Sally Cline – författare

Zelda Fitzgerald, along with her husband F. Scott Fitzgerald, is remembered above all else as a personification of the style and glamour of the roaring twenties - an age of carefree affluence such as the world has not seen since. But along with the wealth and parties came a troubled mind, at a time when a woman exploiting her freedom of expression was likely to attract accusations of insanity. After 1934 Zelda spent most of her life in a mental institution; outliving her husband by few years, she died in a fire as she was awaiting electroconvulsive therapy in a sanatorium. Zelda's story has often been told by detractors, who would cast her as a parasite in the marriage - most famously, Ernest Hemingway accused her of taking pleasure in blunting her husband's genius; when she wrote her autobiographical novel, Fitzgerald himself complained she had used his material. But was this fair, when Fitzgerald's novels were based on their life together? Sally Cline's biography, first published in 2003, makes use of letters, journals, and doctor's records to detail the development of their marriage, and to show the collusion between husband and doctors in a misdirected attempt to 'cure' Zelda's illness. Their prescription - no dancing, no painting, and above all, no writing - left her creative urges with no outlet, and was bound to make matters worse for a woman who thrived on the expression of allure and wealth.

Radclyffe Hall was the pen-name of Marguerite Radclyffe-Hall, the author of The Well of Loneliness, which on its publication in 1928 became the centre of a trial for obscenity and was banned in Britain until 1949. The novel itself openly discussed lesbian relationships and challenged contemporary ideas about lesbianism.Radclyffe-Hall's life as well as her novel flouted convention, and Sally Cline's biography, first published in 1998, explores her other literary works, as well as her relationships and politics, which were often at odds.

Zelda Fitzgerald, along with her husband F. Scott Fitzgerald, is remembered above all else as a personification of the style and glamour of the roaring twenties - an age of carefree affluence such as the world has not seen since. But along with the wealth and parties came a troubled mind, at a time when a woman exploiting her freedom of expression was likely to attract accusations of insanity. After 1934 Zelda spent most of her life in a mental institution; outliving her husband by few years, she died in a fire as she was awaiting electroconvulsive therapy in a sanatorium. Zelda's story has often been told by detractors, who would cast her as a parasite in the marriage - most famously, Ernest Hemingway accused her of taking pleasure in blunting her husband's genius; when she wrote her autobiographical novel, Fitzgerald himself complained she had used his material. But was this fair, when Fitzgerald's novels were based on their life together? Sally Cline's biography, first published in 2003, makes use of letters, journals, and doctor's records to detail the development of their marriage, and to show the collusion between husband and doctors in a misdirected attempt to 'cure' Zelda's illness. Their prescription - no dancing, no painting, and above all, no writing - left her creative urges with no outlet, and was bound to make matters worse for a woman who thrived on the expression of allure and wealth.

lluminated by a profound yet humorous vision, Lifting the Taboo explores the specific relationship women of many colors, cultures, ages, and sexual orientations have to their own deaths, their attitudes towards loss, and their disposition to their role as primary care-givers to the dying. Specifically, the book weighs the implications of breast cancer and examines in detail Alzheimer's Disease which, contrary to popular myth, can in several significant ways be perceived as a women's disease. Investigating mothers' responses to children's deaths, Sally Cline establishes that women's relationships to death are intricately connected to the experience of giving birth. They are, she argues, therefore psychologically and emotionally different from those of men. Cline goes on to examine women's roles and responses to AIDS and suicide, women's sexual relationships while dying, how society views widows as leftover lives, and women's radical work in hospices and death therapy, as well as their roles as female funeral directors.

lluminated by a profound yet humorous vision, Lifting the Taboo explores the specific relationship women of many colors, cultures, ages, and sexual orientations have to their own deaths, their attitudes towards loss, and their disposition to their role as primary care-givers to the dying. Specifically, the book weighs the implications of breast cancer and examines in detail Alzheimer's Disease which, contrary to popular myth, can in several significant ways be perceived as a women's disease. Investigating mothers' responses to children's deaths, Sally Cline establishes that women's relationships to death are intricately connected to the experience of giving birth. They are, she argues, therefore psychologically and emotionally different from those of men. Cline goes on to examine women's roles and responses to AIDS and suicide, women's sexual relationships while dying, how society views widows as leftover lives, and women's radical work in hospices and death therapy, as well as their roles as female funeral directors.

From Agatha Christie and Patricia Highsmith to Val McDermid and JK Rowling, After Agatha is an indispensable guide to women's crime writing over the last century and an exploration of why women read crimeSpanning the 1930s to present day, After Agatha charts the explosion in women\'s crime writing and examines key developments on both sides of the Atlantic: from the women writers at the helm of the UK Golden Age and their American and Canadian counterparts fighting to be heard, to the 1980s experimental trio, Marcia Muller, Sara Paretsky and Sue Grafton, who created the first female PIs, and the more recent emergence of forensic crime writing and domestic noir thrillers such as Gone Girl and Apple Tree Yard.After Agatha examines the diversification of crime writing and highlights landmark women's novels which featured the marginalised in society as centralised characters. Cline also explores why women readers are drawn to the genre and seek out justice in crime fiction, in a world where violent crimes against women rarely have such resolution.The book includes interviews with dozens of contemporary authors such as Ann Cleeves, Sophie Hannah, Tess Gerritsen and Kathy Reichs and features the work of hundreds of women crime and mystery writers. It is an essential read for crime fiction lovers.

Fascinating, wide-ranging, hugely knowledgeable - an indispensable guide and a beguiling education William BoydPacked with insights and advice - just the inspiration to start writing! Jenny UglowEveryone has a story. This book shows how the best writers tell them, and offers advice on how to tell them yourself. Biographers Sally Cline and Carole Angier teach life writing - an area of creative writing that is exploding in popularity - at the world-famous Arvon Foundation. They have distilled the essence of their popular course on memoir, autobiography and biography into this wide-ranging book. The Arvon Book of Life Writing offers three fascinating ways into the genre. First, reflections on their trade by the authors, exploring its special challenges: truth, memory, ethics, evidence and interpretation. Second, personal tips and tales from 32 top British and American life writers - autobiographers and memoirists, literary, sports and celebrity biographers; plus a critic, an agent, a literary editor, two novelists, and a ghost writer. Third, a practical guide, complete with exercises, designed for use in creative writing courses or by individual writers at home.

The Arvon Book of Literary Non-Fiction is an essential guide to writing in a wide range of genres, from travel writing to feminist polemic and writing on nature, history, death, friendship and sexuality.Part 1 explores the full range of genres and asks the question: what is literary non-fiction?Part 2 includes tips by such bestselling literary non-fiction writers as: Lisa Appignanesi, Rosemary Bailey, Gillian Beer, Bidisha, Lizzie Collingham, William Dalrymple, Stevie Davies, Colin Grant, Rahila Gupta, Philip Hoare, Siri Hustvedt, Alice Kessler-Harris, Barry Lopez, Richard Mabey, Robert Macfarlane, Sara Maitland, Neil McKenna, Caroline Moorehead, Susie Orbach, Jennifer Potter, Susan Sellers, Dava Sobel, Diana Souhami, Dale Spender, Francis Spufford, Daniel Swift, Colin Thubron, Natasha Walter, Sara Wheeler and Simon Winchester.Part 3 offers practical advice - from planning and researching to writing a proposal and finding an agent or a publisher when your work is complete.

The Arvon Book of Literary Non-Fiction is an essential guide to writing in a wide range of genres, from travel writing to feminist polemic and writing on nature, history, death, friendship and sexuality.Part 1 explores the full range of genres and asks the question: what is literary non-fiction?Part 2 includes tips by such bestselling literary non-fiction writers as: Lisa Appignanesi, Rosemary Bailey, Gillian Beer, Bidisha, Lizzie Collingham, William Dalrymple, Stevie Davies, Colin Grant, Rahila Gupta, Philip Hoare, Siri Hustvedt, Alice Kessler-Harris, Barry Lopez, Richard Mabey, Robert Macfarlane, Sara Maitland, Neil McKenna, Caroline Moorehead, Susie Orbach, Jennifer Potter, Susan Sellers, Dava Sobel, Diana Souhami, Dale Spender, Francis Spufford, Daniel Swift, Colin Thubron, Natasha Walter, Sara Wheeler and Simon Winchester.Part 3 offers practical advice - from planning and researching to writing a proposal and finding an agent or a publisher when your work is complete.

Fascinating, wide-ranging, hugely knowledgeable - an indispensable guide and a beguiling education William BoydPacked with insights and advice - just the inspiration to start writing! Jenny UglowEveryone has a storyThis book shows how the best writers tell them, and offers advice on how to tell them yourself. Biographers Sally Cline and Carole Angier teach life writing - an area of creative writing that is exploding in popularity - at the world-famous Arvon Foundation. They have distilled the essence of their popular course on memoir, autobiography and biography into this wide-ranging book. The Arvon Book of Life Writing offers three fascinating ways into the genre.First, reflections on their trade by the authors, exploring its special challenges: truth, memory, ethics, evidence and interpretation.Second, personal tips and tales from 32 top British and American life writers - autobiographers and memoirists, literary, sports and celebrity biographers; plus a critic, an agent, a literary editor, two novelists, and a ghost writer. Third, a practical guide, complete with exercises, designed for use in creative writing courses or by individual writers at home. No other book contains such detailed, witty and professional advice on the genre.

This essential companion offers invaluable insights and solid, practical guidance to those keen to write for TV and radio.PART 1 explores the nature of the media. It looks at the history of writing drama and comedy for radio and TV through a consideration of its key elements and some of the most successful dramas and comedies of past and present.PART 2 includes reflections and tips from award-winning writers of film, television and radio from the UK, the US and Scandinavia: Sam Bain, Peter Bowker, Elly Brewer, Laura Eason, Ellen Fairey, Nick Fisher, Phil Ford, Jeppe Gjervig Gram, Katie Hims, Rachel Joyce, Marcy Kahan, Rebecca Lenkiewicz, Jan McVerry, Jonathan Myerson, Hattie Naylor, Richard Nelson, Andrew Nickolds, Georgia Pritchett, Mike Walker and Stephen Wyatt.PART 3 offers practical advice on technical aspects of writing for TV and radio including character development, structure and dialogue. It also gives guidance on how to deal with branches of the broadcasting industry, from agents and actors to producers and script editors.

Life Writing: A Writers'' & Artists'' Companion is an essential guide to writing biography, autobiography and memoir. PART 1 explores the history and forms of life writing and the challenges and potential pitfalls of the genre. PART 2 includes tips by bestselling writers: Diana Athill, Alan Bennett, Alain de Botton, Jill Dawson, Millicent Dillon, Margaret Drabble, Geoff Dyer, Victoria Glendinning, Lyndall Gordon, Peter Hayter, Richard Holmes, Michael Holroyd, Kathryn Hughes, Diane Johnson, Hermione Lee, Andrew Lownie, Janet Malcolm, Alexander Masters, Nancy Milford, Blake Morrison, Andrew Morton, Clare Mulley, Jenni Murray, Nicholas Murray, Kristina Olsson, Marion Elizabeth Rodgers, Meryle Secrest, Miranda Seymour, Frances Spalding, Hilary Spurling, Boyd Tonkin, Edmund White. PART 3 includes practical advice - from planning, researching and interviewing to writing, pacing and navigating ethical issues.

Life Writing: A Writers' & Artists' Companion is an essential guide to writing biography, autobiography and memoir. PART 1 explores the history and forms of life writing and the challenges and potential pitfalls of the genre. PART 2 includes tips by bestselling writers: Diana Athill, Alan Bennett, Alain de Botton, Jill Dawson, Millicent Dillon, Margaret Drabble, Geoff Dyer, Victoria Glendinning, Lyndall Gordon, Peter Hayter, Richard Holmes, Michael Holroyd, Kathryn Hughes, Diane Johnson, Hermione Lee, Andrew Lownie, Janet Malcolm, Alexander Masters, Nancy Milford, Blake Morrison, Andrew Morton, Clare Mulley, Jenni Murray, Nicholas Murray, Kristina Olsson, Marion Elizabeth Rodgers, Meryle Secrest, Miranda Seymour, Frances Spalding, Hilary Spurling, Boyd Tonkin, Edmund White. PART 3 includes practical advice - from planning, researching and interviewing to writing, pacing and navigating ethical issues.

Full of inspiration and practical advice, Playwriting: A Writers' & Artists' Companion is a comprehensive companion to writing for the stage. PART 1 includes reflections on the art and the craft of playwriting, guidance on writing for a full range of genres and spaces and a brief history of playwriting itself.PART 2 contains inspiring advice and reflections from leading playwrights:April De Angelis, Bryony Lavery, David Greig, Christina Reid, Dennis Kelly, Frank McGuinness, Lynn Nottage, Howard Brenton, Roy Williams, Tanika Gupta, Timberlake Wertenbaker, Polly Stenham, Tom Stoppard, Jack Thorne, Steve Waters, E.V. Crowe, David Henry Hwang, Lin Coghlan, Zinnie Harris and Anne Washburn.PART 3 offers practical exercises and advice on planning and conducting research, working out plots and characters, mastering authentic but accessible dialogue, navigating the industry and the rehearsal and production process.

Life Writing: A Writers'' & Artists'' Companion is an essential guide to writing biography, autobiography and memoir. PART 1 explores the history and forms of life writing and the challenges and potential pitfalls of the genre. PART 2 includes tips by bestselling writers: Diana Athill, Alan Bennett, Alain de Botton, Jill Dawson, Millicent Dillon, Margaret Drabble, Geoff Dyer, Victoria Glendinning, Lyndall Gordon, Peter Hayter, Richard Holmes, Michael Holroyd, Kathryn Hughes, Diane Johnson, Hermione Lee, Andrew Lownie, Janet Malcolm, Alexander Masters, Nancy Milford, Blake Morrison, Andrew Morton, Clare Mulley, Jenni Murray, Nicholas Murray, Kristina Olsson, Marion Elizabeth Rodgers, Meryle Secrest, Miranda Seymour, Frances Spalding, Hilary Spurling, Boyd Tonkin, Edmund White. PART 3 includes practical advice - from planning, researching and interviewing to writing, pacing and navigating ethical issues.

Literary Non-Fiction: A Writers' & Artists' Companion is an essential guide to writing in a wide range of genres, from travel writing to feminist polemic and writing on nature, history, death, friendship and sexuality.Part 1 explores the full range of genres and asks the question: what is literary non-fiction?Part 2 includes tips by such bestselling literary non-fiction writers as: Lisa Appignanesi, Rosemary Bailey, Gillian Beer, Bidisha, Lizzie Collingham, William Dalrymple, Stevie Davies, Colin Grant, Rahila Gupta, Philip Hoare, Siri Hustvedt, Alice Kessler-Harris, Barry Lopez, Richard Mabey, Robert Macfarlane, Sara Maitland, Neil McKenna, Caroline Moorehead, Susie Orbach, Jennifer Potter, Susan Sellers, Dava Sobel, Diana Souhami, Dale Spender, Francis Spufford, Daniel Swift, Colin Thubron, Natasha Walter, Sara Wheeler and Simon Winchester.Part 3 offers practical advice - from planning and researching to writing a proposal and finding an agent or a publisher when your work is complete.

Literary Non-Fiction: A Writers'' & Artists'' Companion is an essential guide to writing in a wide range of genres, from travel writing to feminist polemic and writing on nature, history, death, friendship and sexuality.Part 1 explores the full range of genres and asks the question: what is literary non-fiction?Part 2 includes tips by such bestselling literary non-fiction writers as: Lisa Appignanesi, Rosemary Bailey, Gillian Beer, Bidisha, Lizzie Collingham, William Dalrymple, Stevie Davies, Colin Grant, Rahila Gupta, Philip Hoare, Siri Hustvedt, Alice Kessler-Harris, Barry Lopez, Richard Mabey, Robert Macfarlane, Sara Maitland, Neil McKenna, Caroline Moorehead, Susie Orbach, Jennifer Potter, Susan Sellers, Dava Sobel, Diana Souhami, Dale Spender, Francis Spufford, Daniel Swift, Colin Thubron, Natasha Walter, Sara Wheeler and Simon Winchester.Part 3 offers practical advice - from planning and researching to writing a proposal and finding an agent or a publisher when your work is complete.

Literary Non-Fiction: A Writers'' & Artists'' Companion is an essential guide to writing in a wide range of genres, from travel writing to feminist polemic and writing on nature, history, death, friendship and sexuality.Part 1 explores the full range of genres and asks the question: what is literary non-fiction?Part 2 includes tips by such bestselling literary non-fiction writers as: Lisa Appignanesi, Rosemary Bailey, Gillian Beer, Bidisha, Lizzie Collingham, William Dalrymple, Stevie Davies, Colin Grant, Rahila Gupta, Philip Hoare, Siri Hustvedt, Alice Kessler-Harris, Barry Lopez, Richard Mabey, Robert Macfarlane, Sara Maitland, Neil McKenna, Caroline Moorehead, Susie Orbach, Jennifer Potter, Susan Sellers, Dava Sobel, Diana Souhami, Dale Spender, Francis Spufford, Daniel Swift, Colin Thubron, Natasha Walter, Sara Wheeler and Simon Winchester.Part 3 offers practical advice - from planning and researching to writing a proposal and finding an agent or a publisher when your work is complete.

Dashiell Hammett changed the face of crime fiction. In five novels published over five years as well as a string of stories, he transformed the mystery genre into literature and left us with the figure of the hard-boiled detective, from the Continental Op to Sam Spade—immortalized on film by Humphrey Bogart in The Maltese Falcon—and the more glamorous Thin Man, also made iconic with the aid of Hollywood. A brilliant writer, Hammett was a complex and enigmatic man. After 1934 until his death in 1961, he published no more novels and suffered from a writer’s block that both shamed and maimed him. He is identified with his tough protagonists, but his tuberculosis compromised his masculine identity and alcoholism may have been his answer. A former Pinkerton detective who valued honesty, he was attracted to women who lied outrageously, most notably Lillian Hellman, with whom he conducted a thirty-year affair. A controversial political activist who stood up for civil liberty, he was also a very private man. In this compact new biography, Sally Cline uses fresh research, including interviews with Hammett’s family and Hellman’s heir, to reexamine the life and works of the writer whom Raymond Chandler called “the ace performer.”

Packed with tips from bestselling and prize-winning authors, Novel Writing: A Writers' and Artists' Companion will give you all the practical advice you need to write and publish your novel. PART 1 provides an introduction to the forms and history of the novel and helps you plan and research your masterpiece, develop characters and compelling narratives and your own authorial voice. PART 2 contains guest contributions from Philip Pullman, Louise Doughty, Glenn Patterson, Jeanette Winterson, Jonathan Franzen, Stevie Davies, Doris Lessing, Tash Aw, Elif Shafak, Anne Enright, Tim Pears, Anita Desai, Tim Lott, Amit Chaudhuri, Andrea Levy, Alan Hollinghurst, Bernardo Atxaga, Hanan Al-Shaykh, Michèle Roberts, Joan Brady, Lynn Freed, Evelyn Toynton as well as a number of the 2013 list of the Best of Young British Novelists including Kamila Shamsie, Tamima Anam, Naomi Alderman, Ned Beauman, Jenni Fagan and Joanna Kavenna. PART 3 offers practical advice on collaborative writing, overcoming writer's block, editing and rewriting and finding an agent and a publisher for your work. Written by two multi-award winning authors, this is a comprehensive manual for established and aspiring novelists alike.