Jerome Charyn – författare

As the New York Yankees'' star centerfielder from 1936 to 1951, Joe DiMaggio is enshrined in America''s memory as the epitome in sports of grace, dignity, and that ineffable quality called "class." But his career after retirement, starting with his nine-month marriage to Marilyn Monroe, was far less auspicious. Writers like Gay Talese and Richard Ben Cramer have painted the private DiMaggio as cruel or self-centered. Now, Jerome Charyn restores the image of this American icon, looking at DiMaggio''s life in a more sympathetic light. DiMaggio was a man of extremes, superbly talented on the field but privately insecure, passive, and dysfunctional. He never understood that for Monroe, on her own complex and tragic journey, marriage was a career move; he remained passionately committed to her throughout his life. He allowed himself to be turned into a sports memorabilia money machine. In the end, unable to define any role for himself other than "Greatest Living Ballplayer," he became trapped in "a horrible kind of minutia." But where others have seen little that was human behind that minutia, Charyn in Joe DiMaggio presents the tragedy of one of American sports'' greatest figures.

This riveting study of Joe DiMaggio offers a more sympathetic look at his life beyond the baseball field, a reversal of how the legendary sports icon has been portrayed in recent yearsAs the New York Yankees' star centerfielder from 1936 to 1951, Joe DiMaggio is enshrined in America's memory as the epitome in sports of grace, dignity, and that ineffable quality called "class." But his career after retirement, starting with his nine-month marriage to Marilyn Monroe, was far less auspicious. Writers like Gay Talese and Richard Ben Cramer have painted the private DiMaggio as cruel or self-centered. Now, Jerome Charyn restores the image of this American icon, looking at DiMaggio's life in a more sympathetic light.DiMaggio was a man of extremes, superbly talented on the field but privately insecure, passive, and dysfunctional. He never understood that for Monroe, on her own complex and tragic journey, marriage was a career move; he remained passionately committed to her throughout his life. He allowed himself to be turned into a sports memorabilia money machine. In the end, unable to define any role for himself other than "Greatest Living Ballplayer," he became trapped in "a horrible kind of minutia." But where others have seen little that was human behind that minutia, Charyn in Joe DiMaggio presents the tragedy of one of American sports' greatest figures.

Hailed as the first great Soviet writer, Isaac Babel was at once a product and a victim of violent revolution. In tales of Cossack marauders and flashy Odessa gangsters, he perfectly captured the raw, edgy mood of the first years of the Russian Revolution. Masked, reckless, impassioned, charismatic, Babel himself was as fascinating as the characters he created. At last, in renowned author Jerome Charyn, Babel has a portraitist worthy of his quicksilver genius.Though it traces the arc of Babel’s charmed life and mysterious death, Savage Shorthand bursts the confines of straight biography to become a meditation on the pleasures, torments, and meanings of Babel’s art. Even in childhood, Babel seemed destined to leave a mark. But it was only when his mentor, Maxim Gorky, ordered him to go out into the world of revolutionary Russia that Babel found his true voice and subject. His tales of the bandit king Benya Krik and the brutal raids of the Red Cavalry electrified Moscow. Overnight, Babel was a celebrity, with throngs of admirers and a train of lovers. But with the rise of Stalin, Babel became a living ghost. Charyn brilliantly evokes the paranoid shadowland of the first wave of Stalin’s terror, when agents of the Cheka snuffed out artists like candle flames. Charyn’s chilling account of the circumstances of Babel’s death–hidden and lied about for decades by Stalin’s agents–finally sets the record straight.For Jerome Charyn, Babel is the writer who epitomizes the vibrancy, violence, and tragedy of literature in the twentieth century. In Savage Shorthand, Charyn has turned his own lifelong obsession with Babel into a dazzling and original literary work.From the Hardcover edition.

Johnny One-Eye is bringing about the rediscovery of one of the most "singular and remarkable [careers] in American literature" (Jonathan Yardley, Washington Post Book World). In this picaresque tour de force that reanimates Revolutionary Manhattan through the story of double agent John Stocking, the bastard son of a whorehouse madam and possibly George Washington, Jerome Charyn has given us one of the most memorable historical novels in years. As Johnny seeks to unlock the mystery of his birth and grapples with his allegiances, he falls in love with Clara, a gorgeous, green-eyed octoroon, the most coveted harlot of Gertrude's house. The wild parade of characters he encounters includes Benedict Arnold, the Howe brothers, "Sir Billy" and "Black Dick," and a manipulative Alexander Hamilton.Not since John Barth's The Sotweed Factor and Gore Vidal's Burr has a novel so dramatically re-created America's historical beginnings. Reading group guide included.

Jerome Charyn, "one of the most important writers in American literature" (Michael Chabon), continues his exploration of American history through fiction with The Secret Life of Emily Dickinson, hailed by prize-winning literary historian Brenda Wineapple as a "breathtaking high-wire act of ventriloquism." Channeling the devilish rhythms and ghosts of a seemingly buried literary past, Charyn removes the mysterious veils that have long enshrouded Dickinson, revealing her passions, inner turmoil, and powerful sexuality. The novel, daringly written in first person, begins in the snow. It's 1848, and Emily is a student at Mount Holyoke, with its mournful headmistress and strict, strict rules. Inspired by her letters and poetry, Charyn goes on to capture the occasionally comic, always fevered, ultimately tragic story of her life-from defiant Holyoke seminarian to dying recluse.

Yolanda's a convict, caught by the cops while her boyfriend was robbing a bank. Now all the Hell Sisters at Harrington Hills prison farm are in love with her. Their leader wants to "marry" her. Yolanda has to find a way out. She's been taking a philosophy course in jail from Melvin P. Sparks, a Cornell professor who talks to the female convicts once a week about ecology, in galoshes and a torn shirt. But it's only a disguise. He's actually a member of the Christian Commandos, a ragtag group of environmental rangers who aren't quite soldiers or spies.Yolanda happens to be the cousin of Ruben Falcone, king of the Medellín cartel. The rangers want to meet with Ruben, who's hiding in the jungles of Colombia, while a dozen agencies destroy the rain forest tracking him. Sparks helps Yolanda get out of jail, whisking her off to Mandellín to find her long lost cousin.And so begins a journey that takes Yolanda into a crazy, comic heart of darkness, where nothing is ever as it seems, where a druglord can be a minister of environment, where Yolanda dances in a hundred rumbeaderos with different tango kings--all of them marked for death--and where she's sucked into the current of a world she only half understands. Death of a Tango King is a sad, funny, and disturbing novel about the coming of a new century, where the distance between right and wrong is not only irregular, but also hard to find.

On a windy night in 1937, a seventeen-year-old German naval sub-cadet is wandering along the seawall when he stumbles upon a gang of ruffians beating up a tramp, whose life he saves. The man is none other than spymaster Wilhelm Canaris, chief of the Abwehr, German military intelligence. Canaris adopts the young man and dubs him 'Cesare' after the character in the silent film The Cabinet of Dr. Caligari for his ability to break through any barrier as he eliminates the Abwehr's enemies.Canaris is a man of contradictions who, while serving the regime, seeks to undermine the Nazis and helps Cesare hide Berlin's Jews from the Gestapo. But the Nazis will lure many to Theresienstadt, a phony paradise in Czechoslovakia with sham restaurants, novelty shops, and bakeries, a cruel ghetto and way station to Auschwitz. When the woman Cesare loves, a member of the Jewish underground, is captured and sent there, Cesare must find a way to rescue her.

On a windy night in 1937, a seventeen-year-old German naval sub-cadet is wandering along the seawall when he stumbles upon a gang of ruffians beating up a tramp, whose life he saves. The man is none other than spymaster Wilhelm Canaris, chief of the Abwehr, German military intelligence. Canaris adopts the young man and dubs him 'Cesare' after the character in the silent film The Cabinet of Dr. Caligari for his ability to break through any barrier as he eliminates the Abwehr's enemies.Canaris is a man of contradictions who, while serving the regime, seeks to undermine the Nazis and helps Cesare hide Berlin's Jews from the Gestapo. But the Nazis will lure many to Theresienstadt, a phony paradise in Czechoslovakia with sham restaurants, novelty shops, and bakeries, a cruel ghetto and way station to Auschwitz. When the woman Cesare loves, a member of the Jewish underground, is captured and sent there, Cesare must find a way to rescue her.

J.D. Salinger, mysterious author of The Catcher in the Rye, is remembered today as a reclusive misanthrope. Jerome Charyn's Salinger is a young American WWII draftee assigned to the Counter Intelligence Corps, a band of secret soldiers who trained with the British. A rifleman and an interrogator, he witnessed all the horrors of the war - from the landing on D-Day to the relentless hand-to-hand combat in the hedgerows of Normandy, to the Battle of the Bulge, and finally to the first Allied entry into a Bavarian death camp, where corpses were piled like cordwood. After the war, interned in a Nuremberg psychiatric clinic, Salinger became enchanted with a suspected Nazi informant. They married, but not long after he brought her home to New York, the marriage collapsed. Maladjusted to civilian life, he lived like a 'spook,' with invisible stripes on his shoulder, the ghosts of the murdered inside his head, and stories to tell.Grounded in biographical fact and reimagined as only Charyn could, Sergeant Salinger is an astonishing portrait of a devastated young man on his way to becoming the mythical figure behind a novel that has marked generations.

J.D. Salinger, mysterious author of The Catcher in the Rye, is remembered today as a reclusive misanthrope. Jerome Charyn's Salinger is a young American WWII draftee assigned to the Counter Intelligence Corps, a band of secret soldiers who trained with the British. A rifleman and an interrogator, he witnessed all the horrors of the war - from the landing on D-Day to the relentless hand-to-hand combat in the hedgerows of Normandy, to the Battle of the Bulge, and finally to the first Allied entry into a Bavarian death camp, where corpses were piled like cordwood. After the war, interned in a Nuremberg psychiatric clinic, Salinger became enchanted with a suspected Nazi informant. They married, but not long after he brought her home to New York, the marriage collapsed. Maladjusted to civilian life, he lived like a 'spook,' with invisible stripes on his shoulder, the ghosts of the murdered inside his head, and stories to tell.Grounded in biographical fact and reimagined as only Charyn could, Sergeant Salinger is an astonishing portrait of a devastated young man on his way to becoming the mythical figure behind a novel that has marked generations.

Narrated by a starry-eyed reporter, Big Red reimagines the tragic career of Rita Hayworth and her indomitable husband, Orson Welles.Set amidst the noir glamour of Hollywood's Golden Age, Big Red reenvisions the life of one of America's most enduring icons: Gilda herself, Rita Hayworth, whose fiery red hair and hypnotic dancing helped make her the quintessential movie star of the 1940s. With narrator Rusty Redburn - a feisty second-string gossip columnist from Kalamazoo tasked with spying on Hayworth by Columbia movie mogul Harry 'The Janitor' Cohn - as our guide, we follow the meteoric rise and heartrending demise of the actress, encountering her exploitative father, Eduardo; her controlling husband, 'boy genius' Orson Welles; and notorious journalist Louella Parsons, among many others. Mixing his trademark screwball comedy and unerring tragedy, Jerome Charyn, with his 'polymorphous imagination' (Jonathan Lethem) reanimates film classics such as Cover Girl, Gilda, and The Lady from Shanghai. An insightful, tender portrait of a seemingly halcyon age before blockbusters and film franchises, Big Red promises to consume both Hollywood cinephiles and neophytes alike.

Narrated by a starry-eyed reporter, Big Red reimagines the tragic career of Rita Hayworth and her indomitable husband, Orson Welles.Set amidst the noir glamour of Hollywood's Golden Age, Big Red reenvisions the life of one of America's most enduring icons: Gilda herself, Rita Hayworth, whose fiery red hair and hypnotic dancing helped make her the quintessential movie star of the 1940s. With narrator Rusty Redburn - a feisty second-string gossip columnist from Kalamazoo tasked with spying on Hayworth by Columbia movie mogul Harry 'The Janitor' Cohn - as our guide, we follow the meteoric rise and heartrending demise of the actress, encountering her exploitative father, Eduardo; her controlling husband, 'boy genius' Orson Welles; and notorious journalist Louella Parsons, among many others. Mixing his trademark screwball comedy and unerring tragedy, Jerome Charyn, with his 'polymorphous imagination' (Jonathan Lethem) reanimates film classics such as Cover Girl, Gilda, and The Lady from Shanghai. An insightful, tender portrait of a seemingly halcyon age before blockbusters and film franchises, Big Red promises to consume both Hollywood cinephiles and neophytes alike.

Since he first appeared on the American literary scene, Jerome Charyn has dazzled readers with his “blunt, brilliantly crafted prose” (Washington Post). Yet Charyn, a beloved comedic novelist, also possesses an extraordinary knowledge of Golden Age Hollywood, having taught film history both in the United States and France.With Big Red, Charyn reimagines the life of one of America’s most enduring icons, “Gilda” herself, Rita Hayworth, whose fiery red tresses and hypnotic dancing graced the silver screen over sixty times in her nearly forty-year career. The quintessential movie star of the 1940s, Hayworth has long been objectified as a sex symbol, pin-up girl, and so-called Love Goddess. Here Charyn, channeling the ghosts of a buried past, finally lifts the veils that have long enshrouded Hayworth, evoking her emotional complexity—her passions, her pain, and her inner turmoil.Charyn’s reimagining of Hayworth’s story begins in 1943, in a roomette at the Hollywood Hotel, where narrator Rusty Redburn—an impetuous, second-string gossip columnist from Kalamazoo, Michigan—bides her time between working as a gofer in the publicity offices of Columbia Pictures, volunteering at an indie movie house, and pursuing dalliances with young women on the Sunset Strip. Called upon by the manipulative Columbia movie mogul Harry “The Janitor” Cohn to spy on Hayworth—then, the Dream Factory’s most alluring “dame,” and Cohn’s biggest movie star—Rusty becomes Rita’s confidante, accompanying her on a series of madcap adventures with her indomitable husband, the “boy genius” Orson Welles.But Rusty, an outlaw who can see beyond the prejudices of Hollywood’s male-dominated hierarchy, quickly becomes disgusted with the way actresses, and particularly Rita, are exploited by men. As she struggles to balance the dangerous politics of Tinseltown with her desire to protect Rita from ruffians and journalists alike, Rusty has her own encounters—some sweet, some bruising—with characters real and imagined, from Julie Tanaka, an interned Japanese-American friend, to superstars like Clark Gable and Tallulah Bankhead, as well as notorious Hollywood gossip columnist Louella Parsons.Reanimating such classic films as Gilda and The Lady from Shanghai, Big Red is a bittersweet paean to Hollywood’s Golden Age, a tender yet honest portrait of a time before blockbusters and film franchises—one that promises to consume both Hollywood cinephiles and neophytes alike. Lauded for his “polymorphous imagination” (Jonathan Lethem), Charyn once again has created one of the most inventive novels in recent American literature.

This unforgettable portrait of Abraham Lincoln and the Civil War effortlesslymixes humor with Shakespearean-like tragedy to create an achingly humanportrait of the sixteenth president. Charyn conducts an orchestra of historicalfigures and fictional extras centered around a profoundly moral but troubled commanderin chief whose relationship with his Ophelia-like wife and his sons—Robert,Willie, and Tad—is explored with penetrating psychological insight and the utmostcompassion. Seized by melancholy and imbued with an unfaltering sense of humanworth, Charyn’s President Lincoln comes to vibrant, three-dimensional life in a hauntingportrait we have rarely seen in historical fiction.

Raising the literary bar to a new level, Jerome Charyn re-creates the voice of Theodore Roosevelt, the New York City police commissioner, Rough Rider, and soon- to-be twenty-sixth president through his derring-do adventures, effortlessly combining superhero dialogue with haunting pathos. Beginning with his sickly childhood and concluding with McKinley’s assassination, the novel positions Roosevelt as a “perfect bull in a china shop,” a fearless crime fighter and pioneering environmentalist who would grow up to be our greatest peacetime president.With an operatic cast, including “Bamie,” his handicapped older sister; Eleanor, his gawky little niece; as well as the devoted Rough Riders, the novel memorably features the lovable mountain lion Josephine, who helped train Roosevelt for his “crowded hour,” the charge up San Juan Hill. Lauded by Jonathan Lethem for his “polymorphous imagination and crack comic timing,” Charyn has created a classic of historical fiction, confirming his place as “one of the most important writers in American literature” (Michael Chabon).

Widely considered “one of our most rewarding novelists,” Jerome Charyn “has upped the ante” (Larry McMurtry) by re-creating the voice of Theodore Roosevelt through his derring-do adventures as New York City police commissioner, Rough Rider, and soon-to-be twenty-sixth president. Beginning with his sickly childhood and concluding with McKinley’s assassination in 1901, Charyn positions Roosevelt as a fearless crime fighter and pioneering environmentalist who would grow up to be our greatest peacetime president. With an operatic cast, including “Bamie,” his handicapped older sister; Eleanor, his gawky little niece; as well as the devoted Rough Riders; the novel memorably features the lovable mountain lion Josephine, who helped train Roosevelt for his “crowded hour,” the charge up San Juan Hill. “Graced with vivid, vigorous writing” (Gerard Helferich, Wall Street Journal), The Perilous Adventures of the Cowboy King is a rollicking work of historical fiction that will appeal to fans of Michael Chabon’s The Amazing Adventures of Kavalier & Clay.

'In Charyn’s capable hands, Callas sings again' The Times'This is a marvel' Publishers Weekly'Compelling and dramatic' Booklist'...the allure of an opera legend is rendered with humanizing grit' Foreward ReviewsMaria Callas, called La Divina, is widely recognised as the greatest diva who ever lived. Jerome Charyn's Callas springs to life as the headstrong, mercurial, and charismatic artist who captivated generations of fans, thrilling audiences with her brilliant performances and defiant personality.Callas was one of the first divas to come from an impoverished background. As an outsider, she was shunned by the Italian opera houses, but through sheer force of will and the power and range of her voice, she broke through the invisible wall to sing at La Scala and headline at the Metropolitan Opera, forging an unforgettable career. Adored by celebrities and statesmen, the notable and notorious alike, her every movement was shadowed by both music critics and gossip columnists – until, having lost her voice, she died alone in an opulent, mausoleum-like Paris apartment.In Charyn's inimitable style, Maria La Divina humanizes the celebrated diva, revealing the mythical artist as a woman who survived hunger, war, and loneliness to reach the heights of acclaim.

A master storyteller’s novel of crime, corruption, and antisemitism in early Manhattan, Ravage & Son reflects the lost world of Manhattan’s Lower East Side — the cradle of Jewish immigration during the first years of the twentieth century — in a dark mirror.Abraham Cahan, editor of the Jewish Daily Forward, serves as the conscience of the Jewish ghetto teeming with rogue cops and swindlers.He rescues Ben Ravage, an orphan, from a trade school and sends him off to Harvard to earn a law degree. But upon his return, Ben rejects the chance to escape his gritty origins and instead becomes a detective for the Kehilla, a quixotic gang backed by wealthy uptown patrons to help the police rid the Lower East Side of criminals.Charged with rooting out the Jewish 'Mr. Hyde', a half-mad villain who attacks the prostitutes of Allen Street, Ben discovers that his fate is irrevocably tied to that of this violent, sinister man.

A master storyteller’s novel of crime, corruption, and antisemitism in early Manhattan, Ravage & Son reflects the lost world of Manhattan’s Lower East Side — the cradle of Jewish immigration during the first years of the twentieth century — in a dark mirror.Abraham Cahan, editor of the Jewish Daily Forward, serves as the conscience of the Jewish ghetto teeming with rogue cops and swindlers.He rescues Ben Ravage, an orphan, from a trade school and sends him off to Harvard to earn a law degree. But upon his return, Ben rejects the chance to escape his gritty origins and instead becomes a detective for the Kehilla, a quixotic gang backed by wealthy uptown patrons to help the police rid the Lower East Side of criminals.Charged with rooting out the Jewish 'Mr. Hyde', a half-mad villain who attacks the prostitutes of Allen Street, Ben discovers that his fate is irrevocably tied to that of this violent, sinister man.

PEN/ Jacqueline Bograd Weld Award for Biography Longlist O, The Oprah Magazine "Best Books of Summer" selection "Magnetic nonfiction." --O, The Oprah Magazine "Remarkable insight ...[a] unique meditation/investigation...Jerome Charyn the unpredictable, elusive, and enigmatic is a natural match for Emily Dickinson, the quintessence of these." --Joyce Carol Oates, author of Wild Nights! and The Lost Landscape We think we know Emily Dickinson: the Belle of Amherst, virginal, reclusive, and possibly mad. But in A Loaded Gun, Jerome Charyn introduces us to a different Emily Dickinson: the fierce, brilliant, and sexually charged poet who wrote: My Life had stood--a Loaded Gun-- ...Though I than He-- may longer live He longer must--than I-- For I have but the power to kill, Without--the power to die-- Through interviews with contemporary scholars, close readings of Dickinson's correspondence and handwritten manuscripts, and a suggestive, newly discovered photograph that is purported to show Dickinson with her lover, Charyn's literary sleuthing reveals the great poet in ways that have only been hinted at previously: as a woman who was deeply philosophical, intensely engaged with the world, attracted to members of both sexes, and able to write poetry that disturbs and delights us today.Jerome Charyn is the author of, most recently, Bitter Bronx: Thirteen Stories, I Am Abraham: A Novel of Lincoln and the Civil War, and The Secret Life of Emily Dickinson: A Novel. He lives in New York.