Adam Nicolson - Böcker

Have you ever wondered what it would be like to be given your own remote islands? Thirty years ago it happened to Adam Nicolson.Aged 21, Nicolson inherited the Shiants, three lonely Hebridean islands set in a dangerous sea off the Isle of Lewis. With only a stone bothy for accommodation and half a million puffins for company, he found himself in charge of one of the most beautiful places on earth.The story of the Shiants is a story of birds and boats, hermits and fishermen, witchcraft and catastrophe, and Nicolson expertly weaves these elements into his own tale of seclusion on the Shiants to create a stirring celebration of island life.

Accompanied by an eight-part series, this is the story of Adam Nicolson’s adventure in a small boat around the western coast of the British Isles.Early in the year, Adam Nicolson decided to leave his comfy life at home on a Sussex farm and go on an adventure. Equipped with the Auk, a forty-two-foot wooden ketch, and a friend who at least knew how to sail, he set off up the Atlantic coasts of the British Isles: Cornwall to Scilly, over to Pembrokeshire and the west of Ireland, to the Hebrides and its offliers, St Kilda and North Rona, before heading on to Orkney, and finally to the Faroes, a two hundred mile leap out into the autumn winds of the North Atlantic.But the book is not just a travel journal. Adam Nicolson writes of his own yearnings for the sea and for wide open spaces. His year is strung between the competing claims of leaving and belonging, of thinking that no life could be more exhilarating than battling a big gale driving in out of the Atlantic and of wanting to be back, in harbour, safe, still and protected. Running throughout the book is a dialogue within the author himself between the attractions of home and not home, the certainties of what you know and the seductions of what you don't.Reflective and poetic, this book is full of rich experience. It is a story passionately engaged with the beauty and marvels of the wild Atlantic coast, but is also a self-portrait of a man in the middle of his life who is determined to find out what it’s all for.

An unforgettable look at the contradictions of heroism, as embodied by Horatio Nelson and as tested by the battle of Trafalgar. Adam Nicolson looks at the variety of qualities – ruthlessness, bravery, kindness, cruelty – that combined in both Nelson and his troops to carry that fateful day.Trafalgar gripped the nineteenth century imagination like no other battle: it was a moment of both transcendent fulfilment and unmatched despair. It was a drama of such violence and sacrifice that the concept of total war may be argued to start from there. It finished the global ambitions of a European tyrant but culminated in the death of Admiral Horatio Nelson, the greatest hero of the era.This book fuses the immediate intensity of the battle with the deeper currents that were running at the time. It has a three-part framework: the long, slow six hour morning before the battle; the afternoon itself of terror, death and destruction; and the shocked, exultant and sobered aftermath, which finds its climax at Nelson's funeral in a snowy London the following January.Adam Nicolson examines the concept of heroes and heroism, both then and now, using Nelson as one of the greatest examples. A man of complexity and contradiction, he was a supreme administrator of ships and men; overflowing with humanity, charm and love but also capable of astonishing ruthlessness and ferocity. Nelson's own courage, vanity, ruthlessness and sweetness made him one of the great identifiable heroes of English history.In Men of Honour, Adam Nicolson also traces the stories of many unknown people of the day. He tackles the move from the age of reason to the age of romanticism, and examines a battle that was not only a uniquely well-documented crisis in human affairs but also a lens on its own time. Adam Nicolson does not approach Trafalgar as a military historian. His book gives a wonderfully immediate recreation of both the battle itself and its aftermath in a rich, concrete and intellectually engaging style.

A fascinating depiction from award-winning author, Adam Nicolson, of a family and a country on the hinge of modernisation.Was our country once a better place? Has modernisation destroyed as much as it has improved? And can we see in an earlier Britain a way of living, an Arcadia, which now seems both ideal and remote?Through 16th- and 17th-century England, the changes of an approaching modernity accelerated. With the growing power of the state, the disruption of the traditional bonds of society, the breaking of communities and the marginalisation of the great families who had once balanced the power of the crown, the new mercantile, individualist world increasingly clashed with the communal and chivalric ideals of the old.To tell this story from the 1520s to the 1640s, Adam Nicolson takes a single great family, the Earls of Pembroke, their wives, children, estates, tenants and allies, and follows their high and glamorous trajectory across three generations of change, nostalgia, ambition, resistance and war.‘Arcadia’ is a rich and detailed evocation of England on the hinge of medieval and modern, and in this wide-ranging book Adam Nicolson explores a world in transition, moving from the intrigues, alliances and vendettas of the court to the intricate, everyday business of rural communities managing their affairs in times of stress. It was an England caught up in its first taste of modernity, yet divided over how to react to it, split between the old and the new, the moment at which the world we have lost turned into the world it has now become.

Longlisted for the 2014 Samuel Johnson Prize for Non-Fiction (now the Bailie Gifford) ‘A thrilling and complex book, enlarges our view of Homer … There’s something that hits the mark on every page’ Claire Tomalin, Books of the Year, New Statesman Where does Homer come from? And why does Homer matter? His epic poems of war and suffering can still speak to us of the role of destiny in life, of cruelty, of humanity and its frailty, but why they do is a mystery. How can we be so intimate with something so distant?‘The Mighty Dead’ is a magical journey of discovery across wide stretches of the past, sewn together by some of the oldest stories we have – the great ancient poems of Homer and their metaphors of life and trouble. In this provocative and enthralling book, Adam Nicolson explains why Homer still matters and how these vital, epic verses – with their focus on the eternal questions about the individual versus the community, honour and service, love and war – tell us how we became who we are.

A fascinating, lively account of the making of the King James Bible.James VI of Scotland – now James I of England – came into his new kingdom in 1603. Trained almost from birth to manage rival political factions, he was determined not only to hold his throne, but to avoid the strife caused by religious groups that was bedevilling most European countries. He would hold his God-appointed position and unify his kingdom. Out of these circumstances, and involving the very people who were engaged in the bitterest controversies, a book of extraordinary grace and lasting literary appeal was created: the King James Bible.47 scholars from Cambridge, Oxford and London translated the Bible, drawing from many previous versions, and created what many believe to be the greatest prose work ever written in English – the product of a culture in a peculiarly conflicted era. This was the England of Shakespeare, Marlowe, Jonson and Bacon; but also of extremist Puritans, the Gunpowder plot, the Plague, of slum dwellings and crushing religious confines. Quite how this astonishing translation emerges is the central question of this book.Far more than Shakespeare, this Bible helped to create and shape the language. It is the origin of many of our most familiar phrases, and the foundations of the English-speaking world. It was a generous and deliberate decision to make the Bible available to the common man: not an immediate commercial success, but which later became a bestseller, and has remained one ever since.Adam Nicolson gives a fascinating and dramatic account of the early years of the first Stewart ruler, and the scholars who laboured for seven years to create the world's greatest book; immersing us in a world of ingratiating bishops, a fascinating monarch and London at a time unlike any other.

The Smell of Summer Grass is the story of the years spent in finding and building a personal idyll, sometimes a dream, sometimes a nightmare, by writer Adam Nicolson and his wife, cook and gardener, Sarah Raven.Without knowing one end of a hay baler from the other, Adam Nicolson and Sarah Raven, fed up with London and with life, escaped with his family to a run-down farm in the Sussex Weald. Looking for Arcadia, they found a mixture of intense beauty and profound chaos. Over three years they struggled with dock leaves, spring flowers, bloody-minded sheep and neighbours before eventually arriving at some kind of equilibrium.Funny, poetic, ironic and wise, ‘The Smell of Summer Grass’ is based partly on the long out of print 'Perch Hill'. It traces the growing intimacy between man and his chosen place, his love affair with it and his frustrations with its intractable realities. As an attempt to live out the pastoral vision, it makes one heartfelt plea: we should never abandon our dreams.

SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD 2019 ‘This is a book of wonders’ Sunday Times ‘Spellbinding and intelligent’ Financial Times ‘Extraordinary and engrossing’ Spectator It was the most extraordinary year. In a book brimming with poetry and nature writing, biography and adventure, Adam Nicolson walks in the footsteps of Coleridge, Wordsworth and his sister Dorothy during the months in the late 1790s they spent together in the Quantock Hills.Out of it came The Ancient Mariner, ‘Kubla Khan’, Lyrical Ballads and ‘Tintern Abbey’; Coleridge’s unmatched hymns to friendship and fatherhood; Wordsworth’s revolutionary verses and paeans to the unity of soul and cosmos, love and understanding. In short, a poetry that sought to remake the world.

WINNER OF THE WAINWRIGHT PRIZE 2018 WINNER OF THE JEFFERIES AWARD FOR NATURE WRITING 2017 The full story of seabirds from one of the greatest nature writers. The book looks at the pattern of their lives, their habitats, the threats they face and the passions they inspire – beautifully illustrated by Kate Boxer. Seabirds are master navigators, thriving in the most demanding environment on earth. In this masterly book, drawing on all the most recent research, Adam Nicolson follows them to the coasts and islands of Scotland, Ireland, Iceland, Norway, and the Americas. Beautifully illustrated by Kate Boxer, The Seabird’s Cry is a celebration of the wonders of the only creatures at home in the air, on land and on the sea. It also carries a warning: the number of seabirds has dropped by two-thirds since 1950. Extinction stalks the ocean and there is a danger that the grand cry of a seabird colony will this century become little but a memory.

LONGLISTED FOR THE WAINWRIGHT PRIZE 2022 ‘A remarkable and powerful book, the rarest of things … Nicolson is unique as a writer … I loved it’ EDMUND DE WAAL Few places are as familiar as the shore – and few as full of mystery and surprise. How do sandhoppers inherit an inbuilt compass from their parents? How do crabs understand the tides? How can the death of one winkle guarantee the lives of its companions? What does a prawn know? In Life Between the Tides, Adam Nicolson explores the natural wonders of the shoreline, from the extraordinary biology of its curious animals to the flow of our human history. This is an invitation to the water, where marvellous things wait an inch below the surface.Previously published as The Sea is Not Made of Water

A TIMES BOOK OF THE YEAR What is the nature of things? Must I think my own way through the world? What is justice? How can I be me? How should we treat each other? Before the Greeks, the idea of the world was dominated by god-kings and their priests, in a life ruled by imagined metaphysical monsters. 2,500 years ago, in a succession of small eastern Mediterranean harbour-cities, that way of thinking began to change. Men (and some women) decided to cast off mental subservience and apply their own worrying and thinking minds to the conundrums of life.These great innovators shaped the beginnings of philosophy. Through the questioning voyager Odysseus, Homer explored how we might navigate our way through the world. Heraclitus in Ephesus was the first to consider the interrelatedness of things. Xenophanes of Colophon was the first champion of civility. In Lesbos, the Aegean island of Sappho and Alcaeus, the early lyric poets asked themselves ‘How can I be true to myself?’ In Samos, Pythagoras imagined an everlasting soul and took his ideas to Italy where they flowered again in surprising and radical forms.Prize-winning writer Adam Nicolson travels through this transforming world and asks what light these ancient thinkers can throw on our deepest preconceptions. Sparkling with maps, photographs and artwork, How to Be is a journey into the origins of Western thought.Hugely formative ideas emerged in these harbour-cities: fluidity of mind, the search for coherence, a need for the just city, a recognition of the mutability of things, a belief in the reality of the ideal — all became the Greeks’ legacy to the world.Born out of a rough, dynamic—and often cruel— moment in human history, it was the dawn of enquiry, where these fundamental questions about self, city and cosmos, asked for the first time, became, as they remain, the unlikely bedrock of understanding.

A TIMES BOOK OF THE YEAR What is the nature of things? Must I think my own way through the world? What is justice? How can I be me? How should we treat each other? Before the Greeks, the idea of the world was dominated by god-kings and their priests, in a life ruled by imagined metaphysical monsters. 2,500 years ago, in a succession of small eastern Mediterranean harbour-cities, that way of thinking began to change. Men (and some women) decided to cast off mental subservience and apply their own worrying and thinking minds to the conundrums of life.These great innovators shaped the beginnings of philosophy. Through the questioning voyager Odysseus, Homer explored how we might navigate our way through the world. Heraclitus in Ephesus was the first to consider the interrelatedness of things. Xenophanes of Colophon was the first champion of civility. In Lesbos, the Aegean island of Sappho and Alcaeus, the early lyric poets asked themselves ‘How can I be true to myself?’ In Samos, Pythagoras imagined an everlasting soul and took his ideas to Italy where they flowered again in surprising and radical forms.Prize-winning and bestselling writer Adam Nicolson travels through this transforming world and asks what light these ancient thinkers can throw on our deepest preconceptions. Sparkling with maps, photographs and artwork, How to Be is a journey into the origins of Western thought.Hugely formative ideas emerged in these harbour-cities: fluidity of mind, the search for coherence, a need for the just city, a recognition of the mutability of things, a belief in the reality of the ideal — all became the Greeks’ legacy to the world.Born out of a rough, dynamic—and often cruel— moment in human history, it was the dawn of enquiry, where these fundamental questions about self, city and cosmos, asked for the first time, became, as they remain, the unlikely bedrock of understanding.

'This is some of the best English prose of our time' SPECTATOR ‘A feast for mind and soul' ISABELLA TREE 'A marvellous and revelatory guide to our native bird-life'DAILY MAIL Step into the hide for a glorious new encounter with the British wild Close to Adam Nicolson’s home in Sussex, there is a forgotten field overrun by bracken and thicketed by brambles. It is the haunt of deer and many birds – nightingales, the occasional cuckoo, ravens, robins, owls and in summer the sweet-singing warblers that come north from Africa to breed in English woods.This gorgeous book charts his attempt to encounter birds, to engage with a marvellous layer of life he had previously almost ignored. He wanted to look and listen, to return to ‘bird school’ and see what it might teach him.He built a small shed amongst the trees with nesting boxes and bird feeders. Cocooned inside, season after season, he got to know the birds: where they nest, how they sing, how they mate and fight, what preys on them, what they are like as living things.Beautifully written and woven through with philosophy, literature, science and a sense of wonder, always conscious that that this is an age in which the natural world is under siege, Bird School pulls back the curtain on seemingly ordinary birds, taking a long, careful and concerned look at our relationship with the wild. 'Golden threads of literary, philosophical and scientific insight run through Nicolson’s book, along with a sense that we are embarking on an adventure with him into a realm that we cannot hope to fully understand' THE TIMES 'A worthy addition to a literary lineage that stretches back to the 18th-century writer and naturalist Gilbert White…Bird School, then, is a fitting title: we should learn to rekindle our enduring love affair with birds, before they vanish from our sight' DAILY TELEGRAPH

‘A feast for mind and soul, a treasure trove of insights into the enigmatic and enchanting world of the birds we share our lives with but barely notice. I have learnt so much. Every page is a thrill. Bird School has opened my eyes' Isabella Tree, author of Wilding Step into the hide for a glorious new encounter with the British wild Close to Adam Nicolson’s home in Sussex, there is a forgotten field overrun by bracken and thicketed by brambles. It is the haunt of deer and many birds – nightingales, the occasional cuckoo, ravens, robins, owls and in summer the sweet-singing warblers that come north from Africa to breed in English woods.This gorgeous book charts his attempt to encounter birds, to engage with a marvellous layer of life he had previously almost ignored. He wanted to look and listen, to return to ‘bird school’ and see what it might teach him.He built a small shed amongst the trees with nesting boxes and bird feeders. Cocooned inside, season after season, he got to know the birds: where they nest, how they sing, how they mate and fight, what preys on them, what they are like as living things.Beautifully written and woven through with philosophy, literature, science and a sense of wonder, always conscious that that this is an age in which the natural world is under siege, Bird School pulls back the curtain on seemingly ordinary birds, taking a long, careful and concerned look at our relationship with the wild. 'Golden threads of literary, philosophical and scientific insight run through Nicolson’s book, along with a sense that we are embarking on an adventure with him into a realm that we cannot hope to fully understand' THE TIMES 'A worthy addition to a literary lineage that stretches back to the 18th-century writer and naturalist Gilbert White…Bird School, then, is a fitting title: we should learn to rekindle our enduring love affair with birds, before they vanish from our sight' DAILY TELEGRAPH

When we read the book of nature, what do we read there? “All things bright and beautiful, all creatures great and small, all things wise and wonderful, the Lord God made them all,” says a well-known hymn. This issue of Plough celebrates the creatures of our planet – plant, animal, and human – and the implications of humankind’s relationship to nature.But if nature can be read as a book that reveals the wisdom of its Creator, it also reveals things less lovely than stars and singing birds – a world of desperate competition for survival, mass extinctions, and deadly viruses. Is such a world a convincing argument for the Creator’s goodness? Turns out Christians and skeptics alike have been asking such questions since long before Darwin added a twist.Are we moderns out of practice at reading the book of nature? And if we forget how, will we fail to read human nature as well – what rights or purposes our Creator may have endowed us with? What then is there to limit the bounds of technological manipulation of humankind?This issue of Plough explores these and other fascinating questions about the natural world and our place in it.In this issue:- Sussex farmer Adam Nicholson evokes centuries of handwork that shaped the landscape of the Weald.- Gracy Olmstead revisits the land her forebears farmed in Idaho.- Ian Marcus Corbin tries walking phoneless to better note the beauty of the natural world.- Amish farmer John Kempf, a leader in regenerative agriculture, foresees a healthier future for farming.- Leah Libresco Sargeant offers a feminist critique of society’s war on women’s bodies.- Iván Bernal Marín visits Panama City’s traditional fishermen.- Maureen Swinger recalls to triumphs of second grade in forest school.- Edmund Waldstein questions head transplants and the limits of medical science.- Kelsey Osgood says it’s natural to fear death, and to transcend that fear through faith.- Tim Maendel lifts the veil on urban beekeeping along the Manhattan skyline.You’ll also find:- An essay by Christian Wiman on the poetry of doubt and faith- New poems by Alfred Nicol- A profile of Amazon activist nun Dorothy Stang- An appreciation of Keith Green’s songs- Insights on creation from Blaise Pascal, Julian of Norwich, Francis of Assisi, Mechthild of Magdeburg, Christopher Smart, Augustine of Hippo, The Book of Job, and Sadhu Sundar Singh- Reviews of The Opening of the American Mind, and Kazuo Ishiguro’s Klara and the SunPlough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

Is our work merely a way to put food on the table, or does it have inherent value? Should our work define us? Does it play too large a role in our lives? Does it make us feel more human, or less so? This issue explores the realities of work for people with various jobs, but also probes the reasons people work and what they hope to gain from their labor. From warehouse workers to poets, food delivery specialists to cloistered nuns, farmers to police officers, this issue considers personal, spiritual, and social aspects of one of the most basic human activities.On this theme: James Rebanks prepares to pass on the farm to his children.Benoit Gautier rides a shuttlebus with dislocated French warehouse workers.Shira Telushkin asks why young women today are becoming cloistered nuns.Ben Wray talks to food-delivery riders in three countries about their attempts to organize.John Clair, a police chief, wants policing to be about relationships, not statistics.Norann Voll tells how her father taught her to embrace her blue-collar roots.Maureen Swinger honors the unpaid and unheralded work of caring for an aging loved one.Alastair Roberts recommends the divine rhythm of work and Sabbath rest God established in Genesis.Also in this issue:Adam Nicolson finds a different sort of freedom sailing a sixteen-foot wooden boat.Alister McGrath explores the connection between detective fiction and the spiritual quest.Tish Harrison Warren introduces Stanley Hauerwas to new audiences.Christian Wiman shares a new poem about a glass-eyed monk.Plough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.