James Fritz – författare

On Being Unmoved offers a novel, systematic look at the relationship between our emotional lives and the world. It builds on a body of existing philosophical work on fitting emotions: work that seeks to identify conditions under which object-directed emotions-like anger, shame, and joy-are well-suited to their objects.James Fritz expands on this existing work to tell a more complete story. He does so by considering not onlyemotion, but also emotional neutrality. This neutrality is a pervasive element of human emotional life: for instance, when you look at the day's news, some headlines may evoke strong feelings, but many others will evoke no emotional response at all. A theory of a fitting emotional life should have something to say about the occasions when emotion goes missing. Fritz shows that the appraisal of emotion in terms of fit can, and should, take place alongside the appraisal of emotional neutrality in terms of fit. On Being Unmoved presents a powerful, unified, and sometimes surprising model of the relationship between our emotional lives and the values that surrounds us.

He says they all do it. These kids, you know, they’ve got their phones. Film everything. Can’t say I blame them. I would at that age.Seventeen-year-old Jack is the apple of his mother’s eye. His parents, Di and David, have devoted their lives to giving him every opportunity they never had. As a result, Jack is smart, outgoing, and well on his way to achieving the grades to study Law at Durham University.But a startling incident outside the school gates threatens to ruin everything they’ve striven for: an incident that suggests a deep hatred of their son. As events begin to accelerate, Di and David start to doubt Jack’s closest friends, Jack himself, and ultimately themselves – who can they trust?In a world where smartphones are ubiquitous, James Fritz’s deeply provocative and topical drama throws a light on the sorts of insidious opportunities new technology offers – where nothing dies online, except reputation.Four Minutes Twelve Seconds was runner-up for the Verity Bargate Award in 2013. It received its world premiere at Hampstead Theatre in the Downstairs space on 2 October 2014.

He says they all do it. These kids, you know, they''ve got their phones. Film everything. Can''t say I blame them. I would at that age.Seventeen-year-old Jack is the apple of his mother''s eye. His parents, Di and David, have devoted their lives to giving him every opportunity they never had. As a result, Jack is smart, outgoing, and well on his way to achieving the grades to study Law at Durham University.But a startling incident outside the school gates threatens to ruin everything they''ve striven for: an incident that suggests a deep hatred of their son. As events begin to accelerate, Di and David start to doubt Jack''s closest friends, Jack himself, and ultimately themselves – who can they trust?In a world where smartphones are ubiquitous, James Fritz''s deeply provocative and topical drama throws a light on the sorts of insidious opportunities new technology offers – where nothing dies online, except reputation.Four Minutes Twelve Seconds was runner-up for the Verity Bargate Award in 2013. It received its world premiere at Hampstead Theatre in the Downstairs space on 2 October 2014.

He says they all do it. These kids, you know, they''ve got their phones. Film everything. Can''t say I blame them. I would at that age.Seventeen-year-old Jack is the apple of his mother''s eye. His parents, Di and David, have devoted their lives to giving him every opportunity they never had. As a result, Jack is smart, outgoing, and well on his way to achieving the grades to study Law at Durham University.But a startling incident outside the school gates threatens to ruin everything they''ve striven for: an incident that suggests a deep hatred of their son. As events begin to accelerate, Di and David start to doubt Jack''s closest friends, Jack himself, and ultimately themselves – who can they trust?In a world where smartphones are ubiquitous, James Fritz''s deeply provocative and topical drama throws a light on the sorts of insidious opportunities new technology offers – where nothing dies online, except reputation.Four Minutes Twelve Seconds was runner-up for the Verity Bargate Award in 2013. It received its world premiere at Hampstead Theatre in the Downstairs space on 2 October 2014.

A small asteroid has hit the capital city. Thousands have been displaced. And in a town far away, a young man called Vin is finding it hard to talk. The only person who seems to notice is Rach, who resolves to find out what's troubling him and help him find his voice again.But when Rach's family take in an articulate and charismatic survivor of the asteroid incident, Vin's silence is no longer her first priority. How does it feel when the suffering of others seems more legitimate than our own?James Fritz's Lava is a timely play about grief and the power of expression, rocking with raw emotion and sharp humour. It premiered at Nottingham Playhouse in 2018, in a co-production with Fifth Word who commissioned the play. It was revived on tour in 2022, including a run at Soho Theatre, London.

'We'll start with the flea, because that's as good a place as any...'July 1889, London. A flea bites a rat. A rat spooks a horse. A horse kicks a man. As the chain reaction continues, a boy and his mother find themselves swept up in a national scandal that will reshape both their lives – and the country.James Fritz's play The Flea is a retelling of the Cleveland Street Scandal that shook England – from the streets of Bermondsey to the halls of Buckingham Palace – and features a flea, a horse, a detective, a queen, a pimp, a god, and Charlie, the telegraph boy who knelt before the Crown.This anarchic and affecting play was first performed at The Yard Theatre, London, in October 2023, directed by Artistic Director Jay Miller.'There are few playwrights working in Britain today whose work is as slick and unsettling as James Fritz's' Exeunt'Fritz's work pairs structural playfulness with emotional intelligence and inky wit... his plays are contained and compassionate, and frequently find reservoirs of humour in places you wouldn't expect' The Stage

A playwright known for dazzling structural inventiveness combined with emotional intelligence and wit, James Fritz is a unique voice in British theatre. His work, reflected in these six plays covering the first decade of his career, confronts the fault lines in our culture with thrilling imagination, an unflinching moral seriousness and a warm, compassionate sense of humour.Four Minutes Twelve Seconds (Hampstead Theatre, 2014; Trafalgar Studios, 2015; winner of the Critics' Circle Award for Most Promising Playwright) is a 'morally terrifying drama' (Evening Standard) that unpicks the trust between parents and their teenage offspring in an age of selfies and sexting.Ross & Rachel (Edinburgh Fringe, 2015; Off-Broadway, 2016) is a 'dialogue for one' that takes an incisive look at the myths of modern love. 'Shockingly good... a virtuosic piece of writing, playful, post-modern and devastatingly serious, all at once' Time OutParliament Square (Royal Exchange Theatre, Manchester, and Bush Theatre, London, 2017; winner of the Judges' Award, Bruntwood Prize for Playwriting) is a searingly powerful exploration of what one individual can do to effect change. 'There are few playwrights working in Britain today whose work is as slick and unsettling as James Fritz's' ExeuntLava (Nottingham Playhouse/Fifth Word, 2018; revived 2022) is a funny, tender and moving story about friendship and reconnection in the aftermath of catastrophe. 'Compassionate, warm and funny... Fritz's plays find reservoirs of humour in places you wouldn't expect' The StageSkyscraper Lullaby (Audible Original, 2022) is a powerful drama, first written as an audio play, about two parents trying to come to terms with the disappearance of their toddler, a haunting examination of the ways we cope with tragedy, complicity and remorse.Also included is a previously unpublished short play, twins (Arcola Theatre, 2015), as well as a playful and illuminating introduction written by the author.

‘Look at all those couples. Which one will leave. Which one will run. Which one is cheating on the other. Which one will die first. Him. Him. Her. Him.’What happens when two friends who were always meant to be together, get together – and stay together? No one told them life was going to be this way…A dark and uncompromising play about romance, expectation and mortality, James Fritz's Ross & Rachel takes an unflinching look at the myths of modern love. It was first produced by MOTOR at the Assembly George Square Theatre as part of the 2015 Edinburgh Festival Fringe. It then played off-Broadway in 2016 before touring the UK.

Two plays by award-winning writer James Fritz, each asking urgent, pointed and complex questions of the times we live in.Ideal for schools, youth theatres and amateur companies to perform, these versatile and incisive plays demonstrate an innovative playwright at the top of his craft.In Comment Is Free, a journalist forms the centre of a devastating media storm. After being staged by Old Vic New Voices in 2015, the version published here was broadcast on BBC Radio 4 in 2016, winning both the Tinniswood and Imison Awards for Audio Drama.Start Swimming is a play about occupation, revolution and what the future holds for today’s youth. One step away from disaster, there’s only one thing left to do: start swimming. First staged by the Young Vic Taking Part department, Start Swimming was also performed at the Edinburgh Festival Fringe in 2017.

How far would you go for what you believe in?Kat gets up one morning, leaves her family behind and travels to London to carry out an act that will change her life and, she hopes, everyone else’s.Raw, disturbing and compassionate, James Fritz’s searingly powerful play forces a confrontation with some of the most urgent questions we face. What can one individual do to effect change? And where do we draw the line between absolute commitment and dangerous obsession?Parliament Square won the Judges’ Award in the 2015 Bruntwood Prize for Playwriting. It premiered at the Royal Exchange Theatre, Manchester, in October 2017, before transferring to the Bush Theatre, London.

‘Imagine being him. Every day you wake up. You’re tired. Your body doesn’t work properly… You said it – you’d kill yourself.’Two teenagers sneak into an old man’s home for a secret meeting. A young couple try to build their future whilst looking after an ailing parent. A care home offers its residents the opportunity to unburden their children.James Fritz's play The Fall takes a funny, moving and candid look at young people’s relationships to older people, confronting the frightening prospect of ageing in a country undergoing crises of housing and care.It was commissioned and premiered by the National Youth Theatre at the Finborough Theatre, London, in 2016, and revived at Southwark Playhouse in 2018.