Villa Negativa

Villa Negativa is Sharon McCartney’s seventh volume of poetry. Her previous books include Metanoia (2016, Biblioasis), Hard Ass (2013, Palimpsest), For and Against (2010, Goose Lane Editions), The Love Song of Laura Ingalls Wilder (2007, Nightwood Editions), Karenin Sings the Blues (2003, Goose Lane Editions) and Under the Abdominal Wall (1999, Anvil Press). Sharon’s poems have been included in several editions of The Best Canadian Poetry in English. She has an MFA from the University of Iowa's Writers' Workshop and an LL.B. from the University of Victoria and currently lives in Edmonton, Alberta.

Praise for Sharon McCartney“Part satire, part self-examination, and far more layered than it first appears. Working largely in free verse… moving between levity and sincerity in a short span… The collection is brilliant: short, sharp, and eminently readable. Although it is a quick read, it is a deeply satisfying one.”—Publishers Weekly (starred review)“So much is revealed in so few words … It’s a book that feels light, but its delivery is heavy, and worthy of contemplation … McCartney is merciless in exposing vulnerability, but also builds an intimacy integral to Metanoia‘s achievement.”—Quill & Quire (starred review)“McCartney has written exceedingly rhythmical poems … and this is one of the reasons she holds a place of high esteem in the Canadian poetry scene for me … There’s a ton to empathize over, rage against, or even pshaw in disdain towards, usually in the face of some sad sack male character … “Agonal and Preterminal,” the third piece, perfectly sketches a painful portrait of an era of institutionalization, medicalese and the hush of shame.”—Marrow Reviews"The poems are satirical as the speaker examines herself, her life and her relationships ... the presentation is raw and empowered with many emotions like fear, sadness and, yes, even anger. Yet, within the words and emotions, the speaker delves into many of the deeper meanings of life, and death."—Arc Poetry Magazine“You don’t read these poems, you feel them: Hammer in the head, shod foot on the throat, stiletto in the heart. It’s those combos of wild, piercing insights (or unusual but poignant images); yep, that’s what makes it good for you–or kills you, laughing.”—George Elliott Clarke