British Association for American Studies (BAAS) Paperbacks - Böcker

Anyone who seeks to understand the dynamics of culture and politics in the United States must grapple with the importance of religion in its many diverse and contentious manifestations. With conservative evangelicals forming the base of the Republican Party, racial-ethnic communities often organised along religious lines, and social-political movements on the left including major religious components, many of the country’s key cultural-political debates are carried out through religious discourse. Thus it is misleading either to think of the US as a secular society in which religion is marginal, or to work with overly narrow understandings of religion which treat it as monolithically conservative or concerned primarily with otherworldly issues.In this volume, Mark Hulsether introduces the key players and offers a select group of case studies that explore how these players have interacted with major themes and events in US cultural history. Students in American Studies and Cultural Studies will appreciate how he frames his analysis using categories such as cultural hegemony, race and gender contestation, popular culture, and empire.Key Features:*Provides a concise introduction to the field*Balances a stress on religious diversity with attention to power conflicts within multiculturalism*Dramatizes the internal complexity and dynamism of religious communities*Brings religious issues into the field of cultural studies, building bridges that can enable more informed and constructive discussion of religion in these fields*Provides an integrated view of religion and its importance in recent US history.

This introduction to the Civil Rights Movement synthesises its history, explaining its origins, development and results as well as historiographical debates. A survey based on a wealth of recent scholarship, it provides a critical perspective on the movement, eschewing the celebratory tone that pervades much of the current literature, and taking into account the African-American community’s diversity.Mark Newman outlines the range of white responses to the movement and analyses both northern and southern opinion. He examines the role of the federal government, the church and organised labour, as well as assessing the impact of the Cold War. The book discusses local, regional, and national civil rights campaigns; the utility of non-violent direct action; and the resurgence of black nationalism. And it explains the development, achievements and disintegration of the national civil rights coalition, the role of Martin Luther King Jr and the contribution of many otherwise ordinary men and women to the movement.The insufficiently appreciated National Association for the Advancement of Colored People receives particular attention, with contrasts drawn between the national office and state conferences and local branches. In detailing and assessing the African-American struggle between the 1930s and 1980s, Newman widens the movement’s traditional chronology, offering readers a broad-ranging history.Key Features*Covers both the north and south of America*Broad chronological coverage – begins in 1941 and ends in 1989, covering the origins and long-term effects of the movement*Discusses the historiography of the CRM, at an appropriate level for undergraduates

The Civil War is an event of great cultural significance, impacting upon American literature, film, music, electronic media, the marketplace and public performance. This book takes an innovative approach to this great event in American history, exploring its cultural origins and enduring cultural legacy. It focuses upon the place of the Civil War across the broad sweep of American cultural forms and practices and reveals important links between historical events and contemporary culture.The first chapter introduces a discussion of ante-bellum culture and the part cultural forces played in the sectional crisis that exploded into full-blown war in 1861. Subsequent chapters focus on particular themes, appropriations, interpretations and manifestations of the War as they have appeared in American culture. Particular topics include:• Confederate revivalism• the cultural uses of martyrdom• the centrality of race• the War’s destabilisation of gender norms• the War’s place in virtual and transnational cultureThe final chapter explores the Civil War’s alternative histories and the cultural meanings of the word ‘Appomattox’. The reader is presented with an accessible, concise discussion of the Civil War in its many cultural contexts.Key Features:* multidisciplinary study of the cultural legacy of the Civil War: in literature, film, music, computer games, the internet, role play, material culture, and civic demonstration* situates race at the heart of the discussion and challenges the culture of denial in which race and slavery are marginalised in Civil War remembrance* written in a lively narrative voice, deliberately jargon-free* offers innovative readings of well-known and unexplored cultural material

This new, revisionist approach to the Twenties in America offers the first balanced account of the history and politics of this much-maligned decade.Focusing on the two Presidents of the 1920s, the book points out key distinctions between the governing styles and political philosophies of Warren Harding and Calvin Coolidge. It suggests Harding’s executive style and achievements were not as poor as traditional portraits have claimed. Coolidge is presented in terms of his largely successful efforts to distance himself from the financial scandals associated with his predecessor and his encouragement of the major revival of much of the US economy.The author argues that the pace of social and technological change resulted in lines of conflict over poverty, race, religion and employment rights being redrawn as living standards rose, home and working conditions changed and old prejudices were challenged. Consequently, politicians found that old solutions became increasingly irrelevant to new realities.The narrative is placed in the familiar context of the Twenties: the motor car, jazz, F. Scott Fitzgerald, Hollywood, mass consumerism and the flapper.Key Features*The only balanced overview of the history and politics of America in the 1920s*Revises the traditional views of the Presidencies of Harding and Coolidge*Places the politics in its social and cultural context

This introduction to contemporary Native American literature is suitable for students with little or no knowledge of the subject, or of Native American culture or history.It examines influential texts in the context of the historical moment of their production, with reference to significant literary developments. Most importantly, Native literature is assessed within the wider socio-political context of American colonialism, the history of Federal-Indian relations and policies, popular perceptions of ‘Indians’, and contemporary Native economic, social, and political realities.A survey of early Native literature provides the framework for considering the development of Native writings throughout the twentieth century. Focusing primarily upon late twentieth-century writings, the study begins with the moment that is widely defined as marking the ‘renaissance’ of contemporary Native American literature: the awarding of the 1969 Pulitzer Prize to the Kiowa writer N. Scott Momaday for his novel House Made of Dawn. The subsequent analysis of key writers and texts includes a biography and brief bibliographical survey of each writer’s work, with a detailed analysis of one text considered to be particularly important in the field, and considerations of significant topics such as cultural translation, humour, gender, and the role of the reader. The study concludes with an overview of current developments and emerging writers. Key Features:* Detailed historical context for writers and texts* Writers and texts situated within developments in Native politics* Inclusion of significant writers often excluded from textbooks* Equal balance between coverage of poetry and prose* Clear discussion of gender issues and importance of the medium of film* Comprehensive analysis of recent developments and emerging writers

This book examines the quilts, ceramics, paintings, sculpture, installations, assemblages, daguerreotypes, photography and performance art produced by African American artists over a two hundred year period. The author draws on archaeological discoveries and unpublished archival materials to recover the lost legacies of artists living and working in the United States.As the first critical study to provide in-depth case studies of twenty artists, this book introduces readers to works created in response to the Middle Passage, Atlantic slavery, lynching, racism, segregation, and the fight for civil rights. Bernier examines little-discussed panoramas, murals, portraits, textile designs, collages and mixed-media installations to get to grips with key motifs and formal issues within African American art history. Working within this tradition, artists experiment with cutting edge techniques and alternative subject-matter to undermine racist iconography and endorse a new visual language. They push thematic and formal boundaries to create powerful narratives and epic histories of creativity, labour, discrimination, suffering and resistance. By providing close readings of works by artists such as Elizabeth Catlett, Jacob Lawrence, William Edmondson, Howardena Pindell, Charles Alston, Romare Bearden, Norman Lewis, Betye Saar, Horace Pippin and Kara Walker, this book sheds new light on the thematic and formal complexities of an African American art tradition which still remains largely shrouded in mystery.Includes 16 colour photographs.

Argues for the recognition of American theatre history as long, rich, diverse and critically compelling.Embracing all epochs of theatre history, from pre-colonial Native American performance rituals and the endeavours of early colonisers in the sixteenth and seventeenth centuries, to the end of the twentieth century, Theresa Saxon situates American theatre as a lively, dynamic and diverse arena. She considers the implications of political manoeuvrings, economics - state-funding and commercial enterprises - race and gender, as well as material factors such as technology, riot and fire, as major forces in determining the structure of America's playhouses and productions. She goes on to investigate critical understandings of the term 'theatre,' and assesses ways in which the various values of commerce, entertainment, education and dramatic production have informed the definition of theatre throughout America's history.

The American Short Story since 1950 offers a reappraisal and contextualisation of a critically underrated genre during a particularly rich period in its history. It offers new readings of important stories by key writers including Flannery O'Connor, John Cheever, Donald Barthelme, Raymond Carver, Lorrie Moore and Grace Paley. These readings are related throughout to the various contexts in which stories are written and published, including creative writing schools, story-writing handbooks, mass market and 'little' magazines. A long introduction tells the story of the American short story before 1950. The first four chapters are roughly chronological, covering the major trends (such as realism, fabulism and minimalism) in short fiction from the 1950s to 2000. The fifth explores the implications for the short story of its association with creative writing education. The sixth deals with the short story sequence since 1950. A conclusion surveys the state of short fiction today.Key Features*explores a particularly rich period in the history of the short story *offers close-readings of important stories by major writers including Flannery O'Connor, John Cheever, William Gass, Donald Barthelme, Raymond Carver, Denis Johnson, Junot Díaz, Edward P. Jones, Grace Paley, Sherman Alexie, David Foster Wallace, Gish Jen, Lorrie Moore, David Bezmozgis and Lydia Davis* draws on previously unpublished interviews with many of these writers*explores the contexts in which stories are written and published, including story-writing handbooks, mass market and 'little' magazines, creative writing workshops*considers the short story in relation to a variety of literary modes and trends such as realism, metafiction and minimalism, and to other forms, especially the novel and the lyric poem

This introduction to the major forms of autobiographical writing in America and important current developments in autobiography studies discusses both 'canonised' texts and those from contemporary writers. Taking a broadly chronological approach, the history of American autobiography is explored including the social and cultural factors that might account for the importance of autobiography in American culture. Then post-1970 autobiographies are examined, taking into account the development in poststructuralism from this time that affected notions of the subject who could write, and conceptions of truth, identity and reference.Key Features* Engages in discussions about the 'Americanness' of autobiography, especially in relation to important contemporary issues such as multiculturalism and transnationalism* Acknowledges the problematic nature of the 'canon' of American autobiography* Explores the most exciting recent developments in relation to the self, writing, and autobiography (e.g. poststructuralist thought, the postmodern, the post-colonial, life-writing and genre)* Considers autobiographies from Benjamin Franklin, Frederick Douglass, Harriet Jacobs, Walt Whitman and Gertrude Stein to Maxine Hong Kingston, Lance Armstrong, Lucy Grealy and Barack Obama* Includes study of the Puritan autobiography, the slave narrative, political texts, photography in autobiography, and illness/ disability memoirs

The first student guide to American autobiographyThis introduction to the major forms of autobiographical writing in America and important current developments in autobiography studies discusses both 'canonised' texts and those from contemporary writers. Taking a broadly chronological approach, the history of American autobiography is explored including the social and cultural factors that might account for the importance of autobiography in American culture. Then post-1970 autobiographies are examined, taking into account the development in poststructuralism from this time that affected notions of the subject who could write, and conceptions of truth, identity and reference.Key Features* Engages in discussions about the 'Americanness' of autobiography, especially in relation to important contemporary issues such as multiculturalism and transnationalism* Acknowledges the problematic nature of the 'canon' of American autobiography* Explores the most exciting recent developments in relation to the self, writing, and autobiography (e.g. poststructuralist thought, the postmodern, the post-colonial, life-writing and genre)* Considers autobiographies from Benjamin Franklin, Frederick Douglass, Harriet Jacobs, Walt Whitman and Gertrude Stein to Maxine Hong Kingston, Lance Armstrong, Lucy Grealy and Barack Obama* Includes study of the Puritan autobiography, the slave narrative, political texts, photography in autobiography, and illness/ disability memoirs

Argues for the recognition of American theatre history as long, rich, diverse and critically compelling.Embracing all epochs of theatre history, from pre-colonial Native American performance rituals and the endeavours of early colonisers in the sixteenth and seventeenth centuries, to the end of the twentieth century, Theresa Saxon situates American theatre as a lively, dynamic and diverse arena. She considers the implications of political manoeuvrings, economics - state-funding and commercial enterprises - race and gender, as well as material factors such as technology, riot and fire, as major forces in determining the structure of America's playhouses and productions. She goes on to investigate critical understandings of the term 'theatre,' and assesses ways in which the various values of commerce, entertainment, education and dramatic production have informed the definition of theatre throughout America's history.