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Cavitation and Bubble Dynamics: Fundamentals and Applications examines the latest advances in the field of cavitation and multiphase flows, including associated effects such as material erosion and spray instabilities. This book tackles the challenges of cavitation hindrance in the industrial world, while also drawing on interdisciplinary research to inform academic audiences on the latest advances in the fundamentals.

Contributions to the book come from a wide range of specialists in areas including fuel systems, hydropower, marine engineering, multiphase flows and computational fluid mechanics, allowing readers to discover novel interdisciplinary experimentation techniques and research results.

This book will be an essential tool for industry professionals and researchers working on applications where cavitation hindrance affects reliability, noise, and vibrations.

Covers a wide range of cavitation and bubble dynamics phenomena, including shock wave emission, jetting, and luminescence Provides the latest advice about applications including cavitation tunnels, cavitation testing, flow designs to avoid cavitation in pumps and other hydromachinery, and flow lines Describes novel experimental techniques, such as x-ray imaging and new computational techniques

Professional organizations—such as accounting and consulting firms, law firms, and investment banks—are fundamental to the functioning of the global economy. Yet many of the most powerful are notoriously private. This book uncovers the complex, messy, and surprisingly emotional challenges of leading professional organizations—revealing the realities that lies beneath the 'professional' surface which these organizations present to the outside world.Individual professionals—highly educated, highly intelligent, and highly opinionated—are generally reluctant to see themselves as followers and may be equally reluctant to put themselves forward as leaders. They value their autonomy and confer authority on their leaders on a highly contingent basis. How does a professional come to be seen as a leader within a professional organization? How do leaders maintain their position once they have reached the top of their organization? How do they navigate the complex power relationships among their professional colleagues and actually get things done?Leading Professionals: Power, Politics, and Prima Donnas analyses the complex power dynamics and interpersonal politics that lie at the heart of leadership in professional organizations. It is based on Laura Empson's scholarly research into the world's leading professional organizations across a range of sectors, including interviews with over 500 senior professionals in 16 countries. It draws on the latest organizational and leadership theory to analyse in detail exactly how professionals come together to create 'leadership'. It identifies how change happens within professional organizations and explains why their leaders so often fail.

In this new and enlarged edition of a standard introduction to moral philosophy, Professor Raphael shows in clear and simple language the connections between abstract ethics and practical problems in law, government, medicine, and the social sciences in general.

In Off Key, Kay Dickinson offers a compelling study of how certain alliances of music and film are judged aesthetic failures. Based on a fascinating and wide-ranging body of film-music mismatches, and using contemporary reviews and histories of the turn to post-industrialization, the book expands the ways in which the union of the film and music businesses can be understood. Moving beyond the typical understanding of film music that privileges the score, Off Key also incorporates analyses of rock 'n' roll movies, composer biopics, and pop singers crossing over into acting. By doing this, it provides a fuller picture of how two successful entertainment sectors have sought out synergistic strategies, ones whose alleged "failures" have much to tell about the labor practices of the creative industries, as well as our own relationship to them and to work itself. A provocative and politically-conscious look at music-image relations, Off Key will appeal to students and scholars of film music, cinema studies, media studies, cultural studies, and labor history.

The Novelty of Newspapers explains why the Victorian novel is best understood alongside the simultaneous development of the news as a commercial commodity read by up to a million readers per day. This study focuses on five of the most important of these narrative conventions-the shipping intelligence, personal advertisement, leading article, interview, and foreign correspondence-in order to show how concretely journalism influenced the novel at this time. Drawing on examples of periodicals from the period, Matthew Rubery reveals how the commercial press arising in nineteenth-century Britain profoundly influenced Mary Braddon, Charlotte Brontë, Wilkie Collins, Charles Dickens, Joseph Conrad, Henry James, Anthony Trollope, and many other novelists who all used narrative conventions derived from the press in their fiction.

This book is the first in-depth study of the production and use of Bibles in late medieval and early modern England. Over three and a half centuries, from the nascent universities and Latin Bibles of the thirteenth century to the death of Edward VI in 1553, it puts a new perspective on the advent of moveable type print and religious reform. Based on the analysis of hundreds of biblical manuscripts and prints it reveals how scribes, printers, readers, and patrons have reacted to religious and political turmoil. The material evidence undermines traditional narratives, revealing, for example, evidence of Church worship in English prior to the Reformation, or seeing Henry VIII's Great Bible as a useless book.

This volume is designed to further the study of Spanish culture in the broad sense of the network of symbolic systems through which social groups construct and negotiate a sense of identity or identities. The emphasis is on culture as a set of practices rather than as a corpus of texts. The aim is to introduce readers to current theoretical debates in a range of disciplines, as well as to inform them about specific areas of twentieth-century Spanish culture. The four sections on 'Ethnicity and Migration', 'Gender', 'Popular Culture', and 'The Local and the Global' cover ethnography, music, TV, advertising, popular literature, medical discourse, film, posters, museums, and urban development.

This volume is designed to further the study of Spanish culture in the broad sense of the network of symbolic systems through which social groups construct and negotiate a sense of identity or identities. The emphasis is on culture as a set of practices rather than as a corpus of texts. The aim is to introduce readers to current theoretical debates in a range of disciplines, as well as to inform them about specific areas of twentieth-century Spanish culture. The four sections on 'Ethnicity and Migration', 'Gender', 'Popular Culture', and 'The Local and the Global' cover ethnography, music, TV, advertising, popular literature, medical discourse, film, posters, museums, and urban development.

This volume presents recent research into Dmitri Shostakovich's life (1906-1975) and work by leading British, American, Russian, and Israeli scholars. It is occasioned by the ever-growing interest in a composer whose significance in and for the history of twentieth-century music is, as Richard Taruskin has commented, immense, possibly unparalleled and above all, continuing. The authors of the thirteen articles are musicologists, Russian literature specialists, biographers, and cultural historians, whose diverse fields of expertise are reflected in the interdisciplinary nature of the materials collected here. The collection presents Shostakovich and his legacy in a variety of different contexts and its interdisciplinary nature will also serve to open up discussion. In this way, it breaks from previous tendencies to focus on the purely extrinsic qualities of the composers musical oeuvre, which has so often been interpreted in terms of autobiography. The chapters span the composer's entire career and contain substantial amounts of new information about Shostakovich and his musical legacy.

The liveliness and importance of Spanish cinema is increasingly being recognised outside Spain, in film festivals, television exposure, and courses in Institutions of Higher Education. To a large extent this is 'auteur' or art-movie cinema. Spanish Cinema concentrates upon that tradition, focusing upon the key films in a period stretching from 1952 to the present day. The term 'auteur' has lately fallen into disrepute. The idea - most actively promoted by Cahiers du Cinema in the late 1950s and early 1960s - that the director is to a film what an author is to a poem, play or novel, has been subjected to much criticism since structuralist and post-structuralist attacks on the author. But even in pre-'death of the author' days film raised its own specific problems about authorship. Nevertheless, since the initial excitement of French critical theory's provocative assault on conventional notions of authorship, and taking into account specific problems related to the collaborative nature of film-making, attempts have recently been made to reclaim some of the ground lost by the author in these critical and theoretical battles. This volume offers lively readings of films by key directors working to a large extent in the art-movie/'auteurist' field, and aims to strike a balance between representative films, directors and periods. Each chapter concentrates on a single film, discussing it in accessible critical language that takes account both of the distinctiveness of film as an art form and of the material and socio-historical contexts in which each film was made.

The liveliness and importance of Spanish cinema is increasingly being recognised outside Spain, in film festivals, television exposure, and courses in Institutions of Higher Education. To a large extent this is 'auteur' or art-movie cinema. Spanish Cinema concentrates upon that tradition, focusing upon the key films in a period stretching from 1952 to the present day. The term 'auteur' has lately fallen into disrepute. The idea - most actively promoted by Cahiers du Cinema in the late 1950s and early 1960s - that the director is to a film what an author is to a poem, play or novel, has been subjected to much criticism since structuralist and post-structuralist attacks on the author. But even in pre-'death of the author' days film raised its own specific problems about authorship. Nevertheless, since the initial excitement of French critical theory's provocative assault on conventional notions of authorship, and taking into account specific problems related to the collaborative nature of film-making, attempts have recently been made to reclaim some of the ground lost by the author in these critical and theoretical battles. This volume offers lively readings of films by key directors working to a large extent in the art-movie/'auteurist' field, and aims to strike a balance between representative films, directors and periods. Each chapter concentrates on a single film, discussing it in accessible critical language that takes account both of the distinctiveness of film as an art form and of the material and socio-historical contexts in which each film was made.

Why can none of us hear our own recorded voice without wincing? Why is the telephone still full of such spookiness and erotic possibility? Why does the metaphor of ventriloquism, the art of 'seeming to speak where one is not', speak so resonantly to our contemporary technological condition? These are the kind of questions which impel Steven Connor's wide-ranging, restlessly inquisitive history of ventriloquism and the disembodied voice. He tracks his subject from its first recorded beginnings in ancient Israel and Greece, through the fulminations of early Christian writers against the unholy (and, they believed, obscenely produced) practices of pagan divination, the aberrations of the voice in mysticism, witchcraft and possession, and the strange obsession with the vagrant figure of the ventriloquist, newly conceived as male rather than female, during the Enlightenment. He retrieves the stories of some of the most popular and versatile ventriloquists and polyphonists of the nineteenth century, and investigates the survival of ventriloquial delusions and desires in spiritualism and the 'vocalic uncanny' of technologies like telephone, radio, film, and internet. Learned but lucid, brimming with anecdote and insight, this is much more than an archaeology of one of the most regularly derided but tenaciously enduring of popular arts. It is also a series of virtuoso philosophical and psychological reflections on the problems and astonishments, the raptures and absurdities of the unhoused voice.

Marianne Moore's poetry offers an extraordinarily rich site from which to analyse a tradition of American orientalism which focused upon China. Marianne Moore and China examines why she chose to participate in that tradition and analyses why her borrowing of Chinese models of all kinds - from poetry to painting and philosophy - was so critical to the formation of her verse. Moore's poetry is part of a long tradition of satirical critique in orientalist writing which finds its roots in English literature. In the early twentieth century, this tradition of critique in orientalist prose was adopted by American poets, who borrowed Far Eastern poetic models to permanently transform the ways in which poetry in English was being written by launching a literary assault upon what they saw as outmoded methods of versification. Moore used the Far East to express her own dissatisfaction with contemporary trends in the writing of poetry, and embraced the more ancient culture of China as a means of resisting the American habit of looking to Europe as a singular source of cultural tradition 'at home'. Moore employed features of the ancient Chinese fu technique in her poems and used images of Chinese supernatural creatures in an effort to establish an alternative to logic and narrative linearity and to facilitate the moral didacticism for which her poetry is known. Moore's use of Chinese painting theory and philosophy in the creation of her poems enabled her to explore alternatives to Western perspectival principles and to Western ways of narrating visual experience. Marianne Moore and China also examines the ways in which Chinese linguistic features provide Moore with models for her compound nouns and syntactical ellipses, and gathers evidence to show that her abiding concerns for precision, brevity and restraint have both Confucian and Puritan antecedents. Additionally, this book analyses the degree to which her collection of quotations, from which she fashions so many of her poems, and her citation of them in numerous appended notes, are complicit in the same process of acquisition and display which characterizes the activity of the museum, the preoccupations of the curio-collector, and the pursuit of minute detail in orientalist discourse generally. Moore's consistent ingenuity in employing Chinese forms and methods makes her work a particularly fruitful source for investigating orientalism and its contribution to modern poetry.

The Italian Renaissance has traditionally been regarded as a critical turning point in the history of Europe; the vital stepping stone between the Age of Faith and the Age of Reason. This classical view of the Renaissance as the birth of individualism and modernity, as formulated by the famous Swiss historian Jacob Burckhardt, is challenged and reassessed in this intriguing and diverse group of essays._ Leading scholars from different disciplines use a variety of approaches - textual and literary criticism, social anthropology and gender studies - to re-evaluate the period as a whole. the book is divided into three section, which discuss the model of death and rebirth and its political function; the social context of revival in terms of corporate and individual patronage; and the renaissance body as a political metaphor and social gesture. What emerges is an account of a mixed and lively culture which avoids the old generalizations and gives a fresh view of this most creative and fascinating period of European history.

Fifteen years ago the AIDS `epidemic' did not exist on the public agenda. In just over a decade the public and official response to the disease has resulted in the development of a whole network of organizations devoted to the study, containment, and practical treatment of AIDS. In this important and original analysis of AIDS policy, Virginia Berridge examines the speed and nature of the official (and unofficial) response to this new and critical historical event. The policy reaction in Britain passed through three stages. From 1981-1986 the outbreak of a new contagious disease led to public alarm and social stigmatization, with a lack of scientific certainty about the nature of the disorder. AIDS was a new and open policy area - there were no established departmental, local, or health authority mechanisms for dealing with the problem. This was a period of policy development from below, with relatively little official action and many voluntary initiatives behind the scenes. This phase was succeeded in 1986-1987 by a brief stage of quasi-wartime emergency, in which national politicians and senior civil servants intervened, and a high-level political response emerged. That response was a liberal one of `safe sex' and harm minimization rather than draconian notification or isolation of carriers. The author demonstrates that despite the `Thatcher revolution' in government in the 1980s, crisis could still stimulate a consensual response. The current period of `normalization' of the disease sees panic levels subsiding as the rate of growth slows and the fear of the unknown recedes. Official institutions have been established and formal procedures adopted and reviewed; paid professionals have replaced the earlier volunteers. The 1990s have seen change in the liberal consensus towards a harsher response and the partial repoliticization of AIDS. In this fascinating and scholarly account, Virginia Berridge analyses a remarkable period in contemporary British history, and exposes the reaction of the British British political and medical elites, and of the British public, to one of the most challenging issues of this century.

This volume provides a review of the history of 14th-century England in the light of modern scholarship. The political crises of the reigns of Edward II, Edward III, and Richard II, the Hundred Years War, and the Black Death are among the events discussed.

This is a study of the origins and nature of Japanese imperialism from the Sino-Japanese war of 1894-1895 through to 1945. Japan is the only Asian country in modern times to have built both a successful industrial economy and an empire, and it is Professor Beasley's contention that these two phenomena are closely related. Japan's aims were influenced by its experience of western imperialism and its own growing industrialization, but as external circumstances changed and Japan's capacity grew, so did its needs and ambitions.The creation of the Japanese empire is one of the most remarkable exploits of the twentieth century. Professor Beasley has provided a much-needed scholarly investigation into its development, expansion, and eventual destruction.

This book consists of a collection of studies in international space law by a leading authority in international law, air law, and space law. Those that have been previously published are thoroughly revised and updated. Publication coincides with the thirtieth anniversary of the first ever multilateral treaty on outer space, which established an agreed international legal framework for the exploration and use of outer space. The books twenty-six articles examine the major developments and issues of the law governing human activities in space, ranging from television broadcasts, the regulation of space junk, and the governance of State activities on the moon to the legal status of astronauts, the nationality of spacecraft, and arms control. Articles also examine the effect and influence of UN Treaties in this area. The author has, in his examination of this exciting branch of the law, drawn from it valuable lessons for the future development of international law in general.

This book is a study of the evidence that exists to this day in the Niger Republic, and in the adjacent regions of Saharan and non-Saharan Africa, about the life of Sidi Mahmud al-Baghdadi, who, it is believed, introduced new doctrines of Oriental Sufism into the Air Massif during the sixteenth century. The teachings of Sidi Mahmud were to reappear recently in the Khalwatiyya Sufi order ( tariqa) in Niger. They are still important for contemporary Islam in that republic which is a bridge between the Arab world and the Muslim states of the African Sahel. There is also evidence to suggest that initiated members of the Mahmudiyya Sufi order were once to be found throughout the entire Southern Sahara, from Timbuctoo to Borno and Lake Chad. This Sufi order was one of the earliest to be founded in the area of Aïr which was a crossroads of African trade and of rival empires and of conflicting tribes and peoples.

The belief that existing distributions of income and wealth are unjust has come to be widely held, and has prompted the inclusion of egalitarian measures in many political programmes. This work uses the methods of reasoned history and comparative statistics to arrive at an assessment of egalitarianism. After reviewing the outlooks of the ancient and medieval worlds, it traces the rise of egalitarianism from the Renaissance and Reformation onwards.A complementary approach is provided by a wide survey of actual distributions of income and wealth: what is known of them in the past, what form they take in contemporary societies, and the economic processes that generate them. These comprehensive studies lead to an inquiry into the authority of equality as a principle of social philosophy, and the practicability of egalitarian policy.

In an increasingly interdependent world, marked by growing numbers of non-governmental organizations and international institutions, American Foreign Environmental Policy presents a powerful argument for the continued relevance of the state to our understanding of international relations. Drawing on detailed primary research, the author examines the key role central state officials have played in formulating American foreign environmental policy, and concludes that claims for the diminishing domestic-international divide, and the erosion of state sovereignty are overstated. Nonetheless, in arguing forcefully that the focus for explanation should lie with politics inside the institutions of state, Hopgood rejects Realist, Pluralist, and Marxist accounts of foreign-policy making. His state-centric focus allows for domestic and international factors to play a role at the same time as stressing that, in foreign environmental politics at least, the state remains the dominant policy-making institution. This pathbreaking study represents a major contribution to International Relations theory, whilst at the same time, offering a wealth of fascinating, original, empirical research which will be of interest to all those working in the field of environmental studies.

In the coming decades environmental issues will play an increasing role in China's economic development drive, internal politics, legal development, international relations, and regional development issues. While several books have appeared in the 1990s which describe tangible aspects of China's environmental degradation, this book concentrates its attention on management of China's environment within various contexts and represents the state of thinking on the subject by some of the world's key social scientists in this field. It contains an international perspective of environmental problems in China often lacking in books about the Chinese environment. Chapters discuss environmental degradation in Chinese history, organisation of China's environmental protection network, the legal framework for environmental protection, agricultural land issues, water issues, biodiversity, energy, pollution, public health, and business opportunities for foreign firms. While this book shows that there is lots of room for optimism, it also indicates that many environmental problems remain intractable and some are worsening.

One of the hottest topics in low temperature physics during the last two decades has been the revelation of the astonishing properties of crystals of the rare isotope of helium, helium three. This book provides the first complete account of these properties. In it, experimental measurements are described and the development of their interpretation is discussed.Beginning with the phase diagram and thermal properties of this uniquely quantum crystal, Professor Dobbs introduces current theories of solid helium and compares their predictions with measurements of the ground state, elastic and thermal properties, and phonon spectra. the extraordinary magnetic properties are described and discussed in chapters on the paramagnetism, antiferromagnetism and ferromagnetism of the different phases of solid heliu. the text concludes with chapters on the growth of crystals, their defects and studies of monolayers, bilayers, and multilayers grown on a variety of substrates.This book provides an introduction to the extensive literature, particularly that published since 1980, for research staff and students in physics and physical chemistry with an interest in current developments in condensed matter.

Renaissance craftsmen, such as painters, were educated in `practical mathematics'. This book tells us the fascintating story of how the artisan tradition made important contributions not only to art but also to `proper' mathematics. Beautiful works of art and famous theorems are linked together in a way that leads to a clearer understanding and greater enjoyment of both.Covering roughly the period from 1300 to 1650, the author shows how, during this time, a new form of geometry - projective geometry - emerged in the context of the artists' mathematics of perspective. Stories of taking measurements while balanced on scaffolding are interspersed with delightful scholarly analyses of the mathematics of great works of art. The text is beautifully illustrated throughout with both photographs and drawings.

`Repression diagnostics are a collection of methods used to find (diagnose) unusual features in a regression problem.`Although informal diagnostics have a long and respectable history, it is only in the last fifteen years or so that they have been systematically studied. Atkinson has been one of the key players in this area, with several important papers dating from the early 1970s. The book clearly builds on much of that earlier work, but it is not intended as a research monograph, but as an introduction and guide to using diagnostics as a practical part of regression analysis. Both research statisticians and users of statistics should find this book generally both interesting and accessible.`A major strength of this book is Atkinson's decision to present only a subset of diagnostic methods that have been suggested in the literature, rather than giving the reader a menu of possibilities to choose from. In a field with few underlying principles and much that requires experience and practice, the reader who is new to the area can only benefit from learning a reasonably coherent collection of methods.' From a review by Sanford Weisberg, University of Minnesota.

This is the first systematic historical anthology of Russian women's writing to appear in any language.At a time of growing interest, both in the West and in Russia itself, the Anthology provides a radically new sense of the dynamic development of Russian women's writing - poetry, prose, and drama - over the last 200 years. Including important texts by well-known writers such as Akhmatova, Tsvetaeva, Elena Shvarts, and Olga Sedakova, the Anthology also introduces outstanding works by lesser-known writers, such as Sofya Soboleva, Olga Shapir, Mariya Shkapskaya, Anna Barkova, and Vera Merkureva. All translations have been commissioned for this volume and poetry is presented in the original Russian as well as in English.A companion volume to Dr Kelly's History of Russian Women's Writing 1820-1992 (also available from OUP), this is an indispensable source for readers and students of women's writing, and for all those concerned with women's history, the history of feminism, and Russian literature in general.