W. Fitzhugh Brundage – författare

Lynching was a national crime. But it obsessed the South. W. Fitzhugh Brundage''s multidisciplinary approach to the complex nature of lynching delves into the such extrajudicial murders in two states: Virginia, the southern state with the fewest lynchings; and Georgia, where 460 lynchings made the state a measure of race relations in the Deep South. Brundage''s analysis addresses three central questions: How can we explain variations in lynching over regions and time periods? To what extent was lynching a social ritual that affirmed traditional white values and white supremacy? And, what were the causes of the decline of lynching at the end of the 1920s?

A groundbreaking study, Lynching in the New South is a classic portrait of the tradition of violence that poisoned American life.

Lynching was a national crime. But it obsessed the South. W. Fitzhugh Brundage's multidisciplinary approach to the complex nature of lynching delves into the such extrajudicial murders in two states: Virginia, the southern state with the fewest lynchings; and Georgia, where 460 lynchings made the state a measure of race relations in the Deep South. Brundage's analysis addresses three central questions: How can we explain variations in lynching over regions and time periods? To what extent was lynching a social ritual that affirmed traditional white values and white supremacy? And, what were the causes of the decline of lynching at the end of the 1920s? A groundbreaking study, Lynching in the New South is a classic portrait of the tradition of violence that poisoned American life.

"A definitive account of the Ruskin colonies and of their place in the larger social radical strivings of the late nineteenth and early twentieth centuries. . . . Well written and solidly researched, it gives us an understanding of an important quest for heaven on earth." -- Edward K. Spann, author of Brotherly Tomorrows: Movements for a Cooperative Society in America,1820-1920This first book-length study of the Ruskin colonies shows how several hundred utopian socialists gathered as a cooperative community in Tennessee and Georgia in the late nineteenth century. The communitarians' noble but fatally flawed act of social endeavor revealed the courage and desperation they felt as they searched for alternatives to the chaotic and competitive individualism of the age of robber barons and for a viable model for a just and humane society at a time of profound uncertainty about public life in the United States.

It is newly estimated that 750,000 soldiers died in the American Civil War but less well known is that roughly 400,000 were captured and imprisoned–a milestone in the history of mass dehumanisation. Many POWs died from starvation, dysentery and exposure, and at the worst of the prison pens, more than 30,000 soldiers were caged. A Fate Worse Than Hell contemplates the roots and consequences of this mass incarceration from America’s bloodiest conflict. Based on first-person prisoner accounts, photographs and contemporaneous journalism, W. Fitzhugh Brundage shows how POW camps were politicised by stalled negotiations and escalating retaliation between the Union and the Confederacy. Brundage also shows how prisons such as were the catalyst for the country’s first formal laws of war, which became a bedrock for international law. A Fate Worse Than Hell exposes this national violence that imprisoned more Americans during wartime than ever before or since.

Since the Civil War whites and blacks have struggled over the meanings and uses of the Southern past. Indeed, today’s controversies over flying the Confederate flag, renaming schools and streets, and commemorating the Civil War and the civil rights movement are only the latest examples of this ongoing divisive contest over issues of regional identity and heritage. The Southern Past argues that these battles are ultimately about who has the power to determine what we remember of the past, and whether that remembrance will honor all Southerners or only select groups.For more than a century after the Civil War, elite white Southerners systematically refined a version of the past that sanctioned their racial privilege and power. In the process, they filled public spaces with museums and monuments that made their version of the past sacrosanct. Yet, even as segregation and racial discrimination worsened, blacks contested the white version of Southern history and demanded inclusion. Streets became sites for elaborate commemorations of emancipation and schools became centers for the study of black history. This counter-memory surged forth, and became a potent inspiration for the civil rights movement and the black struggle to share a common Southern past rather than a divided one.W. Fitzhugh Brundage’s searing exploration of how those who have the political power to represent the past simultaneously shape the present and determine the future is a valuable lesson as we confront our national past to meet the challenge of current realities.

Pulitzer Prize FinalistSilver Gavel Award Finalist“A sobering history of how American communities and institutions have relied on torture in various forms since before the United States was founded.”—Los Angeles Times“That Americans as a people and a nation-state are violent is indisputable. That we are also torturers, domestically and internationally, is not so well established. The myth that we are not torturers will persist, but Civilizing Torture will remain a powerful antidote in confronting it.”—Lawrence Wilkerson, former Chief of Staff to Secretary of State Colin Powell“Remarkable…A searing analysis of America’s past that helps make sense of its bewildering present.”—David Garland, author of Peculiar InstitutionMost Americans believe that a civilized state does not torture, but that belief has repeatedly been challenged in moments of crisis at home and abroad. From the Indian wars to Vietnam, from police interrogation to the War on Terror, US institutions have proven far more amenable to torture than the nation’s commitment to liberty would suggest.Civilizing Torture traces the history of debates about the efficacy of torture and reveals a recurring struggle to decide what limits to impose on the power of the state. At a time of escalating rhetoric aimed at cleansing the nation of the undeserving and an erosion of limits on military power, the debate over torture remains critical and unresolved.

From the assembled work of fifteen leading scholars emerges a complex and provocative portrait of lynching in the American South. With subjects ranging in time from the late antebellum period to the early twentieth century, and in place from the border states to the Deep South, this collection of essays provides a rich comparative context in which to study the troubling history of lynching. Covering a broad spectrum of methodologies, these essays further expand the study of lynching by exploring such topics as same-race lynchings, black resistance to white violence, and the political motivations for lynching. In addressing both the history and the legacy of lynching, the book raises important questions about Southern history, race relations, and the nature of American violence. Though focused on events in the South, these essays speak to patterns of violence, injustice, and racism that have plagued the entire nation. The contributors are Bruce E. Baker, E. M. Beck, W. Fitzhugh Brundage, Joan E. Cashin, Paula Clark, Thomas G. Dyer, Terence Finnegan, Larry J. Griffin, Nancy MacLean, William S. McFeely, Joanne C. Sandberg, Patricia A. Schechter, Roberta Senechal de la Roche, Stewart E. Tolnay, and George C. Wright.

Southerners are known for their strong sense of history. But the kinds of memories southerners have valued--and the ways in which they have preserved, transmitted, and revitalized those memories--have been as varied as the region's inhabitants themselves. This collection presents fresh and innovative perspectives on how southerners across two centuries and from Texas to North Carolina have interpreted their past. Thirteen contributors explore the workings of historical memory among groups as diverse as white artisans in early-nineteenth-century Georgia, African American authors in the late nineteenth century, and Louisiana Cajuns in the twentieth century. In the process, they offer critical insights for understanding the many communities that make up the American South. As ongoing controversies over the Confederate flag, the Alamo, and depictions of slavery at historic sites demonstrate, southern history retains the power to stir debate. By placing these and other conflicts over the recalled past into historical context, this collection will deepen our understanding of the continuing significance of history and memory for southern regional identity. Contributors: Bruce E. Baker Catherine W. Bishir David W. Blight Holly Beachley Brear W. Fitzhugh Brundage Kathleen Clark Michele Gillespie John Howard Gregg D. Kimball Laurie F. Maffly-Kipp C. Brenden Martin Anne Sarah Rubin Stephanie E. Yuhl |A collection of fresh and innovative essays that offer a variety perspectives on how southerners have interpreted their past and their identity from the Revolution to the present. Thirteen contributors explore this idea among groups as diverse as white artisans in early-nineteenth-century Georgia, African American authors in the late nineteenth century, and Louisiana Cajuns in the twentieth century. In the process, they offer critical insights for understanding the many communities that make up the American South from North Carolina to Texas.

From the assembled work of fifteen leading scholars emerges a complex and provocative portrait of lynching in the American South. With subjects ranging in time from the late antebellum period to the early twentieth century, and in place from the border states to the Deep South, this collection of essays provides a rich comparative context in which to study the troubling history of lynching. Covering a broad spectrum of methodologies, these essays further expand the study of lynching by exploring such topics as same-race lynchings, black resistance to white violence, and the political motivations for lynching. In addressing both the history and the legacy of lynching, the book raises important questions about Southern history, race relations, and the nature of American violence. Though focused on events in the South, these essays speak to patterns of violence, injustice, and racism that have plagued the entire nation. The contributors are Bruce E. Baker, E. M. Beck, W. Fitzhugh Brundage, Joan E. Cashin, Paula Clark, Thomas G. Dyer, Terence Finnegan, Larry J. Griffin, Nancy MacLean, William S. McFeely, Joanne C. Sandberg, Patricia A. Schechter, Roberta Senechal de la Roche, Stewart E. Tolnay, and George C. Wright.

This collection of thirteen essays, edited by historian W. Fitzhugh Brundage, brings together original work from sixteen scholars in various disciplines, ranging from theater and literature to history and music, to address the complex roles of black performers, entrepreneurs, and consumers in American mass culture during the early twentieth century. Moving beyond the familiar territory of blackface and minstrelsy, these essays present a fresh look at the history of African Americans and mass culture. With subjects ranging from representations of race in sheet music illustrations to African American interest in Haitian culture, Beyond Blackface recovers the history of forgotten or obscure cultural figures and shows how these historical actors played a role in the creation of American mass culture. The essays explore the predicament that blacks faced at a time when white supremacy crested and innovations in consumption, technology, and leisure made mass culture possible. Underscoring the importance and complexity of race in the emergence of mass culture, Beyond Blackface depicts popular culture as a crucial arena in which African Americans struggled to secure a foothold as masters of their own representation and architects of the nation's emerging consumer society. The contributors are: Davarian L. Baldwin, Trinity College W. Fitzhugh Brundage, University of North Carolina at Chapel Hill Clare Corbould, University of Sydney Susan Curtis, Purdue University Stephanie Dunson, Williams College Lewis A. Erenberg, Loyola University Chicago Stephen Garton, University of Sydney John M. Giggie, University of Alabama Grace Elizabeth Hale, University of Virginia Robert Jackson, University of Tulsa David Krasner, Emerson College Thomas Riis, University of Colorado at Boulder Stephen Robertson, University of Sydney John Stauffer, Harvard University Graham White, University of Sydney Shane White, University of Sydney |This collection of thirteen essays, edited by W. Fitzhugh Brundage, brings together original work from sixteen scholars in various disciplines to present a fresh look at the history of African Americans and mass culture. This book depicts popular culture as a crucial arena in which African Americans struggled to secure a foothold as masters of their own representation and architects of the nation's emerging consumer society.

This collection of thirteen essays, edited by historian W. Fitzhugh Brundage, brings together original work from sixteen scholars in various disciplines, ranging from theater and literature to history and music, to address the complex roles of black performers, entrepreneurs, and consumers in American mass culture during the early twentieth century.Moving beyond the familiar territory of blackface and minstrelsy, these essays present a fresh look at the history of African Americans and mass culture. With subjects ranging from representations of race in sheet music illustrations to African American interest in Haitian culture, Beyond Blackface recovers the history of forgotten or obscure cultural figures and shows how these historical actors played a role in the creation of American mass culture. The essays explore the predicament that blacks faced at a time when white supremacy crested and innovations in consumption, technology, and leisure made mass culture possible. Underscoring the importance and complexity of race in the emergence of mass culture, Beyond Blackface depicts popular culture as a crucial arena in which African Americans struggled to secure a foothold as masters of their own representation and architects of the nation’s emerging consumer society.The contributors are:Davarian L. Baldwin, Trinity CollegeW. Fitzhugh Brundage, University of North Carolina at Chapel HillClare Corbould, University of SydneySusan Curtis, Purdue UniversityStephanie Dunson, Williams CollegeLewis A. Erenberg, Loyola University ChicagoStephen Garton, University of SydneyJohn M. Giggie, University of AlabamaGrace Elizabeth Hale, University of VirginiaRobert Jackson, University of TulsaDavid Krasner, Emerson CollegeThomas Riis, University of Colorado at BoulderStephen Robertson, University of SydneyJohn Stauffer, Harvard UniversityGraham White, University of SydneyShane White, University of Sydney

Uncovering the history and examining the legacy of lynching in the state of VirginiaAlthough not as associated with lynching as other southern states, Virginia has a tragically extensive history with these horrific crimes. This important volume examines the more than one hundred people who were lynched in Virginia between 1866 and 1932. Its diverse set of contributors—including scholars, journalists, activists, and students—recover this wider history of lynching in Virginia, interrogate its legacy, and spotlight contemporary efforts to commemorate the victims of racial terror across the commonwealth. Together, their essays represent a small part of the growing effort to come to terms with the role Virginia played in perpetuating America’s national shame.

Uncovering the history and examining the legacy of lynching in the state of VirginiaAlthough not as associated with lynching as other southern states, Virginia has a tragically extensive history with these horrific crimes. This important volume examines the more than one hundred people who were lynched in Virginia between 1866 and 1932. Its diverse set of contributors—including scholars, journalists, activists, and students—recover this wider history of lynching in Virginia, interrogate its legacy, and spotlight contemporary efforts to commemorate the victims of racial terror across the commonwealth. Together, their essays represent a small part of the growing effort to come to terms with the role Virginia played in perpetuating America’s national shame.

Nine killed in Charleston church shooting. White supremacists demonstrate in Charlottesville. Monuments decommissioned in New Orleans and Chapel Hill. The headlines keep coming, and the debate rolls on. How should we contend with our troubled history as a nation? What is the best way forward?This first book in UGA Press’s History in the Headlines series offers a rich discussion between four leading scholars who have studied the history of Confederate memory and memorialization. Through this dialogue, we see how historians explore contentious topics and provide historical context for students and the broader public. Confederate Statues and Memorialization artfully engages the past and its influence on present racial and social tensions in an accessible format for students and interested general readers.Following the conversation, the book includes a “Top Ten” set of essays and articles that everyone should read to flesh out their understanding of this contentious, sometimes violent topic. The book closes with an extended list of recommended reading, offering readers specific suggestions for pursuing other voices and points of view.

This collection of thirteen essays, edited by historian W. Fitzhugh Brundage, brings together original work from sixteen scholars in various disciplines, ranging from theater and literature to history and music, to address the complex roles of black performers, entrepreneurs, and consumers in American mass culture during the early twentieth century. Moving beyond the familiar territory of blackface and minstrelsy, these essays present a fresh look at the history of African Americans and mass culture. With subjects ranging from representations of race in sheet music illustrations to African American interest in Haitian culture, Beyond Blackface recovers the history of forgotten or obscure cultural figures and shows how these historical actors played a role in the creation of American mass culture. The essays explore the predicament that blacks faced at a time when white supremacy crested and innovations in consumption, technology, and leisure made mass culture possible. Underscoring the importance and complexity of race in the emergence of mass culture, Beyond Blackface depicts popular culture as a crucial arena in which African Americans struggled to secure a foothold as masters of their own representation and architects of the nation''s emerging consumer society. The contributors are:Davarian L. Baldwin, Trinity CollegeW. Fitzhugh Brundage, University of North Carolina at Chapel HillClare Corbould, University of SydneySusan Curtis, Purdue UniversityStephanie Dunson, Williams CollegeLewis A. Erenberg, Loyola University ChicagoStephen Garton, University of SydneyJohn M. Giggie, University of AlabamaGrace Elizabeth Hale, University of VirginiaRobert Jackson, University of TulsaDavid Krasner, Emerson CollegeThomas Riis, University of Colorado at BoulderStephen Robertson, University of SydneyJohn Stauffer, Harvard UniversityGraham White, University of SydneyShane White, University of Sydney

Southerners are known for their strong sense of history. But the kinds of memories southerners have valued--and the ways in which they have preserved, transmitted, and revitalized those memories--have been as varied as the region''s inhabitants themselves. This collection presents fresh and innovative perspectives on how southerners across two centuries and from Texas to North Carolina have interpreted their past. Thirteen contributors explore the workings of historical memory among groups as diverse as white artisans in early-nineteenth-century Georgia, African American authors in the late nineteenth century, and Louisiana Cajuns in the twentieth century. In the process, they offer critical insights for understanding the many communities that make up the American South.As ongoing controversies over the Confederate flag, the Alamo, and depictions of slavery at historic sites demonstrate, southern history retains the power to stir debate. By placing these and other conflicts over the recalled past into historical context, this collection will deepen our understanding of the continuing significance of history and memory for southern regional identity.Contributors:Bruce E. BakerCatherine W. BishirDavid W. BlightHolly Beachley BrearW. Fitzhugh BrundageKathleen ClarkMichele GillespieJohn HowardGregg D. KimballLaurie F. Maffly-KippC. Brenden MartinAnne Sarah RubinStephanie E. Yuhl

For at least two centuries, the South's economy, politics, religion, race relations, fiction, music, foodways and more have figured prominently in nearly all facets of American life. In A New History of the American South, W. Fitzhugh Brundage joins a stellar group of accomplished historians in gracefully weaving a new narrative of Southern history from its ancient past to the present. This groundbreaking work draws on both well-established and new currents in scholarship, including global and Atlantic world history, histories of African diaspora, environmental history, and more. The volume also considers the experiences of all people of the South: Black, white, Indigenous, female, male, poor, elite, and more. Together, the essays compose a seamless, cogent, and engaging work that can be read cover to cover or sampled at leisure.Contributors are Peter A. Coclanis, Gregory P. Downs, Laura F. Edwards, Robbie Ethridge, Kari Frederickson, Paul Harvey, Kenneth R. Janken, Martha S. Jones, Blair L. M. Kelley, Kate Masur, Michael A. McDonnell, Scott Reynolds Nelson, Jim Rice, Natalie Ring, and Jon F. Sensbach.

For at least two centuries, the South’s economy, politics, religion, race relations, fiction, music, foodways and more have figured prominently in nearly all facets of American life. In A New History of the American South, W. Fitzhugh Brundage joins a stellar group of accomplished historians in gracefully weaving a new narrative of southern history from its ancient past to the present. This groundbreaking work draws on both well-established and new currents in scholarship, among them global and Atlantic world history, histories of African diaspora, and environmental history. The volume also considers the experiences of all people of the South: Black, white, Indigenous, female, male, poor, and elite. Together, the essays compose a seamless, cogent, and engaging work that can be read cover to cover or sampled at leisure.Contributors are Peter A. Coclanis, Gregory P. Downs, Laura F. Edwards, Robbie Ethridge, Kari Frederickson, Paul Harvey, Kenneth R. Janken, Martha S. Jones, Blair L. M. Kelley, Kate Masur, Michael A. McDonnell, Scott Reynolds Nelson, James D. Rice, Natalie J. Ring, and Jon F. Sensbach.

Reading the founding documents of the United States and understanding their historical context can help us to consider vital questions about governance and democracy in present day America. In Foundations of American Democracy, the 250-year evolution of democratic republicanism is examined through the lens of twenty-one critical documents from our nation’s past. The reader is divided into three parts. Starting with the Declaration of Independence, “Foundations” explores documents that laid the groundwork on which America was built. “A More Perfect Union” offers selections related to the American Civil War and Reconstruction. And “The Gospel of Freedom” highlights the challenges and struggles faced by generations of citizens who demanded participation and representation in our democracy. The authors of these works wrestled with some of the most difficult questions of their time, creating prose that is in turn eloquent, anguished, and passionate about the challenges of forming “a more perfect Union.” Each chapter includes a concise introduction, one primary document, questions for discussion, and a section on further readings. The reader includes well-known documents such as the Federalist Papers and the Emancipation Proclamation as well as other works that broaden our view of America’s ongoing democratic experiment. Eleven historians from the University of North Carolina at Chapel Hill contributed to this volume which was developed as a resource for the foundations of American democracy requirement across the University of North Carolina System.

In today’s United States, the legacy of the American Revolution looms large. From presidential speeches to bestselling biographies, from conservative politics to school pageants, everybody knows something about the Revolution. Yet what was a messy, protracted, divisive, and destructive war has calcified into a glorified founding moment of the American nation. Disparate events with equally diverse participants have been reduced to a few key scenes and characters, presided over by well-meaning and wise old men.Recollections of the Revolution did not always take today’s form. In this lively collection of essays, historians and literary scholars consider how the first three generations of American citizens interpreted their nation’s origins. The volume introduces readers to a host of individuals and groups both well known and obscure, from Molly Pitcher and “forgotten father” John Dickinson to African American Baptists in Georgia and antebellum pacifists. They show how the memory of the Revolution became politicised early in the nation’s history, as different interests sought to harness its meaning for their own ends. No single faction succeeded, and at the outbreak of the Civil War the American people remained divided over how to remember the Revolution.

This collection of thirteen essays, edited by historian W. Fitzhugh Brundage, brings together original work from sixteen scholars in various disciplines, ranging from theater and literature to history and music, to address the complex roles of black performers, entrepreneurs, and consumers in American mass culture during the early twentieth century.Moving beyond the familiar territory of blackface and minstrelsy, these essays present a fresh look at the history of African Americans and mass culture. With subjects ranging from representations of race in sheet music illustrations to African American interest in Haitian culture, Beyond Blackface recovers the history of forgotten or obscure cultural figures and shows how these historical actors played a role in the creation of American mass culture. The essays explore the predicament that blacks faced at a time when white supremacy crested and innovations in consumption, technology, and leisure made mass culture possible. Underscoring the importance and complexity of race in the emergence of mass culture, Beyond Blackface depicts popular culture as a crucial arena in which African Americans struggled to secure a foothold as masters of their own representation and architects of the nation’s emerging consumer society.The contributors are:Davarian L. Baldwin, Trinity CollegeW. Fitzhugh Brundage, University of North Carolina at Chapel HillClare Corbould, University of SydneySusan Curtis, Purdue UniversityStephanie Dunson, Williams CollegeLewis A. Erenberg, Loyola University ChicagoStephen Garton, University of SydneyJohn M. Giggie, University of AlabamaGrace Elizabeth Hale, University of VirginiaRobert Jackson, University of TulsaDavid Krasner, Emerson CollegeThomas Riis, University of Colorado at BoulderStephen Robertson, University of SydneyJohn Stauffer, Harvard UniversityGraham White, University of SydneyShane White, University of Sydney

For at least two centuries, the South’s economy, politics, religion, race relations, fiction, music, foodways and more have figured prominently in nearly all facets of American life. In A New History of the American South, W. Fitzhugh Brundage joins a stellar group of accomplished historians in gracefully weaving a new narrative of southern history from its ancient past to the present. This groundbreaking work draws on both well-established and new currents in scholarship, among them global and Atlantic world history, histories of African diaspora, and environmental history. The volume also considers the experiences of all people of the South: Black, white, Indigenous, female, male, poor, and elite. Together, the essays compose a seamless, cogent, and engaging work that can be read cover to cover or sampled at leisure.Contributors are Peter A. Coclanis, Gregory P. Downs, Laura F. Edwards, Robbie Ethridge, Kari Frederickson, Paul Harvey, Kenneth R. Janken, Martha S. Jones, Blair L. M. Kelley, Kate Masur, Michael A. McDonnell, Scott Reynolds Nelson, James D. Rice, Natalie J. Ring, and Jon F. Sensbach.

For at least two centuries, the South’s economy, politics, religion, race relations, fiction, music, foodways and more have figured prominently in nearly all facets of American life. In A New History of the American South, W. Fitzhugh Brundage joins a stellar group of accomplished historians in gracefully weaving a new narrative of southern history from its ancient past to the present. This groundbreaking work draws on both well-established and new currents in scholarship, among them global and Atlantic world history, histories of African diaspora, and environmental history. The volume also considers the experiences of all people of the South: Black, white, Indigenous, female, male, poor, and elite. Together, the essays compose a seamless, cogent, and engaging work that can be read cover to cover or sampled at leisure.Contributors are Peter A. Coclanis, Gregory P. Downs, Laura F. Edwards, Robbie Ethridge, Kari Frederickson, Paul Harvey, Kenneth R. Janken, Martha S. Jones, Blair L. M. Kelley, Kate Masur, Michael A. McDonnell, Scott Reynolds Nelson, James D. Rice, Natalie J. Ring, and Jon F. Sensbach.

From the assembled work of fifteen leading scholars emerges a complex and provocative portrait of lynching in the American South. With subjects ranging in time from the late antebellum period to the early twentieth century, and in place from the border states to the Deep South, this collection of essays provides a rich comparative context in which to study the troubling history of lynching. Covering a broad spectrum of methodologies, these essays further expand the study of lynching by exploring such topics as same-race lynchings, black resistance to white violence, and the political motivations for lynching. In addressing both the history and the legacy of lynching, the book raises important questions about Southern history, race relations, and the nature of American violence. Though focused on events in the South, these essays speak to patterns of violence, injustice, and racism that have plagued the entire nation. The contributors are Bruce E. Baker, E. M. Beck, W. Fitzhugh Brundage, Joan E. Cashin, Paula Clark, Thomas G. Dyer, Terence Finnegan, Larry J. Griffin, Nancy MacLean, William S. McFeely, Joanne C. Sandberg, Patricia A. Schechter, Roberta Senechal de la Roche, Stewart E. Tolnay, and George C. Wright.

Southerners are known for their strong sense of history. But the kinds of memories southerners have valued--and the ways in which they have preserved, transmitted, and revitalized those memories--have been as varied as the region''s inhabitants themselves. This collection presents fresh and innovative perspectives on how southerners across two centuries and from Texas to North Carolina have interpreted their past. Thirteen contributors explore the workings of historical memory among groups as diverse as white artisans in early-nineteenth-century Georgia, African American authors in the late nineteenth century, and Louisiana Cajuns in the twentieth century. In the process, they offer critical insights for understanding the many communities that make up the American South.As ongoing controversies over the Confederate flag, the Alamo, and depictions of slavery at historic sites demonstrate, southern history retains the power to stir debate. By placing these and other conflicts over the recalled past into historical context, this collection will deepen our understanding of the continuing significance of history and memory for southern regional identity.Contributors:Bruce E. BakerCatherine W. BishirDavid W. BlightHolly Beachley BrearW. Fitzhugh BrundageKathleen ClarkMichele GillespieJohn HowardGregg D. KimballLaurie F. Maffly-KippC. Brenden MartinAnne Sarah RubinStephanie E. Yuhl

This collection of thirteen essays, edited by historian W. Fitzhugh Brundage, brings together original work from sixteen scholars in various disciplines, ranging from theater and literature to history and music, to address the complex roles of black performers, entrepreneurs, and consumers in American mass culture during the early twentieth century.Moving beyond the familiar territory of blackface and minstrelsy, these essays present a fresh look at the history of African Americans and mass culture. With subjects ranging from representations of race in sheet music illustrations to African American interest in Haitian culture, Beyond Blackface recovers the history of forgotten or obscure cultural figures and shows how these historical actors played a role in the creation of American mass culture. The essays explore the predicament that blacks faced at a time when white supremacy crested and innovations in consumption, technology, and leisure made mass culture possible. Underscoring the importance and complexity of race in the emergence of mass culture, Beyond Blackface depicts popular culture as a crucial arena in which African Americans struggled to secure a foothold as masters of their own representation and architects of the nation’s emerging consumer society.The contributors are:Davarian L. Baldwin, Trinity CollegeW. Fitzhugh Brundage, University of North Carolina at Chapel HillClare Corbould, University of SydneySusan Curtis, Purdue UniversityStephanie Dunson, Williams CollegeLewis A. Erenberg, Loyola University ChicagoStephen Garton, University of SydneyJohn M. Giggie, University of AlabamaGrace Elizabeth Hale, University of VirginiaRobert Jackson, University of TulsaDavid Krasner, Emerson CollegeThomas Riis, University of Colorado at BoulderStephen Robertson, University of SydneyJohn Stauffer, Harvard UniversityGraham White, University of SydneyShane White, University of Sydney