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Leaders and managers throughout the sporting world face many ethical challenges on a daily basis. Should an athletic director chastise an unruly but influential supporter? What factors should affect an athlete's eligibility? Is competitiveness acceptable in youth sports? This text shows aspiring sports management professionals how to identify the moral issues in sports and develop principle-centered leadership practices to lead with justice, honesty, and beneficence. Among the issues addressed are the conflict between sportsmanship and gamesmanship, violence in sports, racial and gender equity, performance-enhancing drugs, academics, and commercialization. Throughout, specific examples from real-world sports situations and reflective questions encourage students to think critically.Instructors considering this book for use in a course may request an examination copy here.

Richard Fleming served as a scout with the elite U.S. Marine 1st Force Reconnaissance Company during the bloodiest years of the Vietnam War. Dropped deep into enemy territory, Recon relied on stealth and surprise to complete their mission--providing intelligence on enemy positions and conducting raids, prisoner snatches, and ambushes. Fleming's absorbing memoir recounts his transformation from idealistic recruit to cynical veteran as the war claimed the lives of his friends and the missions became ever more dangerous.

Life magazine described the Shaver Mystery as "the most celebrated rumpus that rocked the science fiction world." Its creators said it was a "new wave in science fiction." Critics called it "dangerous nonsense" and labeled its fans the lunatic fringe. Whatever else the Shaver Mystery was, it became a worldwide sensation between 1945 and 1948, one of the greatest controversies to hit the science fiction genre. Today these stories of the remnants of a sinister ancient civilization living in caverns under the Earth are an all but forgotten sidebar to the historical record.The Shaver Mystery began as a series of science fiction yarns in Amazing Stories nearly 70 years ago. The men behind it, Ray Palmer and Richard Shaver, were derided and seldom understood by a fandom that did its best to sweep them under the carpet of history. Though Ray Palmer was one of the earliest and biggest names in SF fandom, credited with many firsts in his field, his fannish brethren have roundly ignored him, thanks to the Shaver Mystery. What is the truth behind these men and their "mystery"? This is the question writers and editors that promoted the Shaver Mystery try to answer as they reveal the behind-the-scenes story of the phenomenon known as "Shaverism."

American film favorite Thelma Todd was much more than the beautiful blonde of the 1930s who played opposite Buster Keaton, Laurel and Hardy and the Marx Brothers. Todd's tragic death transformed her into an icon of Hollywood mystery: The photograph of the 29-year-old actress slumped in her luxurious Lincoln Phaeton shocked fans in 1935. How did she die? Was it murder, suicide, or an accident?This definitive biography covers a fascinating era in Hollywood history. In the course of his exhaustive research, the author interviewed Todd's cousins Bill and Edna Todd, as well as such friends and coworkers as Ida Lupino, Lina Basquette, Anita Garvin, Dorothy Granger, William Bakewell and Greg Blackton. Also examined is Hollywood's first major sex scandal of 1913, involving Jewel Carmen, the future spouse of director Roland West--the man Thelma Todd loved.

"We live together under the thick canopy, each searching for the other; the same leeches and mosquitoes that feed on our blood feed on his blood." John Edmund Delezen felt a kinship with the people he was instructed to kill in Vietnam; they were all at the mercy of the land. His memoir begins when he enlisted in the Marine Corps and was sent to Vietnam in March of 1967. He volunteered for the Third Force Recon Company, whose job it was to locate and infiltrate enemy lines undetected and map their locations and learn details of their status. The duty was often painful both physically and mentally. He was stricken with malaria in November of 1967, wounded by a grenade in February of 1968 and hit by a bullet later that summer. He remained in Vietnam until December, 1968.Delezen writes of Vietnam as a man humbled by a mysterious country and horrified by acts of brutality. The land was his enemy as much as the Vietnamese soldiers. He vividly describes the three-canopy jungle with birds and monkeys overhead that could be heard but not seen, venomous snakes hiding in trees and relentless bugs that fed on men. He recalls stumbling onto a pit of rotting Vietnamese bodies left behind by American forces, and days when fierce hunger made a bag of plasma seem like an enticing meal. He writes of his fallen comrades and the images of war that still pervade his dreams.This book contains many photographs of American Marines and Vietnam as well as three maps.

As a first lieutenant in the 11th Armored Cavalry Regiment, U.S. Army pilot David Porter was section leader in an Aerial Scout platoon in Vietnam. Their mission was to conduct reconnaissance in OH-6 aircraft (a.k.a. Light Observation Helicopter or "Loach") near the Cambodian border. Finding and engaging the enemy at low altitude in coordination with an AH-1 Cobra gunship circling above, these units developed a remarkable method of fighting the Viet Cong: Hunter-Killer Operations.The tactic had great local success but died with the war. Few today are aware of the hazards these pilots faced during times of intense combat. Porter's vivid memoir recounts the internal workings of a legendary air cavalry troop, in-the-cockpit combat actions, and the men who were key players on this perilous battleground.

In the summer of 1927, nineteen bands gathered for a recording session in Bristol, on the Tennessee-Virginia border, including some of the most influential names in American music--the Carter Family, Jimmie Rodgers, Ernest Stoneman and more. Organized by Ralph Peer for Victor records to capitalize on the popularity of "hillbilly" music, the Bristol sessions were a key moment in country music's evolution. The musicians played a variety of styles largely endemic to the Appalachian region. Rather than attempting to record purely traditional sounds, however, Peer sought a combination of musical elements, an amalgam that would form the backbone of modern country music. The reverberations of the Bristol sessions are still felt today, yet their influence is widely misunderstood, and popular accounts of the event are more legend than history.These 19 essays offer an examination and reevaluation of the Bristol sessions--from their germination, to the actual sessions, to their place in history and their continuing influence. The first section discusses technological advances that resulted in the unmatched quality of the Bristol recordings. The second section chronicles the people and musical acts involved in the event. The third section gives first-hand accounts of the Bristol sessions, while the fourth presents musicological studies of two of the prominent acts. The final section details subsequent recording sessions in Bristol and nearby Johnson City, and explores the lasting local musical legacy.Instructors considering this book for use in a course may request an examination copy here.

This book explores the connections between comics and Gothic from four different angles: historical, formal, cultural and textual. It identifies structures, styles and themes drawn from literary gothic traditions and discusses their presence in British and American comics today, with particular attention to the DC Vertigo imprint.Part One offers an historical approach to British and American comics and Gothic, summarizing the development of both their creative content and critical models, and discussing censorship, allusion and self-awareness. Part Two brings together some of the gothic narrative strategies of comics and reinterprets critical approaches to the comics medium, arguing for an holistic model based around the symbols of the crypt, the spectre and the archive. Part Three then combines cultural and textual analysis, discussing the communities that have built up around comics and gothic artifacts and concluding with case studies of two of the most famous gothic archetypes in comics: the vampire and the zombie.

"You're going out a youngster, but you've got to come back a star," Warner Baxter told Ruby Keeler in the 1933 film 42nd Street. The actor's scripted words would prove prophetic. The film propelled her to stardom.Ruby Keeler's rags-to-riches story is told in this pictorial biography (with text as well). Born on August 25, 1910 in Halifax, Nova Scotia, her father an iceman, her family moved to New York City in 1912. Soon enrolled in the Professional Children's School, she got her first taste of life on the stage, eventually finding her way to Broadway. Her dancing brought her the pivotal role in 42nd Street and she was soon one of the most popular actresses in Hollywood. Her performance in No, No, Nanette in 1971, her first Broadway show in 41 years, met with rave reviews.Keeler's life, including her ill-fated marriage to performer Al Jolson, is recounted here, with many never-before-seen photographs.

From 1969 to 1974 Ehrhart was just passing time. His reentry into the "world" began with his enrollment as a 21-year-old freshman (and token Vietnam vet) at Swarthmore College. At first simply trying to bury his past, Ehrhart slowly came to understand what happened to him, and why, in Vietnam. Interspersed are flashbacks to the war itself.It is the story of political--and personal--awakening. As the war dragged on, the United States' deceitful involvement and its perpetuation of fallacies and lies about the war's conduct forced Ehrhart to confront his own feelings about his government, country and self. Throughout, the reader shares with Ehrhart his odyssey through naivete, growing awareness, angry withdrawal and, finally, a measure of peace.

The past 30 years have seen an explosion in the number and variety of baseball books and articles. Following the lead of pioneers Bill James, John Thorn, and Pete Palmer, researchers have steadily challenged the ways we think about player and team performance--and along the way revised what we thought we knew of baseball history.This book by the authors of Understanding Sabermetrics (2008) goes beyond the explanation of new statistics to demonstrate their use in solving some of the more familiar problems of baseball research, such as how to compare players across generations; how to account for the effects of ballparks and rules changes; and how to measure the effectiveness of the sacrifice bunt or the range of the Gold Glove-winning shortstop.Instructors considering this book for use in a course may request an examination copy here.

Interest in Sabermetrics has increased dramatically in recent years as the need to better compare baseball players has intensified among managers, agents and fans, and even other players. The authors explain how traditional measures--such as Earned Run Average, Slugging Percentage, and Fielding Percentage--along with new statistics--Wins Above Average, Fielding Independent Pitching, Wins Above Replacement, the Equivalence Coefficient and others--define the value of players.Actual player statistics are used in developing models, while examples and exercises are provided in each chapter. This book serves as a guide for both beginners and those who wish to be successful in fantasy leagues.

The concept of reincarnation has been around for thousands of years, and is a part of many religions, including Hinduism, Buddhism, Jainism, and Sikhism. In addition to these religious beliefs, many people believe it offers an explanation for the mysteries of life. There are children that claim to remember previous lives as adults or even animals. These claimed memories might affect the development of the child and be incorporated into the child's personality.This book presents an in-depth look at Dr. Stevenson's forty years studying children who claim to remember previous lives. It is an informative, professional read that dispels common misconceptions about reincarnation and offers an open-minded perspective. It provides an overview of the history of the belief in and evidence for reincarnation, with new material relating to birthmarks and birth defects, independent replication studies, and recent developments in genetic study. It also covers research on children, the methods used, the cases studied, and the analyses of the data. The idea of reincarnation is explored as an explanation for some unsolved problems in psychology and medicine.• INTRODUCTION TO REINCARNATION--Provides an introduction to the study of reincarnation, including a discussion of the belief in reincarnation.• VARIATIONS IN DIFFERENT CULTURES--Looks at how reincarnation is viewed in different cultures around the world and how it has changed over time. • EXPLANATORY VALUE OF THE IDEA OF REINCARNATION--The idea of reincarnation has been around for thousands of years, and many people believe it offers an explanation for the mysteries of life. • TYPES OF EVIDENCE FOR REINCARNATION--There are many types of evidence for reincarnation, including anecdotal evidence, case studies, and research studies.• TYPICAL CASES OF CHILDREN--Looks at typical cases of children who remember previous lives, with a focus on their characteristics.• METHODS OF RESEARCH--Discusses the methods of research and the various ways in which previous-life memories can be investigated.• ANALYSIS AND INTERPRETATION OF CASES--Analyzes a number of cases from the author's 40-year career.

Once described as "the best crime writer you've never heard of," James Sallis is a largely underexplored figure in contemporary American literature. Best known for his thriller novel Drive--later adapted into the acclaimed 2011 movie of the same name starring Ryan Gosling and Carey Mulligan--Sallis has written across a range of genres and forms, including short fiction, poetry, musicology, science fiction, biography, nonfiction essays, literary reviews, and criticism. This companion, the first comprehensive examination of Sallis' writings, locates him as a vital voice within mystery fiction. In addition to an alphabetized analysis of his works, it includes a biography, career chronology, and an interview with the author. Readers will gain a deeper understanding of Sallis' extraordinary life and career, as well as insight into the recurrent themes and motifs of his rich and varied writings. This book is both an introduction to Sallis' work for new readers and a thorough reference guide for established fans and scholars.

As technology advances, society retains its mythical roots--a tendency evident in rock music and its enduring relationship with myth and science fiction. This study explores the mythical and fantastic themes of artists from the late 1960s to the mid-1980s, including David Bowie, Pink Floyd, Jefferson Airplane, Blue Oyster Cult, Iron Maiden, Led Zeppelin and Black Sabbath. Drawing on insights from Joseph Campbell, J.G. Frazer, Carl Jung and Mircea Eliade, the author examines how performers have incorporated mythic archetypes and science fiction imagery into songs that illustrate societal concerns and futuristic fantasies.

"Clark Gable is a man de-classed. You can't guess in any way where he came from or what he was." Frank Taylor, producer of Gable's last film, The Misfits (1961), said this of the man who, to many people, will forever be Southern gentleman Rhett Butler of Gone with the Wind. This work tells Gable's life story, from his birth in 1901 in Cadiz, Ohio, to his death in 1960 in Hollywood. It chronicles his stage career, and of course gives information on every one of his films. His family background, his development as a person, the many romances including five marriages, and his relationships with friends and co-workers are all explored in detail. The sources used and the bibliography are fully annotated.

From the very beginning of Clark Gable's screen career, the life of the glamorous film star came under the scrutiny of the camera. While audiences are familiar with the public Gable as seen through the studio lens, the private Gable as seen in photos taken by members of the public, friends, and family is much less known.This collection of candid photographs, many of them published here for the first time, has been compiled by biographer Chrystopher J. Spicer from his archives and from sources around the world. As with Spicer's acclaimed centenary biography Clark Gable (McFarland, 2002), this volume provides rare insight into the life of the man behind the star.

This book examines the writings of four ancient Greeks-Homer, Thucydides, Euripides, and Aristophanes. Each of these four individuals represents a different approach toward the human condition, ranging from the heroic and tragic to the comic and absurd. This book focuses on how the human condition can best be understood within the framework of these four perspectives by examining the major contributions of these Greek writers, whether in the form of epic (Homer's Iliad), history (Thucydides' History of the Peloponnesian War), or drama (the plays of Euripides and Aristophanes). These various perceptions of Greek thought illuminate our understanding of what it means to be fully human. By focusing on the concepts of the heroic, tragic, comic, and absurd, we can see how these ancient Greek authors still provide key insights for us today as they clarify those timeless features that define the human condition.

This is a complete guide to the football stadiums of the 114 colleges and universities that are in the NCAA Division I-A. Information for each stadium includes the year it opened, its current seating capacity, its special features, the dates, descriptions, costs and financing of any renovation or addition, and its playing field surface. Related information includes the team mascot, nickname, colors, fight song, and year of the school's first intercollegiate football game. The names and tenure of all athletic directors and head coaches since the stadium opened are provided as well.

Elio Petri (1929-1982) was one of the most commercially successful and critically revered Italian directors ever. A cultured intellectual and a politically committed filmmaker, Petri made award-winning movies that touched controversial social, religious, and political themes, such as the Mafia in We Still Kill the Old Way (1967), police brutality in Investigation of a Citizen Above Suspicion (1970), and workers' struggles in Lulu the Tool (1971). His work also explored genre in a thought-provoking and refreshing manner with a taste for irony and the grotesque: among his best works are the science fiction satire The 10th Victim (1965), the ghost story A Quiet Place in the Country (1968), and the grotesque giallo Todo modo (1976). This book examines Elio Petri's life and career, and places his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of each of his films, plenty of never-before-seen bits of information recovered from the Italian ministerial archives, and an in-depth discussion of the director's unfilmed projects.

Marco Ferreri (1928-1997) was one of Italian cinema's most unique auteurs. A maverick personality, he worked with some of the most popular actors of the time (Marcello Mastroianni, Michel Piccoli, Catherine Deneuve, Gerard Depardieu, Ugo Tognazzi, Carroll Baker, Roberto Benigni, Isabelle Huppert, Christopher Lambert…), and directed internationally acclaimed films. His filmography includes The Conjugal Bed (1963), The Ape Woman (1964), Dillinger Is Dead (1969), the scandalous La Grande Bouffe (1973), the absurdist western Don't Touch the White Woman! (1974), The Last Woman (1976), Bye Bye Monkey (1978) and the Charles Bukowski adaptation, Tales of Ordinary Madness (1981). Ferreri's cinema dealt in highly original and thought-provoking ways with contemporary issues: the crisis of marriage, relationships between sexes, consumerism, and political disillusionment. His films were controversial and had many censorship issues, leading to Ferreri's fame as a master provocateur.Theis book examines Marco Ferreri's life and career, placing his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of his films, with never-before-seen bits of information recovered from Italian ministerial archives and in-depth discussion of the director's unfilmed projects.

Since the dawn of the Space Age, small cohorts of humanity have broadcast signals towards other stars, fabricated "space-time capsules" to "speak for Earth" aboard interstellar probes, deposited collections of "space oddities" on other astronomical bodies, and permanently incised the memory of our species across the deep-time legacy of the Sol System. Many of these purposeful "messages" are the consequence of age-old behaviors, traditions, and material practices using modern aerospace technologies. Most attempt to preserve narratives of human experience in social exchange devices for imagined, exotic audiences. Looking back upon this accumulative history of "messaging from Earth", how do we begin to interpret such an eclectic portrait of Earth for ourselves? Surveying and cataloguing the variety of these artifacts through a series of interdisciplinary essays and visual documentation, this volume chronicles our changing relationships, customs, and assumptions made within this material culture for our own eyes. What do these autobiographical accounts tell us about Terrans and our minds, set against the backdrop of our planetary history?

Ingemar Johansson's right hand--dubbed "The Hammer of Thor"--was the most fearsome in boxing, and Johansson's three fights with Floyd Patterson rank among the sport's classic rivalries. Yet most fans know little about the Swedish playboy who won the world heavyweight championship with a shocking third round knockout of Patterson and held it for six days short of a year (1959-1960).During his reign, the raffish "Ingo" hit fashionable nightspots on two continents, romanced Elizabeth Taylor, and refused to kowtow to the mobsters who controlled boxing.This first-ever biography of Johansson chronicles his fistic triumphs as a Goteborg teen prodigy, his humiliating disqualification for "cowardice" at the 1952 Olympics, his storybook romances with Birgit Lundgren and Edna Alsterlund and his post-career life and tragic early dementia.

The horror and psychological denial of our mortality, along with the corruptibility of our flesh, are persistent themes in drama. Body horror films have intensified these themes in increasingly graphic terms. The aesthetic of body horror has its origins in the ideas of the Marquis de Sade and the existential philosophies of Arthur Schopenhauer and Friedrich Nietzsche, all of whom demonstrated that we have just cause to be anxious about our physical reality and its existence in the world. This book examines the relationship between these writers and the various manifestations of body horror in film. The most characteristic examples of this genre are those directed by David Cronenberg, but body horror as a whole includes many variations on the theme by other figures, whose work is charted here through eight categories: copulation, generation, digestion, mutilation, infection, mutation, disintegration and extinction.

British National Health Service employee Phyllis Dorothy James White (1920-2014) reinvented herself at age 38 as P.D. James, crime novelist. She then became long known as England's "Queen of Crime." Sixteen of her 20 novels feature one or both of her series detectives, Adam Dalgliesh of Scotland Yard and private eye Cordelia Gray. Stand-alone works include the dystopian The Children of Men (1992) and Death Comes to Pemberley (2011), a sequel to Jane Austen's Pride and Prejudice.James's careful plotting has earned comparison with Golden Age British detective writers such as Agatha Christie and Dorothy L. Sayers. Yet James's work is thoroughly modern, with realistic descriptions of police procedures and the echoes and aftereffects of crime. This literary companion includes more than 700 encyclopedic entries covering the characters, settings and themes of her published writing, along with a career chronology, chronological and alphabetical listings of her works, and an exhaustive index.

Marxist theories have had a profound influence on crime fiction, beginning with the works of the American writers of the 1930s. This study explores the development of a Swedish Marxist noir subgenre after the 1990s through a Marxist reading of central works, from the Marlowe novels of Raymond Chandler to the 1960s social crime fiction of Sjowall-Wahloo to modern bestselling authors such as Henning Mankell, Stieg Larsson, Roslund & Hellstrom, Jens Lapidus, Arne Dahl and others. The works of these writers show a common thread of Marxist worldview in their portrayal of a modern world gone wrong.

Cover songs operate as a form of cultural discourse across various musical genres and different societal, historical and political conditions. Case studies include a comparative analysis of Jimi Hendrix's and Whitney Houston's versions of "The Star-Spangled Banner" as well as a mapping of the trajectory of "(I Can't Get No) Satisfaction" from the original version by the Rolling Stones through cover versions by Otis Redding, Devo, and Britney Spears.The radical deconstruction of pop and rock songs by the Residents and Laibach is also examined, with additional studies of cover songs by such as Van Halen, Kim Wilde, Rufus Harley, the Four Tops, Pat Boone and Johnny Cash.Rather than questions of quality or how a cover song measures up as "better or worse" than other versions, this book focuses on the ideological implications and social stakes of the "same old songs" as they are reconfigured to consider, comment on and confront political issues of gender, sexuality, race, the nation-state and the generation gap.