Cecilia Morgan – författare

By the late nineteenth century, Canadian women had begun forging careers as professional actresses, appearing not just in Canada, but in the United States, Britain, Australia, and New Zealand. They played an integral role in theatrical networks and helped shape transnational middle-class culture.Taking the approach of feminist collective biography, Sweet Canadian Girls Abroad writes the lives of women who, despite their renown during their lifetimes, have been all too easily forgotten. Cecilia Morgan examines these "sweet girls'" childhoods, their experiences of work, touring, and company management, the plays in which they appeared, and the celebrity they enjoyed. In so doing she shows how women helped convey messages about race, empire, and white identity in popular culture. Investigating a period from the 1870s to the 1940s, Morgan demonstrates how actresses evolved within a period of change in theatre, how they coped with new challenges, and how they brought their craft to new media. Paying particular attention to the careers of Margaret Bannerman, Tony Award-winner Beatrice Lillie, Margaret Anglin, Julia Arthur, and Frances Doble, among many others, this book explores how being an actress abroad became work as well as profession for Canadian women.Extensively researched and generously illustrated, Sweet Canadian Girls Abroad argues for the importance of theatre, both to Canadian women's history and to our understanding of Canada in a transnational world.

In the late eighteenth century and throughout the nineteenth century, an unprecedented number of Indigenous people – especially Haudenosaunee, Anishinaabeg, and Cree – travelled to Britain and other parts of the world. Who were these transatlantic travellers, where were they going, and what were they hoping to find? Travellers through Empire unearths the stories of Indigenous peoples including Mississauga Methodist missionary and Ojibwa chief Reverend Peter Jones, the Scots-Cherokee officer and interpreter John Norton, Catherine Sutton, a Mississauga woman who advocated for her people with Queen Victoria, E. Pauline Johnson, the Mohawk poet and performer, and many others. Cecilia Morgan retraces their voyages from Ontario and the northwest fur trade and details their efforts overseas, which included political negotiations with the Crown, raising funds for missionary work, receiving an education, giving readings and performances, and teaching international audiences about Indigenous cultures. As they travelled, these remarkable individuals forged new families and friendships and left behind newspaper interviews, travelogues, letters, and diaries that provide insights into their cross-cultural encounters. Chronicling the emotional ties, contexts, and desires for agency, resistance, and negotiation that determined their diverse experiences, Travellers through Empire provides surprising vantage points on First Nations travels and representations in the heart of the British Empire.

Gendered images and symbols were of central importance the public debate about loyalty, a political conflict, and religious participation in early Ontario. Drawing on a wide range of international scholarship in feminist theory, women's and gender history, and cultural studies, Cecilia Morgan analyses political and religious languages in the Upper Canadian press, both secular and religious, and other material published in the colony from the 1790s to the 1850s. She examines constructs and concepts of gender in a wide number of areas: narratives of the War of 1812, political struggles over responsible government in the 1820s and 1830s, evangelical religious discourses throughout these decades, and related discussions of manners and moral behaviour. She also considers the relations between religion and politics in the 1840s, pointing to the continuous struggles of Upper Canadians to define and fix the meanings of public and private and their use of masculinity and femininity to signify these realms. She suggests as well that scholars of gender and colonial history need to consider a more nuanced way of understanding social formation in the colony through an examination of the representation of voluntary organizations. The book also examines relations of gender, class, and race as they affected the cultural development of the middle class. Morgan concludes that while seemingly hegemonic definitions of gender relations emerged over this period -- with men and masculinity identified with politics and loyalty to the colonial state and imperial connection, and women and femininity linked to the home -- the meanings of gender and gendered imagery differed according to their contexts. Colonial society's attempts to make sharp delineations between the public and the private were rarely successful and were marked by numerous tensions and contradictions.

Heroines and History is a comparative study of the images of Laura Secord and Madeleine de Verchères, symbols respectively of the nationalism of English-Canadian and French-Canadian loyalism and national identity. The authors explore the relations of gender, race/ethnicity, and imperialism in defining national identity and shaping the past by looking at such things as the role of local historical societies, the formation of narratives of Loyalism and the War of 1812 in school texts, the use of historical figures in the services of twentieth-century consumer capitalism (e.g. the Secord chocolate company), and the development of tourism.This is a fascinating comparison of the histories of Ontario and Quebec as seen through the handling of their best-known heroines. The story of Laura Secord and her cow bravely crossing the American lines to warn the British during the War of 1812 is well known in Ontario; most of us also grew up with the legend of Madeleine de Verchères defending Montreal against the Iroquois in 1692. Although both tales are dubious, the authors show how the images of these heroines were used for nationalistic purposes in both provinces, and how their images changed down through the ages.Heroines and History is a unique work, one which makes a significant contribution to the growing body of literature on commemoration, as well as to the literatures of gender, cultural, and aboriginal studies. It is accessible both to an audience of specialist academic readers and to a wider readership of those interested in Canadian history and society.Winner of the Prix Lionel-Groulx -- Fondation Yves-Saint-Germain 2003, awarded by l'Institute d'histoire de l'Amérique franâaise

One of the most revealing things about national character is the way that citizens react to and report on their travels abroad. Oftentimes a tourist's experience with a foreign place says as much about their country of origin as it does about their destination. A Happy Holiday examines the travels of English-speaking Canadian men and women to Britain and Europe during the late nineteenth and early twentieth centuries. It describes the experiences of tourists, detailing where they went and their reactions to tourist sites, and draws attention to the centrality of culture and the sensory dimensions of overseas tourism.Among the specific topics explored are travellers' class relationships with people in the tourism industry, impressions of historic landscapes in Britain and Europe, descriptions of imperial spectacles and cultural sights, the use of public spaces, and encounters with fellow tourists and how such encounters either solidified or unsettled national subjectivities. Cecilia Morgan draws our attention to the important ambiguities between empire and nation, and how this relationship was dealt with by tourists in foreign lands. Based on personal letters, diaries, newspapers, and periodicals from across Canada, A Happy Holiday argues that overseas tourism offered people the chance to explore questions of identity during this period, a time in which issues such as gender, nation, and empire were the subject of much public debate and discussion.

One of the most revealing things about national character is the way that citizens react to and report on their travels abroad. Oftentimes a tourist's experience with a foreign place says as much about their country of origin as it does about their destination. A Happy Holiday examines the travels of English-speaking Canadian men and women to Britain and Europe during the late nineteenth and early twentieth centuries. It describes the experiences of tourists, detailing where they went and their reactions to tourist sites, and draws attention to the centrality of culture and the sensory dimensions of overseas tourism.Among the specific topics explored are travellers' class relationships with people in the tourism industry, impressions of historic landscapes in Britain and Europe, descriptions of imperial spectacles and cultural sights, the use of public spaces, and encounters with fellow tourists and how such encounters either solidified or unsettled national subjectivities. Cecilia Morgan draws our attention to the important ambiguities between empire and nation, and how this relationship was dealt with by tourists in foreign lands. Based on personal letters, diaries, newspapers, and periodicals from across Canada, A Happy Holiday argues that overseas tourism offered people the chance to explore questions of identity during this period, a time in which issues such as gender, nation, and empire were the subject of much public debate and discussion.

The impact of empires and the lingering presence of colonialism continue to be major preoccupations for scholars in the twenty-first century. This concise text explores the spread of settler colonies within the British Empire over the course of the nineteenth century, specifically those in New Zealand, Canada, South Africa, and Australia. In Building Better Britains?, Cecilia Morgan examines how imperial powers reshaped the lives and landscapes of millions through colonial relationships with Indigenous peoples, and the processes of migration and settlement that facilitated the British Empire’s global expansion. Identity and culture in geographically diverse settler societies are compared, highlighting shared histories and the nuances that differentiated them. Morgan encourages readers to consider settler societies from multiple perspectives, including those of the colonists themselves. Eight maps and eight illustrations enhance the text, along with a bibliography and index.

Commemorating Canada is a concise narrative overview of the development of history and commemoration in Canada, designed for use in courses on public history, historical memory, heritage preservation, and related areas.Examining why, when, where, and for whom historical narratives have been important, Cecilia Morgan describes the growth of historical pageantry, popular history, textbooks, historical societies, museums, and monuments through the nineteenth and twentieth centuries. Showing how Canadians have clashed over conflicting interpretations of history and how they have come together to create shared histories, she demonstrates the importance of history in shaping Canadian identity. Though public history in both French and English Canada was written predominantly by white, middle-class men, Morgan also discusses the activism and agency of women, immigrants, and Indigenous peoples. The book concludes with a brief examination of present-day debates over Canada’s history and Canadians’ continuing interest in their pasts.

Creating Colonial Pasts explores the creation of history and memory in Southern Ontario through the experience of its inhabitants, especially those who took an active role in the preservation and writing of Ontario’s colonial past: the founder of the Niagara Historical Society, Janet Carnochan; twentieth-century Six Nations historians Elliott Moses and Milton Martin; and Celia B. File, high-school teacher and historian of Mary Brant.Examining the grand narratives of colonial Ontario – the Loyalists, the War of 1812, and the creation of settler society – Cecilia Morgan argues that place played an important role in shaping memory and narrative in locations such as Niagara-on-the-Lake, the Six Nations territory at the Grand River, and the Mohawk community at Tyendinaga. Illuminating the pivotal role of women and Indigenous people in historical commemoration and uncovering the existence of a lively and interconnected circle of historians and heritage activists in late nineteenth and twentieth-century Ontario, Creating Colonial Pasts is a virtuoso study of history-making.