Mary Wollstonecraft Shelley – författare

By the dim and yellow light of the moon, as it forced its way through the window-shutters, I beheld the wretch-the miserable monster whom I had created. He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened...Frankenstein is the most celebrated horror story ever written. It tells the dreadful tale of Victor Frankenstein, a visionary young student of natural philosophy, who discovers the secret of life. In the grip of his obsession he constructs a being from dead body parts, and animates this creature. The results, for Victor and for his family, are catastrophic.Written when Mary Shelley was just eighteen, Frankenstein was inspired by the ghost stories and vogue for Gothic literature that fascinated the Romantic writers of her time. She transformed these supernatural elements an epic parable that warned against the threats to humanity posed by accelerating technological progress. Published for the 200th anniversary, this edition, based on the original 1818 text, explains in detail the turbulent intellectual context in which Shelley was writing, and also investigates how her novel has since become a byword for controversial practices in science and medicine, from manipulating ecosystems to vivisection and genetic modification. As an iconic study of power, creativity, and, ultimately, what it is to be human, Frankenstein continues to shape our thinking in profound ways to this day.

Mary Wollstonecraft Shelley began writing her 'Journal of Sorrow' (c.1822—6)three months after the devastating loss of her husband the poet Percy Bysshe Shelley to drowning. In the privacy of the diary's pages, she grapples with her overwhelming grief over the tragic losses of her young husband, three of their children, and their friend the poet Lord Byron. Shelley ultimately resisted a suicidal depression by throwing herself intowriting the allegorical plague novel and roman-à-clef, The Last Man(1826). Rooted in her own experiences of plagues both real and metaphorical, Shelley set The Last Man in the aftermath of a pestilential, centuries-longwar between Greece and Turkey in the late twenty-first century. The novelis an existential and political thought experiment which provokes themortal reader to contemplate the meaning of life and death in the face of the human-made disasters of war, epidemic, and species extinction. Through the ever-hopeful voice of the narrator Lionel Verney, the eponymous last man, Shelley leads readers to consider: what should be done after a massive global disaster?This edition presents these two masterpieces together, with a new editorial introduction and notes for both texts, giving readers profound insight into Shelley's enduring relevance for existential philosophy, life writing, post-apocalyptic literature, and political thought.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'The last man! I may well describe that solitary being's feelings, feeling myself as the last relic of a beloved race, my companions extinct before me.' Mary Shelley, Journal (May 1824). Best remembered as the author of Frankenstein, Mary Shelley wrote The Last Man eight years later, on returning to England from Italy after her husband's death. It is the twenty-first century, and England is a republic governed by a ruling elite, one of whom, Adrian, Earl of Windsor, has introduced a Cumbrian boy to the circle. This outsider, Lionel Verney, narrates the story, a tale of complicated, tragic love, and of the gradual extermination of the human race by plague. The Last Man also functions as an intriguing roman à clef, for the saintly Adrian is a monument to Percy Bysshe Shelley, and his friend Lord Raymond is a portrait of Byron. The novel offers a vision of the future that expresses a reaction against Romanticism, as Shelley demonstrates the failure of the imagination and of art to redeem her doomed characters. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

By the dim and yellow light of the moon, as it forced its way through the window-shutters, I beheld the wretch-the miserable monster whom I had created. He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened...'Frankenstein is the most celebrated horror story ever written. It tells the dreadful tale of Victor Frankenstein, a visionary young student of natural philosophy, who discovers the secret of life. In the grip of his obsession he constructs a being from dead body parts, and animates this creature. The results, for Victor and for his family, are catastrophic. Written when Mary Shelley was just eighteen, Frankenstein was inspired by the ghost stories and vogue for Gothic literature that fascinated the Romantic writers of her time. She transformed these supernatural elements an epic parable that warned against the threats to humanity posed by accelerating technological progress. Published for the 200th anniversary, this edition, based on the original 1818 text, explains in detail the turbulent intellectual context in which Shelley was writing, and also investigates how her novel has since become a byword for controversial practices in science and medicine, from manipulating ecosystems to vivisection and genetic modification. As an iconic study of power, creativity, and, ultimately, what it is to be human, Frankenstein continues to shape our thinking in profound ways to this day.

Mary Shelley’s timeless gothic classic accompanied by the art of legendary illustrator Bernie Wrightson live on in this gorgeous illustrated adaptation of Frankenstein—featuring an introduction by Stephen King.Few works by comic book artists have earned the universal acclaim and reverence that Bernie Wrightson’s illustrated version of Mary Wollstonecraft Shelley’s Frankenstein was met with upon its original release in 1983, which vividly presented the timeless, terrifying tale of one man’s obsession to create life—and the monster that became his legacy. A generation later, this magnificent pairing of art and literature is still considered to be one of the greatest achievements made by any artist in the field. This book includes the complete text of the original groundbreaking novel and approximately fifty original full-page illustrations by Bernie Wrightson—created over a period of seven years—that continue to stun the world with their monumental beauty and uniqueness. This edition also contains introductions by #1 New York Times bestselling author Stephen King and author Mary Shelley, as well as supplemental material including a history of the novel, a chronology of Mary Shelley’s life and work, and the historical context of Frankenstein for readers.

Shelley''s suspenseful and intellectually rich gothic tale confronts some of the most important and enduring themes in all of literture—the power of human imagination, the potential hubris of science, the gulf between appearance and essence, the effects of human cruelty, the desire for revenge and the need for forgiveness, and much more.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''The last man! I may well describe that solitary being''s feelings, feeling myself as the last relic of a beloved race, my companions extinct before me.'' Mary Shelley, Journal (May 1824).Best remembered as the author of Frankenstein, Mary Shelley wrote The Last Man eight years later, on returning to England from Italy after her husband''s death.It is the twenty-first century, and England is a republic governed by a ruling elite, one of whom, Adrian, Earl of Windsor, has introduced a Cumbrian boy to the circle. This outsider, Lionel Verney, narrates the story, a tale of complicated, tragic love, and of the gradual extermination of the human race by plague.The Last Man also functions as an intriguing roman à clef, for the saintly Adrian is a monument to Percy Bysshe Shelley, and his friend Lord Raymond is a portrait of Byron. The novel offers a vision of the future that expresses a reaction against Romanticism, as Shelley demonstrates the failure of the imagination and of art to redeem her doomed characters.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''The last man! I may well describe that solitary being''s feelings, feeling myself as the last relic of a beloved race, my companions extinct before me.'' Mary Shelley, Journal (May 1824).Best remembered as the author of Frankenstein, Mary Shelley wrote The Last Man eight years later, on returning to England from Italy after her husband''s death.It is the twenty-first century, and England is a republic governed by a ruling elite, one of whom, Adrian, Earl of Windsor, has introduced a Cumbrian boy to the circle. This outsider, Lionel Verney, narrates the story, a tale of complicated, tragic love, and of the gradual extermination of the human race by plague.The Last Man also functions as an intriguing roman à clef, for the saintly Adrian is a monument to Percy Bysshe Shelley, and his friend Lord Raymond is a portrait of Byron. The novel offers a vision of the future that expresses a reaction against Romanticism, as Shelley demonstrates the failure of the imagination and of art to redeem her doomed characters.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

By the dim and yellow light of the moon, as it forced its way through the window-shutters, I beheld the wretch-the miserable monster whom I had created. He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened...''Frankenstein is the most celebrated horror story ever written. It tells the dreadful tale of Victor Frankenstein, a visionary young student of natural philosophy, who discovers the secret of life. In the grip of his obsession he constructs a being from dead body parts, and animates this creature. The results, for Victor and for his family, are catastrophic. Written when Mary Shelley was just eighteen, Frankenstein was inspired by the ghost stories and vogue for Gothic literature that fascinated the Romantic writers of her time. She transformed these supernatural elements an epic parable that warned against the threats to humanity posed by accelerating technological progress. Published for the 200th anniversary, this edition, based on the original 1818 text, explains in detail the turbulent intellectual context in which Shelley was writing, and also investigates how her novel has since become a byword for controversial practices in science and medicine, from manipulating ecosystems to vivisection and genetic modification. As an iconic study of power, creativity, and, ultimately, what it is to be human, Frankenstein continues to shape our thinking in profound ways to this day.

By the dim and yellow light of the moon, as it forced its way through the window-shutters, I beheld the wretch-the miserable monster whom I had created. He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened...''Frankenstein is the most celebrated horror story ever written. It tells the dreadful tale of Victor Frankenstein, a visionary young student of natural philosophy, who discovers the secret of life. In the grip of his obsession he constructs a being from dead body parts, and animates this creature. The results, for Victor and for his family, are catastrophic. Written when Mary Shelley was just eighteen, Frankenstein was inspired by the ghost stories and vogue for Gothic literature that fascinated the Romantic writers of her time. She transformed these supernatural elements an epic parable that warned against the threats to humanity posed by accelerating technological progress. Published for the 200th anniversary, this edition, based on the original 1818 text, explains in detail the turbulent intellectual context in which Shelley was writing, and also investigates how her novel has since become a byword for controversial practices in science and medicine, from manipulating ecosystems to vivisection and genetic modification. As an iconic study of power, creativity, and, ultimately, what it is to be human, Frankenstein continues to shape our thinking in profound ways to this day.

'I never knew—I never imagined what mountains were before.'History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley, two of the best-known authors of the English Romantic period. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland.The first part of History describes the titular 'tour' made by the not-yet married Mary and Percy in July-September 1814, when mainland Europe was once again accessible to British travellers at the end of the Napoleonic wars. The long descriptive letters which make up the second part of History recall the so-called 'Frankenstein summer' of 1816, some of which the Shelleys spent with Byron on the shores of Lake Geneva. This part of History also provides significant biographical and historical context for Mary's novels Frankenstein (1818) and The Last Man (1826), key sections of which are set in the Alps, and for two of Percy's most canonical poems, 'Hymn to Intellectual Beauty' and 'Mont Blanc', the second of which was published for the first time in History. This edition includes an introduction, detailed notes, maps, and appendices, placing the book in its historical and cultural context and showcasing the Shelleys' collaborative writing process.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'I never knew—I never imagined what mountains were before.'History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley, two of the best-known authors of the English Romantic period. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland.The first part of History describes the titular 'tour' made by the not-yet married Mary and Percy in July-September 1814, when mainland Europe was once again accessible to British travellers at the end of the Napoleonic wars. The long descriptive letters which make up the second part of History recall the so-called 'Frankenstein summer' of 1816, some of which the Shelleys spent with Byron on the shores of Lake Geneva. This part of History also provides significant biographical and historical context for Mary's novels Frankenstein (1818) and The Last Man (1826), key sections of which are set in the Alps, and for two of Percy's most canonical poems, 'Hymn to Intellectual Beauty' and 'Mont Blanc', the second of which was published for the first time in History. This edition includes an introduction, detailed notes, maps, and appendices, placing the book in its historical and cultural context and showcasing the Shelleys' collaborative writing process.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'I never knew—I never imagined what mountains were before.'History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley, two of the best-known authors of the English Romantic period. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland.The first part of History describes the titular 'tour' made by the not-yet married Mary and Percy in July-September 1814, when mainland Europe was once again accessible to British travellers at the end of the Napoleonic wars. The long descriptive letters which make up the second part of History recall the so-called 'Frankenstein summer' of 1816, some of which the Shelleys spent with Byron on the shores of Lake Geneva. This part of History also provides significant biographical and historical context for Mary's novels Frankenstein (1818) and The Last Man (1826), key sections of which are set in the Alps, and for two of Percy's most canonical poems, 'Hymn to Intellectual Beauty' and 'Mont Blanc', the second of which was published for the first time in History. This edition includes an introduction, detailed notes, maps, and appendices, placing the book in its historical and cultural context and showcasing the Shelleys' collaborative writing process.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Not reprinted since its first edition, Mary Shelley's second novel is a major discovery of the Mary Shelley bicentenary of 1997. The novel's lack of success as a follow-up to Frankenstein was the result of its subject matter and unconventional approach to the genre of historical fiction, attributes that can only delight the twentieth-century reader. Shelley's mastery of the intricate details of thirteenth-century Tuscan politics is unique among women of her time, and her resolute filtering of the bloody heroics of the age through the sensibilities of two women who are destroyed by them reveals the feminist perspective missing so conspicuously from her first novel. The lastest addition to the acclaimed Women Writers in English series, this glittering novel from Romanticism's premier woman storyteller belongs on the shelves of all serious readers of English fiction.

Not reprinted since its first edition, Mary Shelley's second novel is a major discovery of the Mary Shelley bicentenary of 1997. The novel's lack of success as a follow-up to Frankenstein was the result of its subject matter and unconventional approach to the genre of historical fiction, attributes that can only delight the twentieth-century reader. Shelley's mastery of the intricate details of thirteenth-century Tuscan politics is unique among women of her time, and her resolute filtering of the bloody heroics of the age through the sensibilities of two women who are destroyed by them reveals the feminist perspective missing so conspicuously from her first novel. The lastest addition to the acclaimed Women Writers in English series, this glittering novel from Romanticism's premier woman storyteller belongs on the shelves of all serious readers of English fiction.

Mary Wollstonecraft Shelley began writing her 'Journal of Sorrow' (c.1822a "e;6)three months after the devastating loss of her husband the poet Percy Bysshe Shelley to drowning. In the privacy of the diary's pages, she grapples with her overwhelming grief over the tragic losses of her young husband, three of their children, and their friend the poet Lord Byron. Shelley ultimately resisted a suicidal depression by throwing herself intowriting the allegorical plague novel and roman-A -clef, The Last Man(1826). Rooted in her own experiences of plagues both real and metaphorical, Shelley set The Last Man in the aftermath of a pestilential, centuries-longwar between Greece and Turkey in the late twenty-first century. The novelis an existential and political thought experiment which provokes themortal reader to contemplate the meaning of life and death in the face of the human-made disasters of war, epidemic, and species extinction. Through the ever-hopeful voice of the narrator Lionel Verney, the eponymous last man, Shelley leads readers to consider: what should be done after a massive global disaster? This edition presents these two masterpieces together, with a new editorial introduction and notes for both texts, giving readers profound insight into Shelley's enduring relevance for existential philosophy, life writing, post-apocalyptic literature, and political thought. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Mary Wollstonecraft Shelley began writing her 'Journal of Sorrow' (c.1822a "e;6)three months after the devastating loss of her husband the poet Percy Bysshe Shelley to drowning. In the privacy of the diary's pages, she grapples with her overwhelming grief over the tragic losses of her young husband, three of their children, and their friend the poet Lord Byron. Shelley ultimately resisted a suicidal depression by throwing herself intowriting the allegorical plague novel and roman-A -clef, The Last Man(1826). Rooted in her own experiences of plagues both real and metaphorical, Shelley set The Last Man in the aftermath of a pestilential, centuries-longwar between Greece and Turkey in the late twenty-first century. The novelis an existential and political thought experiment which provokes themortal reader to contemplate the meaning of life and death in the face of the human-made disasters of war, epidemic, and species extinction. Through the ever-hopeful voice of the narrator Lionel Verney, the eponymous last man, Shelley leads readers to consider: what should be done after a massive global disaster? This edition presents these two masterpieces together, with a new editorial introduction and notes for both texts, giving readers profound insight into Shelley's enduring relevance for existential philosophy, life writing, post-apocalyptic literature, and political thought. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Shelley's suspenseful and intellectually rich gothic tale confronts some of the most important and enduring themes in all of literture--the power of human imagination, the potential hubris of science, the gulf between appearance and essence, the effects of human cruelty, the desire for revenge and the need for forgiveness, and much more. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"James Rieger's Frankenstein is relatively special among editions: it is the definitive scholarly text, and it is also the most readable copy for the classroom and the general reader. . . .The Rieger Frankenstein is very simply the best edition of this tremendously important and popular novel."—William Veeder, University of Chicago

The California edition of the Pennyroyal Press, "Frankenstein" unites the dark side of Barry Moser's art with the classic 1818 text of Mary Shelley's tale of moral transfiguration. In a vivid sequence of woodcuts, the reader witnesses the birth of the 'monster' as Moser shapes him from darkness and gives him a form simultaneously ghastly in its malice and transfixing in its suffering.

Drama / Character: 4 male, 4 female Scenery: Interior Victor Frankenstein, a brilliant young scientist, returns to his Swiss chateau to escape a terrible pursuer. No one can shake free the dark secret that terrifies him: not his mother, nor his fiancee, nor his best friend. Even the pleading of a gypsy girl accused of murdering Victor's younger brother falls on deaf ears, for Victor has brought into being a creature made from pieces of the dead. The creature tracks Victor to his sanctuary to demand a bride to share its loneliness. Against his better judgement, Victor agrees and soon the household is invaded by murder, despair and terror! "Thrills...laughs...true suspense." Arizona Republic. "In Tim Kelly's thoughtful version of the classic tale, the results are surprisingly thought provoking and highly entertaining." Palos Verdes News

An annotated and illustrated edition of Mary Shelley's classic work, celebrating its 200th anniversary in 2018.First published in 1818, Frankenstein has spellbound, disturbed, and fascinated readers for generations. One of the most haunting and enduring works ever written in English, it has inspired numerous retellings and sequels in virtually every medium, making the Frankenstein myth familiar even to those who have never read a word of Mary Shelley’s remarkable novel. Now, this freshly annotated, illustrated edition illuminates the novel and its electrifying afterlife with unmatched detail and vitality.From the first decade after publication, “Frankenstein” became a byword for any new, disturbing developments in science, technology, and human imagination. The editors’ Introduction explores the fable’s continuing presence in popular culture and intellectual life as well as the novel’s genesis and composition. Mary Shelley’s awareness of European politics and history, her interest in the poets and philosophical debates of the day, and especially her genius in distilling her personal traumas come alive in this engaging essay.The editors’ commentary, placed conveniently alongside the text, provides stimulating company. Their often surprising observations are drawn from a lifetime of reading and teaching the novel. A wealth of illustrations, many in color, immerses the reader in Shelley’s literary and social world, in the range of artwork inspired by her novel, as well as in Frankenstein’s provocative cinematic career. The fresh light that The Annotated Frankenstein casts on a story everyone thinks is familiar will delight readers while deepening their understanding of Mary Shelley’s novel and the Romantic era in which it was created.