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Now in paperback, Michael Coffey's wonderful book about baseball's holy grail, the perfect game: “The best baseball book of the...season” (Booklist).There have been only fifteen perfect games pitched in the modern era of baseball: The great Cy Young fittingly hurled the first one, in 1904, and Randy Johnson pitched the last one, in May 2004. In between, some great and famous pitchers—Sandy Koufax, Catfish Hunter, Jim Bunning, and Don Larsen—performed the feat, as did those lesser-known, like Charlie Robertson and Len Barker. Fifteen in 160,000 games: The odds are staggering. In 27 Men Out, popular historian Michael Coffey offers an expansive look at these unsurpassable pitching performances. Here you'll find play-by-play accounts of each of the fifteen perfect games and expert assessments of those who pitched them. Along the way, Coffey goes beyond the box scores to provide fascinating details about how these games unfolded, as well as compelling anecdotes about all of the key players—from Koufax's controversial holdout with Don Drysdale to Mike Witt's victimization by the baseball commissioner to Dennis Martinez's struggle up from an impoverished Nicaraguan childhood. A must-have for baseball fans, historians, and statisticians alike, 27 Men Out is an exciting new benchmark in sports literature.

The authoritative edition of Macbeth from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers.In 1603, James VI of Scotland ascended the English throne, becoming James I of England. London was alive with an interest in all things Scottish, and Shakespeare turned to Scottish history for material. He found a spectacle of violence and stories of traitors advised by witches and wizards, echoing James’s belief in a connection between treason and witchcraft. In depicting a man who murders to become king, Macbeth teases us with huge questions. Is Macbeth tempted by fate, or by his or his wife’s ambition? Why does their success turn to ashes? Like other plays, Macbeth speaks to each generation. Its story was once seen as that of a hero who commits an evil act and pays an enormous price. Recently, it has been applied to nations that overreach themselves and to modern alienation. The line is blurred between Macbeth’s evil and his opponents’ good, and there are new attitudes toward both witchcraft and gender. The edition includes:-Freshly edited text based on the best early printed version of the play-Newly revised explanatory notes conveniently placed on pages facing the text of the play-Scene-by-scene plot summaries-A key to the play’s famous lines and phrases-An introduction to reading Shakespeare’s language-An essay by a leading Shakespeare scholar providing a modern perspective on the play-Fresh images from the Folger Shakespeare Library’s vast holdings of rare books-An up-to-date annotated guide to further reading Essay by Susan Snyder The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

Hamlet is Shakespeare’s most popular, and most puzzling, play. It follows the form of a “revenge tragedy,” in which the hero, Hamlet, seeks vengeance against his father’s murderer, his uncle Claudius, now the king of Denmark. Much of its fascination, however, lies in its uncertainties. Among them: What is the Ghost—Hamlet’s father demanding justice, a tempting demon, an angelic messenger? Does Hamlet go mad, or merely pretend to? Once he is sure that Claudius is a murderer, why does he not act? Was his mother, Gertrude, unfaithful to her husband or complicit in his murder? The authoritative edition of Hamlet from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play-Newly revised explanatory notes conveniently placed on pages facing the text of the play-Scene-by-scene plot summaries-A key to the play’s famous lines and phrases-An introduction to reading Shakespeare’s language-An essay by a leading Shakespeare scholar providing a modern perspective on the play-Fresh images from the Folger Shakespeare Library’s vast holdings of rare books-An up-to-date annotated guide to further reading Essay by Michael Neill The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

Now in paperback—a cross between A Day in the Life and Moneyball—comes the inside, intertwining stories of famous, and not-so-famous people as their lives are affected by one day of baseball: August 30, 2003, Red Sox-Yankees at Fenway, during their most famous season ever.Fenway Park, Saturday, 8/30/03: Yankees versus Red Sox. Not just a special day in a historic rivalry but a unique one in the long tradition of baseball writing. For on this day award-winning sportswriter Steve Kettmann worked with a team of top reporters to chronicle everything that happened, from the point of view of everyone involved. With One Day at Fenway, Kettmann goes beyond the ballpark to bring you interviews and anecdotes involving all the major players—from Red Sox owner John Henry and CEO Larry Lucchino, privately second-guessing Grady Little's managing moves during the game; to Yankee skipper Joe Torre, worrying on the bench about Mariano Rivera, who can't find home plate; to Sox slugger Manny Ramirez, who missed the game with a throat infection. And there's more: the famous and infamous players in the field and in the boardrooms, rabid fans on both sides, the not-so-innocent bystanders—all here in this brilliant re-creation of a day in the life of America's favorite pastime.

You possess the inner power to improve every aspect of your life. Get a raise...Find a soulmate...Make savvy investments...Lose weight...Discover past lives...Super-charge your workouts...Radiate beauty inside and out...Enjoy a bright outlook...And even snag those shoes on sale using Stacey's psychic shopping tips! Featured in The Top 100 Psychics in America, Stacey Wolf is also one of the youngest nationally recognized spiritual and psychic advisors, which means she is tuned in to exactly what you want and how to get it! With her engaging blend of irreverent wit and inspiring wisdom, Stacey Wolf demonstrates how to access the transformative energies of the universe to use in your everyday life. Let her show you how easy it is to tap into the innate psychic energy all of us are born with but few know how to use.

Everyone says the first year of marriage is the hardest ...but what would you do if you found out that you were never really married in the first place? In this irresistible romantic comedy from award-winning author Beth Kendrick, three wildly different women form an unlikely friendship as they try to decide whether they'd do it all again. They've had the white dresses and the fancy receptions. But now that the honeymoon's over, Stella, Casey, and Erin have each had to face some hard truths about the men they've married and the lives they've chosen. So when the news breaks that the pastor who presided over their weddings failed to file a few critical pieces of paper, none of these newlyweds are rushing down to the courthouse to legalize their vows. Instead, the brides share their hopes, disappointments, and secrets while grappling with that pivotal question: Should they stay or should they go?

Downtown America transcends the archetypal story of downtown's rise and fall and offers a dynamic new story of urban development in the United States. Moving beyond conventional narratives, Alison Isenberg shows-that downtown's trajectory was not dictated by inevitable free market forces or natural life-and-death cycles. Instead it was the product of human actors - the contested creation of retailers, developers, government, leaders, architects, and planners, as well as political activists, consumers, civic clubs, real estate appraisers, and even postcard artists. Throughout the twentieth century, conflicts over downtown's mundane conditions - what it should look like and who should walk its streets - pointed to fundamental disagreements over American values.

The Caribbean "market woman" is ingrained in the popular imagination as the archetype of black womanhood in countries throughout the region. Challenging this stereotype and other outdated images of black women, "Downtown Ladies" offers a more complex picture by documenting the history of independent international traders - known as informal commercial importers, or ICIs - who travel abroad to import and export a vast array of consumer goods sold in the public markets of Kingston, Jamaica. Both by-products of and participants in globalization, ICIs operate on multiple levels and, since their emergence in the 1970s, have made significant contributions to the regional, national, and global economies. Gina Ulysse carefully explores how ICIs, determined to be self-employed, struggle with government regulation and other social tensions to negotiate their autonomy.Informing this story of self-fashioning with reflections on her own experience as a young Haitian anthropologist, Ulysse combines the study of political economy with the study of individual and collective identity to reveal the uneven consequences of disrupting traditional class, color, and gender codes in individual societies and around the world.

The Jewett Car Company was born in Akron, Ohio, in the heyday of the electric railway boom in the 1890s. The company gained an excellent reputation for its elegant, well-built wooden cars for street railway companies, interurban lines, and rapid transit service. Cities large and small used Jewett cars. Many interurban lines employed the graceful, arch-windowed, wood interurban that Jewett was famous for. Competition from automobiles and from larger car builders such as J. G. Brill and the St. Louis Car Company signaled the beginning of the end for Jewett. The company was offered the opportunity to produce munitions for World War I, but refused when a German nationalist banker who was a major source of financing for Jewett refused to allow the company to do anything that would harm Germany. As a result, the Jewett Car Company died, but the reputation of their product survives to this day.

Written by one of this country’s foremost urban historians, Downtown is the first history of what was once viewed as the heart of the American city. It tells the fascinating story of how downtown—and the way Americans thought about downtown—changed over time. By showing how businessmen and property owners worked to promote the well-being of downtown, even at the expense of other parts of the city, it also gives a riveting account of spatial politics in urban America.Drawing on a wide array of contemporary sources, Robert M. Fogelson brings downtown to life, first as the business district, then as the central business district, and finally as just another business district. His book vividly recreates the long-forgotten battles over subways and skyscrapers in the late nineteenth and early twentieth centuries. And it provides a fresh, often startling perspective on elevated highways, parking bans, urban redevelopment, and other controversial issues. This groundbreaking book will be a revelation to scholars, city planners, policymakers, and general readers interested in American cities and American history.

The corporate downtown, with its multitude of social dilemmas and contradictions, is the focus of this well-illustrated volume. How are downtown projects conceived, scripted, produced, packaged, and used, and how has all this changed during the twentieth century? The authors of "Urban Design Downtown" offer a critical appraisal of the emerging appearance of downtown urban form. They explore both the poetics of design and the politics and economics of development decisions. Following a historical review of the various phases of downtown transformation, Anastasia Loukaitou-Sideris and Tridib Banerjee turn to contemporary American downtowns. They examine the phenomenon of public-space privatization, arguing that corporate open spaces are the consumer-oriented result of policies that have promoted downtown renovation and restructuring but at the same time have neglected the cities' existing poverty-stricken cores. The book's case studies of individual West Coast downtown projects capture the essence of late twentieth-century urbanism.This analysis of downtown urban America, which offers extensive insight into the design and development process, will interest architects, city planners, developers, and urban designers everywhere.

This collection represents the cream of the more than five hundred articles written for the "Village Voice" by Kyle Gann, a leading authority on experimental American music of the late twentieth century. Charged with exploring every facet of cutting-edge music coming out of New York City in the 1980s and '90s, Gann writes about a wide array of timely issues that few critics have addressed, including computer music, multiculturalism and its thorny relation to music, music for the AIDS crisis, the brand-new art of electronic sampling and its legal implications, symphonies for electric guitars, operas based on talk shows, the death of twelve-tone music, and the various streams of music that flowed forth from minimalism. In these articles - including interviews with Yoko Ono, Philip Glass, Glenn Branca, and other leading musical figures - Gann paints a portrait of a bristling era in music history and defines the scruffy, vernacular field of Downtown music from which so much of the most fertile recent American music has come.

Once known for slum-like conditions in its immigrant and working-class neighborhoods, New York City's downtown now features luxury housing, chic boutiques and hotels, and, most notably, a vibrant nightlife culture. While a burgeoning bar scene can be viewed as a positive sign of urban transformation, tensions lurk beneath, reflecting the social conflicts within postindustrial cities. Upscaling Downtown examines the perspectives and actions of disparate social groups who have been affected by or played a role in the nightlife of the Lower East Side, East Village, and Bowery. Using the social world of bars as windows into understanding urban development, Richard Ocejo argues that the gentrifying neighborhoods of postindustrial cities are increasingly influenced by upscale commercial projects, causing significant conflicts for the people involved. Ocejo explores what community institutions, such as neighborhood bars, gain or lose amid gentrification.He considers why residents continue unsuccessfully to protest the arrival of new bars, how new bar owners produce a nightlife culture that attracts visitors rather than locals, and how government actors, including elected officials and the police, regulate and encourage nightlife culture. By focusing on commercial newcomers and the residents who protest local changes, Ocejo illustrates the contested and dynamic process of neighborhood growth. Delving into the social ecosystem of one emblematic section of Manhattan, Upscaling Downtown sheds fresh light on the tensions and consequences of urban progress.

Once known for slum-like conditions in its immigrant and working-class neighborhoods, New York City's downtown now features luxury housing, chic boutiques and hotels, and, most notably, a vibrant nightlife culture. While a burgeoning bar scene can be viewed as a positive sign of urban transformation, tensions lurk beneath, reflecting the social conflicts within postindustrial cities. Upscaling Downtown examines the perspectives and actions of disparate social groups who have been affected by or played a role in the nightlife of the Lower East Side, East Village, and Bowery. Using the social world of bars as windows into understanding urban development, Richard Ocejo argues that the gentrifying neighborhoods of postindustrial cities are increasingly influenced by upscale commercial projects, causing significant conflicts for the people involved. Ocejo explores what community institutions, such as neighborhood bars, gain or lose amid gentrification.He considers why residents continue unsuccessfully to protest the arrival of new bars, how new bar owners produce a nightlife culture that attracts visitors rather than locals, and how government actors, including elected officials and the police, regulate and encourage nightlife culture. By focusing on commercial newcomers and the residents who protest local changes, Ocejo illustrates the contested and dynamic process of neighborhood growth. Delving into the social ecosystem of one emblematic section of Manhattan, Upscaling Downtown sheds fresh light on the tensions and consequences of urban progress.

In Upscaling Downtown, anthropologist Brett Williams provides an ethnography of a changing urban neighborhood that she calls "Elm Valley." Located in Washington, D.C., Elm Valley was one of the first neighborhoods to draw middle-class property owners back to the inner city, but a faltering housing industry halted what might have been the rapid displacement of the poor. As a result, Elm Valley experienced several years of stalled gentrification. It was a period when very unlikely people lived side by side: black families who had migrated to the nation's capital from the Carolinas decades earlier, newly arrived refugees from Central America and Southeast Asia, and more prosperous whites. For Williams, a ten-year resident of Elm Valley, stalled gentrification offered a rare opportunity to observe how people 'with varied cultural traditions and economic resources saw and used the neighborhood in which they lived.

In Upscaling Downtown, anthropologist Brett Williams provides an ethnography of a changing urban neighborhood that she calls "Elm Valley." Located in Washington, D.C., Elm Valley was one of the first neighborhoods to draw middle-class property owners back to the inner city, but a faltering housing industry halted what might have been the rapid displacement of the poor. As a result, Elm Valley experienced several years of stalled gentrification. It was a period when very unlikely people lived side by side: black families who had migrated to the nation's capital from the Carolinas decades earlier, newly arrived refugees from Central America and Southeast Asia, and more prosperous whites. For Williams, a ten-year resident of Elm Valley, stalled gentrification offered a rare opportunity to observe how people 'with varied cultural traditions and economic resources saw and used the neighborhood in which they lived.

The vast majority of Canadians live in cities, yet for the most part, discussions of Canadian literature have failed to actively engage with the country's urban experience. Canada's prevalent myths continue to be about nordicity and the wilderness, and, stereotypically at least, its literature is often perceived as being about small towns, rural areas, and 'roughing it in the bush.' Downtown Canada is a collection of essays that addresses Canada as an urban place. The contributors focus their attention on the writing of Canada's cities - including Toronto, Montreal, Vancouver, Ottawa, and Halifax - and call attention to the centrality of the city in Canadian literature. They examine how characters are affected by the urban experience in works by a group of authors as diverse as the country itself: Hugh MacLennan, Jovette Marchessault, Michael Ondaatje, Austin Clarke, and Gerald Lynch, to name just a few. Editors Justin D. Edwards and Douglas Ivison have brought together an esteemed group of international Canadian literary scholars, and together they have created a book that is timely and unique, questioning conventional assumptions about Canadian literature, and Canadian culture more generally.

American cities experienced an extraordinary surge in downtown development during the 1970s and 1980s. Pro-growth advocates in urban government and the business community believed that the construction of office buildings, hotels, convention centers, and sports complexes would generate jobs and tax revenue while revitalizing stagnant local economies. But neighborhood groups soon became disgruntled with the unanticipated costs and unfulfilled promises of rapid expansion, and grassroots opposition erupted in cities throughout the United States.Through an insightful comparison of effective protest in San Francisco and ineffective protest in Washington, D.C., Stephen McGovern examines how citizens -- even those lacking financial resources -- have sought to control their own urban environments. McGovern interviews nearly one hundred business activists, government officials, and business leaders, exploring the influence of political culture and individual citizens' perceptions of a particular development issue. McGovern offers a compelling explanation of why some battles against city hall succeed while so many others fail.

At a time when most serious drama being written and produced for the American stage aspires only to mainstream acceptance and high-toned mediocrity, an innovative new generation of playwrights based in New York City has emerged, crafting works that challenge and undermine the conventional structure, language, and characterization of commercial theater while rejecting outdated notions of the avant-garde. New Downtown Now brings together ten new works that exemplify the playfulness, excitement, and possibilities of the theater. Characterized by fragmenting structure, hypnotic rhythms, kaleido-scopic imagery, unpredictable characters, and lyrical language, these plays resemble puzzles from which the writers are teasing revelations. Though disparate in subject matter and style, with characters ranging from a sushi chef to a soldier and settings from a taxicab to a live television broadcast, these highly original plays share a commitment to formal experimentation that places them beyond the psychological clichés of the majority and the cold condescension of postmodernism. The anthology includes Interim by Barbara Cassidy; Tragedy: a tragedy by Will Eno; Nine Come by Elana Greenfield; Shufu-Sachiko and Enoshima Island by Madelyn Kent; The Appeal by Young Jean Lee; The Vomit Talk of Ghosts by Kevin Oakes; Ajax (por nobody) by Alice Tuan; Apparition, an uneasy play of the underknown by Anne Washburn; Demon Baby by Erin Courtney.Mac Wellman is the author of numerous plays and the recipient of three Obie awards, most recently in 2003 for lifetime achievement. He is professor of playwriting at Brooklyn College. Young Jean Lee is a playwright and director, and member of the Obie award-winning company 13P. Jeffrey M. Jones is a playwright and curator of the Obie award-winning Little Theater at Tonic in New York.