Samuel Gartland – författare

Modern accounts of the great war between the Athenians and the Spartans in the late fifth century BC have simply reanalysed the gripping analysis of military and political events given by Thucydides. But a great deal of other evidence survives from this best-known of all periods of Athenian history. This book exploits that evidence and our rich knowledge of ancient Greek society to reveal the Peloponnesian War as not just an event but an experience that reshaped Athenian society as it was happening. It looks again not merely at the causes of the war and its military and political narratives, but at how the war reshaped the world, for men, for women, and even for the gods. This book not only re-illuminates the most dramatic years of classical Athenian history, it reshapes what it is to write history.

Modern accounts of the great war between the Athenians and the Spartans in the late fifth century BC have simply reanalysed the gripping analysis of military and political events given by Thucydides. But a great deal of other evidence survives from this best-known of all periods of Athenian history. This book exploits that evidence and our rich knowledge of ancient Greek society to reveal the Peloponnesian War as not just an event but an experience that reshaped Athenian society as it was happening. It looks again not merely at the causes of the war and its military and political narratives, but at how the war reshaped the world, for men, for women, and even for the gods. This book not only re-illuminates the most dramatic years of classical Athenian history, it reshapes what it is to write history.

Aristophanes’ comedies have long been read as a response to the political turbulence of 5th-century Athens, particularly during the Peloponnesian War. However, this volume frames him as a ‘political correspondent,’ whose works engage critically with both his time and ours. The contributions to this volume explore the ways in which Aristophanes’ comedy remains vital and disruptive in the present. The essays examine the tension between Aristophanes’ comic exaggerations and their real-world implications, revealing how his humour both reflects and unsettles our current political and social concerns. Through topics like speech, violence, pedagogy, gender and populism, the contributors illustrate how Aristophanes’ plays offer a lens through which to interrogate the fluidity of political and social power – both in ancient Athens and today.In doing so, this volume reflects the provisional nature of comedy itself: a genre built on misdirection, timing and the inevitable instability of its moment. By engaging with Aristophanes in the ‘current moment,’ this collection invites readers to embrace the elusiveness and tension inherent in both comedy and scholarly practice. Far from offering definitive answers, the plays challenge us to question, engage and reflect on our own commitments and complicities.

Aristophanes' comedies have long been read as a response to the political turbulence of 5th-century Athens, particularly during the Peloponnesian War. However, this volume frames him as a 'political correspondent,' whose works engage critically with both his time and ours. The contributions to this volume explore the ways in which Aristophanes' comedy remains vital and disruptive in the present. The essays examine the tension between Aristophanes' comic exaggerations and their real-world implications, revealing how his humour both reflects and unsettles our current political and social concerns. Through topics like speech, violence, pedagogy, gender and populism, the contributors illustrate how Aristophanes' plays offer a lens through which to interrogate the fluidity of political and social power both in ancient Athens and today.In doing so, this volume reflects the provisional nature of comedy itself: a genre built on misdirection, timing and the inevitable instability of its moment. By engaging with Aristophanes in the 'current moment,' this collection invites readers to embrace the elusiveness and tension inherent in both comedy and scholarly practice. Far from offering definitive answers, the plays challenge us to question, engage and reflect on our own commitments and complicities.