Percy Bysshe Shelley – författare

This major new edition, originally commissioned for the acclaimed Oxford Authors series under the general editorship of Frank Kermode, brings together a unique combination of Shelley's poetry and prose - the lyric poems, plays, longer poems, criticism, and essays - to give the essence of his work and thinking.Percy Bysshe Shelley (1792-1822) was a Romantic poet of radical imaginings, living in an age of change. His tempestuous life and friendship with Byron, and his tragically early death, at times threatened to overwhelm his legacy as a poet, but today his standing as one of the foremost English authors is assured. This freshly edited anthology - the fullest one-volume selection in English - includes all but one of the longer poems, from Queen Mab onwards, in their entirety. Only Laon and Cythna is excerpted, in a generous selection. As well as works such asPrometheus Unbound, The Mask of Anarchy, and Adonais, the volume includes a wide range of Shelley's shorter poems and much of his major prose, including A Defence of Poetry and almost all of A Philosophical View of Reform. Shelley emerges from these pages as a passionate and eloquent opponent of tyranny and a champion of human possibility. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A major new anthology of Percy Bysshe Shelley's work, edited by Jack Donovan and Cian Duffy.'My name is Ozymandias, King of Kings:Look on my works, ye mighty, and despair!'Percy Bysshe Shelley was one of the leading English Romantics and is critically regarded among the finest lyric poets in the English language. His major works include the long visionary poems 'Prometheus Unbound' and 'Adonais', an elegy on the death of John Keats. His shorter, classic verses include 'To a Skylark', 'Mont Blanc' and 'Ode to the West Wind'. This important new edition collects his best poetry and prose, revealing how his writings weave together the political, personal, visionary and idealistic.This Penguin Classics edition includes a fascinating introduction, notes and other materials by leading Shelley scholars, Jack Donovan and Cian Duffy.

With an Introduction, Notes and Bibliography by Dr Bruce Woodcock, Senior Lecturer in English, University of Hull.Shelley's short, prolific life produced some of the most memorable and well-known lyrics of the Romantic period. But he was also the most radical writer in the English literary tradition of his day, a fiery political visionary committed to social change and progress.The generous selection in this volume represents the wide range of his writing, both poetry and prose. Arranged chronologically, the accompanying introductory essays set Shelley's works in their historical, social and political context. They provide a vivid insight into the life and times of this volcanic spirit whose inspiring voice called on the people of England to:‘Rise like lions after slumberIn unvanquishable number;Shake your chains to earth like dewWhich in sleep had fallen on you.Ye are many, they are few.’(The Mask of Anarchy)

'I never knew—I never imagined what mountains were before.'History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley, two of the best-known authors of the English Romantic period. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland.The first part of History describes the titular 'tour' made by the not-yet married Mary and Percy in July-September 1814, when mainland Europe was once again accessible to British travellers at the end of the Napoleonic wars. The long descriptive letters which make up the second part of History recall the so-called 'Frankenstein summer' of 1816, some of which the Shelleys spent with Byron on the shores of Lake Geneva. This part of History also provides significant biographical and historical context for Mary's novels Frankenstein (1818) and The Last Man (1826), key sections of which are set in the Alps, and for two of Percy's most canonical poems, 'Hymn to Intellectual Beauty' and 'Mont Blanc', the second of which was published for the first time in History. This edition includes an introduction, detailed notes, maps, and appendices, placing the book in its historical and cultural context and showcasing the Shelleys' collaborative writing process.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Volume I of this major critical edition of Shelley's prose - the first since the Julian Edition (1926-30) - provides authoritative texts of The Necessity of Atheism, the Irish pamphlets, the vegetarian essays, The Assassins, A Refutation of Deism, On Christianity, the `Hermit of Marlow' political writings, and several reviews. The texts, which are based on first editions and manuscripts, were all written between Shelley's last months in Oxford in 1811 and his departure for Italy in 1818: they preserve his original punctuation and spelling, and textual notes give copy-text variants, revisions, and deletions.In addition, the Introduction supplies a full account of previous editions, and places the prose pieces in their political context; and the commentary pays particular attention to the problems of dating the manuscripts. The commentary also contains more detailed copy-text descriptions, more thorough accounts of provenance, and more information on sources and allusions, than any previous edition of the works.

A scholarly edition of works by Percy Bysshe Shelley. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of works by Percy Bysshe Shelley. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Each selection has been thoroughly reedited, and the order of the poems has been rearranged in light of redating or other reconsiderations. All headnotes are new or updated, and many footnotes have been added, replaced, or revised."Criticism" reflects the recent renaissance in Shelley studies, the greatest renaissance since 1870-92. All twenty-three essays are new to the Second Edition; among them are the work of Harold Bloom, Stuart Curran, Annette Wheeler Cafarelli, Michael Ferber, James Chandler, and Susan J. Wolfson.A Chronology, an updated Selected Bibliography, and an Index of Titles and First Lines are included.

In 1816, also known as “The Year Without a Summer,” a group of pioneering writers gathered at Villa Diodati in Lake Geneva, Switzerland, and wrote some of the most iconic Gothic horror stories in English literature. The Tales of Villa Diodati is the result of a legendary ghost story contest between friends confined indoors by unseasonably dismal weather. “We will each write a story,” proposed Lord Byron. The challenge was the genesis of this blood-chilling anthology blending the macabre, supernatural, and romance.Selections include Mary Shelley’s Frankenstein, the first true science fiction novel, and John Polidori’s The Vampyre, considered one of the earliest examples of the romantic vampire genre. The story was inspired by Lord Byron’s A Fragment, which is also included, as is Percy Bysshe Shelley’s Fragment of a Ghost Story. These spine-tingling tales have enthralled generations of readers for centuries.

Edited by the historian Alexander Hamilton Thompson, this volume offers an introduction to the poetical works of Percy Bysshe Shelley. The selection, compiled and introduced by Professor Hamilton, are supplemented with extensive notes shedding light on the circumstances of the poems and elucidating the references, literary and otherwise, which proliferated Shelley's works. First published in 1915, this volumes remains a useful survey of the works of one of England's most celebrated Romantic poets.

Writing to his publisher in 1813, Shelley expressed the hope that two of his major works "should form one volume"; nearly two centuries later, the second volume of the Johns Hopkins edition of The Complete Poetry fulfills that wish for the first time. This volume collects two important pieces: Queen Mab and The Esdaile Notebook. Privately issued in 1813, Queen Mab was perhaps Shelley's most intellectually ambitious work, articulating his views of science, politics, history, religion, society, and individual human relations. Subtitled A Philosophical Poem: With Notes, it became his most influential-and pirated-poem during much of the nineteenth century, a favorite among reformers and radicals. The Esdaile Notebook, a cycle of fifty-eight early poems, exhibits an astonishing range of verse forms. Unpublished until 1964, this sequence is vital in understanding how the poet mastered his craft. As in the acclaimed first volume, these works have been critically edited by Donald H. Reiman and Neil Fraistat. The poems are presented as Shelley intended, with textual variants included in footnotes.Following the poems are extensive discussions of the circumstances of their composition and the influences they reflect; their publication or circulation by other means; their reception at the time of publication and in the decades since; their re-publication, both authorized and unauthorized; and their place in Shelley's intellectual and aesthetic development.

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.

The great Romantic poet Percy Bysshe Shelley (1792-1822), best known for such masterpieces as "Ode to the West Wind" and "Prometheus Unbound," also expressed his ideas on religious oppression in works of impassioned prose.The Necessity of Atheism and Other Essays features five anti-religious tracts by Shelley: "On Christianity," "The Necessity of Atheism" (which resulted in the youthful Shelley's expulsion from Oxford in 1811), "On Life," "On a Future State," and "A Refutation of Deism." Like his great poems, these works extol the spirit of mankind and argue that Christianity, with its repressive belief system, is wholly out of keeping with human ideals and aspirations.A philosopher as well as a poet, Shelley argues that the divine attributes of God are merely projections of human powers; life everlasting cannot be empirically demonstrated, for it runs counter to all the evidence for mortality given by the natural world, which is the only world we know.During his brief life, Shelley affronted the armies of Christendom with a single-minded purpose. As Shelley observes in his dialogue "A Refutation of Deism," there can be no middle ground between accepting revealed religion and disbelieving in the existence of a deity - another way of stating the necessity of atheism.In all, these essays provide an important statement of the poet and freethinker's enlightened views on skepticism, faith, and the corruption of organized Christianity