This book explores the conceptualization of time in early twentieth-century literature and thought, based on a transnational and translational model of literary history, focusing on Turkish, French and German literary traditions.
Özen Nergis Dolcerocca is Associate Professor in the Department of Modern Languages, Literatures and Cultures at the University of Bologna, Italy. She holds a PhD in Comparative Literature from NYU and is the principal investigator of the ERC Starting Grant project ‘Modernizing Empires: Enlightenment, Nationalist Vanguards and Non-Western Literary Modernities’. Her research focuses on literary theory, comparative literature, modernism, nineteenth-century cultural history, narratology, and digital humanities.
Innehållsförteckning
Chapter 1.- Introduction.- Part I: Philosophy of Time.- Chapter 2- Bergson, The Politics of Time and Modernity.- Part II: Chronometrics in the Modern Capital: the City, the Past and Collective Memory.- Chapter 3 - Ahmet Hamdi Tanpınar’s Istanbul.- Chapter 4- Chronometrics in the Modern Capital: Walter Benjamin’s Fairytale.- Part III: The Literary Clock and Chronophobia.- Chapter 5 - Chronostasis: Temporal Disorders and the Critique of Managed Existence in The Time Regulation Institute.- Chapter 6- The Clockwork Language: Temporal and Linguistic Modernity in Robert Walser’s The Assistant.- Chapter 7- Conclusion.