Katharina Galor – författare

A sweeping and lavishly illustrated survey of nearly four thousand years of human settlement and building activity in Jerusalem, from prehistoric times through the Ottoman periodIn this sweeping and lavishly illustrated history, Katharina Galor and Hanswulf Bloedhorn survey nearly four thousand years of human life and material culture in Jerusalem. They have organized their book chronologically, exploring fortifications and water systems as well as key sacred, civic, and domestic architecture. Distinctive finds such as paintings, mosaics, pottery, and coins highlight each period. They provide a unique perspective on the emergence and development of Judaism, Christianity, and Islam, and the relationship among the three religions and their cultures into the modern period.

A free ebook version of this title is available through Luminos, University of California Press's open access publishing program. Visit www.luminosoa.org to learn more. Archaeological discoveries in Jerusalem capture worldwide attention in various media outlets. The continuing quest to discover the city's physical remains is not simply an attempt to define Israel's past or determine its historical legacy. In the context of the ongoing Israeli-Palestinian conflict, it is also an attempt to legitimate-or undercut-national claims to sovereignty. Bridging the ever-widening gap between popular coverage and specialized literature, Finding Jerusalem provides a comprehensive tour of the politics of archaeology in the city. Through a wide-ranging discussion of the material evidence, Katharina Galor illuminates the complex legal contexts and ethical precepts that underlie archaeological activity and the discourse of "cultural heritage" in Jerusalem. This book addresses the pressing need to disentangle historical documentation from the religious aspirations, social ambitions, and political commitments that shape its interpretation.

Jewish Women: Between Conformity and Agency examines the concepts of gender and sexuality through the primary lens of visual and material culture from antiquity through to the present day.The backbone of this transhistorical and transcontextual study is the question of Jewish women’s agency in four different geographical, chronological, and methodological contexts, beginning with women’s dress codes in Roman-Byzantine Syro-Palestine, continuing with rituals of purity in medieval Ashkenaz, worship in papal Avignon and the Comtat Venaissin, and ending with marriage and divorce in Israeli film. Each of these explorations is interested in creating a dialogue between the patriarchal legacy of the traditional texts and the chronologically corresponding visual and material culture. The author challenges traditional approaches to the study of Jewish culture by employing tools from art history, archaeology, and film and media studies. In each of these different contexts, there is ample evidence that women—despite persistent overall structural discrimination—have found ways to challenge male constructs of gender norms. Ultimately, these examples from past and present times highlight women’s eminence in shaping Jewish history and culture.Bringing a new interdisciplinary lens to the study of the history of gender and sexuality, the book will be of interest to students and researchers of Jewish history and culture, art history, archaeology, and film studies.

Jewish Women: Between Conformity and Agency examines the concepts of gender and sexuality through the primary lens of visual and material culture from antiquity through to the present day.The backbone of this transhistorical and transcontextual study is the question of Jewish women’s agency in four different geographical, chronological, and methodological contexts, beginning with women’s dress codes in Roman-Byzantine Syro-Palestine, continuing with rituals of purity in medieval Ashkenaz, worship in papal Avignon and the Comtat Venaissin, and ending with marriage and divorce in Israeli film. Each of these explorations is interested in creating a dialogue between the patriarchal legacy of the traditional texts and the chronologically corresponding visual and material culture. The author challenges traditional approaches to the study of Jewish culture by employing tools from art history, archaeology, and film and media studies. In each of these different contexts, there is ample evidence that women—despite persistent overall structural discrimination—have found ways to challenge male constructs of gender norms. Ultimately, these examples from past and present times highlight women’s eminence in shaping Jewish history and culture.Bringing a new interdisciplinary lens to the study of the history of gender and sexuality, the book will be of interest to students and researchers of Jewish history and culture, art history, archaeology, and film studies.

Queer Feminist Critiques provides an empirically grounded exploration of different case studies on anti-LGBTQ and anti-gender mobilizations of the far-right in Europe and the Middle East. The contributions engage with multilayered histories of gender and sexuality politics that connect the Middle East and Europe, informed by histories of colonialism, racism, and border controls. A second, underlying objective of this volume is to contribute to decolonized knowledge productions by de-centering Europe and simultaneously de-exceptionalizing the Middle East. The contributors commit to respecting the heterogeneity and complexity of these regions by focusing on grounded and life experiences. Ultimately, this volume illustrates a conceptualisation of the broad spectrum of far-right politics and queer feminist critiques as manifested in a wide array of contexts, including academia, politics and everyday lives.

Resisting Far-Right Politics in the Middle East and Europe provides an empirically grounded exploration of different case studies on anti-LGBTQ and anti-gender mobilizations of the far-right in Europe and the Middle East. The contributions engage with multilayered histories of gender and sexuality politics that connect the Middle East and Europe, informed by histories of colonialism, racism and border controls.A second, underlying objective of this volume is to contribute to decolonised knowledge productions by de-centering Europe and simultaneously de-exceptionalising the Middle East. The contributors commit to respecting the heterogeneity and complexity of these regions by focusing on grounded and life experiences. Ultimately, this volume illustrates a conceptualisation of the broad spectrum of far-right politics and queer feminist critiques as manifested in a wide array of contexts, including academia, politics and everyday lives.

Berlin is home to Europe’s largest Palestinian diaspora community and one of the world’s largest Israeli diaspora communities. Germany’s guilt about the Nazi Holocaust has led to a public disavowal of anti-Semitism and strong support for the Israeli state. Meanwhile, Palestinians in Berlin report experiencing increasing levels of racism and Islamophobia. In The Moral Triangle Sa’ed Atshan and Katharina Galor draw on ethnographic fieldwork and interviews with Israelis, Palestinians, and Germans in Berlin to explore these asymmetric relationships in the context of official German policies, public discourse, and the private sphere. They show how these relationships stem from narratives surrounding moral responsibility, the Holocaust, the Israel/Palestine conflict, and Germany’s recent welcoming of Middle Eastern refugees. They also point to spaces for activism and solidarity among Germans, Israelis, and Palestinians in Berlin that can help foster restorative justice and account for multiple forms of trauma. Highlighting their interlocutors’ experiences, memories, and hopes, Atshan and Galor demonstrate the myriad ways in which migration, trauma, and contemporary state politics are inextricably linked.

Berlin is home to Europe’s largest Palestinian diaspora community and one of the world’s largest Israeli diaspora communities. Germany’s guilt about the Nazi Holocaust has led to a public disavowal of anti-Semitism and strong support for the Israeli state. Meanwhile, Palestinians in Berlin report experiencing increasing levels of racism and Islamophobia. In The Moral Triangle Sa’ed Atshan and Katharina Galor draw on ethnographic fieldwork and interviews with Israelis, Palestinians, and Germans in Berlin to explore these asymmetric relationships in the context of official German policies, public discourse, and the private sphere. They show how these relationships stem from narratives surrounding moral responsibility, the Holocaust, the Israel/Palestine conflict, and Germany’s recent welcoming of Middle Eastern refugees. They also point to spaces for activism and solidarity among Germans, Israelis, and Palestinians in Berlin that can help foster restorative justice and account for multiple forms of trauma. Highlighting their interlocutors’ experiences, memories, and hopes, Atshan and Galor demonstrate the myriad ways in which migration, trauma, and contemporary state politics are inextricably linked.

Reel Gender is a groundbreaking collection that addresses the collective realities and the filmic representations of Palestinian and Israeli societies. The eight essays, by leading scholars, demonstrate how Palestinian and Israeli film production—despite obvious overlaps and similarities and while keeping in mind the inherent asymmetry of power dynamics—are at the forefront of engaging gender and sexuality. The scholars of this volume construct and deconstruct still and moving images, characters, and stories that create an entanglement of Palestinian and Israeli cinema. Together they portray the region’s diverse but unexpectedly intermingled ethnic, religious, and national communities, framed or countered by various societal norms, laws, and expectations, while also defined by colonial realities. The essays draw methodologically from the fields of media and cultural studies, critical and postcolonial theory, feminism, post-feminism, and queer theory.

Reel Gender is a groundbreaking collection that addresses the collective realities and the filmic representations of Palestinian and Israeli societies. The eight essays, by leading scholars, demonstrate how Palestinian and Israeli film production—despite obvious overlaps and similarities and while keeping in mind the inherent asymmetry of power dynamics—are at the forefront of engaging gender and sexuality. The scholars of this volume construct and deconstruct still and moving images, characters, and stories that create an entanglement of Palestinian and Israeli cinema. Together they portray the region’s diverse but unexpectedly intermingled ethnic, religious, and national communities, framed or countered by various societal norms, laws, and expectations, while also defined by colonial realities. The essays draw methodologically from the fields of media and cultural studies, critical and postcolonial theory, feminism, post-feminism, and queer theory.

On a cold winter morning in January of 1851, a small group of people approached the monumental façade of an ancient rock-cut burial cave located north of the Old City of Jerusalem. The team, consisting of two Europeans and a number of local workers, was led by Louis-Félicien Caignart de Saulcy—descendant of a noble Flemish family who later was to become a distinguished member of the French parliament. As an amateur archaeologist and a devout Catholic, de Saulcy was attracted to the Holy Land and Jerusalem in particular and was obsessed by his desire to uncover some tangible evidence for the city’s glorious past. However, unlike numerous other European pilgrims, researchers and adventurers before him, de Saulcy was determined to expose the evidence by physically excavating ancient sites. His first object of investigation constitutes one of the most attractive and mysterious monumental burial caves within the vicinity of the Old City, from then onward to be referred to as the “Tomb of the Kings” (Kubur al-Muluk). By conducting an archaeological investigation, de Saulcy tried to prove that this complex represented no less than the monumental sepulcher of the biblical Davidic Dynasty. His brief exploration of the burial complex in 1851 led to the discovery of several ancient artifacts, including sizeable marble fragments of one or several sarcophagi. It would take him another 13 years to raise the funds for a more comprehensive investigation of the site. On November 17, 1863, de Saulcy returned to Jerusalem with a larger team to initiate what would later be referred to as the first archaeological excavation to be conducted in the city.—(from the “Preface”)In 2006, some two dozen contemporary archaeologists and historians met at Brown University, in Providence RI, to present papers and illustrations marking the 150th anniversary of modern archaeological exploration of the Holy City. The papers from that conference are published here, presented in 5 major sections: (1) The History of Research, (2) From Early Humans to the Iron Age, (3) The Roman Period, (4) The Byzantine Period, and (5) The Early Islamic and Medieval Periods. The volume is heavily illustrated with materials from historical archives as well as from contemporary excavations. It provides a helpful and informative introduction to the history of the various national and religious organizations that have sponsored excavations in the Holy Land and Jerusalem in particular, as well as a summary of the current status of excavations in Jerusalem.

Out of Gaza tells the story of Dima Mansour, a young Palestinian who suffers hardship growing up in Jordan and Gaza during the Gaza War of 2014, later escaping to be with the man she loves in Belgium, where she is held in a detention center for illegal immigrants. Her harrowing story is told by Katharina Galor, an Israeli Jewish scholar who forms a close and unexpected friendship with Mansour. Despite the profound asymmetry that defines the geopolitical context of their lives-one marked by Palestinian loss and exile, the other by Jewish trauma and persecution-their bond uncovers surprising parallels in their shared experiences of displacement and survival.As their friendship unfolds, Galor and Mansour come to intimately understand the lasting impact of ethnic cleansing from the Holocaust and the Nakba, and how these pivotal events have shaped their families, identities, and ties to the region. Out of Gaza delves into themes of identity, belonging, and the enduring effects of historical trauma, showing how empathy and resilience can bridge even the deepest divides.

Berlin ist die Heimat der größten palästinensischen Diasporagemeinschaft Europas und einer der größten israelischen Diasporagemeinschaften der Welt. Sa'ed Atshan und Katharina Galor untersuchen in diesem Buch die asymmetrischen Erfahrungen dieser beiden Gruppen. Die Erfahrungen werden in Bezug auf deutsche offizielle Positionen und Diskurse analysiert, insbesondere im Hinblick auf Fragen von Vergangenheitsbewältigung. Die tief empfundene Schuld des Holocaust, der Kampf gegen Antisemitismus und die außergewöhnlichen Beziehungen Deutschlands zum israelischen Staat sind einige der Faktoren, die die besondere Behandlung der Israelis in Deutschland erklären. Palästinenser berichten dagegen von verschiedenen Formen der Zensur. Die palästinensische Diaspora befindet sich in einer prekären Lage in einem Klima von um sich greifendem Rassismus in Deutschland. Gleichzeitig konnten viele Palästinenser sich mit erheblichem Sozialkapital ein neues Leben in Berlin aufbauen. Das Buch beleuchtet die unterschiedlichen Erfahrungen von Israelis und Palästinensern in Berlin und diskutiert die vielfältigen Auswirkungen des moralischen Dreiecks zwischen Deutschen, Israelis und Palästinensern. „[…] ein außerordentliches Buch, in jeder Hinsicht ungewöhnlich: Sehr persönlich, altmodisch investigativ (eine Art archäologisch- soziologische Tiefengrabung), und von moralischer Wucht.“ Michael Naumann, Rektor, Barenboim-Said Akademie „Sa’ed Atshan und Katharina Galor führen reichhaltige und seltene Dialoge – miteinander und mit ihren Informanten – und kommen dadurch zu einer Neudefinition des ‚moralischen Dreiecks‘ zwischen Palästinensern, Juden und Deutschen, während alle Beteiligten in Berlin agieren, reagieren, interagieren, sich widersetzen und sich aussöhnen." Homi K. Bhabha, Anne F. Rothenberg Professor of the Humanities, Harvard University