NHB Collected Works – serie

Five ambitious and exciting plays by the multi-award-winning playwright, hailed as ‘one of the prime movers in a new golden generation of British playwrights’ (Independent), and introduced by the author.Earthquakes in London (National Theatre & Headlong, 2010) is an epic drama about climate change, population explosion, social breakdown and worldwide paranoia, travelling from 1968 to 2525 and back again. ‘The theatrical equivalent of a thrilling roller-coaster ride’ (Daily Telegraph)Love, Love, Love (Paines Plough & Drum Theatre Plymouth, UK tour, 2010; Royal Court & Paines Plough, 2012) examines the baby boomer generation, from coming-of-age in the 1960s to retirement-age more than forty years later, in a play that ‘does the clash of generational world views with a devastating precision’ (Guardian).The Enemy is a short play in which a journalist seizes an opportunity to interview the man who shot Osama bin Laden. It was staged by Headlong as part of Decade (St Katherine’s Dock, London, 2011), exploring 9/11 and its legacy.13 (National Theatre, 2011) is a panoramic drama in which a young man returns to London, a city riven by social protest and upheaval, with a radical vision for the future. Premiered on the National’s largest stage, it confirmed Bartlett’s ability to tackle epic themes with supreme assurance: ‘His ambition is distinctive and immense’ (Evening Standard).Medea (Headlong, UK tour, 2012) is a startlingly modern version of Euripides’ tragedy, exploring a woman’s private fury at her husband’s infidelity, while imprisoned in her marital home. ‘A savage play for today, superbly well done’ (Mail on Sunday)

After the breakout success of his early work for stage and screen, Jack Thorne turned for inspiration to his own family for a series of plays about hope, idealism and domestic politics. The work in this collection – five full-length plays and two shorts – showcases his extraordinary ability to combine electrifying dialogue with heartfelt warmth, candour and humour.Hope (Royal Court Theatre, 2014) is a funny and scathing fable about the leaders of a local council faced with savage funding cuts. 'A surprisingly entertaining state-of-the-nation drama' The StageThe Solid Life of Sugar Water (Graeae/Theatre Royal Plymouth, 2015) is an intimate, tender play about loss, hurt and rediscovery. 'Startlingly good... an adult play in the very best sense' The TimesJunkyard (Headlong, 2017) is a joyful celebration of imaginative play, a musical drama about a group of young people tasked with building a playground out of junk. 'Genuinely funny and poignant' WhatsOnStagethe end of history... (Royal Court, 2019) is a moving and sophisticated portrait of the impact of political idealism on a family. 'Clever and highly intriguing' IndependentAlso included are Burying Your Brother in the Pavement, written for the National Theatre Connections Festival in 2008, which tackles complex themes of grief, violence and sexuality with fierce compassion and wild imagination; and two short plays: Whiff Whaff and Boo.'I think these plays are about love, about heroes, about trying to understand how to be heroic, about trying to understand how to lead a good life' Jack Thorne, from his Introduction'Jack Thorne is Britain's hottest playwright and screenwriter' The Times'Jack Thorne never ceases to stimulate and entertain' Evening Standard'Thorne is a writer of immense emotional intelligence and his dialogue regularly devastates' The Stage

A playwright known for dazzling structural inventiveness combined with emotional intelligence and wit, James Fritz is a unique voice in British theatre. His work, reflected in these six plays covering the first decade of his career, confronts the fault lines in our culture with thrilling imagination, an unflinching moral seriousness and a warm, compassionate sense of humour.Four Minutes Twelve Seconds (Hampstead Theatre, 2014; Trafalgar Studios, 2015; winner of the Critics' Circle Award for Most Promising Playwright) is a 'morally terrifying drama' (Evening Standard) that unpicks the trust between parents and their teenage offspring in an age of selfies and sexting.Ross & Rachel (Edinburgh Fringe, 2015; Off-Broadway, 2016) is a 'dialogue for one' that takes an incisive look at the myths of modern love. 'Shockingly good... a virtuosic piece of writing, playful, post-modern and devastatingly serious, all at once' Time OutParliament Square (Royal Exchange Theatre, Manchester, and Bush Theatre, London, 2017; winner of the Judges' Award, Bruntwood Prize for Playwriting) is a searingly powerful exploration of what one individual can do to effect change. 'There are few playwrights working in Britain today whose work is as slick and unsettling as James Fritz's' ExeuntLava (Nottingham Playhouse/Fifth Word, 2018; revived 2022) is a funny, tender and moving story about friendship and reconnection in the aftermath of catastrophe. 'Compassionate, warm and funny... Fritz's plays find reservoirs of humour in places you wouldn't expect' The StageSkyscraper Lullaby (Audible Original, 2022) is a powerful drama, first written as an audio play, about two parents trying to come to terms with the disappearance of their toddler, a haunting examination of the ways we cope with tragedy, complicity and remorse.Also included is a previously unpublished short play, twins (Arcola Theatre, 2015), as well as a playful and illuminating introduction written by the author.

Four early plays from the author of The Weir, with a foreword by the author.The plays in this volume – three monologues and a three-hander – were all written while Conor McPherson was in his twenties.In This Lime Tree Bower (Crypt Arts Centre, Dublin, 1995; Bush Theatre, London, 1996), three young men from a small seaside town near Dublin tell us in overlapping monologues of their inextricably linked lives and the eventful week which was to change things for good.St Nicholas (Bush Theatre, London, 1997) is an eccentric, teasing yarn in which a cynical and jaded drama critic falls for a beautiful young actress. In pursuing her, he meets a group of modern-day vampires who offer him eternal life – his part of the bargain is to feed their bloodlust.Rum and Vodka (University College Dublin, 1992; City Arts Centre, Dublin, 1994) is a short monologue play in which a young Irishman with a drink problem tells of three momentous days in his life when his drab nine-to-five existence is obliterated in an escapist binge which threatens to engulf him.The Good Thief (City Arts Centre, Dublin, 1994) is a monologue play about a petty criminal who is punished by his conscience when he becomes involved in a bungled kidnap.

This collection of plays written and introduced by actor-turned-writer Ayub Khan Din charts the development of a writer able to turn the tumultuous experience of life in modern Britain into satisfying, humane and often richly comic drama.Whether drawing on his own childhood, growing up in an Anglo-Pakistani family in Salford, or on E.R. Braithwaite's account of racial tensions in the East End in To Sir, With Love, he depicts the struggles of individuals to come to terms with their conflicting cultural legacies – and he does so with unerring warmth and compassion.East is East (1996) is an irresistible comedy set in multiracial Salford in 1970, where the Khan children are buffeted this way and that by their Pakistani father’s insistence on tradition, their English mother’s laissez-faire and their own wish to be citizens of the modern world. The film adaptation that followed, with a screenplay by the author, became one of the most successful British films ever made. The version included here is the revised text first performed at the Trafalgar Studios in 2014.The short, elegiac play, Notes on Falling Leaves (2004), is an emotionally tender depiction of a young man as he loses his mother to dementia, 'overwhelming in its emotional impact' (Telegraph).In All the Way Home (2011), a quarrelsome group of siblings gathers at the family home under the shadow of impending loss. Amidst the cut and thrust of spiky Salford banter, long-harboured resentments rise to the surface and family bonds unravel and unwind.To Sir, With Love (2013), based on E.R. Braithwaite's autobiographical novel, is the uplifting story of a talented, idealistic young teacher discovering the reality of life as a black man in Britain after the Second World War as he struggles to find a way to connect with his students at a tough but progressive East End school.

Acclaimed for his screenplays for TV dramas including Skins, Shameless, The Fades, This is England '86/'88/'90 and Glue, Jack Thorne first emerged as a writer of unflinching, compassionate and often challenging plays for the stage. Described as a ‘powerful voice for Britain’s youth’ (Independent), he remains one of the most distinctive talents working in theatre today and was chosen by JK Rowling to write the script for Harry Potter and the Cursed Child.This collection, with a revealing introduction by the author, covers a period of intense creativity – beginning with When You Cure Me (Bush Theatre, 2005), a painful – and painfully funny – play about being very young and in love, and coping with serious illness at the same time. ‘One of the year’s finest pieces of new writing’ Evening StandardIn the monologue play Stacy (Arcola Theatre, 2007), twenty-something Rob tells the story of a confusing couple of days in which everything in his life seems to have gone wrong. ‘A pin-sharp, brilliant piece of work’ Time Out2nd May 1997 (Bush Theatre, 2009) distils all the euphoria and despair of New Labour’s landslide electoral victory into three stories told with ‘quiet profundity and verve’ (Telegraph), while Bunny (Edinburgh Fringe, 2010) is a white-knuckle ride through the streets of contemporary Britain, written for a solo female performer. ‘Terrific’ ScotsmanRed Car, Blue Car is a heartbreaking short play about guilt, grief and responsibility, written for and performed at the Bush in 2011.Finally, Mydidae (Soho Theatre, 2012), a two-hander set entirely in a bathroom, is an electrifyingly intimate account of the darker side of love which hits audiences ‘like a punch in the gut’ (Whatsonstage.com)'An absolutely top-class playwright' JK Rowling

A selection of the best work of Stephen Jeffreys, whose career stretches from an award-winning play at the National Student Drama Festival in 1977 through to an adaptation of The Alchemist for the RSC in 2016.Included here are his first big success, Valued Friends, a comedy of manners about the property market which won both the Evening Standard and Critics’ Circle Awards; a riotous farce set in the time of Elizabeth I, The Clink, in which a stand-up comedian becomes involved in the political skulduggery surrounding the ailing queen; an autobiographical drama set in 1966, A Going Concern, about a washed-up family business; and Jeffreys’ smash-hit, The Libertine, a Restoration romp about the licentious Earl of Rochester, much revived and also filmed with Johnny Depp.Rounding off the volume are two previously unpublished plays: Interruptions, inspired by Jeffreys’ interest in the collective aspect of politics and his fascination with the Japanese aesthetic principle of Jo-ha-kyu; and a very likable, short autobiographical monologue, Finsbury Park.Together, all six plays represent the impressively wide range of topics and styles that Jeffreys embraced. Above all, each one of them is intensely and enjoyably theatrical to its very core.‘I had the great pleasure of working with Stephen Jeffreys on his play, The Libertine. Would that all playwrights had his openness, his talent, his hard-headedness, his experience, his enthusiasm, his complexity, and perhaps best of all his talent and interest in eliciting the best in others’ John Malkovich‘Stephen’s plays always bear the kitemark of unique, handcrafted quality’ Ian Rickson

In this collection of plays from one of our finest dramatists, Caryl Churchill demonstrates her remarkable ability to find new forms to express profound truths about the world we live in. Complete with a new introduction by the author, this volume contains:Seven Jewish Children (Royal Court Theatre, London, 2009): a short play about seven families wondering how to protect their children, written at the time of the bombing of Gaza by Israel in 2008–9.Love and Information (Royal Court, 2012): a fast-moving kaleidoscope in which more than a hundred characters try to make sense of what they know.Ding Dong the Wicked (Royal Court, 2012): two families on opposite sides of a war, locked in identical hatred.Here We Go (National Theatre, 2015): a play about dying and being dead.Escaped Alone (Royal Court, 2016): three old friends and an unexpected neighbour have tea in a sunny back yard, and face catastrophes.Pigs and Dogs (Royal Court, 2016): a look at how colonialism crushed the fluidity of sexuality in Africa and brought a new intolerance, as shown in the Ugandan Anti-Homosexuality Act of 2014.Also included are three previously unpublished short plays, each written in response to political events: War and Peace Gaza Piece (2014), Tickets are Now On Sale (2015) and Beautiful Eyes (2017).'The wit, invention and structural ingenuity of Churchill's work are remarkable… she never does anything twice' Telegraph'The most dazzlingly inventive living dramatist in the English language' New York Times

Robert Holman wrote plays of startling beauty, combining close observation of the way people behave with a thrilling and often fiercely uncompromising mastery of dramatic form. He is the playwright most admired by other playwrights. To Simon Stephens, he was, until Holman's death in 2021, 'My favourite living writer'.Here, in this selection from Holman's first decade of playwriting, a monkey is taken for a French spy by an eighteenth-century fishing community; the inhabitants of a Greek island reside under the shadow of the atom bomb; and a group of lonely people converge on the North Yorkshire moors.With an introduction written for this volume by Holman himself, Robert Holman Plays: One contains The Natural Cause (Cockpit Theatre, London, 1974), Mud (Royal Court Theatre, London, 1974), Other Worlds (Royal Court, 1983), Today (Royal Shakespeare Company, 1984) and The Overgrown Path (Royal Court, 1985).'Holman's instinct for truth, and an unaffected ability to spot what's poignant in it, is what one remembers: that, and a paradoxical impression of spare richness, astringent abundance' The Times

Described as 'America's greatest living playwright' (Wall Street Journal), Kenneth Lonergan is internationally acclaimed for his trademark humour and his genius for capturing the real heart and soul of human interactions. This volume gathers together three of his landmark plays.This Is Our Youth (1996) is a wildly funny, bittersweet and lacerating look at three days in the lives of three affluent young Manhattanites in the 1980s. Its West End premiere in 2002 was notable for its successive casts of young Hollywood stars, including Casey Affleck, Matt Damon, Jake Gyllenhaal, Anna Paquin and Summer Phoenix. 'A rambunctious and witty play… caustic, cruel, compassionate' The New York Times.The Waverly Gallery (1999) is a poignant, generous and frequently hilarious play about a feisty grandmother's last battle against Alzheimer's disease. More than a memory play, it captures the humour and strength of a family in the face of crisis. It was a finalist for the 2001 Pulitzer Prize for Drama, and revived on Broadway in 2018 to widespread acclaim. 'Both one of the most beautiful things you'll ever see in a Broadway theatre and one of the most profoundly sad' Chicago Tribune.Lobby Hero (2001) tells the story of a luckless young security guard trying to get his life together after being thrown out of the navy. But working in a lobby proves to be no sanctuary from the world, as he is unwittingly drawn into a murder investigation. The play received its British premiere at the Donmar Warehouse, London, in 2002, and was also revived on Broadway in 2018. 'Artfully intertwines private and public issues… [Lonergan] has the lightest of touches and writes with deft humour' Guardian.Kenneth Lonergan is an American film director, playwright and screenwriter. He wrote and directed the films You Can Count On Me, Margaret and Manchester by the Sea, for which he won the 2017 Academy Award for Best Original Screenplay. This collection, published alongside the UK premiere of Lonergan's The Starry Messenger in 2019, also features an exclusive introduction by the author.'Lonergan's ear for the crosscurrents of love and recrimination, of accusation and confession, is as fine as that of any American dramatist' Washington Post

'The short play – very traditional to Irish theatre – is a little jewel of a structure, a lightning flash on a different world, the illumination made all the more acute by brevity' Deirdre KinahanDeirdre Kinahan is an award-winning playwright and member of Aosdána, Ireland's elected organisation of outstanding artists. This volume brings together five of her short plays, taken from the full span of her writing career, each of them shining a light into a forgotten corner of our humanity, giving voice to irrepressible characters that the world has done its best to overlook.In Bé Carna (Tall Tales, 1999), five women reflect on their lives as prostitutes on the streets of Dublin, a dark tale inspired by true-life stories, reverberating with humanity, warmth and comic humour.In Hue & Cry (Tall Tales/Bewley's Café Theatre, 2007), two Dublin cousins, Damian and Kevin, are reunited for a family funeral in a highly charged encounter full of disillusion, denial and dark laughter.In Bogboy (Tall Tales/Solstice Arts Centre, 2010), originally written as a radio play for RTÉ, two lost souls – a young heroin addict and a reclusive middle-aged farmer – discover a budding friendship in the bogs of Meath, until a terrible secret comes to light.Wild Notes (Solas Nua, Washington D.C., 2018) explores the impact of colonialism through a meeting between Frederick Douglass, the escaped slave and abolitionist who visited Ireland in the 1840s, and a young Irishwoman hoping to emigrate to the country he's running from.An Old Song, Half Forgotten (Abbey Theatre, 2023) opens a window into the life and soul of an older actor who is living in care with Alzheimer's disease, rebuilding a man just as he begins to crack and fade. Winner of the inaugural Pratchett Prize for challenging the stigma of Alzheimer's Disease.

A collection of shorter plays from stage and television by one of the UK's foremost political playwrights.Included are:Blood Sports, five hilarious sketches on sporting subjectsBall Boys, an unlikely match between Marx and tennisBaby Love, a powerful and moving account of a baby-snatcherThe National Theatre, 'Three Sisters' in a strip clubThe Midas Connection, an ironic look at gold dealingEspecially suitable for performances by groups with limited time and/or resources, all the pieces engage – however wryly – with important issues. The whole collection sheds fascinating new light on Edgar the dramatist.

Ten short plays by Caryl Churchill, written for stage, radio and TV, selected and introduced by the author.This collection of short plays by one of our leading playwrights opens up a little-known aspect of her writing, and demonstrates her remarkable versatility and breadth of concern.Abortive (Radio 3, 1971)The After-Dinner Joke (BBC TV, 1978)The Hospital at the Time of the RevolutionHot Fudge (Royal Court Theatre, 1989)The Judge's Wife (BBC TV, 1972)Lovesick (Radio 3, 1967)Not Not Not Not Not Enough Oxygen (Radio 3, 1971)Schreber's Nervous Illness (Radio 3, 1972)SeagullsThree More Sleepless Nights (Soho Poly Theatre, 1980)The volume also includes an introduction by the author.

Spanning almost ten years and embracing a remarkable range of style and subject matter, this third volume of Churchill's Collected Plays, introduced by the author, contains:Icecream - an unsettling look at British attitudes to America, and vice versaMad Forest - Churchill's response to the Romanian RevolutionThe Skriker - a 'spellbinding' piece combining English folk tales with modern urban lifeThyestes - a 'bleakly eloquent new translation of Seneca's Roman tragedy' (Sunday Times).Plus two collaborative pieces combining word and dance:Lives of the Great Poisoners - a libretto to music by Orlando Gough and choreography by Ian SpinkA Mouthful of Birds - written with David LanCaryl Churchill has been hailed as 'a dramatist who must surely be amongst the best half-dozen now writing' The Times

The fourth volume of the collected plays of one of the best playwrights alive.Written over a period of ten years and evincing an extraordinary range of topics and techniques, this fourth volume of Caryl Churchill's collected plays confirms her standing as a playwright who is 'amongst the best half-dozen now writing' (The Times).This volume includes:Hotel (Schauspielhaus, Hannover, 1997), an innovative theatre piece combining music, voices and dance, with a text by Caryl Churchill and music by Orlando Gough.This is a Chair (Royal Court Theatre, 1997), a short play about the surreal nature of modern life.Blue Heart (Out of Joint & Royal Court Theatre, 1997), two linked one-act plays, both startlingly innovative, exploring the underpinnings of family relationships.Far Away (Royal Court, 2000), a brilliantly unsettling play about conflict and its unsettling effect on our lives and humanity.A Number (Royal Court, 2002), a fascinating meditation on human cloning, personal identity and the conflicting claims of nature and nurture.Drunk Enough to Say I Love You? (Royal Court, 2006),examining US foreign policy and international power politics through the lens of an intense personal relationship.A Dream Play (National Theatre, London, 2005), a spare and resonant version of August Strindberg's 1901 masterpiece.