Christian Wiman – författare

From award-winning authors and Yale Divinity School colleagues Christian Wiman and Miroslav Volf—two world-renowned scholars exchange letters on the problems of faith today and the presence of divine love that persists through it all. Whether you’re seeking something to believe in or no longer feel at home in your traditions, the spiritual search can be deeply lonely.In Glimmerings, leading Christian theologian Miroslav Volf and celebrated poet Christian Wiman engage the tensions of belief felt by many. In an exchange of personal letters, Volf and Wiman give voice to and validate the most pressing spiritual questions of our time. Close friends and Yale colleagues, they reveal through their letters visions of faith that are sometimes sharply divergent, yet always honest and punctuated by warmth, humor, and apology. The result is a vivid, consoling collection in which questions are dignified and the spiritual search in all its complexities is honored. Whether they’re discussing Scripture’s most problematic texts, Christianity’s most preposterous claims, or their own experiences of God’s presence and absence, Volf and Wiman are united in their shared refusal to oversimplify the realities of human pain. Instead, we are invited to share an honest hope: While certainty can never be ours, perhaps God shows up in “glimmerings.” As we accompany each other in our tensions, we can find strength in solidarity, beauty in mystery, and love that persists even as our faith perplexes.

To celebrate the centennial of Poetry, editors Don Share and Christian Wiman combed the magazine's vast archives to create a new kind of anthology, energized by a self-imposed limitation to one hundred poems. Rather than attempting to be exhaustive or definitive - or even to offer the most familiar works - they have assembled a collection of poems that, in their juxtapositions, echo across a century of poetry. The result is an anthology like no other, a celebration of idiosyncrasy and invention, a vital monument to an institution that refuses to be static, and most of all, a book that lovers of poetry will devour, debate, and keep close at hand.

One hundred of the most evocative modern poems on joy, selected by an award-winning contemporary poet“Bursting with energy and surprising locutions. . . . Even the most familiar poets seem somehow new within the context of Joy.”—David Skeel, Wall Street Journal   “Wiman takes readers through the ostensible ordinariness of life and reveals the extraordinary.”—Adrianna Smith, The AtlanticChristian Wiman, a poet known for his meditations on mortality, has long been fascinated by joy and by its relative absence in modern literature. Why is joy so resistant to language? How has it become so suspect in our times? Manipulated by advertisers, religious leaders, and politicians, joy can seem disquieting, even offensive. How does one speak of joy amid such ubiquitous injustice and suffering in the world?In this revelatory anthology, Wiman takes readers on a profound and surprising journey through some of the most underexplored terrain in contemporary life. Rather than define joy for readers, he wants them to experience it. Ranging from Emily Dickinson to Mahmoud Darwish and from Sylvia Plath to Wendell Berry, he brings together diverse and provocative works as a kind of counter to the old, modernist maxim “light writes white”—no agony, no art. His rich selections awaken us to the essential role joy plays in human life.

Evocative poems and prose fragments about home, selected by one of the most celebrated poets of our time  “This is a book of longing, yes, and also spiritual discernment, political awareness, historical memory, and deep intimacy.”—Carolyn Forché  In this poignant collection, Christian Wiman draws together one hundred evocative poems and prose fragments about home, exploring home’s deep theological, literary, philosophical, historical, political, and social dimensions. Wiman calls home “a house, a country, a language, a love, a longing, a grief, a god.” It’s “a word that disperses into more definitions than one book can contain.”    The tensions between diffusion and concentration, roaming and rootedness, precarity and security are everywhere in this book, often in the same poem. Ranging from early modernism to the current moment, and from southern Africa to the Arctic Circle, the selections are as diverse as the poets included. Collectively they envision an imaginative home for even the most homeless of modern readers. Completed entirely during quarantine, amid the miseries of separation and isolation, the collection offers a powerful vision of home as both a place and a way.

Zero at the Bone begins with Wiman’s preoccupation with despair, and through fifty brief pieces, he unravels its seductive appeal. The book is studded with the poetry and prose of writers who inhabit Wiman’s thoughts, and the voices of Wallace Stevens, Lucille Clifton, Emily Dickinson, and others join his own. At its heart and Wiman’s, however, are his family—his young children (who ask their own invaluable questions, like “Why are you a poet? I mean why?”), his wife, and those he grew up with in West Texas. Wiman is the rare thinker who takes on the mantle of our greatest mystics and does so with an honest, profound, and contemporary sensibility. Zero at the Bone is a revelation.

When we read the book of nature, what do we read there? “All things bright and beautiful, all creatures great and small, all things wise and wonderful, the Lord God made them all,” says a well-known hymn. This issue of Plough celebrates the creatures of our planet – plant, animal, and human – and the implications of humankind’s relationship to nature.But if nature can be read as a book that reveals the wisdom of its Creator, it also reveals things less lovely than stars and singing birds – a world of desperate competition for survival, mass extinctions, and deadly viruses. Is such a world a convincing argument for the Creator’s goodness? Turns out Christians and skeptics alike have been asking such questions since long before Darwin added a twist.Are we moderns out of practice at reading the book of nature? And if we forget how, will we fail to read human nature as well – what rights or purposes our Creator may have endowed us with? What then is there to limit the bounds of technological manipulation of humankind?This issue of Plough explores these and other fascinating questions about the natural world and our place in it.In this issue:- Sussex farmer Adam Nicholson evokes centuries of handwork that shaped the landscape of the Weald.- Gracy Olmstead revisits the land her forebears farmed in Idaho.- Ian Marcus Corbin tries walking phoneless to better note the beauty of the natural world.- Amish farmer John Kempf, a leader in regenerative agriculture, foresees a healthier future for farming.- Leah Libresco Sargeant offers a feminist critique of society’s war on women’s bodies.- Iván Bernal Marín visits Panama City’s traditional fishermen.- Maureen Swinger recalls to triumphs of second grade in forest school.- Edmund Waldstein questions head transplants and the limits of medical science.- Kelsey Osgood says it’s natural to fear death, and to transcend that fear through faith.- Tim Maendel lifts the veil on urban beekeeping along the Manhattan skyline.You’ll also find:- An essay by Christian Wiman on the poetry of doubt and faith- New poems by Alfred Nicol- A profile of Amazon activist nun Dorothy Stang- An appreciation of Keith Green’s songs- Insights on creation from Blaise Pascal, Julian of Norwich, Francis of Assisi, Mechthild of Magdeburg, Christopher Smart, Augustine of Hippo, The Book of Job, and Sadhu Sundar Singh- Reviews of The Opening of the American Mind, and Kazuo Ishiguro’s Klara and the SunPlough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

Whose lives count as fully human? The answer matters for everyone, disabled or not.The ancient Greek ideal linked physical wholeness to moral wholeness – the virtuous citizen was “beautiful and good.” It’s an ideal that has all too often turned deadly, casting those who do not measure up as less than human. In the pre-Christian era, infants with disabilities were left on the rocks; in modern times, they have been targeted by eugenics.Much has changed, thanks to the tenacious advocacy of the disability rights movement. Yesteryear’s hellish institutions have given way to customized educational programs and assisted living centers. Public spaces have been reconfigured to improve access. Therapies and medical technology have advanced rapidly in sophistication and effectiveness. Protections for people with disabilities have been enshrined in many countries’ antidiscrimination laws.But these victories, impressive as they are, mask other realities that collide awkwardly with society’s avowals of equality. Why are parents choosing to abort a baby likely to have a disability? Why does Belgian law allow for euthanasia in cases of disability, even absent a terminal diagnosis or physical pain? Why, when ventilators were in short supply during the first Covid wave, did some states list disability as a reason to deny care?On this theme: - Heonju Lee tells how his son with Down syndrome saved another child’s life.- Molly McCully Brown and Victoria Reynolds Farmer recount their personal experiences with disability.- Amy Julia Becker says meritocracies fail because they value the wrong things.- Maureen Swinger asks six mothers around the world about raising a child with disabilities.- Joe Keiderling documents the unfinished struggle for disability rights.- Isaac T. Soon wonders if Saint Paul’s “thorn in the flesh” was a disability.- Leah Libresco Sargeant reviews What Can a Body Do? and Making Disability Modern.- Sarah C. Williams says testing for fetal abnormalities is not a neutral practice.Also in the issue: - Ross Douthat is brought low by intractable Lyme disease.- Edwidge Danticat flees an active shooter in a packed mall.- Eugene Vodolazkin finds comic relief at funerals, including his own father’s.- Kelsey Osgood discovers that being an Orthodox Jew is strange, even in Brooklyn.- Christian Wiman pens three new poems.- Susannah Black profiles Flannery O’Conner.- Our writers review Eyal Press’s Dirty Work, Steve Coll’s Directorate S, and Millennial Nuns by the Daughters of Saint Paul.Plough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

What we want for schools reveals what we value as a society.“What’s the point of school?” Parents have a stock set of responses, but the question remains unsettled, even two centuries after the Prussians invented compulsory education. The Prussian idea of what a school is for – to mold the populace to serve the state – seems unacceptable today. In vogue, instead, are slogans like “acquiring marketable skills” and “realizing your full potential.” These ideas powerfully shape our culture. Ultimately, they boil down to pursuing one supreme value: individual success in a competitive world.Schools are a mirror of our society as a whole; what we want for schools makes plain what and whom we value in our common life. In the Christian tradition, the life of discipleship is also a school. In this educational community, under the instruction of our one Teacher, we learn not to seek empowerment, but to find strength in weakness; not to out-achieve others, but to serve them; not to pursue our passion, but to obey a call.Also in this issue: poetry by Christian Wiman; reviews of new books by Robert Macfarlane, Jackie Morris, Francisco Cantú, Leif Enger, Carol Anderson, Stephanie Land, and Susan Wise Bauer; and art by Margaret McWethy, Albrecht Dürer, Raphael, Gérard David, Jackie Morris, Gustaf Tenggren, Sergey Dushkin, Anja Percival, Dmitry Samofalov, Christoph Wetzel, Sherrie York, Cathleen Rehfield, Paweł Kuczyński, and Jason Landsel.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.