Michael Cunningham is the author of six novels: A Home at the End of the World, Flesh and Blood, The Hours, Specimen Days, By Nightfall, and The Snow Queen, as well as a story collection, A Wild Swan and Other Tales, and a book of non-fiction, Land’s End: A Walk in Provincetown. The Hours won the PEN Faulkner Award and the Pulitzer Prize in1999. It was made into a film starring Meryl Streep, Julianne Moore, and Nicole Kidman, who won an Academy Award for her performance as Virginia Woolf. Cunningham’s essays and short stories have appeared in the New Yorker, the Atlantic Monthly, the Paris Review, the New York Times Sunday Magazine, New York Magazine, and other publications. He is a Professor in the Practice at Yale University. He lives in New York City.

‘In Day, Michael Cunningham displays his great gift for creating memorable characters, for noticing the world in all its oddness and beauty, for writing about love and loss in tones that are both unsparing and tender’ Colm Tóibín, author of Brooklyn‘Day is a novel about the collisions of love within our days. Michael Cunningham crafts a glorious sentence and at the same time he tells an achingly compelling story that speaks precisely to the times we live in. And it all flows so damn gorgeously that at times you just want to suspend the sacred day itself and hold it close, never let it, or the characters, go. A brilliant novel from our most brilliant of writers’ Colum McCann, author of Apeirogon‘Cunningham, the perennial master of rendering the quotidian with a profound and deeply considered eye for human frailty, returns with a book that exemplifies the hallmarks of his style: lush, erudite, voracious in its seeking, and, like a true poet, remakes the world in his descriptions, freshened with care, compassion, and tinged with radiant heat of grief. What a quietly stunning achievement’ Ocean Vuong, author of On Earth We’re Briefly Gorgeous‘Cunningham is one of our great American writers, and here is another masterpiece. Day shows all his extraordinary gifts of epic sweep and intricate detail, lyrical language and plain hard words, memory and imagination, love and hope and loss. It does what only great books can do. Read it and be changed’ Andrew Sean Greer, author of Less‘Few writers capture the crazy contradictions of modern life with as much clarity and wisdom as Michael Cunningham.Dayglows with beauty and energy; its characters slip off the page and into your life’ Tash Aw, author of We, the Survivors'To read Day is to spend time with a master at the height of his powers. In one of his finest novels yet, Cunningham writes with a quiet, sublime grace about the way time gives shape to our love, longing and loss' Jordan Tannahill, author of The Listeners

Michael Cunningham is the author of six novels: A Home at the End of the World, Flesh and Blood, The Hours, Specimen Days, By Nightfall, and The Snow Queen, as well as a story collection, A Wild Swan and Other Tales, and a book of non-fiction, Land’s End: A Walk in Provincetown. The Hours won the PEN Faulkner Award and the Pulitzer Prize in1999. It was made into a film starring Meryl Streep, Julianne Moore, and Nicole Kidman, who won an Academy Award for her performance as Virginia Woolf. Cunningham’s essays and short stories have appeared in the New Yorker, the Atlantic Monthly, the Paris Review, the New York Times Sunday Magazine, New York Magazine, and other publications. He is a Professor in the Practice at Yale University. He lives in New York City.

‘In Day, Michael Cunningham displays his great gift for creating memorable characters, for noticing the world in all its oddness and beauty, for writing about love and loss in tones that are both unsparing and tender’ Colm Tóibín, author of Brooklyn‘Day is a novel about the collisions of love within our days. Michael Cunningham crafts a glorious sentence and at the same time he tells an achingly compelling story that speaks precisely to the times we live in. And it all flows so damn gorgeously that at times you just want to suspend the sacred day itself and hold it close, never let it, or the characters, go. A brilliant novel from our most brilliant of writers’ Colum McCann, author of Apeirogon‘Cunningham, the perennial master of rendering the quotidian with a profound and deeply considered eye for human frailty, returns with a book that exemplifies the hallmarks of his style: lush, erudite, voracious in its seeking, and, like a true poet, remakes the world in his descriptions, freshened with care, compassion, and tinged with radiant heat of grief. What a quietly stunning achievement’ Ocean Vuong, author of On Earth We’re Briefly Gorgeous‘Cunningham is one of our great American writers, and here is another masterpiece. Day shows all his extraordinary gifts of epic sweep and intricate detail, lyrical language and plain hard words, memory and imagination, love and hope and loss. It does what only great books can do. Read it and be changed’ Andrew Sean Greer, author of Less‘Few writers capture the crazy contradictions of modern life with as much clarity and wisdom as Michael Cunningham.Dayglows with beauty and energy; its characters slip off the page and into your life’ Tash Aw, author of We, the Survivors'To read Day is to spend time with a master at the height of his powers. In one of his finest novels yet, Cunningham writes with a quiet, sublime grace about the way time gives shape to our love, longing and loss' Jordan Tannahill, author of The Listeners

Michael Cunningham is the author of six novels: A Home at the End of the World, Flesh and Blood, The Hours, Specimen Days, By Nightfall, and The Snow Queen, as well as a story collection, A Wild Swan and Other Tales, and a book of non-fiction, Land’s End: A Walk in Provincetown. The Hours won the PEN Faulkner Award and the Pulitzer Prize in1999. It was made into a film starring Meryl Streep, Julianne Moore, and Nicole Kidman, who won an Academy Award for her performance as Virginia Woolf. Cunningham’s essays and short stories have appeared in the New Yorker, the Atlantic Monthly, the Paris Review, the New York Times Sunday Magazine, New York Magazine, and other publications. He is a Professor in the Practice at Yale University. He lives in New York City.

‘In Day, Michael Cunningham displays his great gift for creating memorable characters, for noticing the world in all its oddness and beauty, for writing about love and loss in tones that are both unsparing and tender’ Colm Tóibín, author of Brooklyn‘Day is a novel about the collisions of love within our days. Michael Cunningham crafts a glorious sentence and at the same time he tells an achingly compelling story that speaks precisely to the times we live in. And it all flows so damn gorgeously that at times you just want to suspend the sacred day itself and hold it close, never let it, or the characters, go. A brilliant novel from our most brilliant of writers’ Colum McCann, author of Apeirogon‘Cunningham, the perennial master of rendering the quotidian with a profound and deeply considered eye for human frailty, returns with a book that exemplifies the hallmarks of his style: lush, erudite, voracious in its seeking, and, like a true poet, remakes the world in his descriptions, freshened with care, compassion, and tinged with radiant heat of grief. What a quietly stunning achievement’ Ocean Vuong, author of On Earth We’re Briefly Gorgeous‘Cunningham is one of our great American writers, and here is another masterpiece. Day shows all his extraordinary gifts of epic sweep and intricate detail, lyrical language and plain hard words, memory and imagination, love and hope and loss. It does what only great books can do. Read it and be changed’ Andrew Sean Greer, author of Less‘Few writers capture the crazy contradictions of modern life with as much clarity and wisdom as Michael Cunningham.Dayglows with beauty and energy; its characters slip off the page and into your life’ Tash Aw, author of We, the Survivors'To read Day is to spend time with a master at the height of his powers. In one of his finest novels yet, Cunningham writes with a quiet, sublime grace about the way time gives shape to our love, longing and loss' Jordan Tannahill, author of The Listeners