Barry Forshaw – författare

Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day "Mockney" productions, it contextualizes the films and identifies important and neglected works.

It's one of the most successful - and surprising - of phenomena in the entire crime fiction genre: detectives (and protodetectives) solving crimes in earlier eras. There is now an army of historical sleuths operating from the mean streets of Ancient Rome to the Cold War era of the 1950s. And this astonishingly varied offshoot of the crime genre, as well as keeping bookshop tills ringing, is winning a slew of awards, notably the prestigious CWA Historical Dagger.Barry Forshaw, one of the UK's leading experts on crime fiction, has written a lively, wide-ranging and immensely informed history of the genre. Historical noir began in earnest with Ellis Peters' crime-solving monk Brother Cadfael in the 1970s and Umberto Eco's The Name of the Rose in 1980, and has now taken readers to virtually every era and locale in the past.As in Nordic Noir, Euro Noir, Brit Noir and American Noir, Forshaw has produced the perfect reader's guide to a fascinating field; every major writer is considered, often through a concentration on one or two key books, and exciting new talents are highlighted.

Are you a lover of crime fiction looking for new discoveries or hoping to rediscover old favourites?Then look no further.There are few contemporary crime fiction guides that cover everything from the golden age to current bestselling writers from America, Britain and all across the world, but the award-winning Barry Forshaw, one of the UK's leading experts in the field, has provided a truly comprehensive survey with definitive coverage in this expanded new edition of the much admired Rough Guide to Crime Fiction.Every major writer is included, along with many other more esoteric choices. Focusing on a key book (or books) by each writer, and with essays on key crime genres, Crime Fiction: A Reader's Guide (with a foreword by Ian Rankin) is designed to be both a crime fan's shopping list and a pithy, opinionated but unstuffy reference tool and history. Most judgements are generous (though not uncritical), and there is a host of entertaining, informed entries on related films and TV.

The legendary Georges Simenon was the most successful and influential writer of crime fiction in a language other than English; André Gide called him 'the greatest French novelist of our times'. Celebrated crime fiction expert Barry Forshaw's informed and lively study draws together Simenon's extraordinary life and his work on both page and screen. By the time of Simenon's death in 1989, his French detective Maigret had become an institution, rivalled only by Sherlock Holmes. The pipe-smoking Inspector of Police is a quietly spoken observer of human nature who uses the techniques of psychology on those he encounters (both the guilty and the innocent) - with no rush to moral condemnation. Simenon's non-Maigret standalone books are among the most commanding in the genre, and, as a trenchant picture of French society, his concise novels collectively offer up a fascinating analysis. And his influence on an army of later crime writers is incalculable.Alongside his own considerable insights, Barry Forshaw has interviewed people who worked either with Simenon or on his books: publishers, editors, translators, and other specialist writers. He has created a literary prism through which to appreciate one of the most distinctive achievements in the whole of crime fiction.

Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day "Mockney" productions, it contextualizes the films and identifies important and neglected works.

For most of the twentieth century, the private eye dominated crime fiction and film, a lone figure fighting for justice, often in opposition to the official representatives of law and order. More recently, however, the police have begun to take centre stage – as exemplified by the runaway success of TV police procedurals like Law and Order. In Crime Uncovered: Detective, Barry Forshaw offers an exploration of some of the most influential and popular fictional police detectives in the history of the genre.Taking readers into the worlds of such beloved authors as P. D. James, Henning Mankell, Jo Nesbø, Ian Rankin and Håkan Nesser, this book zeroes in on the characteristics that define the iconic characters they created, discussing how they relate to their national and social settings, questions of class, and to the criminals they relentlessly pursue. Showing how the role of the authority figure has changed – and how each of these writers creates characters who work both within and against the strictures of official investigations – the book shows how creators cleverly subvert expectations of both police procedure and the crime genre itself.Written by a leading expert in the field and drawn from interviews with the featured authors, Crime Uncovered: Detective will thrill the countless fans of Inspector Rebus, Harry Hole, Adam Dalgliesh and the other enduring police detectives who define the genre.

Nordic Noir: The Pocket Essential Guide to Scandinavian Crime Fiction, Film and TV by Britain's leading expert on crime fiction, Barry Forshaw, is a compact and authoritative guide to the phenomenally popular genre. The information-packed study examines and celebrates books, films and TV adaptations, from Sjöwall & Wahlöö's highly influential Martin Beck series through Henning Mankell's Wallander (subject of three separate TV series) to Stieg Larsson's groundbreaking The Girl with the Dragon Tattoo, cult TV hits such as the Danish The Bridge and the political thriller Borgen, up to the massively successful books and films of the current king of the field, Norway's Jo Nesbo.Nordic Noir anatomises the nigh-obsessive appeal of the subject and highlights every key book, film and TV show. For both the beginner and the aficionado, this is a hugely informative, highly accessible guide (and shopping list) for an essential crime genre.

Euro Noir by Britain's leading crime fiction expert Barry Forshaw (author of Nordic Noir) examines the astonishing success of European fiction and drama. This is often edgier, grittier and more compelling than some of its British or American equivalents, and the book provides a highly readable guide for those wanting to look further than the obvious choices.The sheer volume of new European writers and films is daunting but Euro Noir provides a roadmap to the territory and is also a perfect travel guide to the genre. Barry Forshaw covers influential Italian authors, such as Andrea Camilleri and Leonardo Sciascia and Mafia crime dramas Romanzo Criminale and Gomorrah, along with the gruesome Gialli crime films. He also considers important French and Belgian writers such as Maigret's creator Georges Simenon to today's Fred Vargas, cult television programmes Braquo and Spiral, and films, from the classic heist movie Rififi to modern successes such as Hidden, Mesrine and Tell No One. German and Austrian greats are covered including Jakob Arjouni and Jan Costin Wagner, and crime films such as Run Lola Run and The Lives of Others.Euro Noir also covers the best crime writing and filmmaking from Spain, Portugal, Greece, Holland and other European countries and celebrates the wide scope of European crime fiction, films and TV.

Barry Forshaw is acknowledged as a leading expert on crime fiction from European countries, but his principal area of expertise is in the British crime arena. After the success of earlier entries in the series, Nordic Noir and Euro Noir, he returns to the UK to produce the perfect reader's guide to modern British crime fiction. Every major living British writer is considered, often through a concentration on one or two key books, and exciting new talents are highlighted for the reader. Forshaw's personal acquaintance with writers, editors and publishers is unparalleled, so Brit Noir features interviews with (and quotations from) the writers, editors and publishers themselves.

From the unbridled sensuality of silent Italian films, to the neorealist classic Bitter Rice, to the astonishing imagination of Fellini and the more cerebral and fascinating movies of Antonioni, Italy has a filmic legacy unlike that of any other nation. And then there are the popular movies: the lively sword and sandal epics of the peplum era through to the inextricable mix of sexuality and violence in the gialli of such directors as Mario Bava and Dario Argento. All the glory of Italian cinema is celebrated here in comprehensive essays, along with every key film in an easy-to-use reference format.This new and greatly expanded edition takes in major modern hits such as The Great Beauty/La Grande Bellezza. The new generation of Italian film and TV successes, important directors and movements of the past are are all given fresh and incisive evaluations, with every kind of film examined, from arthouse classics to the Spaghetti Westerns of Sergio Leone and co., and the stylish, blood-drenched thrillers and horror films that redefined their respective genres.

Barry Forshaw is acknowledged as a leading expert on crime fiction and film. Following his books on Nordic Noir, Brit Noir and Euro Noir he now tackles the largest and, some might argue, most impressive body of crime fiction from a single country, the United States, to produce the perfect reader's guide to modern American crime fiction. The word 'Noir' is used in its loosest sense: every major living American writer is considered (including the giants Harlan Coben, Patricia Cornwell, James Lee Burke, James Ellroy and Sara Paretsky, as well as non-crime writers such as Stephen King who stray into the genre), often through a concentration on one or two key books.Many exciting new talents are highlighted, and Barry Forshaw's knowledge of - and personal acquaintance with - many of the writers, grants valuable insight into this massively popular field. But the crime genre is as much about films and TV as it is about books, and American Noir is a celebration of the former as well as the latter. US television crime drama in particular is enjoying a golden age, and all of the important current series are covered here, as well as key contemporary films.

The War of the Worlds was one of a handful of high-prestige science fiction productions in a low-budget era, and initiated modern cinema's reliance on screen-filling special effects. Barry Forshaw analyses and celebrates this key science fiction film of the 1950s, exploring its literary origins and numerous film progeny.