Carlos Garrido Castellano is Senior Lecturer/Associate Professor in University College Cork, Ireland, where he coordinates a BA programme on Portuguese Studies. He is also Senior Associate Researcher at the Visual Identities in Art and Design (VIAD), University of Johannesburg, South Africa. He is Principal Investigator of the IRC Laureate Consolidator Project “Assessing the Contemporary Art Novel in Spanish and Portuguese: Cultural Labour, Personal Identification and the Materialisation of Alternative Art Worlds (ARTFICTIONS) and the author of Beyond Representation in Contemporary Caribbean Art (2019), Art Activism for an Anticolonial Future (2021) and Literary Fictions of the Contemporary Art System (2023).

• 1. ​Introduction. Carlos Garrido Castellano and Ana Albuquerque.- 2. A Portuguese Nightmare: Resisting Neoliberalism and Neocolonialism in the Contemporary Portuguese Novel. Paulo de Medeiros.- 3. Hands Interweaving Words: José Saramago’s Creative Work as a Subversion of Neoliberalism. Daniela Maduro.- 4. “Desconseguir”: Narrative Dualities between Movement and Stillness in Kalaf Epalanga’s Também os Brancos Sabem Dançar. Ana Albuquerque.- 5. Cultural Labor and the Angolan Historical Novel. Inocência Mata.- 6. And When Are You Going Back?! Narratives of Return and Identity Building in Diasporic Brazilian and Portuguese literatures. Liz Maria Teles de Sá Almeida.- 7. Lugar de Fala (Place of Speech) and the “New Voices” in 21st Century Brazilian Fiction. Karl Erik Schøllhammer.- 8. Brazilian Literature in Times of Political Setbacks. Regina Dalcastagnè.- 9. The Jaguar’s Story: Imagining Decoloniality in Micheliny Verunschk’s O som do rugido da onça. Leila Lehnen.- 10. The Author as Curator in Recent Brazilian Fiction. Luciene Azevedo.- 11. Barbarism without Civilization: Reading Mia Couto through a Latin American Lens. Kristian Van Haesendonck.- 12. Portuguese-speaking African Writers in the World-Literary Marketplace. Thomas Waller.- 13. Power, gender and sexuality in contemporary Cape Verde: On Evel Rocha’s Marginals. Mário César Lugarinho.- 14. Precarity Frontier: Cape Verdean Literature as World Literature. Emanuelle Santos.- 15. Cultural Labor and Historical Fiction in Contemporary Macau. Fernanda Gil Costa.

Carlos Garrido Castellano is Senior Lecturer/Associate Professor in University College Cork, Ireland, where he coordinates a BA programme on Portuguese Studies. He is also Senior Associate Researcher at the Visual Identities in Art and Design (VIAD), University of Johannesburg, South Africa. He is Principal Investigator of the IRC Laureate Consolidator Project “Assessing the Contemporary Art Novel in Spanish and Portuguese: Cultural Labour, Personal Identification and the Materialisation of Alternative Art Worlds (ARTFICTIONS) and the author of Beyond Representation in Contemporary Caribbean Art (2019), Art Activism for an Anticolonial Future (2021) and Literary Fictions of the Contemporary Art System (2023).

• 1. ​Introduction. Carlos Garrido Castellano and Ana Albuquerque.- 2. A Portuguese Nightmare: Resisting Neoliberalism and Neocolonialism in the Contemporary Portuguese Novel. Paulo de Medeiros.- 3. Hands Interweaving Words: José Saramago’s Creative Work as a Subversion of Neoliberalism. Daniela Maduro.- 4. “Desconseguir”: Narrative Dualities between Movement and Stillness in Kalaf Epalanga’s Também os Brancos Sabem Dançar. Ana Albuquerque.- 5. Cultural Labor and the Angolan Historical Novel. Inocência Mata.- 6. And When Are You Going Back?! Narratives of Return and Identity Building in Diasporic Brazilian and Portuguese literatures. Liz Maria Teles de Sá Almeida.- 7. Lugar de Fala (Place of Speech) and the “New Voices” in 21st Century Brazilian Fiction. Karl Erik Schøllhammer.- 8. Brazilian Literature in Times of Political Setbacks. Regina Dalcastagnè.- 9. The Jaguar’s Story: Imagining Decoloniality in Micheliny Verunschk’s O som do rugido da onça. Leila Lehnen.- 10. The Author as Curator in Recent Brazilian Fiction. Luciene Azevedo.- 11. Barbarism without Civilization: Reading Mia Couto through a Latin American Lens. Kristian Van Haesendonck.- 12. Portuguese-speaking African Writers in the World-Literary Marketplace. Thomas Waller.- 13. Power, gender and sexuality in contemporary Cape Verde: On Evel Rocha’s Marginals. Mário César Lugarinho.- 14. Precarity Frontier: Cape Verdean Literature as World Literature. Emanuelle Santos.- 15. Cultural Labor and Historical Fiction in Contemporary Macau. Fernanda Gil Costa.

Carlos Garrido Castellano is Senior Lecturer/Associate Professor in University College Cork, Ireland, where he coordinates a BA programme on Portuguese Studies. He is also Senior Associate Researcher at the Visual Identities in Art and Design (VIAD), University of Johannesburg, South Africa. He is Principal Investigator of the IRC Laureate Consolidator Project “Assessing the Contemporary Art Novel in Spanish and Portuguese: Cultural Labour, Personal Identification and the Materialisation of Alternative Art Worlds (ARTFICTIONS) and the author of Beyond Representation in Contemporary Caribbean Art (2019), Art Activism for an Anticolonial Future (2021) and Literary Fictions of the Contemporary Art System (2023).

• 1. ​Introduction. Carlos Garrido Castellano and Ana Albuquerque.- 2. A Portuguese Nightmare: Resisting Neoliberalism and Neocolonialism in the Contemporary Portuguese Novel. Paulo de Medeiros.- 3. Hands Interweaving Words: José Saramago’s Creative Work as a Subversion of Neoliberalism. Daniela Maduro.- 4. “Desconseguir”: Narrative Dualities between Movement and Stillness in Kalaf Epalanga’s Também os Brancos Sabem Dançar. Ana Albuquerque.- 5. Cultural Labor and the Angolan Historical Novel. Inocência Mata.- 6. And When Are You Going Back?! Narratives of Return and Identity Building in Diasporic Brazilian and Portuguese literatures. Liz Maria Teles de Sá Almeida.- 7. Lugar de Fala (Place of Speech) and the “New Voices” in 21st Century Brazilian Fiction. Karl Erik Schøllhammer.- 8. Brazilian Literature in Times of Political Setbacks. Regina Dalcastagnè.- 9. The Jaguar’s Story: Imagining Decoloniality in Micheliny Verunschk’s O som do rugido da onça. Leila Lehnen.- 10. The Author as Curator in Recent Brazilian Fiction. Luciene Azevedo.- 11. Barbarism without Civilization: Reading Mia Couto through a Latin American Lens. Kristian Van Haesendonck.- 12. Portuguese-speaking African Writers in the World-Literary Marketplace. Thomas Waller.- 13. Power, gender and sexuality in contemporary Cape Verde: On Evel Rocha’s Marginals. Mário César Lugarinho.- 14. Precarity Frontier: Cape Verdean Literature as World Literature. Emanuelle Santos.- 15. Cultural Labor and Historical Fiction in Contemporary Macau. Fernanda Gil Costa.