Visar resultat för..."No Exit Press"

It is a curious and relatively little-known fact that for two decades--from the end of World War II until the late 1960s--existentialism's most fertile ground outside of Europe was in the Middle East, and Jean-Paul Sartre was the Arab intelligentsia's uncontested champion. In the Arab world, neither before nor since has another Western intellectual been so widely translated, debated, and celebrated. By closely following the remarkable career of Arab existentialism, Yoav Di-Capua reconstructs the cosmopolitan milieu of the generation that tried to articulate a political and philosophical vision for an egalitarian postcolonial world. He tells this story through the use of new Arabic and Hebrew archives, including unpublished diaries and interviews. Tragically, the warm and hopeful relationships forged between Arab intellectuals, Sartre, Simone de Beauvoir, and others ended when, on the eve of the 1967 war, Sartre failed to embrace the Palestinian cause. Today, when the prospect of global ethical engagement seems to be slipping ever farther out of reach, No Exit provides a timely, humanistic account of the intellectual hopes, struggles, and victories that shaped the Arab experience of decolonization and a delightfully wide-ranging excavation of existentialism's non-Western history.

James McAllister outlines a new account of early Cold War history, one that focuses on the emergence of a bipolar structure of power, the continuing importance of the German question, and American efforts to create a united Western Europe. Challenging the conventional wisdom among both international relations theorists and Cold War historians, McAllister argues that America's central objective from the Second World War to the mid-1950s was to create a European order that could be peaceful and stable without requiring the permanent presence of American ground forces on the continent.The permanent presence of American forces in Europe is often seen as a lesson that policymakers drew from the disastrous experiences of two world wars, but McAllister's archival research reveals that both FDR and Eisenhower, as well as influential strategists such as George Kennan, did not draw this lesson. In the short term, American power was necessary to balance the Soviet Union and reassure Western Europe about the revival of German power, but America's long-term objective was to create the conditions under which Western Europe could take care of both of these problems on their own.In the author's view, the key element of this strategy was the creation of the European Defense Community. If Western Germany could be successfully integrated and rearmed within the context of the EDC, Western Europe would have taken the most important step to becoming a superpower on par with the United States and the Soviet Union. Understanding why this strategy was pursued and why it failed, McAllister asserts, has important implications for both international relations theory and contemporary questions of American foreign policy.

America's authors and the unfulfilled desire to escape the stateFrom hippie culture to neoliberalism to Black Lives Matter, anti-state sentiment and rhetoric persists through varying—sometimes and electorally opposed—forms in American politics and culture.Examining the work of some of the leading authors of the twentieth and twenty-first centuries—including William Carlos Williams, Charles Olson, Richard Wright, Thomas Pynchon, Don DeLillo, Joan Didion, Karen Tei Yamashita, Junot DÍaz, Juliana Spahr, and Nathaniel Mackey—Seth McKelvey offers a new perspective on American literature’s many conceptions of an escape from the political state. Through close readings of texts varied in their political orientations, historical concerns, literary genres, and aesthetic commitments, No Exit reveals a provocative overlap between literary and political representation, showing just how urgent yet difficult it has been for American literature to imagine leaving the state behind.

America's authors and the unfulfilled desire to escape the stateFrom hippie culture to neoliberalism to Black Lives Matter, anti-state sentiment and rhetoric persists through varying—sometimes and electorally opposed—forms in American politics and culture.Examining the work of some of the leading authors of the twentieth and twenty-first centuries—including William Carlos Williams, Charles Olson, Richard Wright, Thomas Pynchon, Don DeLillo, Joan Didion, Karen Tei Yamashita, Junot DÍaz, Juliana Spahr, and Nathaniel Mackey—Seth McKelvey offers a new perspective on American literature’s many conceptions of an escape from the political state. Through close readings of texts varied in their political orientations, historical concerns, literary genres, and aesthetic commitments, No Exit reveals a provocative overlap between literary and political representation, showing just how urgent yet difficult it has been for American literature to imagine leaving the state behind.

This book tells the story of the tragic and often tormented relationship between the United States and Pakistan. Pakistan's internal troubles have already threatened US security and international peace, and Pakistan's rapidly growing population, nuclear arsenal, and relationships with China and India will continue to force it upon America's geostrategic map in new and important ways over the coming decades. This book explores the main trends in Pakistani society that will help determine its future; traces the wellsprings of Pakistani anti-American sentiment through the history of US-Pakistan relations from 1947 to 2001; assesses how Washington made and implemented policies regarding Pakistan since the terrorist attacks on the United States on September 11, 2001; and analyzes how regional dynamics, especially the rise of China, will likely shape US-Pakistan relations. It concludes with three options for future US strategy, described as defensive insulation, military-first cooperation, and comprehensive cooperation.

This book tells the story of the tragic and often tormented relationship between the United States and Pakistan. Pakistan's internal troubles have already threatened US security and international peace, and Pakistan's rapidly growing population, nuclear arsenal, and relationships with China and India will continue to force it upon America's geostrategic map in new and important ways over the coming decades. This book explores the main trends in Pakistani society that will help determine its future; traces the wellsprings of Pakistani anti-American sentiment through the history of US-Pakistan relations from 1947 to 2001; assesses how Washington made and implemented policies regarding Pakistan since the terrorist attacks on the United States on September 11, 2001; and analyzes how regional dynamics, especially the rise of China, will likely shape US-Pakistan relations. It concludes with three options for future US strategy, described as defensive insulation, military-first cooperation, and comprehensive cooperation.

It is a curious and relatively little-known fact that for two decades—from the end of World War II until the late 1960s—existentialism’s most fertile ground outside of Europe was in the Middle East, and Jean-Paul Sartre was the Arab intelligentsia’s uncontested champion. In the Arab world, neither before nor since has another Western intellectual been so widely translated, debated, and celebrated. By closely following the remarkable career of Arab existentialism, Yoav Di-Capua reconstructs the cosmopolitan milieu of the generation that tried to articulate a political and philosophical vision for an egalitarian postcolonial world. He tells this story by touring a fascinating selection of Arabic and Hebrew archives, including unpublished diaries and interviews. Tragically, the warm and hopeful relationships forged between Arab intellectuals, Sartre, Simone de Beauvoir, and others ended when, on the eve of the 1967 war, Sartre failed to embrace the Palestinian cause. Today, when the prospect of global ethical engagement seems to be slipping ever farther out of reach, No Exit provides a timely, humanistic account of the intellectual hopes, struggles, and victories that shaped the Arab experience of decolonization and a delightfully wide-ranging excavation of existentialism’s non-Western history.

From Agatha Christie and Patricia Highsmith to Val McDermid and JK Rowling, After Agatha is an indispensable guide to women's crime writing over the last century and an exploration of why women read crimeSpanning the 1930s to present day, After Agatha charts the explosion in women\'s crime writing and examines key developments on both sides of the Atlantic: from the women writers at the helm of the UK Golden Age and their American and Canadian counterparts fighting to be heard, to the 1980s experimental trio, Marcia Muller, Sara Paretsky and Sue Grafton, who created the first female PIs, and the more recent emergence of forensic crime writing and domestic noir thrillers such as Gone Girl and Apple Tree Yard.After Agatha examines the diversification of crime writing and highlights landmark women's novels which featured the marginalised in society as centralised characters. Cline also explores why women readers are drawn to the genre and seek out justice in crime fiction, in a world where violent crimes against women rarely have such resolution.The book includes interviews with dozens of contemporary authors such as Ann Cleeves, Sophie Hannah, Tess Gerritsen and Kathy Reichs and features the work of hundreds of women crime and mystery writers. It is an essential read for crime fiction lovers.

A wheelchair-using woman is strangled and her son, Eddy, is arrested. When his alibi falls apart, the police are satisfied that he is guilty. Only Geraldine doubts whether Eddy is cunning enough to kill his mother and cover his tracks so successfully.The situation becomes more complicated when the girlfriend Eddy claims he was with at the time of the murder denies having met him. Shortly after the girl thinks she is being stalked, her dead body is discovered outside Eddy's house.As the body count grows, the investigation team is getting desperate, pushing Geraldine to breaking point.

The small town of Red Bluff, Mississippi, has seen better days, but now seems stuck in a black-and-white photograph from days gone by. Unknowing, the town and its people are about to come alive again, awakening to nightmares, as ghostly whispers have begun to fill the night from the kudzu-covered valley that sits on the edge of town.When a vagabond family appears on the outskirts, when twin boys and a woman go missing, disappearing beneath the vines, a man with his own twisted past struggles to untangle the secrets in the midst of the town trauma.This is a landscape of fear and ghosts, of regret and violence. It is a landscape transformed by the kudzu vines that have enveloped the hills around it, swallowing homes, cars, rivers, and hiding terrible secrets deeper still. Blackwood is the evil in the woods, the wickedness that lurks in all of us.

Vietnam, 1963. A female Viet Cong assassin is trawling the boulevards of Saigon, catching US Army officers off-guard with a single pistol shot, then riding off on the back of a scooter. Although the US military is not officially in combat, sixteen thousand American servicemen are stationed in Vietnam 'advising' the military and government. Among them are Ellsworth Miser and Clovis Robeson, two army investigators who have been tasked with tracking down the daring killer.Set in the besieged capital of a new nation on the eve of the coup that would bring down the Diem regime and launch the Americans into the Vietnam War, Play the Red Queen is a tour-de-force mystery-cum-social history, breathtakingly atmospheric and heartbreakingly alive with the laws and lawlessness of war.

The legendary Georges Simenon was the most successful and influential writer of crime fiction in a language other than English; André Gide called him 'the greatest French novelist of our times'. Celebrated crime fiction expert Barry Forshaw's informed and lively study draws together Simenon's extraordinary life and his work on both page and screen. By the time of Simenon's death in 1989, his French detective Maigret had become an institution, rivalled only by Sherlock Holmes. The pipe-smoking Inspector of Police is a quietly spoken observer of human nature who uses the techniques of psychology on those he encounters (both the guilty and the innocent) - with no rush to moral condemnation. Simenon's non-Maigret standalone books are among the most commanding in the genre, and, as a trenchant picture of French society, his concise novels collectively offer up a fascinating analysis. And his influence on an army of later crime writers is incalculable.Alongside his own considerable insights, Barry Forshaw has interviewed people who worked either with Simenon or on his books: publishers, editors, translators, and other specialist writers. He has created a literary prism through which to appreciate one of the most distinctive achievements in the whole of crime fiction.

'This debt was not contracted as the price of bread or wine or arms. It was the price of liberty' - Alexander HamiltonKiah Harmon, a young Virginia lawyer, is just emerging from the most traumatic time of her life when actress Sam van Eyck walks into her office, unannounced, with the case of a lifetime. She asks Kiah to recover a 200-year-old debt from the US Government - a debt that goes right back to the time of Alexander Hamilton.The selfless generosity of Sam's ancestor, Jacob van Eyck, in making a massive loan of gold and supplies at Valley Forge, during the freezing winter of 1777-1778, may well have saved George Washington's army, and the War of Independence, from disaster. But it reduced Jacob to ruin. Despite the government's promises, the debt was never repaid, and this hero of the American Revolution died in poverty, unknown and unrecognised.Two hundred years later, Sam and Kiah embark on a quest to change that. But first, they will have to find the evidence, and overcome a stubborn Government determined to frustrate their every move.Will Sam and Kiah succeed in finally getting Jacob the statue he deserves?

When a pupil accuses a teacher of molesting her, his career and marriage are threatened...The girl's corpse is discovered in the woods, and the teacher becomes a suspect in a murder enquiry. The victim's best friend is then murdered so she cannot reveal the killer's identity. The investigating team are satisfied the teacher is guilty, apart from Detective Inspector Geraldine Steel, who believes the wrong man has been arrested.All of her colleagues disagree... but if she is right, the real killer remains at large.

From acclaimed spy novelist Paul Vidich comes a taut new thriller following the attempted exfiltration of a KGB officer from the ever-changing - and always dangerous - USSR in the mid-1980s.Moscow, 1985. The Soviet Union and its communist regime are in the last stages of decline, but remain opaque to the rest of the world - and still very dangerous. In this ever-shifting landscape, a senior KGB officer - code name GAMBIT - has approached the CIA Moscow Station chief with top secret military weapons intelligence and asked to be exfiltrated. GAMBIT demands that his handler be a former CIA officer, Alex Garin, a former KGB officer who defected to the American side.The CIA had never successfully exfiltrated a KGB officer from Moscow, and the top brass do not trust Garin. But they have no other options: GAMBIT's secrets could be the deciding factor in the Cold War.Garin is able to gain the trust of GAMBIT, but remains an enigma. Is he a mercenary acting in self-interest or are there deeper secrets from his past that would explain where his loyalties truly lie? As the date nears for GAMBIT's exfiltration, and with the walls closing in on both of them, Garin begins a relationship with a Russian agent and sets into motion a plan that could compromise everything.

Critically acclaimed novelist Michael Farris Smith pulls Nick Carraway out of the shadows and into the spotlight in this exhilarating imagination of his life before The Great GatsbyBefore Nick Carraway moved to West Egg and into Gatsby's world, he was at the centre of a very different story - one taking place along the trenches and deep within the tunnels of World War I.Floundering in the wake of the destruction he witnessed first-hand, Nick delays his return home, hoping to escape the questions he cannot answer about the horrors of war. Instead, he embarks on a transcontinental redemptive journey that takes him from a whirlwind Paris romance - doomed from the very beginning - to the dizzying frenzy of New Orleans, rife with its own flavour of debauchery and violence.An epic portrait of a truly singular era and a sweeping, romantic story of self-discovery, this rich and imaginative novel breathes new life into a character that many know only from the periphery. Charged with enough alcohol, heartbreak, and profound yearning to transfix even the heartiest of golden age scribes, Nick reveals the man behind the narrator who has captivated readers for decades.

When a sex worker dies in suspicious circumstances in York, Detective Inspector Geraldine Steel struggles to remain focused on the murder investigation. She is distracted by her worries about her colleague and life partner, Ian Peterson, who has disappeared. Geraldine becomes close to her colleague, Matthew. She is unaware that Ian is working under cover in London, helping to identify a criminal gang who have been targeting Geraldine. As a second victim is discovered in York, Ian's life is threatened by a psychopath. If he fails in his mission, both he and Geraldine may die...

'When a man is denied the right to live the life he believes in, he has no choice but to become an outlaw' - Nelson Mandela1964, Apartheid South Africa. Danie du Plessis, the son of a conservative Afrikaner family, is poised to start a glittering legal academic career at one of South Africa's leading universities, when he falls in love with a student, Amy Coetzee. But there's a problem: he's white, she's not. Facing arrest, imprisonment and ruin, the couple flee South Africa, and settle in Cambridge, where friends find them positions at the University. They marry and have two children, and have seemingly put the past, and South Africa, behind them. But in 1968 Art Pienaar enters their lives, and, insisting that they have a duty to fight back, enlists their help in increasingly dangerous schemes to undermine the South African regime. When Pienaar and a notorious drug dealer, Vince Cummings, are found murdered together, Danie's activities come to light, and he and his family find themselves in mortal danger. Danie is also threatened with criminal prosecution on behalf of a government desperate to maintain good relations with the apartheid regime. Danie knows he's sailed close to the wind. But has he become an outlaw? Can Ben Schroeder persuade a jury that the answer is no?

Bloody Valentine is the story of the murder of a young woman called Lynette White in the Cardiff docklands (aka Tiger Bay) on Valentine's Day 1988.It's also the story of the miscarriage of justice that came after, when three black men, 'the Cardiff Three', were wrongly convicted of her murder. It's a brutally frank tale of racism and police corruption, terrible misogynist violence and the grim realities of sex work. It's a book that got so close to the bone that the author was sued for libel by the police and received death threats from a variety of minor characters. It's an indelible portrait of life in the underbelly of Thatcher's Britain.This new edition includes an introduction and afterword bringing the extraordinary, unhappy saga up to date.

J.D. Salinger, mysterious author of The Catcher in the Rye, is remembered today as a reclusive misanthrope. Jerome Charyn's Salinger is a young American WWII draftee assigned to the Counter Intelligence Corps, a band of secret soldiers who trained with the British. A rifleman and an interrogator, he witnessed all the horrors of the war - from the landing on D-Day to the relentless hand-to-hand combat in the hedgerows of Normandy, to the Battle of the Bulge, and finally to the first Allied entry into a Bavarian death camp, where corpses were piled like cordwood. After the war, interned in a Nuremberg psychiatric clinic, Salinger became enchanted with a suspected Nazi informant. They married, but not long after he brought her home to New York, the marriage collapsed. Maladjusted to civilian life, he lived like a 'spook,' with invisible stripes on his shoulder, the ghosts of the murdered inside his head, and stories to tell.Grounded in biographical fact and reimagined as only Charyn could, Sergeant Salinger is an astonishing portrait of a devastated young man on his way to becoming the mythical figure behind a novel that has marked generations.

An inoffensive man is murdered in a seemingly motiveless attack. Detective Inspector Geraldine Steel and her team are baffled, until DNA from an apparent stranger is discovered on the victim's body.Geraldine is not convinced the suspect is guilty. When a witness comes forward to offer the suspect an alibi, Geraldine lets him go. That night, a second murder is committed. The evidence points to the suspect who has just been released.As Geraldine attempts to make sense of the suspect's complex history, he goes on the run. Even his wife appears to condemn him. Only Geraldine still doubts that he is to blame for the murders, but is she prompted by her own guilt for having released him to kill again?As the story races towards a breathtaking twist, Geraldine is tormented by self-doubt, and struggles to focus all her attention on the case. Someone is lying and the police must uncover the truth before anyone else is killed...

In her latest thrilling adventure, PI Sunny Randall takes on two serpentine cases that converge into one deadly mystery.PI Sunny Randall has often relied on the help of her best friend Spike in times of need. When Spike's restaurant is taken over under a predatory loan agreement, Sunny has a chance to return the favor. She begins digging into the life of the hedge fund manager who screwed Spike over - surely a guy that smarmy has a skeleton or two in his closet - and soon finds this new enemy may have the backing of even badder criminals.At the same time, Sunny's cop contact Lee Farrell asks her to intervene with his niece, a college student who reported being the victim of a crime but seems to know more than she's telling police. As the uncooperative young woman becomes outright hostile, Sunny runs up against a wall that she's only more determined to scale.Then, what appear to be two disparate cases are united by a common factor, and the picture becomes even more muddled. But one thing is clear: Sunny has been poking a hornet's nest from two sides, and all hell is about to break loose.

A visionary and poignant novel centered around former newspaperman Sam Cunningham as he prepares to die, Late City covers much of the early twentieth century, unfurling as a conversation between the dying man and a surprising God. As the two review Sam's life, from his childhood in the American South and his time in the French trenches during World War I to his fledgling newspaper career in Chicago in the Roaring Twenties and the decades that follow, snippets of history are brought sharply into focus.Sam grows up in Louisiana, with a harsh father, who he comes to resent both for his physical abuse and for what Sam eventually perceives as his flawed morality. Eager to escape and prove himself, Sam enlists in the army as a sniper while still underage. The hardness his father instilled in him helps him make it out of World War I alive, but, as he recounts these tales on his deathbed, we come to realize that it also prevents him from contending with the emotional wounds of war. Back in the US, Sam moves to Chicago to begin a career as a newspaperman that will bring him close to all the major historical turns of the twentieth century. There he meets his wife and has a son, whose fate counters Sam's at almost every turn.As he contemplates his relationships - with his parents, his brothers in arms, his wife, his editor, and most importantly, his son - Sam is amazed at what he still has left to learn about himself after all these years in this heart-rending novel from the Pulitzer Prize winner.

Southern Brooklyn, July 1996. Fire hydrants are open and spraying water on the sizzling blacktop. Punk kids have to make their own fun. Bobby Santovasco and his pal Zeke like to throw rocks at cars getting off the Belt Parkway. They think it's dumb and harmless until it's too late to think otherwise. Then there's Jack Cornacchia, a widower who lives with his high school age daughter Amelia and reads meters for Con Ed but also has a secret life as a vigilante, righting neighborhood wrongs through acts of violence. A simple mission to strong-arm a Bay Ridge con man, Max Berry, leads him to cross paths with a tragedy that hits close to home.Fast forward five years: June 2001. The summer before New York City and the world changed for good. Charlie French is a low-level gangster-wannabe trying to make a name for himself. When he stumbles onto a bowling alley locker stuffed with a bag full of cash, he brings it to his only pal, Max Berry, for safekeeping while he cleans up the mess surrounding it. Bobby Santovasco - with no real future mapped out and the big sin of his past shining brightly in his rearview mirror - has taken a job working as an errand boy for Max Berry. On a recruiting run for Max's Ponzi scheme, Bobby meets Francesca Clarke, born in the neighborhood but an outsider nonetheless. They hit it off. Bobby gets the idea to knock off Max's safe so he and Francesca can escape Brooklyn forever. Little does he know what Charlie French has stashed there.Meanwhile, Bobby's former stepsister, Lily Murphy, is back home in the neighborhood after college, teaching a writing class in the basement of St. Mary's church. She's also being stalked by her college boyfriend. One of her students is Jack Cornacchia. When she opens up to him about her stalker, Jack decides to take matters into his own hands.A riveting portrait of lives crashing together at the turn of the century, Shoot the Moonlight Out is tragic and tender and funny and strange.

Carolina Garcia-Ramirez is a rising star in national politics, taking on the establishment with her progressive agenda. Tough, outspoken, and driven, the young congresswoman has ignited a new conversation in Boston about race, poverty, health care, and the environment. Now facing her second campaign, she finds herself not only fighting a tight primary with an old guard challenger but also contending with numerous death threats coming from hundreds of suspects.When her chief of staff reaches out to Spenser for security and help finding the culprits of what he believes to be the most credible threats, Garcia-Ramirez is less than thrilled. Since her first grassroots run, she's used to the antipathy and intimidation women of color often face when seeking power. To her, it's all noise. But it turns out an FBI agent disagrees, warning Spenser that Garcia-Ramirez might be in real danger this time.It doesn't take long for Spenser to cross paths with an extremist group called The Minutemen, led by a wealthy Harvard grad named Bishop Graves. Although Graves is a social media sensation, pushing an agenda of white supremacy and toxic masculinity, he denies he's behind the attacks. As the primary nears and threats become a deadly plot, it's up to Spenser, Hawk, and a surprise trusted ally to ensure the congresswoman is safe.This is Spenser doing what he does best, living by a personal code and moral compass that can't ever be broken.