Henrik Ibsen – författare

Taken from the highly acclaimed Oxford Ibsen, this collection of Ibsen's plays includes A Doll's House, Ghosts, Hedda Gabler, and The Master Builder. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Ghosts is Ibsen's formidably realistic play about the effects of previous generations on the young, a stinging satire on contemporary Norwegian society and morality, and a haunting tragedy that, more than a century since it premiered, still retains its power to shock. In Ibsen's study of the lingering poison in a marriage based on a lie, Osvald Alving returns from Paris to his mother's home, carrying with him a dreadful secret. His mother's delight at having him home soon turns to horror and grief. The corruption that she had hoped to spare him from when sending him away from the influence of his depraved father has in fact infected his whole body in the form of syphillis. In Mrs Alving and her son's distrust of conventional religion and mores and Oswald's anguish with life, Ibsen created a thoroughly modern and provocative work that created widespread outrage and shock when first produced in 1881. 'Meyer's translations of Ibsen are a major fact in one's general sense of post-war drama. Their vital pace, their unforced insistence on the poetic centre of Ibsen's genius, have beaten academic versions from the field' George Steiner, The New Statesman

Henrik Ibsens samtidsdramer kom att förändra den moderna teatern i grunden. Med sin kritiska genomlysning av det borgerliga äktenskapet retade de Strindberg till vansinne och fick James Joyce att lära sig norska. Pjäserna hör till dem som spelas mest på världens scener idag: Ett dockhem, Vildanden, Gengångare, Hedda Gabler.

Författaren Östergren är också översättaren Östergren, inte minst av dramatik. Han har bland annat översatt Nigel Williams Klassfiende och Alan Ayckbournes pjästrilogi The Norman Conquests. Nu kommer Klas Östergrens Ibsenöversättningar i nytryck, med förord av teaterkritikern och författaren Leif Zern.

Klas Östergren, född 1955, är en av Sveriges främsta författare. Han har varit verksam i över fyrtio år, och har givit ut en lång rad prosaverk. Klas Östergren har skrivit manus till tv och film, nu senast till filmatiseringen av genombrottsromanen Gentlemen, och varit verksam som översättare av framför allt dramatik. Hans senaste roman Twist, som kom ut 2014, fick ett entusiastiskt mottagande av både kritiker och publik.

Written in the aftermath of hostile criticism of Ghosts, Ibsen's three plays all deal with the moral courage needed to tell the truth. They are peopled not by symbolic figures and abstract concepts, but by complex individuals pitted against, or part of, a society that Ibsen felt was morally abhorrent and claustrophobically provincial. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Henrik Ibsens klassiska pjäs har här bearbetats till en lättläst och spännande roman. Men den är inte förflyttad till modern tid. Samtidigt som läsarna i förenklad och anpassad form får stifta bekantskap med en av världens mest berömda skådespel, får de följa hemmafrun Noras utveckling från näpen, ansvarslös dockhustru till en mogen kvinna som tar det ödesdigra – men egna – beslutet att lämna hemmet.Henrik Ibsen skrev sin pjäs 1879 och den är – tyvärr – fortfarande högst angelägen och aktuell.Boken finns på svenska och på arabiska. Den finns även som e-bok och ljudbok.

The Norton Critical Edition includes five major plays spanning Ibsen’s long career in recent translations by Brian Johnston (Peer Gynt, The Wild Duck, and The Master Builder) and Brian Johnston and Rick Davis (A Doll House and Hedda Gabler). The translation of Peer Gynt appears for the first time in this Norton Critical Edition.“Backgrounds” gives students an understanding of Ibsen’s creative process with selections from his correspondence and other writings. Twenty-seven documents have been collected and arranged by play, with a section of autobiographical writings at the end.Ibsen’s plays continue to provoke diverse commentary. “Criticism” includes nineteen of the most important responses to Ibsen’s work, among them essays by Bernard Shaw, Sandra Saari, E. M. Forster, Hugh Kenner, and Joan Templeton.A Chronology and Selected Bibliography are also included.

With three plays focusing on the family and how it struggles to stay together by telling lies - and exposing them, Henrik Ibsen's Ghosts and Other Plays is translated with an introduction by Peter Watts in Penguin Classics.In Ghosts, Osvald Alving returns home only to discover the truth about the father he always looked up to, and learns the horrific effect his father's debauchery has had on him. It was Ibsen's most provocative drama, stripping away the surface of a middle-class family to expose layers of hypocrisy and immorality. A Public Enemy sets two brothers against each other when one wishes to make public the facts about the polluted water in the public baths of their home town. And When We Dead Wake tells of an artist meeting an old lover by chance and rejecting his wife, in a symbolic exploration of Ibsen's own literary life and the sacrifices he made in his work.Peter Watts's translation maintains the colloquial tone of the original dialogue. He has also provided an introduction and notes on the texts.Henrik Ibsen (1828-1906) turned to journalism and playwriting instead of pursuing a university career. Ibsen was one of the earliest writers to dramatise the individual's alienation from society. Although Ibsen was never fully appreciated during his lifetime, he has since come to be recognised as one of the great dramatists of all time and the 'Father of Modern Drama'.If you enjoyed Ghosts, you might like Ibsen's A Doll's House and Other Plays, also available in Penguin Classics.

A Doll's House/Ghosts/Pillars of the Community/An Enemy of the People'Our home has never been anything other than a play-house. I've been your doll-wife here, just as at home I was Daddy's doll-child'These four plays established Ibsen as the leading figure in the theatre of his day, sending shockwaves throughout Europe and beyond. A Doll's House scandalized audiences with its free-thinking heroine Nora. Ibsen's even more radical follow-up, Ghosts, exposes family secrets and sexual double-dealing, while Pillars of the Community and An Enemy of the People both explore the hypocrisy and the dark tensions at the heart of society. This new translation, the first to be based on the latest critical edition of Ibsen's works, offers the best version available in English.A new translation by DEBORAH DAWKIN and ERIK SKUGGEVIK With an Introduction by TORE REM General Editor TORE REM

Four of Ibsen's most important plays in superb modern translations, part of the new Penguin Ibsen series.In these four unforgettably intense plays, Henrik Ibsen explores the complex nature of truth, the tension between freedom and responsibility, and the terrible pull that the past exerts over the present. In The Wild Duck, an idealist destroys a family by exposing the lie behind his friend's marriage. In Rosmersholm, a respectable man is driven to extremes by guilt over his wife's death, while in The Lady from the Sea a woman is caught between her family and the enticement of the wild sea. And in Hedda Gabler, one of Ibsen's most famous and vivid anti-heroines struggles to break free from the conventional life she has created for herself, with tragic results.The new Penguin series of Ibsen's major plays offer the best available editions in English, under the general editorship of Tore Rem. The plays have been freshly translated by the best modern translators and are based on the recently published, definitive Norwegian edition of Ibsen's works. They all include new introductions and editorial apparatus by leading scholars.Vol. 1: Peer Gynt and BrandVol. 2: A Doll's House and Other PlaysVol. 3: Hedda Gabler and Other PlaysVol. 4: The Master Builder and Other Plays

Ibsen's greatest late plays in superb modern translations, part of the new Penguin Ibsen series.This volume includes The Master Builder, Little Eyolf, John Gabriel Borkman and When We Dead Awaken - Ibsen's last four plays, written in his old age in Oslo. In The Master Builder, a married, middle-aged architect becomes bewitched by a strange young woman who claims to have known him for years. A sudden death in Little Eyolf is the catalyst that drives a couple into a greater understanding of themselves. In John Gabriel Borkman, a banker recently released from prison must choose between his wife and her sister, while a sculptor on holiday is reunited with the woman who inspired his greatest art in When We Dead Awaken.The new Penguin series of Ibsen's major plays offer the best available editions in English, under the general editorship of Tore Rem. All the plays have been freshly translated by leading translators and are based on the definitive Norwegian edition of Ibsen's works. This volume includes an introduction by Toril Moi on the themes of death and human limitation in the plays, and additional editorial apparatus by Tore Rem.Henrik Ibsen (1828-1906) is often called 'the Father of Modern Drama'. Born in the small Norwegian town of Skien, he left Norway in 1864 for a twenty-one-year long voluntary exile in Italy and Germany. After successes with the verse dramas Brand and Peer Gynt, he turned to prose, writing his great twelve-play cycle of society dramas between 1877 and 1899. This included The Pillars of Society, A Doll's House, Ghosts, An Enemy of the People, The Wild Duck, Rosmersholm, The Lady from the Sea, Hedda Gabler, The Master Builder, Little Eyolf, John Gabriel Borkman, and, finally, When We Dead Awaken. Ibsen returned to Norway in 1891 and died there at the age of seventy-eight.Barbara J. Haveland and Anne-Marie Stanton-Ife are both freelance literary translators.Toril Moi is Professor of English, Theater Studies and Philosophy at Duke University. Her books include Henrik Ibsen and the Birth of Modernism (2006).Tore Rem is Professor of British literature at the University of Oslo and author of Henry Gibson/Henrik Ibsen (2006).

A new Penguin edition of Ibsen's two great verse plays, in masterful versions by one of our greatest living poets, Geoffrey Hill. These two powerful and contrasting verse dramas by Ibsen made his reputation as a playwright. The fantastical adventures of the irrepressible Peer Gynt - poet, idler, procrastinator, seducer - draw on Norwegian folklore to conjure up mountains, kidnappings, shipwrecks and trolls in an exuberant examination of truth and the self; while Brand, an unsparing vision of an idealistic priest who lives by his steely faith, explores free will and sacrifice. This volume brings together the poet Geoffrey Hill's acclaimed stage version of Brand with a new poetic rendering of Peer Gynt, published for the first time.This Penguin edition includes an interview with Geoffrey Hill about recreating Ibsen in English, an introduction by Janet Garton and editorial materials by Tore Rem.

In these three unforgettably intense plays, Henrik Ibsen explores the problems of personal and social morality that he perceived in the world around him and, in particular, the complex nature of truth. The Pillars of the Community (1877) depicts a corrupt shipowner’s struggle to hide the sins of his past at the expense of another man’s reputation, while in The Wild Duck (1884) an idealist, believing he must tell the truth at any cost, destroys a family by exposing the lie behind his friend’s marriage. And Hedda Gabler (1890) portrays an unhappily married woman who is unable to break free from the conventional life she has created for herself, with tragic results for the entire family.

The four plays in this volume, written late in Ibsen's career as a dramatist, move away from his earlier preoccupation with people at odds with society to instead explore the inward struggle with their own thoughts, feelings and dreams. The Master Builder (1892) depicts a powerful man whose illusions collapse in the face of a young woman's courageous common sense. In Rosmersholm (1886), an idealist is forced to question his beliefs and confront terrible truths about the past, while Little Eyolf (1894) portrays a man's self-deception, which brings both tragic repercussions for his family and new hope for their future. And in John Gabriel Borkman (1896), a dying woman returns to reclaim the affections and loyalty of her nephew, resulting in a bitter struggle with her sister.

A Doll's House/Ghosts/Pillars of the Community/An Enemy of the People'Our home has never been anything other than a play-house. I've been your doll-wife here, just as at home I was Daddy's doll-child'These four plays established Ibsen as the leading figure in the theatre of his day, sending shockwaves throughout Europe and beyond. A Doll's House scandalized audiences with its free-thinking heroine Nora. Ibsen's even more radical follow-up, Ghosts, exposes family secrets and sexual double-dealing, while Pillars of the Community and An Enemy of the People both explore the hypocrisy and the dark tensions at the heart of society. This new translation, the first to be based on the latest critical edition of Ibsen's works, offers the best version available in English.A new translation by DEBORAH DAWKIN and ERIK SKUGGEVIK With an Introduction by TORE REM General Editor TORE REM

Four of Ibsen's most important plays in superb modern translations, part of the new Penguin Ibsen series.In these four unforgettably intense plays, Henrik Ibsen explores the complex nature of truth, the tension between freedom and responsibility, and the terrible pull that the past exerts over the present. In The Wild Duck, an idealist destroys a family by exposing the lie behind his friend's marriage. In Rosmersholm, a respectable man is driven to extremes by guilt over his wife's death, while in The Lady from the Sea a woman is caught between her family and the enticement of the wild sea. And in Hedda Gabler, one of Ibsen's most famous and vivid anti-heroines struggles to break free from the conventional life she has created for herself, with tragic results.The new Penguin series of Ibsen's major plays offer the best available editions in English, under the general editorship of Tore Rem. The plays have been freshly translated by the best modern translators and are based on the recently published, definitive Norwegian edition of Ibsen's works. They all include new introductions and editorial apparatus by leading scholars.Vol. 1: Peer Gynt and BrandVol. 2: A Doll's House and Other PlaysVol. 3: Hedda Gabler and Other PlaysVol. 4: The Master Builder and Other Plays

Ibsen's greatest late plays in superb modern translations, part of the new Penguin Ibsen series.This volume includes The Master Builder, Little Eyolf, John Gabriel Borkman and When We Dead Awaken - Ibsen's last four plays, written in his old age in Oslo. In The Master Builder, a married, middle-aged architect becomes bewitched by a strange young woman who claims to have known him for years. A sudden death in Little Eyolf is the catalyst that drives a couple into a greater understanding of themselves. In John Gabriel Borkman, a banker recently released from prison must choose between his wife and her sister, while a sculptor on holiday is reunited with the woman who inspired his greatest art in When We Dead Awaken.The new Penguin series of Ibsen's major plays offer the best available editions in English, under the general editorship of Tore Rem. All the plays have been freshly translated by leading translators and are based on the definitive Norwegian edition of Ibsen's works. This volume includes an introduction by Toril Moi on the themes of death and human limitation in the plays, and additional editorial apparatus by Tore Rem.Henrik Ibsen (1828-1906) is often called 'the Father of Modern Drama'. Born in the small Norwegian town of Skien, he left Norway in 1864 for a twenty-one-year long voluntary exile in Italy and Germany. After successes with the verse dramas Brand and Peer Gynt, he turned to prose, writing his great twelve-play cycle of society dramas between 1877 and 1899. This included The Pillars of Society, A Doll's House, Ghosts, An Enemy of the People, The Wild Duck, Rosmersholm, The Lady from the Sea, Hedda Gabler, The Master Builder, Little Eyolf, John Gabriel Borkman, and, finally, When We Dead Awaken. Ibsen returned to Norway in 1891 and died there at the age of seventy-eight.Barbara J. Haveland and Anne-Marie Stanton-Ife are both freelance literary translators.Toril Moi is Professor of English, Theater Studies and Philosophy at Duke University. Her books include Henrik Ibsen and the Birth of Modernism (2006).Tore Rem is Professor of British literature at the University of Oslo and author of Henry Gibson/Henrik Ibsen (2006).

A new Penguin edition of Ibsen's two great verse plays, in masterful versions by one of our greatest living poets, Geoffrey Hill. These two powerful and contrasting verse dramas by Ibsen made his reputation as a playwright. The fantastical adventures of the irrepressible Peer Gynt - poet, idler, procrastinator, seducer - draw on Norwegian folklore to conjure up mountains, kidnappings, shipwrecks and trolls in an exuberant examination of truth and the self; while Brand, an unsparing vision of an idealistic priest who lives by his steely faith, explores free will and sacrifice. This volume brings together the poet Geoffrey Hill's acclaimed stage version of Brand with a new poetic rendering of Peer Gynt, published for the first time.This Penguin edition includes an interview with Geoffrey Hill about recreating Ibsen in English, an introduction by Janet Garton and editorial materials by Tore Rem.

Taken from the highly acclaimed Oxford Ibsen, this collection of Ibsen''s plays includes A Doll''s House, Ghosts, Hedda Gabler, and The Master Builder.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Oh, be not afraid. I am cast out of society, but you, is it not true, you walk around as a man of honour? What more do you want?' (Laura Kieler, Men of Honour)Very few readers and audiences know that Ibsen's iconic feminist drama A Doll's House was built upon the real-life story of a woman called Laura Kieler, who was his friend and fellow writer. Her life fell apart when A Doll's House came out and the world saw her deeply private life splashed across its stages. With tremendous determination and perseverance, she managed to recover from the trauma that Ibsen's play caused her, and channelled her pain into a successful play of her own called (pointedly) Men of Honour. The play, performed in Copenhagen in 1890, caused great debate and fierce controversy. Ibsen eventually responded to her play by likewise writing a drama: When We Dead Awaken, his final work. This new edition traces the conversation between Ibsen and Kieler through these plays, across almost two decades and brings Kieler centre stage, and deepens our understanding of Ibsen's A Doll's House and When We Dead Awaken. These three plays create a fascinating whole: a fusion of vantage points, contexts, and visions still reverberating on and off stage today. Furthermore, the two Ibsen plays speak to each other in startling and fresh ways. This volume also explores 21st century concerns about consent and the many ways in which women in particular are still not heard. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Oh, be not afraid. I am cast out of society, but you, is it not true, you walk around as a man of honour? What more do you want?' (Laura Kieler, Men of Honour) Very few readers and audiences know that Ibsen's iconic feminist drama A Doll's House was built upon the real-life story of a woman called Laura Kieler, who was his friend and fellow writer. Her life fell apart when A Doll's House came out and the world saw her deeply private life splashed across its stages. With tremendous determination and perseverance, she managed to recover from the trauma that Ibsen's play caused her, and channelled her pain into a successful play of her own called (pointedly) Men of Honour. The play, performed in Copenhagen in 1890, caused great debate and fierce controversy. Ibsen eventually responded to her play by likewise writing a drama: When We Dead Awaken, his final work. This new edition traces the conversation between Ibsen and Kieler through these plays, across almost two decades and brings Kieler centre stage, and deepens our understanding of Ibsen's A Doll's House and When We Dead Awaken. These three plays create a fascinating whole: a fusion of vantage points, contexts, and visions still reverberating on and off stage today. Furthermore, the two Ibsen plays speak to each other in startling and fresh ways. This volume also explores 21st century concerns about consent and the many ways in which women in particular are still not heard. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Oh, be not afraid. I am cast out of society, but you, is it not true, you walk around as a man of honour? What more do you want?' (Laura Kieler, Men of Honour) Very few readers and audiences know that Ibsen's iconic feminist drama A Doll's House was built upon the real-life story of a woman called Laura Kieler, who was his friend and fellow writer. Her life fell apart when A Doll's House came out and the world saw her deeply private life splashed across its stages. With tremendous determination and perseverance, she managed to recover from the trauma that Ibsen's play caused her, and channelled her pain into a successful play of her own called (pointedly) Men of Honour. The play, performed in Copenhagen in 1890, caused great debate and fierce controversy. Ibsen eventually responded to her play by likewise writing a drama: When We Dead Awaken, his final work. This new edition traces the conversation between Ibsen and Kieler through these plays, across almost two decades and brings Kieler centre stage, and deepens our understanding of Ibsen's A Doll's House and When We Dead Awaken. These three plays create a fascinating whole: a fusion of vantage points, contexts, and visions still reverberating on and off stage today. Furthermore, the two Ibsen plays speak to each other in startling and fresh ways. This volume also explores 21st century concerns about consent and the many ways in which women in particular are still not heard. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Peer Gynt was Ibsen's last work to use poetry as a medium of dramatic expression, and the poetry is brilliantly appropriate to the imaginative swings between Scandinavian oral folk traditions, the Morrocan coast, the Sahara Desert, and the absurdist images of the Cairo madhouse. This translation is taken from the acclaimed Oxford Ibsen.John McFarlane is Emeritus Professor of European Literature at the University of East Anglia, and General Editor of the Oxford Ibsen. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.

"Meyer's translations of Ibsen are a major fact in one's general sense of post-war drama. Their vital pace, their unforced insistence on the poetic centre of Ibsen's genius, have beaten academic versions from the field" (George Steiner) This volume contains Ibsen's famous early epic, Peer Gynt, and the historical tragedy The Pretenders, which together with Brand and Emperor and Galilean form a magisterial quartet at the fulcrum of Ibsen's career. George Bernard Shaw praised Peer Gynt (1867) for the power of Ibsen's 'grip on humanity ...The universality of Ibsen makes his plays come home to all nations'. The Pretenders (1863), described by Kenneth Tynan as Ibsen's 'first great play', was also his first real success in the theatre.Michael Meyer's translations are 'crisp and cobweb-free, purged of verbal Victoriana' (Kenneth Tynan)