Hartmut Rosa – författare
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Heavy metal märks. Och man måste lyssna på hög volym! Det menar Hartmut Rosa, tysk sociolog och hårdnackat metal-fan, som med sina teorier kring social acceleration och resonans etablerat sig som en av samtidens viktigaste tänkare.
Heavy metal har för länge sedan blivit medelålders, men står fortfarande stadigt i den annars så konjunkturkänsliga musikindustrin. Fansen är många och lojala. De läser smala tidskrifter, lyssnar fortfarande på hela album, köper mängder med skivor och är flitiga konsertbesökare. Många metal-fans hävdar dessutom att musiken räddat deras liv! Hur kommer det sig att denna musik kan betyda så mycket för vissa, när den av utomstående ofta uppfattas som klichéartat oljud?
I Monstervrål och änglasång använder Hartmut Rosa sin egen erfarenhet som passionerad hårdrockare. Hans livs soundtrack blir utgångspunkt när han redogör för genrens historia, hur låtarna är uppbyggda och vad som utmärker metal-kulturen bland alla änglar och demoner. Han hämtar exempel från såväl romantiken och nyare forskning som personliga berättelser om gåshudsupplevelser. Här presenteras musik inte bara heavy metal som en möjlig väg in i djup resonans och som existentiell motkraft i en alltmer stum omvärld.
Recensioner av den tyska utgåvan: "För metal-fans är denna bok absolut obligatorisk läsning. Inte bara för att kunna svara mer uttömmande och kompetent nästa gång frågan 'Varför lyssnar du ens på det?' dyker upp, utan också för att bättre kunna förstå sig själv och sin omgivning." metal.de
Rosa är själv tveksam till att kalla boken vetenskaplig. Men om den inte är det, hur kommer det sig att den kan bli så upplysande, inte bara om heavy metal för någon som inte kan särskilt mycket om genren, utan också om just denna samtidserfarenhet? Rosa lyckas mycket väl att belysa denna erfarenhet både existentiellt och intellektuellt just genom sin personliga historia. Ola Sigurdson, Sociologisk Forskning
Mer om författaren: Hartmut Rosa, född 1965 i Lörrach, är sedan 2005 professor i allmän och teoretisk sociologi vid Friedrich Schiller-universitetet i Jena och sedan 2013 föreståndare för Max Weber Centre vid universitetet i Erfurt. Hans böcker om det moderna samhällets tidsnöd (Beschleunigung, 2005) och de upplevelser av alienation och förhoppningar om resonans som den innebär för människor (Resonanz, 2016) har fått uppmärksamhet i hela världen. 2023 erhöll Rosa det välrenommerade Gottfried Wilhelm Leibniz-priset. Han är ända sedan ungdomen ett stort heavy metal-fan och spelar keyboard i hobbyband. På svenska finns Rosas böcker Acceleration, modernitet och identitet tre essäer (2014) och Det vi inte kan råda över om vårt förhållande till världen (2020), båda utgivna av Bokförlaget Daidalos.
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The pace of modern life is undoubtedly speeding up, yet this acceleration does not seem to have made us any happier or more content. If acceleration is the problem, then the solution, argues Hartmut Rosa in this major new work, lies in “resonance.” The quality of a human life cannot be measured simply in terms of resources, options, and moments of happiness; instead, we must consider our relationship to, or resonance with, the world.
Applying his theory of resonance to many domains of human activity, Rosa describes the full spectrum of ways in which we establish our relationship to the world, from the act of breathing to the adoption of culturally distinct worldviews. He then turns to the realms of concrete experience and action – family and politics, work and sports, religion and art – in which we as late modern subjects seek out resonance. This task is proving ever more difficult as modernity’s logic of escalation is both cause and consequence of a distorted relationship to the world, at individual and collective levels. As Rosa shows, all the great crises of modern society – the environmental crisis, the crisis of democracy, the psychological crisis – can also be understood and analyzed in terms of resonance and our broken relationship to the world around us.
Building on his now classic work on acceleration, Rosa’s new book is a major new contribution to the theory of modernity, showing how our problematic relation to the world is at the crux of some of the most pressing issues we face today. This bold renewal of critical theory for our times will be of great interest to students and scholars across the social sciences and humanities.
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The pace of modern life is undoubtedly speeding up, yet this acceleration does not seem to have made us any happier or more content. If acceleration is the problem, then the solution, argues Hartmut Rosa in this major new work, lies in “resonance.” The quality of a human life cannot be measured simply in terms of resources, options, and moments of happiness; instead, we must consider our relationship to, or resonance with, the world.
Applying his theory of resonance to many domains of human activity, Rosa describes the full spectrum of ways in which we establish our relationship to the world, from the act of breathing to the adoption of culturally distinct worldviews. He then turns to the realms of concrete experience and action – family and politics, work and sports, religion and art – in which we as late modern subjects seek out resonance. This task is proving ever more difficult as modernity’s logic of escalation is both cause and consequence of a distorted relationship to the world, at individual and collective levels. As Rosa shows, all the great crises of modern society – the environmental crisis, the crisis of democracy, the psychological crisis – can also be understood and analyzed in terms of resonance and our broken relationship to the world around us.
Building on his now classic work on acceleration, Rosa’s new book is a major new contribution to the theory of modernity, showing how our problematic relation to the world is at the crux of some of the most pressing issues we face today. This bold renewal of critical theory for our times will be of great interest to students and scholars across the social sciences and humanities.
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