David Roberts – författare

Alex Honnold is one of the world's best ‘free solo’ climbers. He scales impossible rock faces without ropes, pitons or any support of any kind. In Alone on the Wall, he takes you with him.‘Riveting’ - Jon Krakauer, bestselling author of Into the WildThis edition includes the account of Alex's El Capitan climb, subject of the Oscar and BAFTA-winning documentary, Free Solo.Exhilarating, brilliant and dangerous, there is a purity to Alex's climbs that is easy to comprehend, but also impossible to fathom. In the last forty years, only a handful of climbers have pushed themselves as far, ‘free soloing’ to the absolute limit of human capabilities.Half of them are dead.From Yosemite's famous Half Dome to the terrifying heights of El Sendero Luminoso in Mexico, Alone on the Wall explores Alex's seven most extraordinary climbing achievements so far. These are tales to make your palms sweat and your feet curl with vertigo. Together, they get to the heart of how – and why – Alex does what he does.Exciting, uplifting and truly awe-inspiring, Alone on the Wall presents an exploration of the world of extreme sports and the human ability to maintain a singular focus, even in the face of mortal danger.

'I have given my whole life to the mountains. Born at the foot of the Alps, I have been a ski champion, a professional guide, an amateur of the greatest climbs in the Alps and a member of eight expeditions to the Andes and the Himalaya. If the word has any meaning at all, I am a mountaineer.'So Lionel Terray begins Conquistadors of the Useless - not with arrogance, but with typical commitment. One of the most colourful characters of the mountaineering world, his writing is true to his uncompromising and jubilant love for the mountains.Terray was one of the greatest alpinists of his time, and his autobiography is one of the finest and most important mountaineering books ever written. Climbing with legends Gaston Rébuffat, Maurice Herzog and Louis Lachenal, Terray made first ascents in the Alps, Alaska, the Andes and the Himalaya. He was at the centre of global mountaineering at a time when Europe was emerging from the shadow of the Second World War, and he came out a hero. Conquistadors of the Useless tells of his wartime escapades, of life as an Alpine mountain guide, and of his climbs - including the second ascent of the Eiger North Face and his involvement in the first ever ascent of an 8,000-metre peak, Annapurna. His tales capture the energy of French post-war optimism, a time when France needed to reassert herself and when climbing triumphs were more valued than at any other time in history.Terray's death, in the Vercors, robbed mountaineering of one of its most passionate and far-sighted figures. His energy, so obvious in Conquistadors of the Useless, will inspire for generations to come. A mountaineering classic.

`My object is to have you fit to live; which, if you are not, I do not desire that you should live at all.''So wrote Lord Chesterfield in one of the most celebrated and controversial correspondences between a father and son. Chesterfield wrote almost daily to his natural son, Philip, from 1737 onwards, providing him with instruction in etiquette and the worldly arts.Praised in their day as a complete manual of education, and despised by Samuel Johnson for teaching `the morals of a whore and the manners of a dancing-master'', these letters reflect the political craft of a leading statesman and the urbane wit of a man who associated with Pope, Addison, and Swift. The letters reveal Chesterfield''s political cynicism and his belief that his country had `always been goverened by the only two or three people, out of two or three millions, totally incapable ofgoverning'', as well as his views on good breeding. Not originally intended for publication, this entertaining correspondence illuminates fascinating aspects of eighteenth-century life and manners.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

`My object is to have you fit to live; which, if you are not, I do not desire that you should live at all.''So wrote Lord Chesterfield in one of the most celebrated and controversial correspondences between a father and son. Chesterfield wrote almost daily to his natural son, Philip, from 1737 onwards, providing him with instruction in etiquette and the worldly arts.Praised in their day as a complete manual of education, and despised by Samuel Johnson for teaching `the morals of a whore and the manners of a dancing-master'', these letters reflect the political craft of a leading statesman and the urbane wit of a man who associated with Pope, Addison, and Swift. The letters reveal Chesterfield''s political cynicism and his belief that his country had `always been goverened by the only two or three people, out of two or three millions, totally incapable ofgoverning'', as well as his views on good breeding. Not originally intended for publication, this entertaining correspondence illuminates fascinating aspects of eighteenth-century life and manners.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

`My object is to have you fit to live; which, if you are not, I do not desire that you should live at all.'So wrote Lord Chesterfield in one of the most celebrated and controversial correspondences between a father and son. Chesterfield wrote almost daily to his natural son, Philip, from 1737 onwards, providing him with instruction in etiquette and the worldly arts.Praised in their day as a complete manual of education, and despised by Samuel Johnson for teaching `the morals of a whore and the manners of a dancing-master', these letters reflect the political craft of a leading statesman and the urbane wit of a man who associated with Pope, Addison, and Swift. The letters reveal Chesterfield's political cynicism and his belief that his country had `always been goverened by the only two or three people, out of two or three millions, totally incapable of governing', as well as his views on good breeding. Not originally intended for publication, this entertaining correspondence illuminates fascinating aspects of eighteenth-century life and manners. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Finding Everett Ruess by David Roberts, with a foreword by Jon Krakauer, is the definitive biography of the artist, writer, and eloquent celebrator of the wilderness whose bold solo explorations of the American West and mysterious disappearance in the Utah desert at age 20 have earned him a large and devoted cult following. More than 75 years after his vanishing, Ruess stirs the kinds of passion and speculation accorded such legendary doomed American adventurers as Into the Wild’s Chris McCandless and Amelia Earhart. “I have not tired of the wilderness; rather I enjoy its beauty and the vagrant life I lead, more keenly all the time. I prefer the saddle to the street car and the star sprinkled sky to a roof, the obscure and difficult trail, leading into the unknown, to any paved highway, and the deep peace of the wild to the discontent bred by cities.”  So Everett Ruess wrote in his last letter to his brother. And earlier, in a valedictory poem, ”Say that I starved; that I was lost and weary; That I was burned and blinded by the desert sun; Footsore, thirsty, sick with strange diseases; Lonely and wet and cold . . . but that I kept my dream!"                                              Wandering alone with burros and pack horses through California and the Southwest for five years in the early 1930s, on voyages lasting as long as ten months, Ruess also became friends with photographers Edward Weston and Dorothea Lange, swapped prints with Ansel Adams, took part in a Hopi ceremony, learned to speak Navajo, and was among the first "outsiders" to venture deeply into what was then (and to some extent still is) largely a little-known wilderness.  When he vanished without a trace in November 1934, Ruess left behind thousands of pages of journals, letters, and poems, as well as more than a hundred watercolor paintings and blockprint engravings. A Ruess mystique, initiated by his parents but soon enlarged by readers and critics who, struck by his remarkable connection to the wild, likened him to a fledgling John Muir. Today, the Ruess cult has more adherents—and more passionate ones—than at any time in the seven-plus decades since his disappearance. By now, Everett Ruess is hailed as a paragon of solo exploration, while the mystery of his death remains one of the greatest riddles in the annals of American adventure. David Roberts began probing the life and death of Everett Ruess for National Geographic Adventure magazine in 1998. Finding Everett Ruess is the result of his personal journeys into the remote areas explored by Ruess, his interviews with oldtimers who encountered the young vagabond and with Ruess’s closest living relatives, and his deep immersion in Ruess’s writings and artwork.  It is an epic narrative of a driven and acutely perceptive young adventurer’s expeditions into the wildernesses of landscape and self-discovery, as well as an absorbing investigation of the continuing mystery of his disappearance.  In this definitive account of Ruess''s extraordinary life and the enigma of his vanishing, David Roberts eloquently captures Ruess''s tragic genius and ongoing fascination.From the Hardcover edition.

The bestselling author of The Mountain and No Shortcuts to the Top chronicles his three attempts to climb the world''s tenth-highest and statistically deadliest peak while exploring the dramatic and tragic history of others who have made—or attempted—the ascentAs a high school student, Ed Viesturs read and was captivated by the French climber Maurice Herzog''s famous and grisly account of the first ascent of Annapurna in 1950. When he began his own campaign to climb the world''s 14 highest peaks in the late 1980s, Viesturs looked forward with trepidation to undertaking Annapurna himself. Two failures to summit in 2000 and 2002 made Annapurna his nemesis. His successful 2005 ascent was the triumphant capstone of his climbing quest. In The Will to Climb Viesturs and co-author David Roberts bring the extraordinary challenges of Annapurna to vivid life through edge-of-your-seat accounts of the greatest climbs in the mountain’s history, and of his own failed attempts and eventual success.  In the process Viesturs ponders what Annapurna reveals about some of our most fundamental moral and spiritual questions--questions, he believes, that we need to answer to lead our lives well.

This book explores the demise of the grand narrative of European modernity. That once commanding narrative located the meaning of the past in the present and the meaning of the present in an ever-receding future. Today, instead, the present defines both the past and the future. The ‘contemporary’ has replaced ‘modern’ and ‘post-modern’ self-understandings. The times of the past and the future have been transformed into versions of ‘now’ while the present has acquired its own history. History of the Present describes the emergence of this ‘contemporary’ historical consciousness across a wide spectrum of cultural phenomena ranging from historiography to heritage and museum studies, and from the globalization of the novel to the rise of science fiction. The culture of the ‘contemporary’ appears particularly clearly in the merging of high and low culture along with art and fashion. This book will appeal to scholars of sociology, cultural and social theory, museum and heritage studies, and literary history and criticism.

This book explores the demise of the grand narrative of European modernity. That once commanding narrative located the meaning of the past in the present and the meaning of the present in an ever-receding future. Today, instead, the present defines both the past and the future. The ‘contemporary’ has replaced ‘modern’ and ‘post-modern’ self-understandings. The times of the past and the future have been transformed into versions of ‘now’ while the present has acquired its own history. History of the Present describes the emergence of this ‘contemporary’ historical consciousness across a wide spectrum of cultural phenomena ranging from historiography to heritage and museum studies, and from the globalization of the novel to the rise of science fiction. The culture of the ‘contemporary’ appears particularly clearly in the merging of high and low culture along with art and fashion. This book will appeal to scholars of sociology, cultural and social theory, museum and heritage studies, and literary history and criticism.

On January 17, 1913, alone and near starvation, Douglas Mawson, leader of the Australasian Antarctic Expedition, was hauling a sledge to get back to base camp. The dogs were gone. Now Mawson himself plunged through a snow bridge, dangling over an abyss by the sledge harness. A line of poetry gave him the will to haul himself back to the surface.Mawson was sometimes reduced to crawling, and one night he discovered that the soles of his feet had completely detached from the flesh beneath. On February 8, when he staggered back to base, his features unrecognizably skeletal, the first teammate to reach him blurted out, "Which one are you?"This thrilling and almost unbelievable account establishes Mawson in his rightful place as one of the greatest polar explorers and expedition leaders. It is illustrated by a trove of Frank Hurley’s famous Antarctic photographs, many never before published in the United States.

In a book that is part memoir and part history, David Roberts looks back at his personal relationship to extreme risk and tries to make sense of why so many have committed their lives to the desperate pursuit of adventure.In the wake of his diagnosis with throat cancer, Roberts seeks the answer with sharp new urgency. He explores his own lifelong commitment to adventuring, as well as the cultural contributions of explorers throughout history. He looks at what it meant in 1911 for Amundsen to reach the South Pole or in 1953 for Hillary and Norgay to summit the highest point on earth. And he asks what the future of adventure is in a world we have mapped and trodden all the way to the most remote corners of the wilderness.

In July 1776, Franciscan friars Francisco Atanasio Domínguez and Silvestre Vélez de Escalante set out from Santa Fe to blaze a pathway to the new Spanish missions in California, across the huge expanse of what would become the American Southwest. In October, in western Utah, ravaged by hunger and cold, the twelve-man team had to turn back. Stymied by the raging Colorado River, killing their horses for food, the men saw an exploring expedition transformed into a fight for survival. In this chronicle of adventure and history, David Roberts retraces the Spaniards’ forgotten route, using Escalante’s diary as his guide. Blending personal narrative with critical analysis, Roberts relives the glories, catastrophes, and courage of this desperate journey.

In late July 1776, fathers Francisco Atanasio Domínguez and Francisco Vélez de Escalante set out from Santa Fe to chart a route to the new Spanish missions in California. The Fransiscans planned to scout the country for mineral wealth and locate the Ute and Navajo tribes for conversion. In present-day Utah, however, the dangers of starvation and hypothermia forced them to turn back. By November the friars were reduced to survival mode: stymied by the raging Colorado River, they had to kill their horses for food.In this adventure-history, David Roberts travels the Spaniards’ forgotten route, using Escalante’s first-person report as his guide. Blending personal and historical narrative, he relives the glories, catastrophes and courage of this desperate journey.

By 1930, no place in the world was less well explored than Greenland. The native Inuit had occupied the relatively accessible west coast for centuries. The east coast, however, was another story. In August 1930, Henry George Watkins (nicknamed Gino), a 23-year-old explorer, led thirteen scientists and explorers on an ambitious journey to the east coast of Greenland and its vast and forbidding interior.Their mission: chart and survey the region and establish a permanent meteorological base 8,000 feet high on the ice cap. That plan turned into an epic survival ordeal when August Courtauld, manning the station solo through the winter, became entombed by drifting snow. David Roberts, “veteran mountain climber and chronicler of adventures” (Washington Post), draws on firsthand accounts and rich archival materials to tell the story of this daring expedition and of the ingenious young explorer at its helm.

By developing a long-term supranational perspective, this ambitious, multi-faceted work provides a new understanding of ‘totalitarianism’, the troubling common element linking Soviet communism, Italian fascism and German Nazism. The book’s original analysis of antecedent ideas on the subject sheds light on the common origins and practices of the regimes.Through this fresh appreciation of their initial frame of mind, Roberts demonstrates how the three political experiments yielded unprecedented collective mobilization but also a characteristic combination of radicalization, myth-making, and failure. Providing deep historical analysis, the book proves that 'totalitarianism' best characterizes the common features in the originating aspirations, the mode of action and even the outcomes of Soviet communism, Italian fascism and German Nazism.By enhancing our knowledge of what ‘totalitarianism’ was and where it came from, Roberts affords important lessons about the ongoing challenges, possibilities, and dangers of the modern political experiment.

By developing a long-term supranational perspective, this ambitious, multi-faceted work provides a new understanding of ‘totalitarianism’, the troubling common element linking Soviet communism, Italian fascism and German Nazism. The book’s original analysis of antecedent ideas on the subject sheds light on the common origins and practices of the regimes.Through this fresh appreciation of their initial frame of mind, Roberts demonstrates how the three political experiments yielded unprecedented collective mobilization but also a characteristic combination of radicalization, myth-making, and failure. Providing deep historical analysis, the book proves that 'totalitarianism' best characterizes the common features in the originating aspirations, the mode of action and even the outcomes of Soviet communism, Italian fascism and German Nazism.By enhancing our knowledge of what ‘totalitarianism’ was and where it came from, Roberts affords important lessons about the ongoing challenges, possibilities, and dangers of the modern political experiment.

This book examines the limits to cosmopolitan liberal peacebuilding caused by its preoccupation with the values and assumptions of neoliberal global governance. The peace people experience is determined by the processes privileged in peacebuilding. This book is about four things that shape the processes involved. First, it is a critique of orthodox postconflict peacebuilding. It takes the position that the present approach, although seemingly hegemonic, is routinely ignored or manipulated by elites and society and converted into a miasma that to some degree wastes the energies and opportunities involved. Second, it is about alternatives which invoke the kind of peace people might seek in postconflict places if they had more control over the process of peacebuilding, a notion referred to here as ‘popular peace’. It is thus not the kind of critical work that some describe as ‘reflexive anti-liberalism’. Rather, it seeks alternatives that are grounded in the lives of people in postconflict spaces and which also reflect some of the essential values of Liberalism. Third, it is about the role of both informal and formal actors, institutions and practices in the creation of such a peace. For instance, it is concerned with the legitimacy of informal practices that lie beyond Liberal tolerance and which are vital in the pursuit of everyday peace. Fourth, it is about a ‘transversal’ (rather than vertical or hierarchical) relationship of global and local governance in securing a peace that reflects the needs and values of both. In short, this work is a response to the substantial inconsistencies that appear between peacebuilding rhetoric and everyday outcomes in postconflict places.This book will be of much interest to students of peacebuilding, post-conflict statebuilding, conflict studies, global governance and International Relations in general.

This book examines the limits to cosmopolitan liberal peacebuilding caused by its preoccupation with the values and assumptions of neoliberal global governance. The peace people experience is determined by the processes privileged in peacebuilding. This book is about four things that shape the processes involved. First, it is a critique of orthodox postconflict peacebuilding. It takes the position that the present approach, although seemingly hegemonic, is routinely ignored or manipulated by elites and society and converted into a miasma that to some degree wastes the energies and opportunities involved. Second, it is about alternatives which invoke the kind of peace people might seek in postconflict places if they had more control over the process of peacebuilding, a notion referred to here as ‘popular peace’. It is thus not the kind of critical work that some describe as ‘reflexive anti-liberalism’. Rather, it seeks alternatives that are grounded in the lives of people in postconflict spaces and which also reflect some of the essential values of Liberalism. Third, it is about the role of both informal and formal actors, institutions and practices in the creation of such a peace. For instance, it is concerned with the legitimacy of informal practices that lie beyond Liberal tolerance and which are vital in the pursuit of everyday peace. Fourth, it is about a ‘transversal’ (rather than vertical or hierarchical) relationship of global and local governance in securing a peace that reflects the needs and values of both. In short, this work is a response to the substantial inconsistencies that appear between peacebuilding rhetoric and everyday outcomes in postconflict places.This book will be of much interest to students of peacebuilding, post-conflict statebuilding, conflict studies, global governance and International Relations in general.

This book traces the development of modern Syria focusing on the contribution of the Ba’th party and Ba’thist ideology. It examines the roots of the Ba’th in the intellectual ferment of the 1940s and charts its growing influence on Syrian politics. Special attention is devoted to the crucial Sixth Congress of the Ba’th Party in 1963 and the key ideological document, the Muntalaqat, produced by Michel Aflaq. After 1963 the military became increasingly dominant until Hafiz al-Asad came to power in 1970. Since then the Party has been less dominant internally but Syria itself has established a pivotal position in regional affairs. The book concludes by reviewing the prospects for Syria after Asad and the potential for a Ba’thist revival.

Restoration London's leading actor and theatre manager Thomas Betterton has not been the subject of a biography since 1891. He worked with all the best-known playwrights of his age and with the first generation of English actresses; he was intimately involved in the theatre's responses to politics, and became a friend of leading literary men such as Pope and Steele. His innovations in scenery and company management, and his association with the dramatic inheritance of Shakespeare, helped to change the culture of English theatre. David Roberts's entertaining study unearths new documents and draws fresh conclusions about this major but shadowy figure. It contextualizes key performances and examines Betterton's relationship to patrons, colleagues and family, as well as to significant historical moments and artefacts. The most substantial study available of any seventeenth-century actor, Thomas Betterton gives one of England's greatest performing artists his due on the tercentenary of his death.

This book illustrates the limits to the 1990s UNTAC peacekeeping intervention in Cambodia and raises a critical challenge to the assumptions underpinning key tenets of the 'Liberal Project' as a mechanism for resolving complex, severe struggles for elite political power in developing countries.The book highlights the limitations of externally imposed power-sharing. In the case of Cambodia, the imagined effect was a coalition that would share power democratically. However, this approach was appropriate only for resolving the superpower conflict that had created Cambodia's war. Rather than bringing long-term peace to Cambodia, Roberts argues, it created the temporary illusion of a democratic system that in fact recreated the military conflict and housed it in a superficial coalition.The book challenges assumptions regarding the inevitability of the globalization of liberalism as a means of ordering non-western societies. It explains the failure of democratic transition in terms of the impropriety and weakness of the plan which preceded it, and in terms of the elite's traditional reliance on absolutism and resistance to the concept of 'Opposition'.