Visar resultat för..."Tor Classics"

The first new Penguin Classics translation in forty years of Victor Hugo’s masterpiece, the subject of The Novel of the Century by David Bellos—published in a stunning Deluxe edition. Winner of the French-American Foundation & Florence Gould Foundation’s 29th Annual Translation Prize in Fiction.The subject of the world’s longest-running musical and the award-winning film, Les Misérables is a genuine literary treasure. Victor Hugo’s tale of injustice, heroism, and love follows the fortunes of Jean Valjean, an escaped convict determined to put his criminal past behind him, and has been a perennial favorite since it first appeared over 150 years ago. This exciting new translation with Jillian Tamaki’s brilliant cover art will be a gift both to readers who have already fallen for its timeless story and to new readers discovering it for the first time. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Living in the slums of Rio and eking out a living as a typist, Macabéa loves movies, Coca-Cola and her philandering rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly and unloved. Yet telling her story is the narrator Rodrigo S.M., who tries to direct Macabéa's fate but comes to realize that, for all her outward misery, she is inwardly free. Slyly subverting ideas of poverty, identity, love and the art of writing itself, Clarice Lispector's audacious last novel is a haunting portrayal of innocence in a bad world.

'Be with me always – take any form – drive me mad! only do not leave me in this abyss, where I cannot find you! Oh, God! it is unutterable! I cannot live without my life! I cannot live without my soul!'Emily Brontë's novel of impossible desires, violence and transgression is a masterpiece of intense, unsettling power. It begins in a snowstorm, when Lockwood, the new tenant of Thrushcross Grange on the bleak Yorkshire moors, is forced to seek shelter at Wuthering Heights. There he discovers the history of the tempestuous events that took place years before: the intense passion between the foundling Heathcliff and Catherine Earnshaw, her betrayal of him and the bitter vengeance he now wreaks on the innocent heirs of the past.This Penguin Classics edition includes an introduction and notes by Pauline Nestor and a preface by Lucasta Miller.

In this pioneering study Edith Hall explores the numerous different ways in which we can understand the relationship between the real, social world in which the Athenians lived and the theatrical roles that they invented. In twelve studies of role types and the theatrical conventions that contributed to their creation - including women in childbirth, drowning barbarians, horny satyrs, allegorical representations of Comedy, peasant farmers, tragic masks, and solo sung arias - she advances the argument that the interface between ancient Greek drama and social reality must be understood as a complicated and incessant process of mutual cross-pollination.

The word 'athletics' is derived from the Greek verb 'to struggle for a prize'. After reading this book, no one will see the Olympics as a graceful display of Greek beauty again, but as war by other means.Nigel Spivey paints a portrait of the Greek Olympics as they really were - fierce contests between bitter rivals, in which victors won kudos and rewards, and losers faced scorn and even assault. Victory was almost worth dying for, and a number of athletes did just that. Many more resorted to cheating and bribery. Contested always bitterly and often bloodily, the ancient Olympics were not an idealistic celebration of unity, but a clash of military powers in an arena not far removed from the battlefield.

This first full-length study of Erasmus’ translations of classical literature examines his approach to translation and, more generally, his role as a transmitter of the classics. It traces in chronological order the progress of his Greek studies and the publication history of his translations from Greek into Latin; these included selections from the works of Libanius, Euripides, Plutarch, Lucian, Galen, Isocrates and Xenophon. It also illustrates Erasmus’ methods with appropriate examples from his own texts and from those of his predecessors and contemporaries. In so doing it provides an overview of the state of Greek literature in the Renaissance.Erasmus shifted from literal translation to a more liberal approach – a change in attitude that was accompanied by a redefinition of his role as translator. In his early work he had pursued private goals, regarding his versions from secular authors as private pieces for his magnum opus, the New Testament. In later years his approach became more reader-oriented. He saw his work in terms of a service to scholarship – making Greek literature accessible to Latin readers and acting as their guide to classical thought. He was concerned not only with the mechanics of conveying the factual contents and literary qualities of the original, but also with the applicability of its moral content to Christian philosophy.This book includes a chapter on Erasmus’ New Testament version; by allowing a fuller evaluation of Erasmus’ contribution to philology, this subject adds an important dimension to the book. Erasmus’ translations of Greek texts reflect two concerns that dominated his life. As an educator he wanted to see classical philology firmly established in the curriculum of schools; as a Christian humanist he wanted to convince biblical scholars that it was an indispensable tool of their profession.