Sa'ed Atshan – författare

From Ramallah to New York, Tel Aviv to Porto Alegre, people around the world celebrate a formidable, transnational Palestinian LGBTQ social movement. Solidarity with Palestinians has become a salient domain of global queer politics. Yet LGBTQ Palestinians, even as they fight patriarchy and imperialism, are themselves subjected to an "empire of critique" from Israeli and Palestinian institutions, Western academics, journalists and filmmakers, and even fellow activists. Such global criticism has limited growth and led to an emphasis within the movement on anti-imperialism over the struggle against homophobia. With this book, Sa'ed Atshan asks how transnational progressive social movements can balance struggles for liberation along more than one axis. He explores critical junctures in the history of Palestinian LGBTQ activism, revealing the queer Palestinian spirit of agency, defiance, and creativity, in the face of daunting pressures and forces working to constrict it. Queer Palestine and the Empire of Critique explores the necessity of connecting the struggles for Palestinian freedom with the struggle against homophobia.

Berlin is home to Europe’s largest Palestinian diaspora community and one of the world’s largest Israeli diaspora communities. Germany’s guilt about the Nazi Holocaust has led to a public disavowal of anti-Semitism and strong support for the Israeli state. Meanwhile, Palestinians in Berlin report experiencing increasing levels of racism and Islamophobia. In The Moral Triangle Sa’ed Atshan and Katharina Galor draw on ethnographic fieldwork and interviews with Israelis, Palestinians, and Germans in Berlin to explore these asymmetric relationships in the context of official German policies, public discourse, and the private sphere. They show how these relationships stem from narratives surrounding moral responsibility, the Holocaust, the Israel/Palestine conflict, and Germany’s recent welcoming of Middle Eastern refugees. They also point to spaces for activism and solidarity among Germans, Israelis, and Palestinians in Berlin that can help foster restorative justice and account for multiple forms of trauma. Highlighting their interlocutors’ experiences, memories, and hopes, Atshan and Galor demonstrate the myriad ways in which migration, trauma, and contemporary state politics are inextricably linked.

Berlin is home to Europe’s largest Palestinian diaspora community and one of the world’s largest Israeli diaspora communities. Germany’s guilt about the Nazi Holocaust has led to a public disavowal of anti-Semitism and strong support for the Israeli state. Meanwhile, Palestinians in Berlin report experiencing increasing levels of racism and Islamophobia. In The Moral Triangle Sa’ed Atshan and Katharina Galor draw on ethnographic fieldwork and interviews with Israelis, Palestinians, and Germans in Berlin to explore these asymmetric relationships in the context of official German policies, public discourse, and the private sphere. They show how these relationships stem from narratives surrounding moral responsibility, the Holocaust, the Israel/Palestine conflict, and Germany’s recent welcoming of Middle Eastern refugees. They also point to spaces for activism and solidarity among Germans, Israelis, and Palestinians in Berlin that can help foster restorative justice and account for multiple forms of trauma. Highlighting their interlocutors’ experiences, memories, and hopes, Atshan and Galor demonstrate the myriad ways in which migration, trauma, and contemporary state politics are inextricably linked.

Berlin is home to Europe’s largest Palestinian diaspora community and one of the world’s largest Israeli diaspora communities. Germany’s guilt about the Nazi Holocaust has led to a public disavowal of anti-Semitism and strong support for the Israeli state. Meanwhile, Palestinians in Berlin report experiencing increasing levels of racism and Islamophobia. In The Moral Triangle Sa’ed Atshan and Katharina Galor draw on ethnographic fieldwork and interviews with Israelis, Palestinians, and Germans in Berlin to explore these asymmetric relationships in the context of official German policies, public discourse, and the private sphere. They show how these relationships stem from narratives surrounding moral responsibility, the Holocaust, the Israel/Palestine conflict, and Germany’s recent welcoming of Middle Eastern refugees. They also point to spaces for activism and solidarity among Germans, Israelis, and Palestinians in Berlin that can help foster restorative justice and account for multiple forms of trauma. Highlighting their interlocutors’ experiences, memories, and hopes, Atshan and Galor demonstrate the myriad ways in which migration, trauma, and contemporary state politics are inextricably linked.

Reel Gender is a groundbreaking collection that addresses the collective realities and the filmic representations of Palestinian and Israeli societies. The eight essays, by leading scholars, demonstrate how Palestinian and Israeli film production—despite obvious overlaps and similarities and while keeping in mind the inherent asymmetry of power dynamics—are at the forefront of engaging gender and sexuality. The scholars of this volume construct and deconstruct still and moving images, characters, and stories that create an entanglement of Palestinian and Israeli cinema. Together they portray the region’s diverse but unexpectedly intermingled ethnic, religious, and national communities, framed or countered by various societal norms, laws, and expectations, while also defined by colonial realities. The essays draw methodologically from the fields of media and cultural studies, critical and postcolonial theory, feminism, post-feminism, and queer theory.

Reel Gender is a groundbreaking collection that addresses the collective realities and the filmic representations of Palestinian and Israeli societies. The eight essays, by leading scholars, demonstrate how Palestinian and Israeli film production-despite obvious overlaps and similarities and while keeping in mind the inherent asymmetry of power dynamics-are at the forefront of engaging gender and sexuality. The scholars of this volume construct and deconstruct still and moving images, characters, and stories that create an entanglement of Palestinian and Israeli cinema. Together they portray the region's diverse but unexpectedly intermingled ethnic, religious, and national communities, framed or countered by various societal norms, laws, and expectations, while also defined by colonial realities. The essays draw methodologically from the fields of media and cultural studies, critical and postcolonial theory, feminism, post-feminism, and queer theory.

Reel Gender is a groundbreaking collection that addresses the collective realities and the filmic representations of Palestinian and Israeli societies. The eight essays, by leading scholars, demonstrate how Palestinian and Israeli film production-despite obvious overlaps and similarities and while keeping in mind the inherent asymmetry of power dynamics-are at the forefront of engaging gender and sexuality. The scholars of this volume construct and deconstruct still and moving images, characters, and stories that create an entanglement of Palestinian and Israeli cinema. Together they portray the region's diverse but unexpectedly intermingled ethnic, religious, and national communities, framed or countered by various societal norms, laws, and expectations, while also defined by colonial realities. The essays draw methodologically from the fields of media and cultural studies, critical and postcolonial theory, feminism, post-feminism, and queer theory.

Reel Gender is a groundbreaking collection that addresses the collective realities and the filmic representations of Palestinian and Israeli societies. The eight essays, by leading scholars, demonstrate how Palestinian and Israeli film production—despite obvious overlaps and similarities and while keeping in mind the inherent asymmetry of power dynamics—are at the forefront of engaging gender and sexuality. The scholars of this volume construct and deconstruct still and moving images, characters, and stories that create an entanglement of Palestinian and Israeli cinema. Together they portray the region’s diverse but unexpectedly intermingled ethnic, religious, and national communities, framed or countered by various societal norms, laws, and expectations, while also defined by colonial realities. The essays draw methodologically from the fields of media and cultural studies, critical and postcolonial theory, feminism, post-feminism, and queer theory.

From Ramallah to New York, Tel Aviv to Porto Alegre, people around the world celebrate a formidable, transnational Palestinian LGBTQ social movement. Solidarity with Palestinians has become a salient domain of global queer politics. Yet LGBTQ Palestinians, even as they fight patriarchy and imperialism, are themselves subjected to an "empire of critique" from Israeli and Palestinian institutions, Western academics, journalists and filmmakers, and even fellow activists. Such global criticism has limited growth and led to an emphasis within the movement on anti-imperialism over the struggle against homophobia. With this book, Sa'ed Atshan asks how transnational progressive social movements can balance struggles for liberation along more than one axis. He explores critical junctures in the history of Palestinian LGBTQ activism, revealing the queer Palestinian spirit of agency, defiance, and creativity, in the face of daunting pressures and forces working to constrict it. Queer Palestine and the Empire of Critique explores the necessity of connecting the struggles for Palestinian freedom with the struggle against homophobia.

From Ramallah to New York, Tel Aviv to Porto Alegre, people around the world celebrate a formidable, transnational Palestinian LGBTQ social movement. Solidarity with Palestinians has become a salient domain of global queer politics. Yet LGBTQ Palestinians, even as they fight patriarchy and imperialism, are themselves subjected to an "empire of critique" from Israeli and Palestinian institutions, Western academics, journalists and filmmakers, and even fellow activists. Such global criticism has limited growth and led to an emphasis within the movement on anti-imperialism over the struggle against homophobia. With this book, Sa'ed Atshan asks how transnational progressive social movements can balance struggles for liberation along more than one axis. He explores critical junctures in the history of Palestinian LGBTQ activism, revealing the queer Palestinian spirit of agency, defiance, and creativity, in the face of daunting pressures and forces working to constrict it. Queer Palestine and the Empire of Critique explores the necessity of connecting the struggles for Palestinian freedom with the struggle against homophobia.

An urgent examination of Palestine's humanitarian crisis – revealing international aid as both a lifeline and an instrument of colonial power.For decades, the international community, Israeli occupation, and Palestinian elites have engineered the humanitarianization of the Palestinian Territories – reframing the question of Palestine as a humanitarian concern rather than a political one. Today, the West Bank and Gaza Strip have become the world's humanitarian laboratory, and Palestinians are among the largest recipients per capita of humanitarian aid. This aid provides Palestinians with essential tools for survival and resilience, yet it has also entrenched Israeli colonial control.Across a series of bracing essays authored by anthropologist Sa'ed Atshan, In a Land of Aid traces how humanitarianism has become the dominant lens through which Palestinian life is now governed. Drawing on over a decade of research, Atshan introduces readers to foreign aid workers, policymakers, scholars, and Palestinians as they navigate political constraints on the ground. Together, these encounters reveal an aid apparatus riddled with contradiction: simultaneously sustaining life, narrowing political imagination, and generating new forms of inequality and contestation.Writing with principled care, Atshan amplifies Palestinian voices that express growing ambivalence toward both the prevailing humanitarian discourse and the inherited resistance narratives that no longer fully capture their embodied realities. Atshan finds that to understand contemporary global humanitarianism, we must reckon with its impact in Palestine; and to understand contemporary Palestinian society, we must confront the role of aid. Ultimately, this book insists that the most powerful response to the paradoxically dehumanizing effects of aid lies in our affirmation of shared humanity.

Berlin ist die Heimat der größten palästinensischen Diasporagemeinschaft Europas und einer der größten israelischen Diasporagemeinschaften der Welt. Sa''ed Atshan und Katharina Galor untersuchen in diesem Buch die asymmetrischen Erfahrungen dieser beiden Gruppen. Die Erfahrungen werden in Bezug auf deutsche offizielle Positionen und Diskurse analysiert, insbesondere im Hinblick auf Fragen von Vergangenheitsbewältigung. Die tief empfundene Schuld des Holocaust, der Kampf gegen Antisemitismus und die außergewöhnlichen Beziehungen Deutschlands zum israelischen Staat sind einige der Faktoren, die die besondere Behandlung der Israelis in Deutschland erklären. Palästinenser berichten dagegen von verschiedenen Formen der Zensur. Die palästinensische Diaspora befindet sich in einer prekären Lage in einem Klima von um sich greifendem Rassismus in Deutschland. Gleichzeitig konnten viele Palästinenser sich mit erheblichem Sozialkapital ein neues Leben in Berlin aufbauen. Das Buch beleuchtet die unterschiedlichen Erfahrungen von Israelis und Palästinensern in Berlin und diskutiert die vielfältigen Auswirkungen des moralischen Dreiecks zwischen Deutschen, Israelis und Palästinensern.

„[…] ein außerordentliches Buch, in jeder Hinsicht ungewöhnlich: Sehr persönlich, altmodisch investigativ (eine Art archäologisch- soziologische Tiefengrabung), und von moralischer Wucht.“

Michael Naumann, Rektor, Barenboim-Said Akademie

„Sa’ed Atshan und Katharina Galor führen reichhaltige und seltene Dialoge – miteinander und mit ihren Informanten – und kommen dadurch zu einer Neudefinition des ‚moralischen Dreiecks‘ zwischen Palästinensern, Juden und Deutschen, während alle Beteiligten in Berlin agieren, reagieren, interagieren, sich widersetzen und sich aussöhnen."

Homi K. Bhabha, Anne F. Rothenberg Professor of the Humanities, Harvard University