Eugene Vodolazkin – författare

Longlisted for the 2023 Dublin Literary Award

Winner of the Ivo Andrić Grand Prize for best novel of 2022

From the INTERNATIONAL BESTSELLING AUTHOR Eugene Vodolazkin – winner of the BIG BOOK AWARD, the LEO TOLSTOY YASNAYA POLYANA AWARD, and the READ RUSSIA AWARD

For fans of Dostoyevsky, Tolstoy, and Umberto Eco

Vodolazkin’s new novel Brisbane is “a sophisticated and frequently moving study in dissonance, dedicated to pointing out contrasts between art and life, beauty and decay, intention and outcome. And, yes, between Ukraine and Russia” (Booklist).

Brisbane is a richly layered, universal coming-of-age story of a musical prodigy robbed of his talent by an incurable disease who attempts to overcome his mortality. After Gleb Yanovsky, a celebrated guitarist, is diagnosed with Parkinson’s disease at age fifty, he permits a writer, Sergei Nesterov, to pen his biography. For years, they meet regularly as Gleb recounts the life he’s lived thus far: a difficult childhood in Kyiv, his formative musical studies in St. Petersburg, and his later years in Munich, where he lives with his wife and meets a thirteen-year-old virtuoso whom he embraces as his own daughter. In a mischievous and tender account, Gleb recalls a personal story of a lifetime quest for meaning, and how the burden of success changes with age.

Expanding the literary universe spun in his earlier novels, Vodolazkin explores music and fame, heritage and belonging, time and memory in this beautifully-wrought and relevant tale that carefully unravel into a puzzle: Whose story is it – the subject''s or the writer''s? Are art and love really no match for death? Is memory a reliable narrator? In Brisbane, the city of our dreams, as in music, Gleb hopes he’s found a path to eternity – and a way to stop the clock.

Monks devious and devout – and an age-defying royal pair – chronicle the history of their fictional island in this witty critique of Western civilization and history itself.

Eugene Vodolazkin, internationally acclaimed novelist and scholar of medieval literature, returns with a satirical parable about European and Russian history, the myth of progress, and the futility of war.

This ingenious novel, described by critics as a coda to his bestselling Laurus,is presented as a chronicle of an island from medieval to modern times. The island is not on the map, but it is real beyond doubt. It cannot be found in history books, yet the events are painfully recognizable. The monastic chroniclers dutifully narrate events they witness: quests for power, betrayals, civil wars, pandemics, droughts, invasions, innovations, and revolutions. The entries mostly seem objective, but at least one monk simultaneously drafts and hides a “true” history, to be discovered centuries later. And why has someone snipped out a key prophesy about the island’s fate?

These chronicles receive commentary today from an elderly couple who are the island’s former rulers. Prince Parfeny and Princess Ksenia are truly extraordinary: they are now 347 years old. Eyewitnesses to much of their island’s turbulent history, they offer sharp-eyed observations on the changing flow of time and their people’s persistent delusions. Why is the royal couple still alive? Is there a chance that an old prophecy comes to pass and two righteous persons save the island from catastrophe?

In the tradition of Umberto Eco’s The Name of the Rose, Julian Barnes’s A History of the World in 10 1/2 Chapters, and Kazuo Ishiguro’s The Buried Giant, Vodolazkin is at his best recasting history, in all its hubris and horror, by finding the humor in its absurdity. For readers with an appetite for more than a dry, rational, scientific view of what motivates, divides, and unites people, A History of the Island conjures a world still suffused with mystical powers.

From award-winning author Eugene Vodolazkin comes this poignant story of memory, love, and loss spanning twentieth-century Russia.

A man wakes up in a hospital bed, with no idea who he is or how he came to be there. The only information the doctor shares with his patient is his name: Innokenty Petrovich Platonov. As memories slowly resurface, Innokenty begins to build a vivid picture of his former life as a young man in Russia in the early twentieth century, living through the turbulence of the Russian Revolution and its aftermath. But soon, only one question remains: how can he remember the start of the twentieth century, when the pills by his bedside were made in 1999? Reminiscent of the great works of twentieth-century Russian literature, with nods to Dostoevsky’s Crime and Punishment and Bulgakov’s The White Guard, The Aviator cements Vodolazkin’s position as the rising star of Russia’s literary scene.

Larionov. A general of the Imperial Russian Army who mysteriously avoided execution by the Bolsheviks when they swept to power and went on to live a long life in Yalta, leaving behind a vast heritage of memoirs.

Solovyov. The young history student who travels to Crimea, determined to find out how Larionov evaded capture after the 1917 revolution.

With wry humor, Eugene Vodolazkin, one of Russia’s foremost contemporary writers, takes listeners on a fascinating journey through a momentous period of Russian history, interweaving the intriguing story of two men from very different backgrounds that ultimately asks whether we can really understand the present without first understanding the past.