Michael Cunningham – författare

Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, ‘The Hours’ is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.Exiled in Richmond in the 1920s, taken from her beloved Bloomsbury and watched by her husband Leonard, Virginia Woolf struggles to tame her rebellious mind and make a start on her new novel.In the brooding heat of 1940s Los Angeles, a young wife and mother yearns to escape the claustrophobia of suburban domesticity and read her precious copy of ‘Mrs Dalloway’.And in New York in the 1990s, Clarissa Vaughan steps out of her smart Greenwich Village apartment and goes shopping for flowers for the party she is giving in honour of her life-long friend Richard, an award-winning poet whose mind and body are being ravaged by AIDS.Michael Cunningham’s exquisite and deeply moving novel is a meditation on artistic behaviour, failure, love and madness. Moving effortlessly across the decades and between England and America, Cunningham’s elegant, haunting prose explores the pain and trauma of creativity and the immutable relationship between writer and reader.

An intimate memoir portraying a life spent trying to describe the indescribable—from the Pulitzer Prize-winning novelist of The Hours and Day. Go ahead. Try using language to slit the skin of mortality to see what’s on the other side. At the age of three, Michael Cunningham began obsessively collecting the names of things: oak, Chevrolet, finch, tulip, Tupperware… Each word rendered the world ever so slightly more understandable, more describable, kicking off a lifelong love affair with language—one that would, eventually, maybe inevitably, lead him to become a writer.In Unsayable, Cunningham’s memories spill forth, and with them, reflections on the craft of writing. He is fifteen, in a swimming pool at night, gazing at the first boy he ever fell in love with, who is lost in contemplative silence. He is a new college graduate, setting off for nowhere in a Dodge Dart, hoping to pull meaning (and a novel) from the expanse of America. He is on Cape Cod, regaling an elderly couple with invented tales of sexual escapades. He is in an art gallery, unwittingly having the first in a lifetime of conversations with the man he would marry. A thread ties each beautifully-wrought moment to the next: what is unspoken, what won’t yield to language, what is embellished beyond recognition, what is still left to say.Luminous, perceptive and powerful, Unsayable is an ode to literature, a meditation on craft and an intimate account of a life spent trying to put into words that which resists depiction. This, it turns out, is the lifeblood of the fiction writer: the impossibility of capturing the human experience, and the relentless desire to try.

From the Pultizer Prize-winning author of ‘The Hours’, comes the story of a marriage thrown off course by a moment of mistaken identity.Peter Harris is forty-four, prosperous, the owner of a big New York apartment and a player in the contemporary art scene. He has been married to Rebecca for close to twenty years. Their marriage is sound, in the way marriages are. Peter might even describe himself as happy. But then Rebecca’s much younger brother Mizzy shows up for a visit. Beautiful, twenty-three years old, with a history of drug problems, Mizzy is looking for direction. And in his presence, Peter finds himself questioning his marriage, his desires, his career – the entire world he has so carefully constructed for himself.Making us think deeply about the uses of beauty and the place of love in our lives, By Nightfall is heartbreaking look at the way we live now.

From the Pulitzer Prize-winning author of ‘The Hours’, time, technology and love are the central concerns of a provocative novel that calls to mind David Mitchell’s ‘Cloud Atlas’.Lucas, Catherine, Simon: three characters meet time and again in the three linked narratives that form ‘Specimen Days’. The first, a science fiction of the past, tells of a boy whose brother was ‘devoured’ by the machine he operated. The second is a noirish thriller set in our century, as a police psychologist attempts to track down a group of terrorists. And the third and final strand accompanies two strange beings into the future.A novel of connecting and reconnecting, inspired by the writings of the great visionary poet Walt Whitman, ‘Specimen Days’ is a genre-bending, haunting ode to life itself – a work of surpassing power and beauty by one of the most original and daring writers at work today.

From the Pulitzer Prize-winning author of `The Hours’, time, technology and love are the central concerns of a provocative novel that calls to mind David Mitchell’s `Cloud Atlas’.Lucas, Catherine, Simon: three characters meet time and again in the three linked narratives that form `Specimen Days’. The first, a science fiction of the past, tells of a boy whose brother was `devoured’ by the machine he operated. The second is a noirish thriller set in our century, as a police psychologist attempts to track down a group of terrorists. And the third and final strand accompanies two strange beings into the future.A novel of connecting and reconnecting, inspired by the writings of the great visionary poet Walt Whitman, `Specimen Days’ is a genre-bending, haunting ode to life itself – a work of surpassing power and beauty by one of the most original and daring writers at work today.

Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, `The Hours’ is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.Exiled in Richmond in the 1920s, taken from her beloved Bloomsbury and watched by her husband Leonard, Virginia Woolf struggles to tame her rebellious mind and make a start on her new novel.In the brooding heat of 1940s Los Angeles, a young wife and mother yearns to escape the claustrophobia of suburban domesticity and read her precious copy of `Mrs Dalloway’.And in New York in the 1990s, Clarissa Vaughan steps out of her smart Greenwich Village apartment and goes shopping for flowers for the party she is giving in honour of her life-long friend Richard, an award-winning poet whose mind and body are being ravaged by AIDS.Michael Cunningham’s exquisite and deeply moving novel is a meditation on artistic behaviour, failure, love and madness. Moving effortlessly across the decades and between England and America, Cunningham’s elegant, haunting prose explores the pain and trauma of creativity and the immutable relationship between writer and reader.

From the Pultizer Prize-winning author of ‘The Hours’, comes the story of a marriage thrown off course by a moment of mistaken identity.Peter Harris is forty-four, prosperous, the owner of a big New York apartment and a player in the contemporary art scene. He has been married to Rebecca for close to twenty years. Their marriage is sound, in the way marriages are. Peter might even describe himself as happy. But then Rebecca’s much younger brother Mizzy shows up for a visit. Beautiful, twenty-three years old, with a history of drug problems, Mizzy is looking for direction. And in his presence, Peter finds himself questioning his marriage, his desires, his career – the entire world he has so carefully constructed for himself.Making us think deeply about the uses of beauty and the place of love in our lives, By Nightfall is heartbreaking look at the way we live now.

From the Pultizer Prize-winning author of `The Hours’, comes the story of a marriage thrown off course by a moment of mistaken identity.Peter Harris is forty-four, prosperous, the owner of a big New York apartment and a player in the contemporary art scene. He has been married to Rebecca for close to twenty years. Their marriage is sound, in the way marriages are. Peter might even describe himself as happy. But then Rebecca’s much younger brother Mizzy shows up for a visit. Beautiful, twenty-three years old, with a history of drug problems, Mizzy is looking for direction. And in his presence, Peter finds himself questioning his marriage, his desires, his career – the entire world he has so carefully constructed for himself.Making us think deeply about the uses of beauty and the place of love in our lives, By Nightfall is heartbreaking look at the way we live now.

A vision appears in the sky above wintry New York and seems to exert an influence over two brothers, in this luminous, compassionate novel from the author of `The Hours’.Barrett Meeks, having lost love yet again, is walking through Central Park when he is inspired to look up; in the sky he sees a pale, translucent light that seems to regard him in a distinctly godlike way. Barrett doesn’t believe in visions—or in God—but he can’t deny what he’s seen.At the same time, in nearby Brooklyn, Tyler, Barrett’s older brother, a struggling musician, is trying to write a song for Beth, his wife-to-be, who is seriously ill. Tyler is determined to write a wedding song that will not be merely a sentimental ballad but an enduring expression of love.Barrett, haunted by the light, turns unexpectedly to religion, while Tyler grows increasingly convinced that only drugs can release his creative powers.Cunningham follows the Meeks brothers as each travels down a different path in his search for transcendence. In subtle, lucid prose, he demonstrates a profound empathy for his conflicted characters and a singular understanding of the human soul. Beautiful, unexpectedly comic and truly heartbreaking, `The Snow Queen’ proves again that Cunningham is one of the great novelists of his generation.

From the author of THE HOURS‘Luminously written … page-turningly enjoyable, this is a profound novel about love from a highly regarded, Pulitzer-winning novelist’ Sunday TimesWalking through Central Park, Barrett Meeks sees a translucent light in the sky that regards him in a distinctly godlike way. Barrett doesn’t believe in visions – or in God – but he can’t deny what he’s seen. In nearby Brooklyn, Tyler, Barrett’s older brother, is trying – and failing – to write a wedding song for Beth, his wife-to-be, who is seriously ill. Barrett turns unexpectedly to religion, while Tyler grows convinced that only drugs can release his creative powers.The Snow Queen, beautiful and heartbreaking, comic and tragic, proves again that Cunningham is one of the great novelists of his generation.

Here are the moments that our fairy tales forgot or deliberately concealed, reimagined by one of the most gifted storytellers of his generation, the Pulitzer Prize winning author of The Hours, and exquisitely illustrated by Yuko Shimizu. Rarely have our bedtime stories been this dark, this perverse, or this true.The Beast stands ahead of you in line at the convenience store, buying smokes and a Slim Jim, his devouring smile aimed at the cashier. A malformed little man with a knack for minor acts of wizardry goes to disastrous lengths to procure a child. A loutish and lazy Jack prefers living in his mother's basement to getting a job, until the day he trades a cow for a handful of magic beans.In A Wild Swan and Other Tales, the people and the talismans of lands far, far away – the mythic figures of our childhoods and the source of so much of our wonder – are transformed by Michael Cunningham into stories of sublime revelation.

Here are the moments that our fairy tales forgot or deliberately concealed, reimagined by one of the most gifted storytellers of his generation, the Pulitzer Prize winning author of The Hours, and exquisitely illustrated by Yuko Shimizu. Rarely have our bedtime stories been this dark, this perverse, or this true.The Beast stands ahead of you in line at the convenience store, buying smokes and a Slim Jim, his devouring smile aimed at the cashier. A malformed little man with a knack for minor acts of wizardry goes to disastrous lengths to procure a child. A loutish and lazy Jack prefers living in his mother's basement to getting a job, until the day he trades a cow for a handful of magic beans.In A Wild Swan and Other Tales, the people and the talismans of lands far, far away – the mythic figures of our childhoods and the source of so much of our wonder – are transformed by Michael Cunningham into stories of sublime revelation.

Here are the moments that our fairy tales forgot or deliberately concealed, reimagined by one of the most gifted storytellers of his generation, the Pulitzer Prize winning author of The Hours. Rarely have our bedtime stories been this dark, this perverse, or this true.The Beast stands ahead of you in line at the convenience store, buying smokes and a Slim Jim, his devouring smile aimed at the cashier. A malformed little man with a knack for minor acts of wizardry goes to disastrous lengths to procure a child. A loutish and lazy Jack prefers living in his mother''s basement to getting a job, until the day he trades a cow for a handful of magic beans.In A Wild Swan and Other Tales, the people and the talismans of lands far, far away – the mythic figures of our childhoods and the source of so much of our wonder – are transformed by Michael Cunningham into stories of sublime revelation.

‘Unsparing and tender’ Colm Tóibín, author of Brooklyn‘A brilliant novel from our most brilliant of writers’ Colum McCann, author of Apeirogon‘A quietly stunning achievement’ Ocean Vuong, author of On Earth We’re Briefly Gorgeous As the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious – and learning to go on. April 5th, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, has created a glamorous avatar online; Robbie, who now has to move out of the house – and whose departure threatens to break the family apart. And then there is Nathan, age ten, taking his first uncertain steps toward independence, while Violet, five, does her best not to notice the growing rift between her parents.April 5th, 2020: As the world goes into lockdown the brownstone is feeling more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe. Isabel and Dan circle each other warily, communicating mostly in veiled jabs and frustrated sighs. And beloved Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts – and his secret Instagram life – for company.April 5th, 2021: Emerging from the worst of the crisis, the family comes together to reckon with a new, very different reality – with what they’ve learned, what they’ve lost, and how they might go on.From the brilliant mind of Pulitzer Prize winner Michael Cunningham, Day is a searing, exquisitely crafted meditation on love and loss, and the struggles and limitations of family life – how to live together and apart, and maybe even escape the marriage plot entirely. ‘Cunningham is one of our great American writers, and here is another masterpiece … Read it and be changed’ Andrew Sean Greer, author of Less

‘Unsparing and tender’ Colm Tóibín, author of Brooklyn‘A brilliant novel from our most brilliant of writers’ Colum McCann, author of Apeirogon‘A quietly stunning achievement’ Ocean Vuong, author of On Earth We’re Briefly Gorgeous As the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious – and learning to go on. April 5th, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, has created a glamorous avatar online; Robbie, who now has to move out of the house – and whose departure threatens to break the family apart. And then there is Nathan, age ten, taking his first uncertain steps toward independence, while Violet, five, does her best not to notice the growing rift between her parents.April 5th, 2020: As the world goes into lockdown the brownstone is feeling more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe. Isabel and Dan circle each other warily, communicating mostly in veiled jabs and frustrated sighs. And beloved Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts – and his secret Instagram life – for company.April 5th, 2021: Emerging from the worst of the crisis, the family comes together to reckon with a new, very different reality – with what they’ve learned, what they’ve lost, and how they might go on.From the brilliant mind of Pulitzer Prize winner Michael Cunningham, Day is a searing, exquisitely crafted meditation on love and loss, and the struggles and limitations of family life – how to live together and apart, and maybe even escape the marriage plot entirely. ‘Cunningham is one of our great American writers, and here is another masterpiece … Read it and be changed’ Andrew Sean Greer, author of Less

‘Unsparing and tender’ Colm Tóibín, author of Brooklyn‘A brilliant novel from our most brilliant of writers’ Colum McCann, author of Apeirogon'A quietly stunning achievement' Ocean Vuong, author of On Earth We're Briefly Gorgeous As the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious – and learning to go on. In a cosy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. A married couple does their best to hide their growing rift from their children. A brother seeks solace from his break-up in a glamorous online avatar. A son takes his first uncertain steps towards independence, and a daughter obsesses over keeping her family safe.Set on the same day for three consecutive years and against the unsettling backdrop of the pandemic, Day is a searing, exquisitely crafted meditation on growing older, love and loss and the limitations of family life, from the brilliant mind of Pulitzer Prize winner Michael Cunningham. 'A wrenchingly tender book'Financial Times 'Through its beautiful feel for all that’s fragile and elusive in life, it finds richness and value in the most seemingly decadent, and universal, concerns’Telegraph

‘Unsparing and tender’ Colm Tóibín, author of Brooklyn‘A brilliant novel from our most brilliant of writers’ Colum McCann, author of Apeirogon‘A quietly stunning achievement’ Ocean Vuong, author of On Earth We’re Briefly GorgeousAs the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious – and learning to go on.April 5th, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, has created a glamorous avatar online; Robbie, who now has to move out of the house – and whose departure threatens to break the family apart. And then there is Nathan, age ten, taking his first uncertain steps toward independence, while Violet, five, does her best not to notice the growing rift between her parents.April 5th, 2020: As the world goes into lockdown the brownstone is feeling more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe. Isabel and Dan circle each other warily, communicating mostly in veiled jabs and frustrated sighs. And beloved Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts – and his secret Instagram life – for company.April 5th, 2021: Emerging from the worst of the crisis, the family comes together to reckon with a new, very different reality – with what they’ve learned, what they’ve lost, and how they might go on.From the brilliant mind of Pulitzer Prize winner Michael Cunningham, Day is a searing, exquisitely crafted meditation on love and loss, and the struggles and limitations of family life – how to live together and apart, and maybe even escape the marriage plot entirely.‘Cunningham is one of our great American writers, and here is another masterpiece … Read it and be changed’ Andrew Sean Greer, author of Less

‘Unsparing and tender’ Colm Tóibín, author of Brooklyn‘A brilliant novel from our most brilliant of writers’ Colum McCann, author of Apeirogon‘A quietly stunning achievement’ Ocean Vuong, author of On Earth We’re Briefly GorgeousAs the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious – and learning to go on.April 5th, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, has created a glamorous avatar online; Robbie, who now has to move out of the house – and whose departure threatens to break the family apart. And then there is Nathan, age ten, taking his first uncertain steps toward independence, while Violet, five, does her best not to notice the growing rift between her parents.April 5th, 2020: As the world goes into lockdown the brownstone is feeling more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe. Isabel and Dan circle each other warily, communicating mostly in veiled jabs and frustrated sighs. And beloved Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts – and his secret Instagram life – for company.April 5th, 2021: Emerging from the worst of the crisis, the family comes together to reckon with a new, very different reality – with what they’ve learned, what they’ve lost, and how they might go on.From the brilliant mind of Pulitzer Prize winner Michael Cunningham, Day is a searing, exquisitely crafted meditation on love and loss, and the struggles and limitations of family life – how to live together and apart, and maybe even escape the marriage plot entirely.‘Cunningham is one of our great American writers, and here is another masterpiece … Read it and be changed’ Andrew Sean Greer, author of Less

‘Unsparing and tender’ Colm Tóibín, author of Brooklyn‘A brilliant novel from our most brilliant of writers’ Colum McCann, author of Apeirogon‘A quietly stunning achievement’ Ocean Vuong, author of On Earth We’re Briefly GorgeousAs the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious – and learning to go on.April 5th, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, has created a glamorous avatar online; Robbie, who now has to move out of the house – and whose departure threatens to break the family apart. And then there is Nathan, age ten, taking his first uncertain steps toward independence, while Violet, five, does her best not to notice the growing rift between her parents.April 5th, 2020: As the world goes into lockdown the brownstone is feeling more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe. Isabel and Dan circle each other warily, communicating mostly in veiled jabs and frustrated sighs. And beloved Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts – and his secret Instagram life – for company.April 5th, 2021: Emerging from the worst of the crisis, the family comes together to reckon with a new, very different reality – with what they’ve learned, what they’ve lost, and how they might go on.From the brilliant mind of Pulitzer Prize winner Michael Cunningham, Day is a searing, exquisitely crafted meditation on love and loss, and the struggles and limitations of family life – how to live together and apart, and maybe even escape the marriage plot entirely.‘Cunningham is one of our great American writers, and here is another masterpiece … Read it and be changed’ Andrew Sean Greer, author of Less

An intimate memoir portraying a life spent trying to describe the indescribable—from the Pulitzer Prize-winning novelist of The Hours and Day. Go ahead. Try using language to slit the skin of mortality to see what’s on the other side. At the age of three, Michael Cunningham began obsessively collecting the names of things: oak, Chevrolet, finch, tulip, Tupperware… Each word rendered the world ever so slightly more understandable, more describable, kicking off a lifelong love affair with language—one that would, eventually, maybe inevitably, lead him to become a writer.In Unsayable, Cunningham’s memories spill forth, and with them, reflections on the craft of writing. He is fifteen, in a swimming pool at night, gazing at the first boy he ever fell in love with, who is lost in contemplative silence. He is a new college graduate, setting off for nowhere in a Dodge Dart, hoping to pull meaning (and a novel) from the expanse of America. He is on Cape Cod, regaling an elderly couple with invented tales of sexual escapades. He is in an art gallery, unwittingly having the first in a lifetime of conversations with the man he would marry. A thread ties each beautifully-wrought moment to the next: what is unspoken, what won’t yield to language, what is embellished beyond recognition, what is still left to say.Luminous, perceptive and powerful, Unsayable is an ode to literature, a meditation on craft and an intimate account of a life spent trying to put into words that which resists depiction. This, it turns out, is the lifeblood of the fiction writer: the impossibility of capturing the human experience, and the relentless desire to try.

'It was the start of my second new life, in a city that had a spin of its own - a wilder orbit inside the earth's calm blue-green whirl. New York wasn't open to the hopelessness and lost purpose that drifted around lesser places . . . 'Meet Bobby, Jonathan and Clare. Three friends, three lovers, three ordinary people trying to make a place for themselves in the harsh and uncompromising world of the Seventies and Eighties.And as our threesome form a new kind of relationship, a new approach to family and love, questioning so much about the world around them, so they hope to create a space, a home, in which to live.

'It was the start of my second new life, in a city that had a spin of its own - a wilder orbit inside the earth's calm blue-green whirl. New York wasn't open to the hopelessness and lost purpose that drifted around lesser places . . . 'Meet Bobby, Jonathan and Clare. Three friends, three lovers, three ordinary people trying to make a place for themselves in the harsh and uncompromising world of the Seventies and Eighties.And as our threesome form a new kind of relationship, a new approach to family and love, questioning so much about the world around them, so they hope to create a space, a home, in which to live.

Like his legendary, Pulitzer Prize-winning novel, The Hours, Michael Cunningham's masterly new novel is a heartbreaking look at the way we live now. Full of shocks and aftershocks, it makes us think and feel deeply about the uses and meaning of beauty and the place of love in our lives.