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On September 1, 1983, a Soviet fighter plane shot down a South Korean commercial airliner, KAL 007, killing all 269 persons aboard. Why did the jet stray hundreds of miles off course and fly for hours over Soviet territory, including sensitive nuclear and submarine installations? And why did the Soviets decide that that plane had to be brought down? These are the major questions this book addresses. It is the first book-length exploration of all the available information, and it weighs each of the hypotheses that has been advanced here and abroad to explain the dramatic episode, which led to a Soviet-American confrontation just as relations between the two super powers seemed to be on the verge of improvement. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers.Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a postcinematic age and helped to develop a novel space between the "black box" of the movie theater and the "white cube" of the art gallery. Packed with one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.

Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers.Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a postcinematic age and helped to develop a novel space between the "black box" of the movie theater and the "white cube" of the art gallery. Packed with one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.

North Korea is commonly thought of as the most mysterious place in the world. The country is marked by its opacity and inaccessibility, its inner workings seen as impossible for outsiders to grasp. In this groundbreaking book, the leading scholar and practitioner Victor D. Cha shines a light into the “black box” of North Korea and draws critical lessons for the possible reunification of Korea after many decades of division.The Black Box demonstrates convincingly that North Korea, while far from transparent, is less inscrutable than is typically assumed. Using innovative research methods from data scraping to ethnography, including microsurveys of ordinary North Koreans, Cha unearths a trove of new information. Through these pioneering findings, and incorporating his experiences as a White House official negotiating with North Korean interlocutors and traveling to North Korea, he paints a vivid picture of this enigmatic country and develops a grounded account of its behavior. Cha explores the regime’s core tendencies, its policies toward the U.S.–South Korea alliance, cybersecurity threats, the potential for economic development, the growth of a nascent civil society, and pathways toward Korean unification, among other topics. The Black Box provides both an essential understanding of contemporary North Korea and an insightful guide to studying the country from one of the world’s most esteemed experts.

North Korea is commonly thought of as the most mysterious place in the world. The country is marked by its opacity and inaccessibility, its inner workings seen as impossible for outsiders to grasp. In this groundbreaking book, the leading scholar and practitioner Victor D. Cha shines a light into the “black box” of North Korea and draws critical lessons for the possible reunification of Korea after many decades of division.The Black Box demonstrates convincingly that North Korea, while far from transparent, is less inscrutable than is typically assumed. Using innovative research methods from data scraping to ethnography, including microsurveys of ordinary North Koreans, Cha unearths a trove of new information. Through these pioneering findings, and incorporating his experiences as a White House official negotiating with North Korean interlocutors and traveling to North Korea, he paints a vivid picture of this enigmatic country and develops a grounded account of its behavior. Cha explores the regime’s core tendencies, its policies toward the U.S.–South Korea alliance, cybersecurity threats, the potential for economic development, the growth of a nascent civil society, and pathways toward Korean unification, among other topics. The Black Box provides both an essential understanding of contemporary North Korea and an insightful guide to studying the country from one of the world’s most esteemed experts.

George W. Stocking, Jr., has spent a professional lifetime exploring the history of anthropology, and his findings have shaped anthropologists’ understanding of their field for two generations. Through his meticulous research, Stocking has shown how such forces as politics, race, institutional affiliations, and personal relationships have influenced the discipline from its beginnings. In this autobiography, he turns his attention to a subject closer to home but no less challenging. Looking into his own “black box,” he dissects his upbringing, his politics, even his motivations in writing about himself. The result is a book systematically, at times brutally, self-questioning. An interesting question, Stocking says, is one that arouses just the right amount of anxiety. But that very anxiety may be the ultimate source of Stocking’s remarkable intellectual energy and output. In the first two sections of the book, he traces the intersecting vectors of his professional and personal lives. The book concludes with a coda, “Octogenarian Afterthoughts,” that offers glimpses of his life after retirement, when advancing age, cancer, and depression changed the tenor of his reflections about both his life and his work. This book is the twelfth and final volume of the influential History of Anthropology series.

On September 1, 1983, a Soviet fighter plane shot down a South Korean commercial airliner, KAL 007, killing all 269 persons aboard. Why did the jet stray hundreds of miles off course and fly for hours over Soviet territory, including sensitive nuclear and submarine installations? And why did the Soviets decide that that plane had to be brought down? These are the major questions this book addresses. It is the first book-length exploration of all the available information, and it weighs each of the hypotheses that has been advanced here and abroad to explain the dramatic episode, which led to a Soviet-American confrontation just as relations between the two super powers seemed to be on the verge of improvement. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

Stories about new musical instruments are often told as quests for new kinds of sounds. The Composer's Black Box asks, What happens when new musical instruments produce not only new sounds but also new dynamics of musical agency and control? And what consequences do those new dynamics have for musicality beyond sound? With a focus on five key figures—Morton Subotnick, Pauline Oliveros, Donald Buchla, Alvin Lucier, and Sun Ra—this book explores how scientific and technological developments in mid-twentieth-century America galvanized musicians to reconfigure their conceptions of sociality, freedom, and the creative self. Theodore Gordon shows how cybernetic thinking in a range of disciplines, from experimental music to jazz and electrical engineering, has shaped musical techniques and technologies and changed what it means to be a composer—or, more broadly, a music-making human—in an increasingly informational world.

Stories about new musical instruments are often told as quests for new kinds of sounds. The Composer's Black Box asks, What happens when new musical instruments produce not only new sounds but also new dynamics of musical agency and control? And what consequences do those new dynamics have for musicality beyond sound? With a focus on five key figures—Morton Subotnick, Pauline Oliveros, Donald Buchla, Alvin Lucier, and Sun Ra—this book explores how scientific and technological developments in mid-twentieth-century America galvanized musicians to reconfigure their conceptions of sociality, freedom, and the creative self. Theodore Gordon shows how cybernetic thinking in a range of disciplines, from experimental music to jazz and electrical engineering, has shaped musical techniques and technologies and changed what it means to be a composer—or, more broadly, a music-making human—in an increasingly informational world.

Economists have long treated technological phenomena as events transpiring inside a black box and, on the whole, have adhered rather strictly to a self-imposed ordinance not to inquire too seriously into what transpires inside that box. The purpose of Professor Rosenberg's work is to break open and examine the contents of the black box. In so doing, a number of important economic problems be powerfully illuminated. The author clearly shows how specific features of individual technologies have shaped a number of variables of great concern to economists: the rate of productivity improvement, the nature of learning processes underlying technological change itself, the speed of technology transfer, and the effectiveness of government policies that are intended to influence technologies in particular ways. The separate chapters of this book reflect a primary concern with some of the distinctive aspects of industrial technologies in the twentieth century, such as the increasing reliance upon science, but also the considerable subtlety and complexity of the dialectic between science and technology. Other concerns include the rapid growth in the development of costs associated with new technologies as well as the difficulty of predicting the eventual performance characteristics of newly emerging technologies.

The process of technological change takes a wide variety of forms. Propositions that may be accurate when referring to the pharmaceutical industry may be totally inappropriate when applied to the aircraft industry or to computers or forest products. The central theme of Nathan Rosenberg's new book is the idea that technological changes are often 'path dependent', in the sense that their form and direction tend to be influenced strongly by the particular sequence of earlier events out of which a new technology has emerged. The book advances the understanding of technological change by explictly recognising its essential diversity and path-dependent nature. Individual chapters explore the particular features of new technologies in different historical and sectoral contexts. This book presents a unique account of how technological change is generated and the processes by which improved technologies are introduced.

The process of technological change takes a wide variety of forms. Propositions that may be accurate when referring to the pharmaceutical industry may be totally inappropriate when applied to the aircraft industry or to computers or forest products. The central theme of Nathan Rosenberg's new book is the idea that technological changes are often 'path dependent', in the sense that their form and direction tend to be influenced strongly by the particular sequence of earlier events out of which a new technology has emerged. The book advances the understanding of technological change by explictly recognising its essential diversity and path-dependent nature. Individual chapters explore the particular features of new technologies in different historical and sectoral contexts. This book presents a unique account of how technological change is generated and the processes by which improved technologies are introduced.

In this masterful account, a historian of science surveys the molecular biology revolution, its origin and continuing impact.Since the 1930s, a molecular vision has been transforming biology. Michel Morange provides an incisive and overarching history of this transformation, from the early attempts to explain organisms by the structure of their chemical components, to the birth and consolidation of genetics, to the latest technologies and discoveries enabled by the new science of life. Morange revisits A History of Molecular Biology and offers new insights from the past twenty years into his analysis.The Black Box of Biology shows that what led to the incredible transformation of biology was not a simple accumulation of new results, but the molecularization of a large part of biology. In fact, Morange argues, the greatest biological achievements of the past few decades should still be understood within the molecular paradigm. What has happened is not the displacement of molecular biology by other techniques and avenues of research, but rather the fusion of molecular principles and concepts with those of other disciplines, including genetics, physics, structural chemistry, and computational biology. This has produced decisive changes, including the discoveries of regulatory RNAs, the development of massive scientific programs such as human genome sequencing, and the emergence of synthetic biology, systems biology, and epigenetics.Original, persuasive, and breathtaking in its scope, The Black Box of Biology sets a new standard for the history of the ongoing molecular revolution.

Every day, corporations are connecting the dots about our personal behavior—silently scrutinizing clues left behind by our work habits and Internet use. The data compiled and portraits created are incredibly detailed, to the point of being invasive. But who connects the dots about what firms are doing with this information? The Black Box Society argues that we all need to be able to do so—and to set limits on how big data affects our lives.Hidden algorithms can make (or ruin) reputations, decide the destiny of entrepreneurs, or even devastate an entire economy. Shrouded in secrecy and complexity, decisions at major Silicon Valley and Wall Street firms were long assumed to be neutral and technical. But leaks, whistleblowers, and legal disputes have shed new light on automated judgment. Self-serving and reckless behavior is surprisingly common, and easy to hide in code protected by legal and real secrecy. Even after billions of dollars of fines have been levied, underfunded regulators may have only scratched the surface of this troubling behavior.Frank Pasquale exposes how powerful interests abuse secrecy for profit and explains ways to rein them in. Demanding transparency is only the first step. An intelligible society would assure that key decisions of its most important firms are fair, nondiscriminatory, and open to criticism. Silicon Valley and Wall Street need to accept as much accountability as they impose on others.

This book explores contemporary artists' filmmaking within the context of film theory and practice. Remembering Cinema focuses on artists' filmmaking exhibited in gallery spaces since 1990; or 'gallery films'. It argues that although they have chosen a different space for experiment, gallery films should not be expelled from film theory's critical frame, since they explore and expand our understanding of what cinema has been, is now and could be. Therefore, while the auditorium has increasingly been seen as the space for the death of cinema, in the art gallery the cinematic is revived, renewed and remembered. Through a comprehensive assemblage, discussion and analysis of the proliferating field, this book is the first to fully comprehend gallery films' unique explorations of narrative, spectatorship, time, space, film history and identity. In investigating the gallery as the preferred space for experiment in contemporary cinema, Remembering Cinema also questions the actual and theoretical spaces within which cinema practice and cinema studies have circulated and been constructed.This is the first fully comprehensive study of the growing field of films made for the gallery space since 1990. It is the only exploration of contemporary artists' filmmaking that seriously interrogates the work in relation to film theory and film practice. It is an important consideration of 'the cinematic' that considers other spaces in which cinema practice and cinema studies have circulated and been constructed.

The debate over Intelligent Design seemingly represents an extension of the fundamental conflict between creationists and evolutionists. ID proponents, drawing on texts such as Darwin's Black Box and Of Pandas and People, urge schools to "teach the controversy" in biology class alongside evolution. The scientific mainstream has reacted with fury, branding Intelligent Design as pseudoscience and its advocates as religious fanatics. But stridency misses the point, argues Nathaniel Comfort. In "The Panda's Black Box", Comfort joins five other leading public intellectuals - including Daniel Kevles and Pulitzer Prize winner Edward Larson - to explain the roots of the controversy and explore the intellectual, social, and cultural factors that continue to shape it. One of the few books on the ID issue that moves beyond mere name-calling and finger-pointing, "The Panda's Black Box" challenges assumptions on each side of the debate and engages both the appeal and dangers of Intelligent Design. This lively collection will appeal to anyone seeking a deeper understanding of what's really at stake in the debate over evolution.

The black box is orange-and there are actually two of them. They house the cockpit voice recorder and the flight data recorder, instruments vital to airplane crash analyses. But accident investigators cannot rely on the black boxes alone. Beginning with the 1931 Fokker F-10A crash that killed legendary football coach Knute Rockne, this fascinating book provides a behind-the-scenes look at plane wreck investigations. Professor George Bibel shows how forensic experts, scientists, and engineers analyze factors like impact, debris, loading, fire patterns, metallurgy, fracture, crash testing, and human tolerances to determine why planes fall from the sky-and how the information gleaned from accident reconstruction is incorporated into aircraft design and operation to keep commercial aviation as safe as possible.