Geoff Eley – författare

Democracy in Europe has been a relatively recent phenomenon. Only in the wake of World War Two did democratic forces become ensconced and, even then, it was to be decades before democracy truly blanketed the continent.How then did liberal democracy become the order of the day? Neither given nor granted, democracy requires conflict, often violent confrontations, and challenges to the existing order. In Europe, Geoff Eley here convincingly illustrates, democracy did not evolve organically out of a postwar consensus, the prosperity of the long boom, or the negative cement of the Cold War. Rather, it was painstakingly crafted, continually expanded, and aggressively defended by a loose conglomeration of socialist, labour, feminist, and Communist movements that underwrote the industrial resurrection of Europe's ruined spirit. These parties of the left organised civil societies rooted in egalitarian ideals that came to from the very fibre of Europe's current democratic traditions. The trajectory of European democracy is thus inextricably connected with the history of the European Left.Seeking neither to valorise nor condemn, Eley has given us the first truly comprehensive history of the European Left's successes and failures; its high watermarks and its low tides; its accomplishments, insufficiencies, and excesses; and, most importantly, its formative, lasting influence on the political landscape of the West. At a time when the influence and legitimacy - the very value - of Leftist democratic principles in frequently called into question, this book stands as a ringing, substantive affirmation of the power of human ideals and of collective organisation.

Democracy in Europe has been a recent phenomenon. Only in the wake of World War II were democratic frameworks secured, and, even then, it was decades before democracy truly blanketed the continent. Neither given nor granted, democracy requires conflict, often violent confrontations, and challenges to the established political order. In Europe, Geoff Eley convincingly shows, democracy did not evolve organically out of a natural consensus, the achievement of prosperity, or the negative cement of the Cold War. Rather, it was painstakingly crafted, continually expanded, and doggedly defended by varying constellations of socialist, feminist, Communist, and other radical movements that originally blossomed in the later nineteenth century. Parties of the Left championed democracy in the revolutionary crisis after World War I, salvaged it against the threat of fascism, and renewed its growth after 1945. They organised civil societies rooted in egalitarian ideals which came to form the very fibre of Europe's current democratic traditions. The trajectories of European democracy and the history of the European Left are thus inextricably bound together.Geoff Eley has given us the first truly comprehensive history of the European Left--its successes and failures; its high watermarks and its low tides; its accomplishments, insufficiencies, and excesses; and, most importantly, its formative, lasting influence on the European political landscape. At a time when the Left's influence and legitimacy are frequently called into question, Forging Democracy passionately upholds its vital contribution.

A well-written, stimulating...piece of scholarship. --German Studies Review. In a major re-evaluation of the cultural, political, and sociological assumptions about the "peculiar" course of modern German history, the authors challenge the widely held belief that Germany did not have a Western-style bourgeois revolution. Contending that it did indeed experience one, but that this had little to do with the mythical rising of the middle class, the authors provide a new context for viewing the tensions and instability of 19th-and early 20th-century Germany.

This book investigates the role of bourgeoisie society and the political developments of the nineteenth century in the peculiarities of German history. Most historians attribute German exceptionalism to the failure or absence of bourgeois revolution in German history and the failure of the bourgeoisie to conquer the pre-industrial traditions of authoritarianism. However, this study finds that there was a bourgeois revolution in Germany, though not the traditional type. This so-called silent bourgeois revolution brought about the emergence and consolidation of the capitalist system based on the sanctity and disposability of private property and on production to meet individual needs through a system of exchange dominated by the market. In this connection, this book proposes a redefinition of the concept of bourgeois revolution to denote a broader pattern of material, institutional, legal, and intellectual changes whose cumulative effect was all the more powerful for coming to be seen as natural.

Offering a dynamic and wide-ranging examination of the key issues at the heart of the study of German Fascism, Nazism as Fascism brings together a selection of Geoff Eley’s most important writings on Nazism and the Third Reich.Featuring a wealth of revised, updated and new material, Nazism as Fascism analyses the historiography of the Third Reich and its main interpretive approaches. Themes include:Detailed reflection on the tenets and character of Nazi ideology and institutional practicesExamination of the complicated processes that made Germans willing to think of themselves as NazisDiscussion of Nazism’s presence in the everyday lives of the German PeopleConsideration of the place of women under the Third ReichIn addition, this book also looks at the larger questions of the historical legacy of Fascist ideology and charts its influence and development from its origin in 1930’s Germany through to its intellectual and spatial influence on a modern society in crisis.In Nazism as Fascism Geoff Eley engages with Germany’s political past in order to evaluate the politics of the present day and to understand what happens when the basic principles of democracy and community are violated. This book is essential reading not only for students of German history, but for anyone with an interest in history and politics more generally.

Offering a dynamic and wide-ranging examination of the key issues at the heart of the study of German Fascism, Nazism as Fascism brings together a selection of Geoff Eley’s most important writings on Nazism and the Third Reich.Featuring a wealth of revised, updated and new material, Nazism as Fascism analyses the historiography of the Third Reich and its main interpretive approaches. Themes include:Detailed reflection on the tenets and character of Nazi ideology and institutional practicesExamination of the complicated processes that made Germans willing to think of themselves as NazisDiscussion of Nazism’s presence in the everyday lives of the German PeopleConsideration of the place of women under the Third ReichIn addition, this book also looks at the larger questions of the historical legacy of Fascist ideology and charts its influence and development from its origin in 1930’s Germany through to its intellectual and spatial influence on a modern society in crisis.In Nazism as Fascism Geoff Eley engages with Germany’s political past in order to evaluate the politics of the present day and to understand what happens when the basic principles of democracy and community are violated. This book is essential reading not only for students of German history, but for anyone with an interest in history and politics more generally.

"After the Nazi Racial State offers a comprehensive, persuasive, and ambitious argument in favor of making 'race' a more central analytical category for the writing of post-1945 history. This is an extremely important project, and the volume indeed has the potential to reshape the field of post-1945 German history."---Frank Biess, University of California, San DiegoWhat happened to "race," race thinking, and racial distinctions in Germany, and Europe more broadly, after the demise of the Nazi racial state? This book investigates the afterlife of "race" since 1945 and challenges the long-dominant assumption among historians that it disappeared from public discourse and policy-making with the defeat of the Third Reich and its genocidal European empire. Drawing on case studies of Afro-Germans, Jews, and Turks---arguably the three most important minority communities in postwar Germany---the authors detail continuities and change across the 1945 divide and offer the beginnings of a history of race and racialization after Hitler. A final chapter moves beyond the German context to consider the postwar engagement with "race" in France, Britain, Sweden, and the Netherlands, where waves of postwar, postcolonial, and labor migration troubled nativist notions of national and European identity. After the Nazi Racial State poses interpretative questions for the historical understanding of postwar societies and democratic transformation, both in Germany and throughout Europe. It elucidates key analytical categories, historicizes current discourse, and demonstrates how contemporary debates about immigration and integration---and about just how much "difference" a democracy can accommodate---are implicated in a longer history of "race." This book explores why the concept of "race" became taboo as a tool for understanding German society after 1945. Most crucially, it suggests the social and epistemic consequences of this determined retreat from "race" for Germany and Europe as a whole.Rita Chin is Associate Professor of History at the University of Michigan. Heide Fehrenbach is Presidential Research Professor at Northern Illinois University. Geoff Eley is Karl Pohrt Distinguished University Professor of Contemporary History at the University of Michigan. Atina Grossmann is Professor of History at Cooper Union.Cover illustration: Human eye, © Stockexpert.com.

"Eley brilliantly probes transformations in the historians' craft over the past four decades. I found A Crooked Line engrossing, insightful, and inspiring."--Lizabeth Cohen, author of A Consumers' Republic"A Crooked Line brilliantly captures the most significant shifts in the landscape of historical scholarship that have occurred in the last four decades. Part personal history, part insightful analysis of key methodological and theoretical historiographical tendencies since the late 1960s, always thoughtful and provocative, Eley's book shows us why history matters to him and why it should also matter to us."--Robert Moeller, University of California, Irvine"Part genealogy, part diagnosis, part memoir, Eley's account of the histories of social and cultural history is a tour de force."--Antoinette Burton, Professor of History and Catherine C. and Bruce A. Bastian Professor of Global and Transnational Studies, University of Illinois"Eley's reflections on the changing landscape of academic history in the last forty years will interest and benefit all students of the discipline. Both a native informant and an analyst in this account, Eley combines the two roles superbly to produce one of most engaging and compelling narratives of the recent history of History."--Dipesh Chakrabarty, author of Provincializing EuropeUsing his own intellectual biography as a narrative device, Geoff Eley tracks the evolution of historical understanding in our time from social history through the so-called "cultural turn," and back again to a broad history of society.A gifted writer, Eley carefully winnows unique experiences from the universal, and uses the interplay of the two to draw the reader toward an organic understanding of how historical thinking (particularly the work of European historians) has evolved under the influence of new ideas. His work situates history within History, and offers students, scholars, and general readers alike a richly detailed, readable guide to the enduring value of historical ideas.Geoff Eley is Professor of History at the University of Michigan.

Unifying concepts are essential when studying history. They provide students and scholars with ways to organize their thoughts, research, and writings. However, these concepts are also the focus of myriad conflicts within the field. Social history has experienced more than its share of such conflicts since its inception some forty years ago. In recent times the fields of “the social” and of “culture” have sometimes been presented as mutually exclusive and even hostile. Once again, conceptual innovation in history has been cast as a closure by which the new drives out the old: in this case, cultural history radically displacing social history. The Future of Class in History analyzes the effect of the conflict that followed the “turn to culture” in historical work by examining the use of class and demonstrates how practitioners in multiple fields can collaborate to produce the highest quality scholarship. “Offers new ways of thinking about ‘class’ and ‘society’ in a world in which such categories have been radically called into question.”—Sherry Ortner, University of California, Los Angeles“Brilliantly charts social history’s past achievement, present dilemma, and future promise in a work distinguished by intellectual openness and generosity.”—James A. Epstein, Vanderbilt University“Eley and Nield seek to rescue the deluded follower of social history from the enormous condescension of the cultural turn. They succeed admirably, making the case for a new hybrid socio-cultural history.”—Donald Reid, University of North Carolina at Chapel Hill“This terrific double act has once again produced a text that demands to be read by all those tired of the juxtaposition of social and cultural histories and still interested in the problematic of class and the politics of its past and present.”—James Vernon, University of California, Berkeley“Eley and Nield tackle a contentious debate with a gracious plea for collaboration. Their strong desire to get past the ‘culture wars’ and to engage social and cultural historians in fruitful dialogue is a welcome move, stylishly executed.”—Philippa Levine, University of Southern CaliforniaGeoff Eley is Professor of History at the University of Michigan.Keith Nield is Professor Emeritus of History at the University of Hull.

Society, Culture, and the State in Germany, 1870-1930 draws together important new work on the Kaiserreich--the period between Bismarck's unification of Germany and the First World War. Work on the Kaiserreich built up impressive momentum during the 1970s and 1980s, when a series of inspiring but divisive controversies called into question the ways in which German historical development in the nineteenth and twentieth centuries was mainly understood. These discussions focused on issues of continuity between Bismarck and Hitler and the peculiar strength of authoritarianism in German political culture, raising important questions about the deep origins of Nazism and about Germany's alleged differences from the West. The collection purposefully brings certain issues and approaches into the foreground. These include the value of taking gender seriously as a priority of historical work; the emergence of social policy and welfare during the early twentieth century; religious belief and affiliation as a neglected dimension in modern German history; the tremendous importance of the First World War as a climacteric; and the exciting potentials of cultural studies and the new cultural history. A varied group, the contributors embrace different kinds of history and certainly do not subscribe to a common line. Some essays suggest alternative periodizations and focus on the early twentieth century decades rather than the integral unity of the Kaiserreich as such. Together, they take stock of the field, critically synthesizing existing knowledge and laying down agendas for the future.

As the 20th century recedes, how should its history be written? The 1920s and 1930s were a time of paradox, of great conflict and contradiction. If those years were the crucible of a new metropolitan modernity and its possibilities, what were the forward-moving forces and ideas? What were their effects and where did they lead? The Modernist Wish provides a comprehensive, non-hierarchical and integrated history of Europe's early 20th century across the whole of the continent. Uniting social, cultural-intellectual, and political history alongside military-strategic and geopolitical dimensions, Geoff Eley examines the distinctiveness of early-20th century modernity. He draws out the exceptional character of the interwar years and their longer-run social and political fallout, based in the excitements of metropolitan living, the progressive achievements of an industrialized machine world, and the material possibilities for fashioning new forms of selfhood. In presenting a truly European history for our time, this study encompasses both the grand narratives of large-scale transformations, and the everyday realities of individual lived experiences.

This book is one of the first to use citizenship as a lens through which to understand German history in the twentieth century. By considering how Germans defined themselves and others, the book explores how nationality and citizenship rights were constructed, and how Germans defined—and contested—their national community over the century. The volume presents new research informed by cultural, political, legal, and institutional history to obtain a fresh understanding of German history in a century marked by traumatic historical ruptures. By investigating a concept that has been widely discussed in the social sciences, Citizenship and National Identity in Twentieth-Century Germany engages with scholarly debates in sociology, anthropology, and political science.

This book is one of the first to use citizenship as a lens through which to understand German history in the twentieth century. By considering how Germans defined themselves and others, the book explores how nationality and citizenship rights were constructed, and how Germans defined—and contested—their national community over the century. The volume presents new research informed by cultural, political, legal, and institutional history to obtain a fresh understanding of German history in a century marked by traumatic historical ruptures. By investigating a concept that has been widely discussed in the social sciences, Citizenship and National Identity in Twentieth-Century Germany engages with scholarly debates in sociology, anthropology, and political science.

This collection provides a comprehensive treatment of the German colonial empire and its significance. Leading scholars show not only how the colonies influenced metropolitan life and the character of German politics during the Bismarckian and Wilhelmine eras (1871–1918), but also how colonial mentalities and practices shaped later histories during the Nazi era. In introductory essays, editors Geoff Eley and Bradley Naranch survey the historiography and broad developments in the imperial imaginary of the nineteenth and twentieth centuries. Contributors then examine a range of topics, from science and the colonial state to the disciplinary constructions of Africans as colonial subjects for German administrative control. They consider the influence of imperialism on German society and culture via the mass-marketing of imperial imagery; conceptions of racial superiority in German pedagogy; and the influence of colonialism on German anti-Semitism. The collection concludes with several essays that address geopolitics and the broader impact of the German imperial experience.Contributors. Dirk BÖnker, Jeff Bowersox, David Ciarlo, Sebastian Conrad, Christian S. Davis, Geoff Eley, Jennifer Jenkins, Birthe Kundus, Klaus MÜhlhahn, Bradley Naranch, Deborah Neill, Heike Schmidt, J. P. Short, George Steinmetz, Dennis Sweeney, Brett M. Van Hoesen, Andrew Zimmerman

This collection provides a comprehensive treatment of the German colonial empire and its significance. Leading scholars show not only how the colonies influenced metropolitan life and the character of German politics during the Bismarckian and Wilhelmine eras (1871–1918), but also how colonial mentalities and practices shaped later histories during the Nazi era. In introductory essays, editors Geoff Eley and Bradley Naranch survey the historiography and broad developments in the imperial imaginary of the nineteenth and twentieth centuries. Contributors then examine a range of topics, from science and the colonial state to the disciplinary constructions of Africans as colonial subjects for German administrative control. They consider the influence of imperialism on German society and culture via the mass-marketing of imperial imagery; conceptions of racial superiority in German pedagogy; and the influence of colonialism on German anti-Semitism. The collection concludes with several essays that address geopolitics and the broader impact of the German imperial experience.Contributors. Dirk BÖnker, Jeff Bowersox, David Ciarlo, Sebastian Conrad, Christian S. Davis, Geoff Eley, Jennifer Jenkins, Birthe Kundus, Klaus MÜhlhahn, Bradley Naranch, Deborah Neill, Heike Schmidt, J. P. Short, George Steinmetz, Dennis Sweeney, Brett M. Van Hoesen, Andrew Zimmerman

What was German modernity? What did the years between 1880 and 1930 mean for Germany's navigation through a period of global capitalism, imperial expansion, and technological transformation? German Modernities From Wilhelm to Weimar brings together leading historians of the Imperial and Weimar periods from across North America to readdress the question of German modernities. Acutely attentive to Germany’s eventual turn towards National Socialism and the related historiographical arguments about ‘modernity’, this volume explores the variety of social, intellectual, political, and imperial projects pursued by those living in Germany in the Wilhelmine and Weimar years who were yet uncertain about what they were creating and which future would come. It includes varied case studies, based on cutting-edge research, which rethink the relationship of the early 20th century to the rise of Nazism and the Third Reich.A range of political, social and cultural issues, including citizenship, welfare, empire, aesthetics and sexuality, as well as the very nature of German modernity, are analyzed and placed in a global context. German Modernities From Wilhelm to Weimar is a book of vital significance to all students of modern German history seeking to further understand the complex period from 1880 to 1930.

What was German modernity? What did the years between 1880 and 1930 mean for Germany's navigation through a period of global capitalism, imperial expansion, and technological transformation? German Modernities From Wilhelm to Weimar brings together leading historians of the Imperial and Weimar periods from across North America to readdress the question of German modernities. Acutely attentive to Germany’s eventual turn towards National Socialism and the related historiographical arguments about ‘modernity’, this volume explores the variety of social, intellectual, political, and imperial projects pursued by those living in Germany in the Wilhelmine and Weimar years who were yet uncertain about what they were creating and which future would come. It includes varied case studies, based on cutting-edge research, which rethink the relationship of the early 20th century to the rise of Nazism and the Third Reich.A range of political, social and cultural issues, including citizenship, welfare, empire, aesthetics and sexuality, as well as the very nature of German modernity, are analyzed and placed in a global context. German Modernities From Wilhelm to Weimar is a book of vital significance to all students of modern German history seeking to further understand the complex period from 1880 to 1930.

Visualizing Fascism argues that fascism was not merely a domestic menace in a few European nations, but arose as a genuinely global phenomenon in the early twentieth century. Contributors use visual materials to explore fascism's populist appeal in settings around the world, including China, Japan, South Africa, Slovakia, and Spain. This visual strategy allows readers to see the transnational rise of the right as it fed off the agitated energies of modernity and mobilized shared political and aesthetic tropes. This volume also considers the postwar aftermath as antifascist art forms were depoliticized and repurposed in the West. More commonly, analyses of fascism focus on Italy and Germany alone and on institutions like fascist parties, but that approach truncates our understanding of the way fascism was indebted to colonialism and internationalism with all their attendant grievances and aspirations. Using photography, graphic arts, architecture, monuments, and film-rather than written documents alone-produces a portable concept of fascism, useful for grappling with the upsurge of the global right a century ago-and today.Contributors. Nadya Bair, Paul D. Barclay, Ruth Ben-Ghiat, Maggie Clinton, Geoff Eley, Lutz Koepnick, Ethan Mark, Bertrand Metton, Lorena Rizzo, Julia Adeney Thomas, Claire Zimmerman

Visualizing Fascism argues that fascism was not merely a domestic menace in a few European nations, but arose as a genuinely global phenomenon in the early twentieth century. Contributors use visual materials to explore fascism's populist appeal in settings around the world, including China, Japan, South Africa, Slovakia, and Spain. This visual strategy allows readers to see the transnational rise of the right as it fed off the agitated energies of modernity and mobilized shared political and aesthetic tropes. This volume also considers the postwar aftermath as antifascist art forms were depoliticized and repurposed in the West. More commonly, analyses of fascism focus on Italy and Germany alone and on institutions like fascist parties, but that approach truncates our understanding of the way fascism was indebted to colonialism and internationalism with all their attendant grievances and aspirations. Using photography, graphic arts, architecture, monuments, and film-rather than written documents alone-produces a portable concept of fascism, useful for grappling with the upsurge of the global right a century ago-and today.Contributors. Nadya Bair, Paul D. Barclay, Ruth Ben-Ghiat, Maggie Clinton, Geoff Eley, Lutz Koepnick, Ethan Mark, Bertrand Metton, Lorena Rizzo, Julia Adeney Thomas, Claire Zimmerman

What was distinctive—and distinctively "modern"—about German society and politics in the age of Kaiser Wilhelm II? In addressing this question, these essays assemble cutting-edge research by fourteen international scholars. Based on evidence of an explicit and self-confidently "bourgeois" formation in German public culture, the contributors suggest new ways of interpreting its reformist potential and advance alternative readings of German political history before 1914. While proposing a more measured understanding of Wilhelmine Germany's extraordinarily dynamic society, they also grapple with the ambivalent, cross-cutting nature of German "modernities" and reassess their impact on long-term developments running through the Wilhelmine age.

What was distinctive—and distinctively "modern"—about German society and politics in the age of Kaiser Wilhelm II? In addressing this question, these essays assemble cutting-edge research by fourteen international scholars. Based on evidence of an explicit and self-confidently "bourgeois" formation in German public culture, the contributors suggest new ways of interpreting its reformist potential and advance alternative readings of German political history before 1914. While proposing a more measured understanding of Wilhelmine Germany's extraordinarily dynamic society, they also grapple with the ambivalent, cross-cutting nature of German "modernities" and reassess their impact on long-term developments running through the Wilhelmine age.