectivity, or sociabilities. Examining Kant’s theorisation of the complexity of our phenomenological existence, the author explores his transcendental move that includes reason and understanding whilst emphasising the importance of the faculty of the imagination to undergird both, before moving to consider Kant’s pluralised, transcendental notion of freedom. This outstanding book will appeal to scholars with interests in philosophy, politics, anthropology and sociology, working on questions of imagination, reason, subjectivities and human freedom.

In a new reading of Immanuel Kant’s work, this book interrogates his notions of the imagination and anthropology, identifying these – rather than the problem of reason – as the two central pivoting orientations of his work. Such an approach allows a more complex understanding of his critical-philosophical program to emerge, which includes his accounts of reason, politics and freedom as well as subjectivity and intersubjectivity, or sociabilities. Examining Kant’s theorisation of the complexity of our phenomenological existence, the author explores his transcendental move that includes reason and understanding whilst emphasising the importance of the faculty of the imagination to undergird both, before moving to consider Kant’s pluralised, transcendental notion of freedom. This outstanding book will appeal to scholars with interests in philosophy, politics, anthropology and sociology, working on questions of imagination, reason, subjectivities and human freedom.

Winner of the 2020 Stephen Crook Memorial Prize fromThe Australian Sociological Association, a biennial prize for the best authored book in Australian sociologyFrom concerns of dwindling care and kindness for others to an excessive concern with self and consumerism, plenty of evidence has been provided for the claim that morality is in decline in the West, yet little is known about how people make-sense of and experience their everyday moral lives. This insightful book asks how late-modern subjects construct, understand and experience morality in a context of moral uncertainty. With a focus on two areas of morality and human conduct – love and intimacy, and the human treatment of animals – the author draws on the work of Bauman, Ahmed, Irigaray, Foucault and Taylor to construct an innovative theoretical synthesis, which is combined with new empirical material drawn from online diaries or blogs to examine the complex and intriguing ways that contemporary subjects narrate and experience everyday moral-decision-making. Providing theoretical and empirical insights into the contemporary production of morality and selfhood in late-modernity, Everyday Moralities sheds new light on the ways in which people morally navigate a changing social world and advances sociology beyond models of narcissism, moral loss and community breakdown. As such, it makes an important contribution to an underdeveloped area of the discipline, explicitly addressing the everyday ways morality is lived and practised in a climate of moral ambiguity.

This book provides a new and original approach to the Western tradition, its foundations, and the implications of its particular development for understanding the contemporary world.Arguing that with the creation of writing in the Axial Age, tradition took a ‘theological’ form that placed emphasis on rationality and abstraction at the expense of ‘piety,’ which emerges from immediate experience and wonder. Exploring the development of the West and its culture through the dance between theology and piety, with theology always leading, the authors consider the contemporary ascendancy of theology in the dominance of universities and the decline of poetry, shedding light on the reflection of this tension in contemporary politics.An examination of interplay of conflicting tendencies in Western civilisation – and the need for balance – Understanding Piety and Theology in the Culture of the West will appeal to scholars with interests in social theory, historical sociology, and cultural studies.

This volume critically engages with the work of the acclaimed Australian sociologist John Carroll. It makes the argument for a metaphysical sociology, which Carroll has proposed should focus on the questions of fundamental existence that confront all humans: ‘Where do I come from?’, ‘What should I do with my life?’ and ‘What happens to me when I die?’. These questions of meaning, in the secular modern West, have become difficult to answer. As contemporary individuals increasingly draw on their inner resources, or 'ontological qualities', to pursue quests for meaning, the key challenge for a metaphysical sociology concerns the cultural resources available to people and the manner in which they are cultivated. Through wide-ranging discussions which include, film, romantic love, terrorism and video games, Metaphysical Sociology takes up this challenge. The contributors include emerging and established sociologists, a philosopher, a renowned actor and a musician. As such, this collection will appeal to scholars of social theory and sociology, and to the general reader with interests in morality, art, culture and the fundamental questions of human existence.

This book takes the form of intellectual histories of eight major representative figures of the twentieth century, who inherited and responded to the spiritual problematic left by Nietzsche. With each figure offering very different ethical and spiritual positions, all shed light on what we mean when we talk confusedly around the topics of politics and religion. With portraits of Max Weber, Georg Lukács, T.S. Eliot, W.H. Auden, Sigmund Freud, Carl Jung, George Orwell and Hannah Arendt, the author explores the "latent" content of their worldview—the moral (or immoral) intention of their intellectual project. In each of the case studies, the aim is to move toward an understanding of their ultimate values, to get at their particular picture of the soul, as well as the implications of this vision for religion and politics. As such, The Politics of the Soul will appeal to scholars of sociology and social theory, religion, philosophy, political theory and cultural studies.

This book takes the form of intellectual histories of eight major representative figures of the twentieth century, who inherited and responded to the spiritual problematic left by Nietzsche. With each figure offering very different ethical and spiritual positions, all shed light on what we mean when we talk confusedly around the topics of politics and religion. With portraits of Max Weber, Georg Lukács, T.S. Eliot, W.H. Auden, Sigmund Freud, Carl Jung, George Orwell and Hannah Arendt, the author explores the "latent" content of their worldview—the moral (or immoral) intention of their intellectual project. In each of the case studies, the aim is to move toward an understanding of their ultimate values, to get at their particular picture of the soul, as well as the implications of this vision for religion and politics. As such, The Politics of the Soul will appeal to scholars of sociology and social theory, religion, philosophy, political theory and cultural studies.

The Humanities, the Social Sciences and the University is an intellectual history of research in the humanities and social sciences. It scrutinizes the priorities, values, objectives and publishing agendas of the modern university in order to assess the institutional pressures on research in major disciplines such as literature, history, sociology and economics. It argues that all these disciplines are currently experiencing a deep malaise – though to different degrees – due to loss of faith in the Enlightenment project, which entailed the pursuit of knowledge through reason. Extreme scepticism, promoted since the 1970s by French Theory, which regards knowledge as an instrument of power, is a major factor in this disorientation. Overall, the book concludes that though universities have grown stronger, wealthier and more powerful in the last century, the quality and seriousness of the research they typically produce are weaker and intellectually less important and the institution is in danger of losing its way.An accessible and compelling read, this book will appeal to scholars of sociology, education and intellectual history with interests in higher education policy and academic life.

The Humanities, the Social Sciences and the University is an intellectual history of research in the humanities and social sciences. It scrutinizes the priorities, values, objectives and publishing agendas of the modern university in order to assess the institutional pressures on research in major disciplines such as literature, history, sociology and economics. It argues that all these disciplines are currently experiencing a deep malaise – though to different degrees – due to loss of faith in the Enlightenment project, which entailed the pursuit of knowledge through reason. Extreme scepticism, promoted since the 1970s by French Theory, which regards knowledge as an instrument of power, is a major factor in this disorientation. Overall, the book concludes that though universities have grown stronger, wealthier and more powerful in the last century, the quality and seriousness of the research they typically produce are weaker and intellectually less important and the institution is in danger of losing its way.An accessible and compelling read, this book will appeal to scholars of sociology, education and intellectual history with interests in higher education policy and academic life.

This book explores the radical reform experienced by universities worldwide, as reformers, inspired by extreme economic thinking, seek to transform the university into part of a global academic industry. With attention to the implied passage from a focus on education and the advancement of knowledge, to an emphasis on the provision of human capital and economic benefits, the author describes the growing regulation of universities by the state, the substitution of academic government for business management and the implementation of quantitative measurement systems to replace the qualitative evaluation of teaching and research.Based on interview material collected among academics around the world, The University Under the Rule of Global Technocracy examines the deep causes and conceptual errors of this reformist project and offers a series of alternative proposals. It will therefore appeal to scholars of sociology, cultural studies and social policy with interests in higher education, the professions, and academic work and life.

Is laughter a sin? Or is it man’s best medicine? Is laughter now trivialised, mechanised or even weaponised by contemporary media? This book explores the social history of laughter in the West, from classical antiquity to the present day.Engaging with a range of thought from Plato to Nietzsche, it moves from classical to modern thought, considering the changing emotional climate of societies – including the postmodern "dictatorship of happiness" – and the role played by the technological changes of the last century in shaping our interpretation of laughter.A broad, historical study of the physical and emotional aspects of laughter, as well as its social role, A Cultural History of Laughter will appeal to scholars of sociology, history and cultural studies, among other fields of knowledge.

This book confronts issues of meaning in a disenchanted, ‘godless’ world marked by the decline of organised religion. It proposes that right order is emerging as both the hidden structure of meaning that underpins the human condition, and the force that shapes existence. The author argues that right order is both prior, and to be made.Men, women, and children depend on a sense of right order to feel at home in their world. They live by it. Order making is native, constitutive of who they are, imprinted in their genetic make-up and informed by the human drive to make things right. Right order is often obscured, faintly seen or hardly felt. It can be elusive, fearsomely difficult to grasp. This book clarifies the nature of right order through examples including Abraham Lincoln, Harry Potter, a football coach, and a heroic widow. It considers cases of disorder, from politics to female injustice to personal malaise, and turns for guidance to he who most profoundly mined his vast home terrain, stretching between God and atheism: William Shakespeare.Rooted in sociological traditions derived from Max Weber’s work, yet offering an optimistic approach that illuminates the hidden structure eliciting, grace, form, balance, and composure, this high-level work of outstanding originality represents the culmination of the author’s distinguished, fifty-year-long intellectual career. It will appeal to both scholars and students of cultural sociology and social theory with interests in morality, popular culture, and metaphysical sociology.

This book confronts issues of meaning in a disenchanted, ‘godless’ world marked by the decline of organised religion. It proposes that right order is emerging as both the hidden structure of meaning that underpins the human condition, and the force that shapes existence. The author argues that right order is both prior, and to be made.Men, women, and children depend on a sense of right order to feel at home in their world. They live by it. Order making is native, constitutive of who they are, imprinted in their genetic make-up and informed by the human drive to make things right. Right order is often obscured, faintly seen or hardly felt. It can be elusive, fearsomely difficult to grasp. This book clarifies the nature of right order through examples including Abraham Lincoln, Harry Potter, a football coach, and a heroic widow. It considers cases of disorder, from politics to female injustice to personal malaise, and turns for guidance to he who most profoundly mined his vast home terrain, stretching between God and atheism: William Shakespeare.Rooted in sociological traditions derived from Max Weber’s work, yet offering an optimistic approach that illuminates the hidden structure eliciting, grace, form, balance, and composure, this high-level work of outstanding originality represents the culmination of the author’s distinguished, fifty-year-long intellectual career. It will appeal to both scholars and students of cultural sociology and social theory with interests in morality, popular culture, and metaphysical sociology.

This volume critically engages with the work of the acclaimed Australian sociologist John Carroll. It makes the argument for a metaphysical sociology, which Carroll has proposed should focus on the questions of fundamental existence that confront all humans: ‘Where do I come from?’, ‘What should I do with my life?’ and ‘What happens to me when I die?’. These questions of meaning, in the secular modern West, have become difficult to answer. As contemporary individuals increasingly draw on their inner resources, or 'ontological qualities', to pursue quests for meaning, the key challenge for a metaphysical sociology concerns the cultural resources available to people and the manner in which they are cultivated. Through wide-ranging discussions which include, film, romantic love, terrorism and video games, Metaphysical Sociology takes up this challenge. The contributors include emerging and established sociologists, a philosopher, a renowned actor and a musician. As such, this collection will appeal to scholars of social theory and sociology, and to the general reader with interests in morality, art, culture and the fundamental questions of human existence.

Contrary to secular claims regarding the expulsion of religion, modernity does in fact produce unprecedented forms whose understanding re-casts the relationships between sociology and theology. This book explores ‘irruptions’ which disturb modernity from without: fragments or deposits of history that have spectral – or ‘noir’ – properties, whether ruins, collective memories, or the dark Gothic or the Satanic as manifested in culture. The study investigates what irrupts from these depths to unsettle our understanding of modernity so as to reveal its theological roots. A ground-breaking and extensive work, Sociological Noir explores literature, history and theology to re-cast the sociological imagination in ways that inspire reflection on new configurations in modernity. As such, it will have wide-spread appeal to sociologists and social theorists with interests in religion, theology and debates on postsecularism and culture.

This intriguing book re-evaluates a narrative of cultural decline that developed in the wake of Max Weber’s The Protestant Ethic and the Spirit of Capitalism. For Weber, and a group of influential sociologists that followed, Western modernity is marked by growing disenchantment with the beliefs and values that had previously given a sense of structure and meaning to life. Despite its unparalleled material achievements, the modern West in this reading is suffering from a crisis of meaning and is no longer able to provide authoritative answers to the only really important question: ‘What shall we do and how shall we live?’ This book examines two influential responses to this question: the German bourgeois ideal of the late nineteenth century and the mid-twentieth century American celebration of the middle class. In each period, the exploration is guided by a close reading of a contemporary and retrospective text. For Germany, Gustav Freytag’s novel Debt and Credit (1855) is read against Thomas Mann’s Buddenbrooks (1901), and, for the US, the domestic comedy Father Knows Best (1954–1960) is read against the cable television drama Mad Men (2007–2015). The Anxiety of Ascent casts Weber’s narrative in a more optimistic light, pointing towards the redemptive possibilities contained within everyday life. As such, it will appeal to sociologists and cultural studies scholars interested in cultural sociology, social theory, morality, meaning and the culture of middle-class life.

Contrary to secular claims regarding the expulsion of religion, modernity does in fact produce unprecedented forms whose understanding re-casts the relationships between sociology and theology. This book explores ‘irruptions’ which disturb modernity from without: fragments or deposits of history that have spectral – or ‘noir’ – properties, whether ruins, collective memories, or the dark Gothic or the Satanic as manifested in culture. The study investigates what irrupts from these depths to unsettle our understanding of modernity so as to reveal its theological roots. A ground-breaking and extensive work, Sociological Noir explores literature, history and theology to re-cast the sociological imagination in ways that inspire reflection on new configurations in modernity. As such, it will have wide-spread appeal to sociologists and social theorists with interests in religion, theology and debates on postsecularism and culture.

Winner of the 2020 Stephen Crook Memorial Prize fromThe Australian Sociological Association, a biennial prize for the best authored book in Australian sociologyFrom concerns of dwindling care and kindness for others to an excessive concern with self and consumerism, plenty of evidence has been provided for the claim that morality is in decline in the West, yet little is known about how people make-sense of and experience their everyday moral lives. This insightful book asks how late-modern subjects construct, understand and experience morality in a context of moral uncertainty. With a focus on two areas of morality and human conduct – love and intimacy, and the human treatment of animals – the author draws on the work of Bauman, Ahmed, Irigaray, Foucault and Taylor to construct an innovative theoretical synthesis, which is combined with new empirical material drawn from online diaries or blogs to examine the complex and intriguing ways that contemporary subjects narrate and experience everyday moral-decision-making. Providing theoretical and empirical insights into the contemporary production of morality and selfhood in late-modernity, Everyday Moralities sheds new light on the ways in which people morally navigate a changing social world and advances sociology beyond models of narcissism, moral loss and community breakdown. As such, it makes an important contribution to an underdeveloped area of the discipline, explicitly addressing the everyday ways morality is lived and practised in a climate of moral ambiguity.