Eugene Vodolazkin - Böcker

WINNER OF THE BIG BOOK AWARD, THE LEO TOLSTOY YASNAYA POLYANA AWARD & THE READ RUSSIA AWARD'THE MOST IMPORTANT LIVING RUSSIAN WRITER' New Yorker*A NEW STATESMAN BOOK OF THE YEAR 2016*Fifteenth-century RussiaIt is a time of plague and pestilence, and a young healer, skilled in the art of herbs and remedies, finds himself overcome with grief and guilt when he fails to save the one he holds closest to his heart. Leaving behind his village, his possessions and his name, he sets out on a quest for redemption, penniless and alone. But this is no ordinary journey: wandering across plague-ridden Europe, offering his healing powers to all in need, he travels through ages and countries, encountering a rich tapestry of wayfarers along the way. Accosted by highwaymen, lynched in Yugoslavia and washed overboard at sea, he eventually reaches Jerusalem, only to find his greatest challenge is yet to come.Winner of two of the biggest literary prizes in Russia, Laurus is a remarkably rich novel about the eternal themes of love, loss, self-sacrifice and faith, from one of the country’s most experimental and critically acclaimed novelists.

What we want for schools reveals what we value as a society.“What’s the point of school?” Parents have a stock set of responses, but the question remains unsettled, even two centuries after the Prussians invented compulsory education. The Prussian idea of what a school is for – to mold the populace to serve the state – seems unacceptable today. In vogue, instead, are slogans like “acquiring marketable skills” and “realizing your full potential.” These ideas powerfully shape our culture. Ultimately, they boil down to pursuing one supreme value: individual success in a competitive world.Schools are a mirror of our society as a whole; what we want for schools makes plain what and whom we value in our common life. In the Christian tradition, the life of discipleship is also a school. In this educational community, under the instruction of our one Teacher, we learn not to seek empowerment, but to find strength in weakness; not to out-achieve others, but to serve them; not to pursue our passion, but to obey a call.Also in this issue: poetry by Christian Wiman; reviews of new books by Robert Macfarlane, Jackie Morris, Francisco Cantú, Leif Enger, Carol Anderson, Stephanie Land, and Susan Wise Bauer; and art by Margaret McWethy, Albrecht Dürer, Raphael, Gérard David, Jackie Morris, Gustaf Tenggren, Sergey Dushkin, Anja Percival, Dmitry Samofalov, Christoph Wetzel, Sherrie York, Cathleen Rehfield, Paweł Kuczyński, and Jason Landsel.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

Longlisted for the 2023 Dublin Literary AwardWinner of the Ivo Andrić Grand Prize for best novel of 2022From the INTERNATIONAL BESTSELLING AUTHOR Eugene Vodolazkin – winner of the BIG BOOK AWARD, the LEO TOLSTOY YASNAYA POLYANA AWARD, and the READ RUSSIA AWARDFor fans of Dostoyevsky, Tolstoy, and Umberto EcoVodolazkin’s new novel Brisbane is “a sophisticated and frequently moving study in dissonance, dedicated to pointing out contrasts between art and life, beauty and decay, intention and outcome. And, yes, between Ukraine and Russia” (Booklist).Brisbane is a richly layered, universal coming-of-age story of a musical prodigy robbed of his talent by an incurable disease who attempts to overcome his mortality. After Gleb Yanovsky, a celebrated guitarist, is diagnosed with Parkinson’s disease at age fifty, he permits a writer, Sergei Nesterov, to pen his biography. For years, they meet regularly as Gleb recounts the life he’s lived thus far: a difficult childhood in Kyiv, his formative musical studies in St. Petersburg, and his later years in Munich, where he lives with his wife and meets a thirteen-year-old virtuoso whom he embraces as his own daughter. In a mischievous and tender account, Gleb recalls a personal story of a lifetime quest for meaning, and how the burden of success changes with age.Expanding the literary universe spun in his earlier novels, Vodolazkin explores music and fame, heritage and belonging, time and memory in this beautifully-wrought and relevant tale that carefully unravel into a puzzle: Whose story is it – the subject's or the writer's? Are art and love really no match for death? Is memory a reliable narrator? In Brisbane, the city of our dreams, as in music, Gleb hopes he’s found a path to eternity – and a way to stop the clock.

Whose lives count as fully human? The answer matters for everyone, disabled or not.The ancient Greek ideal linked physical wholeness to moral wholeness – the virtuous citizen was “beautiful and good.” It’s an ideal that has all too often turned deadly, casting those who do not measure up as less than human. In the pre-Christian era, infants with disabilities were left on the rocks; in modern times, they have been targeted by eugenics.Much has changed, thanks to the tenacious advocacy of the disability rights movement. Yesteryear’s hellish institutions have given way to customized educational programs and assisted living centers. Public spaces have been reconfigured to improve access. Therapies and medical technology have advanced rapidly in sophistication and effectiveness. Protections for people with disabilities have been enshrined in many countries’ antidiscrimination laws.But these victories, impressive as they are, mask other realities that collide awkwardly with society’s avowals of equality. Why are parents choosing to abort a baby likely to have a disability? Why does Belgian law allow for euthanasia in cases of disability, even absent a terminal diagnosis or physical pain? Why, when ventilators were in short supply during the first Covid wave, did some states list disability as a reason to deny care?On this theme: - Heonju Lee tells how his son with Down syndrome saved another child’s life.- Molly McCully Brown and Victoria Reynolds Farmer recount their personal experiences with disability.- Amy Julia Becker says meritocracies fail because they value the wrong things.- Maureen Swinger asks six mothers around the world about raising a child with disabilities.- Joe Keiderling documents the unfinished struggle for disability rights.- Isaac T. Soon wonders if Saint Paul’s “thorn in the flesh” was a disability.- Leah Libresco Sargeant reviews What Can a Body Do? and Making Disability Modern.- Sarah C. Williams says testing for fetal abnormalities is not a neutral practice.Also in the issue: - Ross Douthat is brought low by intractable Lyme disease.- Edwidge Danticat flees an active shooter in a packed mall.- Eugene Vodolazkin finds comic relief at funerals, including his own father’s.- Kelsey Osgood discovers that being an Orthodox Jew is strange, even in Brooklyn.- Christian Wiman pens three new poems.- Susannah Black profiles Flannery O’Conner.- Our writers review Eyal Press’s Dirty Work, Steve Coll’s Directorate S, and Millennial Nuns by the Daughters of Saint Paul.Plough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

Communal music has the power to shape a soul and a society.In many places today, a culture of singing and making music remains robust, despite pressure from the commercial music industry. Or it was until the Covid pandemic hit and we glimpsed what a world without communal music-making could be like. According to Plato, virtuous music is vital for building a virtuous community. Jewish and Christian traditions take this insight even further: good communal music shapes and builds up the people of God. So how can we choose good music and avoid the bad? The sheer ubiquity of music available for consumption – its presence as a near-constant soundtrack to our daily lives – poses a hazard. Digital music on tap is a temptation to chronic distraction of the soul, to a habit of superficiality and non-attention. Fortunately, the remedy is straightforward: spend less time consuming prepackaged tunes and more time making music. This will be doubly rewarding if done with others – singing with one’s family, singing in church, playing in a string quartet, starting a regular jam session. If personal media players tend to cut us off from the physical presence of others, sharing in good music together breaks the spell of isolation and disembodiment. It builds friendship and community.On this theme:- Maureen Swinger’s amateur choir sings Bach’s Saint Matthew Passion.- Stephen Michael Newby says Black spirituals aren’t just for Black people. - Mary Townsend finds Dolly Parton magnificent, but would Aristotle? - Phil Christman finds catharsis in the YouTube comments of eighties songs. - Ben Crosby says congregational singing should be unabashedly weird to visitors.- Joseph Julián González draws on ancient Nahua poets in his music.- Christopher Tin explains why he weaves so many historical influences into his music.- Seven musicians talk about making your own music in schools, churches, prisons, backyards, or children’s bedrooms: Nathan Schram, Esther Keiderling, Norann Voll, Chaka Watch Ngwenya, Eileen Maendel, Adora Wong, and Brittany Petruzzi.Also in the issue:Exclusive excerpts from forthcoming books by Eugene Vodolazkin and Esther Maria Magnis- Thoughts on music from Augustine, Gregory of Nyssa, Hildegard of Bingen, Martin Luther, and Eberhard Arnold- Catholics and Anabaptists unite to commemorate the Radical Reformation- New poems by Jacqueline Saphra- A profile of Argentinian singer Mercedes Sosa.- Reviews of Kate Clifford Larson’s Walk with Me, Rowan Williams’s Shakeshafte, and Sam Quinones’s The Least of UsPlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

Monks devious and devout – and an age-defying royal pair – chronicle the history of their fictional island in this witty critique of Western civilization and history itself.Eugene Vodolazkin, internationally acclaimed novelist and scholar of medieval literature, returns with a satirical parable about European and Russian history, the myth of progress, and the futility of war.This ingenious novel, described by critics as a coda to his bestselling Laurus, is presented as a chronicle of an island from medieval to modern times. The island is not on the map, but it is real beyond doubt. It cannot be found in history books, yet the events are painfully recognizable. The monastic chroniclers dutifully narrate events they witness: quests for power, betrayals, civil wars, pandemics, droughts, invasions, innovations, and revolutions. The entries mostly seem objective, but at least one monk simultaneously drafts and hides a “true” history, to be discovered centuries later. And why has someone snipped out a key prophesy about the island’s fate?These chronicles receive commentary today from an elderly couple who are the island’s former rulers. Prince Parfeny and Princess Ksenia are truly extraordinary: they are now 347 years old. Eyewitnesses to much of their island’s turbulent history, they offer sharp-eyed observations on the changing flow of time and their people’s persistent delusions. Why is the royal couple still alive? Is there a chance that an old prophecy comes to pass and two righteous persons save the island from catastrophe?In the tradition of Umberto Eco’s The Name of the Rose, Julian Barnes’s A History of the World in 10 1/2 Chapters, and Kazuo Ishiguro’s The Buried Giant, Vodolazkin is at his best recasting history, in all its hubris and horror, by finding the humor in its absurdity. For readers with an appetite for more than a dry, rational, scientific view of what motivates, divides, and unites people, A History of the Island conjures a world still suffused with mystical powers.

Main Description: This issue opens with the story of Melania and her real estate-magnatehusband, who decide to divest themselves of their entire wealth. These earlyChristians, who sold off their many estates and freed eight thousand slaves,were only exceptional in the amount they gave away. Jesus, after all, hadadvised a rich man, “Go, sell yourpossessions, and give the money to the poor.” And he emphatically warned thatyou cannot serve two masters: you cannot serve God and money. What does thatmean for Christians today, in a society and economy premised on theaccumulation of capital? How can we resist and subvert the power of money?On this theme:- Clare Coffey looks at how multilevel marketing commodifiesfriendship.- Sharon Rose Christner describes what happens when a Vatican palacebecomes a homeless shelter.- Alastair Roberts writes in praise of Mary of Bethany’s extravagantlove.- A photojournalist asks what’s left of the Cuban Revolutionseventy years after it began.- Jack Bell revisits William Cobbett’s spirited defense of thevanishing British commons.- Maria Weiss finds pain and friendship in the forced community ofa leper colony.- Maureen Swinger reveals the joys and pitfalls of owning twenty-twocars (collectively).- Robert Lockridge describes what he’s learned running a pay-as-you-cancafé.Also in the issue: - The winning poems in the 2023 Rhina Espaillat Poetry Awardcontest- An excerpt from Eugene Vodolazkin’s new novel, A History of the Island- Reviews of Kerri ní Dochartaigh’s Thin Places, Lydia Millet’s Dinosaurs,and Jennifer Banks’s Natality- Readings on Christianity and money from Eberhard Arnold, Peter Riedemann, Nicolai Berdyaev, Basilof Caesarea, Maria Skobtsova, C. S. Lewis, and Dorothy DayPlough Quarterly features stories, ideas, and culture for people eager to apply their faithto the challenges we face. Each issue includes in-depth articles, interviews,poetry, book reviews, and art.

'THE MOST IMPORTANT LIVING RUSSIAN WRITER' New Yorker MY HEAD SPINS. I'M LYING IN A BED. WHERE AM I? WHO AM I?A man wakes up in hospital. He has no idea who he is or how he came to be there. The doctor tells him his name, but he doesn't remember it. He remembers nothing.As memories slowly resurface, he begins to build a picture of his former life. Russia in the early twentieth century, the turbulence of the revolution, the aftermath. But how can this be possible when the pills beside his bed are dated 1999?In the deft hands of Eugene Vodolazkin, author of the multi award-winning Laurus, The Aviator paints a vivid, panoramic picture of life in Russia at the beginning of the twentieth century, richly evoking the sights, sounds and political turmoil of those days. Reminiscent of the great works of Russian literature, and shortlisted for the Russian Booker Prize, it cements Vodolazkin's position as the rising star of Russia's literary scene.