Robin Osborne – författare

Urban life as we know it in the Mediterranean began in the early Iron Age: settlements of great size and internal diversity appear in the archaeological record. This collection of essays offers for the first time a systematic discussion of the beginnings of urbanization across the Mediterranean, from Cyprus through Greece and Italy to France and Spain. Leading scholars in the field look critically at what is meant by urbanization, and analyse the social processes that lead to the development of social complexity and the growth of towns. The introduction to the volume focuses on the history of the archaeology of urbanization and argues that proper understanding of the phenomenon demands loose and flexible criteria for what is termed a 'town'. The following eight chapters examine the development of individual settlements and patterns of urban settlement in Cyprus, Greece, Etruria, Latium, southern Italy, Sardinia, southern France and Spain. These chapters not only provide a general review of current knowledge of urban settlements of this period, but also raise significant issues of urbanization and the economy, urbanization and political organization, and of the degree of regionalism and diversity to be found within individual towns. The three analytical chapters which conclude this collection look more broadly at the town as a cultural phenomenon that has to be related to wider cultural trends, as an economic phenomenon that has to be related to changes in the Mediterranean economy and as a dynamic phenomenon, not merely a point on the map.Wide ranging in its geographical coverage, this volume will be essential reading for scholars and students of archaeology, settlement studies, the archaic period and geographers interested in the history of urban forms.

This fascinating new account of what happened in Greece from c.800 to 323 bc shows how sculptors and painters responded to the challenges they faced in the extremely formidable and ambitious world of the Greek city-state. The numerous symbols and images employed by their eastern Mediterranean neighbours on the one hand, and the explorations of what it was to be human embodied in the narratives with which Greek poets worked on the other, helped produce the rich diversity of forms apparent in Greek art. The drawings and sculptures of this period referred so intimately to the human form as to lead both ancient and modern theorists to talk in terms of the 'mimetic' role of art. The importance of what occurred still affects the way we see today. Ranging widely over the fields of sculpture, vase painting and the minor arts, this book provides a clear introduction to the art of archaic and classical Greece. By looking closely at the context in which and for which sculptures and paintings were produced, Robin Osborne demonstrates how artistic developments were both a product of, and contributed to, the intensely competitive life of the Greek city. 'brilliantly illustrates the purpose of this new series by focusing on the social and political context of Greek art . . . a different approach suggesting new perspectives and original connections . . . eye-opening and thought-provoking' Professor François Lissarrague, Ecoles des Hautes Etudes en Sciences Sociales, Paris 'brings all that is best in the 'new' Classical art history to this exciting interpretation . . . No reader of Osborne's stimulating and engaging book will come away with their vision of Greek art unchanged' Jeremy Tanner, Institute of Archaeology, University of London

This book introduces the history and archaeology of ancient Athens in the period from 800-500 BCE. Following the standard arrangement of the Oxford History of the Archaic Greek World series, author Robin Osborne deals successively with the sources; environmental setting; material culture (settlement pattern, burial customs, ceramic production); political, legal, and diplomatic history; economy and demography; social and religious customs; and cultural history (including history of sculpture) of archaic Athens. He provides not only a full and up-to-date guide to all these various aspects of Athenian history and archaeology, but also an integrated history which shows how all the different aspects intersect. Osborne guides the reader through an exciting story of the way in which the territory of Attica was re-occupied after the collapse of Bronze Age civilization, how Athens emerged as the dominant settlement, how the claims of family, place, and wealth were played out against one another, and how the Athenians came to place themselves both in relation to the wider Greek world and in relation to the gods.The account is illustrated with abundant maps and halftone images that bring the world of Athens to life. The political and cultural achievements of classical Athens (democracy, tragedy, the Parthenon and its sculpture) rested upon the foundations created in the archaic period, but Osborne shows that archaic Athens did not merely provide foundations for what came later but offered a fascinating history and culture of its own.

This book is a celebration of two thousand five hundred years of democracy. At the same time it is a collection of essays to honour the sixty-fifth birthday of David Lewis, Professor of Ancient History at the University of Oxford. The book brings together contributions from twenty two leading scholars from Britain, Continental Europe, Israel, and America; its central themes are ritual (both in the religious and extended anthropological sense); finance, including the accountability principle which was basic to Athenian democracy; and politics. All represent significant new contributions in the field. The contributors pay especial attention to epigraphy (the editing and interpretation of inscriptions on stone), which is David Lewis' speciality. They have made full use of the newest epigraphic evidence, and discuss topics such as the purposes (including symbolic and monumental motives) for which democratic inscriptions were set up. The introduction locates individual contributions within the overall study of classical Athens and relates them to Lewis' own published work.

This volume is a successor to the second volume of M. N. Tod's Selection of Greek Historical Inscriptions (OUP, 1948). It provides an up-to-date selection - with introduction, Greek texts, English translations, and commentaries which cater for the needs of today's students - of inscriptions which are important for the study of Greek history in the fourth century BC. The texts chosen illuminate not only the mainstream of Greek political and military history, but also institutional, social, economic, and religious life. To emphasize the importance of inscriptions as physical objects, a number of photographs have been included.

The complete Short Oxford History of Europe (series editor: Professor T C W Blanning) will cover the history of Europe from Classical Greece to the present in eleven volumes. In each, experts write to their strengths tackling the key issues, including society, economy, religion, politics, and culture, head-on in chapters that will be at once wide-ranging surveys and searching analyses. Each book is specifically designed with the non-specialist reader in mind; but the authority of the contributors and the vigour of the interpretations will make them necessary and challenging reading for fellow academics across a range of disciplines. Osborne's is the third book to be launched in the series, following on from the publication of Blanning's Eighteenth and Nineteenth century volumes. Robin Osborne provides an analysis which introduces the physical world of the Greek city and the inheritance of the classical city from its archaic past. With specially commissioned chapters, a team of experts introduce the reader to the economy of the Greek city, its political and religious institutions, the waging of warfare between cities, the nature and ancient analysis of struggles within cities, and the private life of individuals. The focus then moves to diachronic change within the city, tracing the broad narratives of Greek history through the fifth and fourth centuries, and concludes by demonstrating the changing ways in which the Greeks themselves construed individual and civic life. Looking at classical Greece as a whole, the reader is introduced to general issues through use of precise examples and through the words of Greek writers themselves. Maps, a timeline, and a selective bibliography help readers to ground the information that is given and direct their further studies.

The complete Short Oxford History of Europe (series editor: Professor T C W Blanning) will cover the history of Europe from Classical Greece to the present in eleven volumes. In each, experts write to their strengths tackling the key issues, including society, economy, religion, politics, and culture, head-on in chapters that will be at once wide-ranging surveys and searching analyses. Each book is specifically designed with the non-specialist reader in mind; but the authority of the contributors and the vigour of the interpretations will make them necessary and challenging reading for fellow academics across a range of disciplines. Osborne's is the third book to be launched in the series, following on from the publication of Blanning's Eighteenth and Nineteenth century volumes. Robin Osborne provides an analysis which introduces the physical world of the Greek city and the inheritance of the classical city from its archaic past. With specially commissioned chapters, a team of experts introduce the reader to the economy of the Greek city, its political and religious institutions, the waging of warfare between cities, the nature and ancient analysis of struggles within cities, and the private life of individuals. The focus then moves to diachronic change within the city, tracing the broad narratives of Greek history through the fifth and fourth centuries, and concludes by demonstrating the changing ways in which the Greeks themselves construed individual and civic life. Looking at classical Greece as a whole, the reader is introduced to general issues through use of precise examples and through the words of Greek writers themselves. Maps, a timeline, and a selective bibliography help readers to ground the information that is given and direct their further studies.

This volume is both a companion to the editors' Greek Historical Inscriptions, 404-323 BC, and a successor to the later part of the Selection of Greek Historical Inscriptions to the End of the Fifth Century BC, edited by Russell Meiggs and David M. Lewis and published in 1969. As with the editors' earlier collection, it seeks to make a selection of historically significant inscribed texts accessible to scholars and students of fifth-century Greek history. Since the publication of Meiggs and Lewis' collection, a number of significant new inscriptions and fragments have been unearthed and new interpretations of previously known examples developed. As well as updating the scholarly corpus, this volume aims to broaden the thematic range of inscriptions discussed and to include a greater selection of material from outside Athens, while still adhering to the intention of presenting texts which are important not just as typical of their genre but in their own right. In doing so, it offers an entry point to all aspects of fifth-century history, from political and institutional, to social, economic, and religious, and in order to make the material as accessible as possible for a broad readership concerned with the study of these areas, the Greek texts are presented here alongside both English translations and incisive commentaries, which will be of utility both to the specialist academic and to those less familiar with the areas in question. The inclusion of photographs depicting inscribed stones and bronzes complements discussion of the inscriptions themselves and enables parallel consideration of their nature, appearance, and transmission history, resulting in a work of thoroughly comprehensive, cutting-edge scholarship and an invaluable reference text for the study of fifth-century Greek history.

This volume is a successor to the second volume of M. N. Tod's Selection of Greek Historical Inscriptions (OUP, 1948). It provides an up-to-date selection - with introduction, Greek texts, English translations, and commentaries which cater for the needs of today's students - of inscriptions which are important for the study of Greek history in the fourth century BC. The texts chosen illuminate not only the mainstream of Greek political and military history, but also institutional, social, economic, and religious life. To emphasize the importance of inscriptions as physical objects, a number of photographs have been included.

This volume is both a companion to the editors' Greek Historical Inscriptions, 404-323 BC, and a successor to the later part of the Selection of Greek Historical Inscriptions to the End of the Fifth Century BC, edited by Russell Meiggs and David M. Lewis and published in 1969. As with the editors' earlier collection, it seeks to make a selection of historically significant inscribed texts accessible to scholars and students of fifth-century Greek history. Since the publication of Meiggs and Lewis' collection, a number of significant new inscriptions and fragments have been unearthed and new interpretations of previously known examples developed. As well as updating the scholarly corpus, this volume aims to broaden the thematic range of inscriptions discussed and to include a greater selection of material from outside Athens, while still adhering to the intention of presenting texts which are important not just as typical of their genre but in their own right. In doing so, it offers an entry point to all aspects of fifth-century history, from political and institutional, to social, economic, and religious, and in order to make the material as accessible as possible for a broad readership concerned with the study of these areas, the Greek texts are presented here alongside both English translations and incisive commentaries, which will be of utility both to the specialist academic and to those less familiar with the areas in question. The inclusion of photographs depicting inscribed stones and bronzes complements discussion of the inscriptions themselves and enables parallel consideration of their nature, appearance, and transmission history, resulting in a work of thoroughly comprehensive, cutting-edge scholarship and an invaluable reference text for the study of fifth-century Greek history.

Greece in the Making 1200–479 BC is an accessible and comprehensive account of Greek history from the end of the Bronze Age to the Classical Period. The first edition of this book broke new ground by acknowledging that, barring a small number of archaic poems and inscriptions, the majority of our literary evidence for archaic Greece reported only what later writers wanted to tell, and so was subject to systematic selection and distortion. This book offers a narrative which acknowledges the later traditions, as traditions, but insists that we must primarily confront the contemporary evidence, which is in large part archaeological and art historical, and must make sense of it in its own terms. In this second edition, as well as updating the text to take account of recent scholarship and re-ordering, Robin Osborne has addressed more explicitly the weaknesses and unsustainable interpretations which the first edition chose merely to pass over. He now spells out why this book features no ‘rise of the polis’ and no ‘colonization’, and why the treatment of Greek settlement abroad is necessarily spread over various chapters. Students and teachers alike will particularly appreciate the enhanced discussion of economic history and the more systematic treatment of issues of gender and sexuality.

Greece in the Making 1200–479 BC is an accessible and comprehensive account of Greek history from the end of the Bronze Age to the Classical Period. The first edition of this book broke new ground by acknowledging that, barring a small number of archaic poems and inscriptions, the majority of our literary evidence for archaic Greece reported only what later writers wanted to tell, and so was subject to systematic selection and distortion. This book offers a narrative which acknowledges the later traditions, as traditions, but insists that we must primarily confront the contemporary evidence, which is in large part archaeological and art historical, and must make sense of it in its own terms. In this second edition, as well as updating the text to take account of recent scholarship and re-ordering, Robin Osborne has addressed more explicitly the weaknesses and unsustainable interpretations which the first edition chose merely to pass over. He now spells out why this book features no ‘rise of the polis’ and no ‘colonization’, and why the treatment of Greek settlement abroad is necessarily spread over various chapters. Students and teachers alike will particularly appreciate the enhanced discussion of economic history and the more systematic treatment of issues of gender and sexuality.

Greek History: The Basics is a concise and compelling introduction to the study of Ancient Greece from the end of the Bronze Age to rule by Rome.With a chapter on each crucial period of Greece’s ancient history, the book covers the key topics, approaches and issues at the heart of Greek History, including:• The invention of politics and the rise of democracy• The central role played by the Greek city• The insights from cultural, political, demographic and economic history• The benefits and pitfalls of working with different types of sources.Featuring maps, illustrations, a timeline and annotated guides to further reading, this book is an engaging and authoritative introduction for students of Ancient Greek History.

Greek History: The Basics is a concise and compelling introduction to the study of Ancient Greece from the end of the Bronze Age to rule by Rome.With a chapter on each crucial period of Greece’s ancient history, the book covers the key topics, approaches and issues at the heart of Greek History, including:• The invention of politics and the rise of democracy• The central role played by the Greek city• The insights from cultural, political, demographic and economic history• The benefits and pitfalls of working with different types of sources.Featuring maps, illustrations, a timeline and annotated guides to further reading, this book is an engaging and authoritative introduction for students of Ancient Greek History.

If poor individuals have always been with us, societies have not always seen the poor as a distinct social group. But within the Roman world, from at least the Late Republic onwards, the poor were an important force in social and political life and how to treat the poor was a topic of philosophical as well as political discussion. This book explains what poverty meant in antiquity, and why the poor came to be an important group in the Roman world, and it explores the issues which poverty and the poor raised for Roman society and for Roman writers. In essays which range widely in space and time across the whole Roman Empire, the contributors address both the reality and the representation of poverty, and examine the impact which Christianity had upon attitudes towards and treatment of the poor.

Whatever aspect of Athenian culture one examines, whether it be tragedy and comedy, philosophy, vase painting and sculpture, oratory and rhetoric, law and politics, or social and economic life, the picture looks very different after 400 BC from before 400 BC. Scholars who have previously addressed this question have concentrated on particular areas and come up with explanations, often connected with the psychological effect of the Peloponnesian War, which are very unconvincing as explanations for the whole range of change. This book attempts to look at a wide range of evidence for cultural change at Athens and to examine the ways in which the changes may have been coordinated. It is a complement to the examination of the rhetoric of revolution as applied to ancient Greece in Rethinking Revolutions through Ancient Greece (Cambridge, 2006).

From the time of the Roman Empire onwards, fifth- and fourth-century Greece have been held to be the period and place in which civilization as the West knows it developed. Classical scholars have sought to justify these claims in detail by describing developments in fields such as democratic politics, art, rationality, historiography, literature, philosophy, medicine and music, in which classical Greece has been held to have made a revolutionary contribution. In this volume a distinguished cast of contributors offers a fresh consideration of these claims, asking both whether they are well based and what is at stake for their proposers and for us in making them. They look both at modern scholarly argument and its basis and at the claims made by the scholars of the Second Sophistic. The volume will be of interest not only to classical scholars but to all who are interested in the history of scholarship.

This book challenges historians to come to terms with the distortions that they systematically introduce into their work by their reliance on what has been written on paper without looking at what was and was not written on the body. This book is concerned with the ways in which texts relating to classical Greece, and in particular to classical Athens, classified people and with the extent to which those classifications could be seen by the eye. It compares the qualities distinguished in texts to those distinguished in sculpture and painted pottery, and emphasises the frequent invisibility of the categories upon which historians have laid most stress - the citizen, the free person, the foreigner, even the god. The frequent impossibility of seeing who belonged to which category has major political, social and theological implications which are explored here, as well as potentially revolutionary implications for all future historical writing.

Demos is a study of a classical city-state. It is the first attempt to provide an integrated account which gives due attention to the countryside as well as the urban areas of a polis. Concentrating on classical Athens, for which the literary and archaeological evidence is richest, Dr Osborne establishes the nature of settlement in the countryside and explores how this relates to the farming of the land, the exploitation of mineral resources, and the nature of political participation in both local and central politics. Further studies reveal the way in which the countryside was structured by religious institutions and cults and by the nature of the family.

The specially-commissioned essays in this 1999 book discuss the ways in which performance is central to the practice and ideology of democracy in classical Athens. From theatre to law-court to gymnasium to symposium, performance is a basic part of Athenian society; how do these different areas interrelate and inform the politics and culture of the democratic city? Drama, rhetoric, philosophy, literature and art are all discussed by leading scholars in this interdisciplinary volume.

These collected papers construct a distinctive view of classical Athens and of Athenian democracy, a view which takes seriously the evidence of settlement archaeology and of art history. This evidence both casts new light on traditional questions and enables new questions to be asked, questions concerning the experience of being an Athenian citizen, how the institutions of democracy affected the Athenian economy, and how the rituals of religion related to the rituals of democratic politics. Unlike books on Athenian democracy which focus on the Assembly and Council, this book gives full weight to women as well as men, slave as well as free, and the rural worker as well as the leisured man about town. Robin Osborne's work has been in the forefront of the resurgence of interest in Athenian law and Athenian religion; these essays are each placed in their scholarly context, and point the direction for future research.

Demos is a study of a classical city-state. It is the first attempt to provide an integrated account which gives due attention to the countryside as well as the urban areas of a polis. Concentrating on classical Athens, for which the literary and archaeological evidence is richest, Dr Osborne establishes the nature of settlement in the countryside and explores how this relates to the farming of the land, the exploitation of mineral resources, and the nature of political participation in both local and central politics. Further studies reveal the way in which the countryside was structured by religious institutions and cults and by the nature of the family.

The specially-commissioned essays in this 1999 book discuss the ways in which performance is central to the practice and ideology of democracy in classical Athens. From theatre to law-court to gymnasium to symposium, performance is a basic part of Athenian society; how do these different areas interrelate and inform the politics and culture of the democratic city? Drama, rhetoric, philosophy, literature and art are all discussed by leading scholars in this interdisciplinary volume.

This 2004 collection of papers includes some of the most innovative history written about Greece and Rome. The volume offers a convenient and enthralling guide to important issues and topics in Greek and Roman history, maps the changing interests of ancient historians and raises stimulating questions about historical method. The contributors to the volume represent many of the most exciting and influential ancient historians who have been active in the last quarter century. An introduction by the editor, which places the papers in the wider context of changing interests in Greek and Roman history, sets the scene for papers on Greek warfare, the regulation and representation of women and the nature and study of homosexual relationships in Athens, the relationship between Rome and its empire, whether Rome was democratic, the ideology of Augustan Rome, games and gaming at Rome, the lives of slaves, the ancient interpretation of dreams, the nature of religious pilgrimage, early Christian martyr stories, and bandits in the Roman empire.

These collected papers construct a distinctive view of classical Athens and of Athenian democracy, a view which takes seriously the evidence of settlement archaeology and of art history. This evidence both casts new light on traditional questions and enables new questions to be asked, questions concerning the experience of being an Athenian citizen, how the institutions of democracy affected the Athenian economy, and how the rituals of religion related to the rituals of democratic politics. Unlike books on Athenian democracy which focus on the Assembly and Council, this book gives full weight to women as well as men, slave as well as free, and the rural worker as well as the leisured man about town. Robin Osborne's work has been in the forefront of the resurgence of interest in Athenian law and Athenian religion; these essays are each placed in their scholarly context, and point the direction for future research.

If poor individuals have always been with us, societies have not always seen the poor as a distinct social group. But within the Roman world, from at least the Late Republic onwards, the poor were an important force in social and political life and how to treat the poor was a topic of philosophical as well as political discussion. This book explains what poverty meant in antiquity, and why the poor came to be an important group in the Roman world, and it explores the issues which poverty and the poor raised for Roman society and for Roman writers. In essays which range widely in space and time across the whole Roman Empire, the contributors address both the reality and the representation of poverty, and examine the impact which Christianity had upon attitudes towards and treatment of the poor.

From the time of the Roman Empire onwards, fifth- and fourth-century Greece have been held to be the period and place in which civilization as the West knows it developed. Classical scholars have sought to justify these claims in detail by describing developments in fields such as democratic politics, art, rationality, historiography, literature, philosophy, medicine and music, in which classical Greece has been held to have made a revolutionary contribution. In this volume a distinguished cast of contributors offers a fresh consideration of these claims, asking both whether they are well based and what is at stake for their proposers and for us in making them. They look both at modern scholarly argument and its basis and at the claims made by the scholars of the Second Sophistic. The volume will be of interest not only to classical scholars but to all who are interested in the history of scholarship.

Whatever aspect of Athenian culture one examines, whether it be tragedy and comedy, philosophy, vase painting and sculpture, oratory and rhetoric, law and politics, or social and economic life, the picture looks very different after 400 BC from before 400 BC. Scholars who have previously addressed this question have concentrated on particular areas and come up with explanations, often connected with the psychological effect of the Peloponnesian War, which are very unconvincing as explanations for the whole range of change. This book attempts to look at a wide range of evidence for cultural change at Athens and to examine the ways in which the changes may have been coordinated. It is a complement to the examination of the rhetoric of revolution as applied to ancient Greece in Rethinking Revolutions through Ancient Greece (Cambridge, 2006).

How remarkable changes in ancient Greek pottery reveal the transformation of classical Greek culture Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see--or did they come to see the world differently? In this lavishly illustrated and engagingly written book, Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art.By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world.