Florida Humanities Partnership Publications - Böcker

The musical and cultural impact of the Fab Four in FloridaIn 1964, Beatlemania flooded the United States. The Beatles appeared live on the Ed Sullivan Show and embarked on their first tour of North America—and they spent more time in Florida than anywhere else. Good Day Sunshine State dives into this momentous time and place, exploring the band’s seismic influence on the people and culture of the state.Bob Kealing sets the historical stage for the band’s arrival—a nation dazed after the assassination of John F. Kennedy and on the precipice of the Vietnam War; a heavily segregated, conservative South; and in Florida, recent events that included the Cuban Missile Crisis and the arrest and imprisonment of Martin Luther King Jr. in St. Augustine. Kealing documents the culture clashes and unexpected affinities that emerged as the British rockers drew crowds, grew from fluff story to the subject of continual news coverage, and basked in the devotion of a young and idealistic generation.Through an abundance of letters, memorabilia, and interviews with journalists, fellow musicians, and fans, Kealing takes readers behind the scenes into the Beatles’ time in locations such as Miami Beach, where they wrote new songs and met Muhammad Ali. In the tropical environs of Key West, John Lennon and Paul McCartney experienced milestone moments in their friendship. And the band dodged the path of Hurricane Dora to play at the Gator Bowl in Jacksonville, where they famously refused to perform until the city agreed to integrate the audience.Kealing highlights the hopeful futures that the Beatles helped inspire, including stories of iconic rock-and-rollers such as Tom Petty who followed the band’s lead in their own paths to stardom. This book offers a close look at an important part of the musical and cultural revolution that helped make the Fab Four a worldwide phenomenon.

Rare photographs that capture the beauty of a unique ecological treasureAn immersive journey into the stunning beauty, rich biodiversity, and fragile ecosystems of Dry Tortugas National Park, this book combines captivating photographs with insightful narratives to highlight a remote archipelago that has profound ecological significance.Accessible only by seaplane or boat, located 70 miles west of Key West and part of UNESCO’s World Network of Biosphere Reserves, the park includes seven enchanting islands and—with 99 percent of the park being underwater—a treasure trove of marine life. Through the lens of conservation photographer Ian Wilson-Navarro, readers will discover lush seagrass beds, vibrant coral reefs, and mesmerizing turquoise waters that are difficult for the public to visit.The book’s nearly 200 color images are accompanied by essays by Sarah Fangman, Cori Convertito, Curtis Hall, and Nancy Klingener, individuals with intimate knowledge of the park who explore its history, culture, and environment. They elucidate the complex relationships between nature and humanity that have long existed in the Dry Tortugas and emphasize the importance of preserving both historic structures such as Fort Jefferson on Garden Key and the undisturbed habitats that allow countless wildlife species to flourish.From graceful green sea turtles and magnificent frigatebirds to intricate coral formations and spectacular starry skies, the photographs in Dry Tortugas inspire awe and appreciation for an environmental sanctuary that serves as a baseline for Florida Keys ecology during a time of accelerating climate change for the planet. Educational and emotionally resonant, this book is a powerful testament to the park’s allure and its incredibly special natural wonders.Funding for this publication was provided through a grant from Florida Humanities with funds from the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this publication do not necessarily represent those of Florida Humanities or the National Endowment for the Humanities.

Discover Florida’s unique places across time through writings from historyHow has Florida’s land changed across five centuries? What has stayed the same, and what remains only in memory? In Tracing Florida Journeys, Leslie Poole delves into the stories of well-known explorers and travelers who came to the peninsula and wrote about their experiences, looking at their words and the paths they took from the perspective of today. In these pages, John Muir and Harriet Beecher Stowe write about their visits to Florida, reflecting their expectations of a place that was touted to be “paradise.” John James Audubon finds riches of bird life in the Keys. Zora Neale Hurston travels to turpentine camps and sawmills documenting the stories and music of workers and residents. Jonathan Dickinson and Stephen Crane recount shipwrecks along a sparsely populated coastline. Members of Hernando de Soto’s violent 1539 expedition of conquest describe their struggles with dense swamps, forests, and rivers, and resistance from the Native people they exploited. Using journals and articles by these and other authors that date back to the early European exploration of the region, Poole retraces their steps. The land they write about is often hard to imagine in today’s Florida, a top destination for tourists filled with almost 22 million residents. These stories show the evolving history of the state and the richness of its natural resources. Poole’s comparisons also point to the people who have been displaced and the ecosystems that have been dramatically altered by exploration and development. Highlighting the Florida that was and the Florida that exists now, Poole brings together historical research, interviews with experts, and her personal experiences to tell a revealing story of the state’s natural history.Funding for this publication was provided through a grant from Florida Humanities with funds from the National Endowment for the Humanities. Any views, findings, conclusions or recommendations expressed in this publication do not necessarily represent those of Florida Humanities or the National Endowment for the Humanities.

Through stories of nature near at hand, a South Florida writer offers a unique view of humans and the environment amid development and change   Wings and talons clatter against a windowpane. Foxes den under a deck. Pines stand in quarter-acre lots, recalling a vanished forest. In this book, Andrew Furman explores touchpoints between his everyday suburban life and the environment in South Florida, contemplating his place in a subtropical landscape stretching from the Everglades to the warm Atlantic coast. Transportive vignettes of encounters in the natural world blend with ordinary, all-too-relatable stories of home and family life in these chapters. Puzzled and fascinated by the plants and animals he meets while continually preoccupied by busy domestic routines, Furman illustrates the beauty of his “suburban wilderness.” He also reckons with changes and threats to the surrounding landscape. How, he asks, should humans go about living in what is simultaneously one of the most overdeveloped and most naturally beautiful states in the country?Furman’s meditations give rise to an environmental ethic that challenges distinctions between nature and culture, wilderness and civilization, solitude and family life. Rather, with humor and hope, he encourages readers to engage in life with the mindset that the human and non-human are inextricably connected—and to ask how they can better belong together.Of Slash Pines and Manatees is a creative and memorable example for anyone seeking to live responsibly and richly in a world impacted by human activity. Furman inspires readers to focus fiercely on the local, to conduct their own adventures in the ecosystem outside their front doors, and to see that even in the most overdeveloped areas, what is wild persists.   Funding for this publication was provided through a grant from Florida Humanities with funds from the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this publication do not necessarily represent those of Florida Humanities or the National Endowment for the Humanities.