Walt Whitman – författare

With an Introduction and Bibliography by Stephen Matterson, Trinity College, Dublin.Walt Whitman's verse gave the poetry of America a distinctive national voice. It reflects the unique vitality of the new nation, the vastness of the land and the emergence of a sometimes troubled consciousness, communicated in language and idiom regarded by many at the time as shocking.Whitman's poems are organic and free flowing, fit into no previously defined genre and skilfully combine autobiographical, sociological and religious themes with lyrical sensuality. His verse is a fitting celebration of a new breed of American and includes 'Song of Myself', 'Crossing Brooklyn Ferry', the celebratory 'Passage to India', and his fine elegy for the assassinated President Lincoln, 'When Lilacs Last in the Dooryard Bloom'd'.

As Malcolm Cowley says in his introduction, the first edition of Leaves of Grass 'might be called the buried masterpiece of American writing', for it exhibits 'Whitman at his best, Whitman at his freshest in vision and boldest in language, Whitman transformed by a new experience.' Mr Cowley has taken the first edition from its narrow circulation among scholars, faithfully edited it, added his own introduction and Whitman's original introduction (which never appeared in any other edition during Whitman's life), and returned it to the common readership to whom the great poet really speaks.

A collectible new Penguin Classics series: stunning, clothbound editions of ten favourite poets, which present each poet's most famous book of verse as it was originally published. Designed by the acclaimed Coralie Bickford-Smith and beautifully set, these slim, A format volumes are the ultimate gift for poetry lovers. In 1855 Walt Whitman published his first collection of poetry, Leaves of Grass. The volume received great praise from leading Transcendentalist poet Ralph Waldo Emerson. This encouraged what would become a lifelong project as Whitman expanded and rewrote the volume until his death in 1892. Whitman's innovative use of free verse and the quotidian achieved his aim of reaching out to the everyday American. This edition, based on the earliest published version of 1855, features Whitman's most famous poem 'Song of Myself', an American epic inspired by his personal experiences.

HarperCollins is proud to present our range of timeless literary classics.I believe a leaf of grass is no less than the journey work of the stars…First published in 1855, and edited, revised and expanded over thirty years, ‘Leaves of Grass’ has become one of the most celebrated poetry collections in the history of American literature. A master of free verse, Walt Whitman captures the true spirit of his homeland and its people through his poetry. He explores a wide range of themes, encompassing American identity and cultural values, democracy, nature and the mysteries of the human spirit.Featuring the poems of the original 1855 edition, ‘Leaves of Grass’ remains an influential work within the American literary tradition, studied and treasured around the world.

"The most extraordinary piece of wit and wisdom that America has yet contributed." — Ralph Waldo Emerson. Inspired by transcendentalism, Whitman's immortal collection includes some of the greatest poems of modern times, including his masterpiece "Song of Myself." Shattering standard conventions of symbolism and allegory, it stands as an unabashed celebration of body and nature.

Do I contradict myself?Very well then I contradict myself.(I am large, I contain multitudes.)Abundant, ecstatic, generous, courageous - this is the first American epic poem, a celebration of selfhood and a catalogue of nineteenth-century American life of all ages and races. Revolutionary in style and controversial in content when it was first published in 1855, Whitman's masterwork has since inspired generations with its intoxicating rhythms and images, and its inclusive, praiseful joy.THE ORIGINAL 1855 TEXT

In 1855 Walt Whitman published Leaves of Grass, the work which defined him as one of America's most influential voices, and which he added to throughout his life. A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation and what it meant to be an American. From the joyful 'Song of Myself' and 'I Sing the Body Electric' to the elegiac 'When Lilacs Last in the Dooryard Bloom'd', Whitman's art fuses oratory, journalism and song in a vivid celebration of humanity.

'All nations, colors, barbarisms, civilizations, languages...'A selection taken from Walt Whitman's Leaves of Grass Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Walt Whitman (1819-1892). Whitman's works available in Penguin Classics are Leaves of Grass and The Complete Poems.

When Walt Whitman self-published a collection of 12 poems entitled Leaves of Grass in 1855, he was an unknown, but ambitious, journalist from Long Island - by the time of his death he was beginning to be recognised as one of the most distinctive poetic voices of the modern world. His poetry, which he continually revised and republished over the course of his life, broke new ground in its treatment of the individual, eroticism, mortality and the trauma of the Civil War and created a new, unfamiliar yet unabashedly American, voice for his country and his fellow people.

The publication of "Leaves of Grass" in July 1855 was a landmark event in literary history. Ralph Waldo Emerson judged the book "the most extraordinary piece of wit and wisdom America has yet contributed." Nothing like the volume had ever appeared before. Everything about it - the unusual jacket and title page, the exuberant preface, the twelve free-flowing, untitled poems embracing every realm of experience - was new. The 1855 edition broke new ground in its relaxed style, which prefigured free verse; in its sexual candor; in its images of racial bonding and democratic togetherness; and in the intensity of its affirmation of the sanctity of the physical world.

'I spring from the pages into your arms'Walt Whitman's Leaves of Grass stands as one of the most influential and innovative literary works of the last two hundred years. Widely credited as the originator of free verse in English, Whitman put forward a radical new language of the body, the nation, and same-sex love. After the book's initial publication in June 1855, Whitman revised and expanded the project a further seven times, with subsequent editions appearing at regular intervals until his death in 1892. His revisions to particular poems were often substantial, and the addition of new poems to each edition so extensive, that the books dimensions altered dramatically.This edition introduces Whitmans ongoing labour of revision and renewal his successive responses to the shattering years that encompassed the American Civil War and its aftermath. Beginning with the first edition of 1855, it moves chronologically, selecting and including the most substantial poems and clusters as Whitman first included them. In most cases, this means reprinting the often more politically and sexually daring beginning, rather than the revised end, of a particular poem's journey. The present edition thereby provides a portrait of a poet who attempted to reshape his project in tandem with some of the most tumultuous decades in American history, and who in the process altered forever the parameters and possibilities of poetry itself.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"I celebrate myself, And what I assume you shall assume,For every atom belonging to me as good belongs to you. I loafe and invite my soul, I lean and loafe at my ease....observing a spear of summer grass." So begins Leaves of Grass, the first great American poem and indeed, to this day, the greatest and most essentially American poem in all our national literature. The publication of Leaves of Grass in July 1855 was a landmark event in literary history. Ralph Waldo Emerson judged the book "the most extraordinary piece of wit and wisdom America has yet contributed." Nothing like the volume had ever appeared before. Everything about it--the unusual jacket and title page, the exuberant preface, the twelve free-flowing, untitled poems embracing every realm of experience--was new. The 1855 edition broke new ground in its relaxed style, which prefigured free verse; in its sexual candor; in its images of racial bonding and democratic togetherness; and in the intensity of its affirmation of the sanctity of the physical world.This Anniversary Edition captures the typeface, design and layout of the original edition supervised by Whitman himself. Today's readers get a sense of the "ur-text" of Leaves of Grass, the first version of this historic volume, before Whitman made many revisions of both format and style. The volume also boasts an afterword by Whitman authority David Reynolds, in which he discusses the 1855 edition in its social and cultural contexts: its background, its reception, and its contributions to literary history. There is also an appendix containing the early responses to the volume, including Emerson's letter, Whitman's three self-reviews, and the twenty other known reviews published in various newspapers and magazines.This special volume will be a must-have keepsake for fans of Whitman and lovers of American poetry.

'I obey my happy hour's command, which seems curiously imperative. May-be, if I don't do anything else, I shall send out the most wayward, spontaneous, fragmentary book ever printed.'One of the best kept secrets of modern autobiographical literature, Whitman's autobiography moves in brisk, episodic fashion to chronicle the life of one of the world's best loved and most influential poets. Experimental in form, lyrical in expression, and rich in experiential content, Specimen Days still awaits a much wider readership than it has hitherto commanded. Whitman gives us his life as lived in relation to the shifting urban and rural ecologies of a young nation -a nation that had freshly emerged from catastrophic civil war and that was assuming the vanguard of artistic, technological, economic, political, and philosophical modernity.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Norton Library edition of Leaves of Grass features carefully curated selections from multiple editions of Walt Whitman’s collected poetry. Ed Whitley provides a compelling introduction and thoughtful notes that weave in threads from Whitman’s own life and emphasize these works’ sustained relevance for contemporary readers.The Norton Library is a growing collection of high-quality texts and translations—influential works of literature and philosophy—introduced and edited by leading scholars. Norton Library editions prepare readers for their first encounter with the works that they’ll re-read over a lifetime.Inviting introductions highlight the work’s significance and influence, providing the historical and literary context students need to dive in with confidence.Endnotes and an easy-to-read design deliver an uninterrupted reading experience, encouraging students to read the text first and refer to endnotes for more information as needed.An affordable price (most $10 or less) encourages students to buy the book and to come to class with the assigned edition.

Following the texts is an album of portraits of Whitman, as well as "Whitman on His Art," a collection of Whitman's statements about his role as a poet taken from his notebooks, letters, conversations, and newspaper articles.While continuing to provide leading commentary on Whitman by major twentieth-century poets and critics, among them D. H. Lawrence, William Carlos Williams, and Randall Jarrell, this revised edition adds important commentary by Whitman contemporaries Henry David Thoreau, Fanny Fern, Henry James, and Oscar Wilde, among others. An entirely new section of recent criticism includes six essays--by David S. Reynolds, Karen Sanchez-Eppler, John Irwin, Allen Grossman, Betsy Erkkila, and Michael Moon--that reflect both the continuing historicist mainstream of Whitman literary interpretation and influential recent work in gender and sexuality studies.The volume also includes a Chronology, a Selected Bibliography, and an Index of Titles.

Since 1855, Walt Whitman's Song of Myself has been enjoyed, debated, parodied and imitated by readers, critics and artists crossing national and linguistic boundaries. Many argue that it is the most influential poem ever written by an American. This sourcebook and critical edition provides easy access to:* information on the contexts of Whitman's work, including biographical details and a chronology* an overview of the critical reception of the poem and extracts from important criticism, reprinted with clear introductory headnotes* key passages from the original 1855 edition, with commentary and annotation* the full 'final' 1881 edition of the poem.Cross-references link the critical, contextual and textual sections of the volume, encouraging an integrated understanding of this creative and controversial text. Complementing a wealth of material with suggestions for further reading, this volume is ideal for readers with no knowledge of the poem, or for those returning anew to a favourite text.

This sourcebook includes the full text of Song of Myself.Since 1855, Walt Whitman's Song of Myself has been enjoyed, debated, parodied and imitated by readers, critics and artists crossing national and linguistic boundaries. Many argue that it is the most influential poem ever written by an American.This sourcebook and critical edition provides easy access to:*information on the contexts of Whitman's work, including biographical details and a chronology*an overview of the critical reception of the poem and extracts from important criticism, reprinted with clear introductory headnotes*key passages from the original 1855 edition, with commentary and annotation*the full 'final' 1881 edition of the poem.Cross-references link the critical, contextual and textual sections of the volume, encouraging an integrated understanding of this creative and controversial text. Complementing a wealth of material with suggestions for further reading, this volume is ideal for readers with no knowledge of the poem, or for those returning anew to a favourite text.

It was with this first version of "Song of Myself," from the 1855 edition of Leaves of Grass, that Whitman first made himself known to the world. Readers familiar with the later, revised editions will find this first version new, surprising, and often superior to the revisions, and exhilarating in the freshness of its vision.