James Fritz is a playwright whose work includes: The Flea (Yard Theatre, London, 2023); Lava (Nottingham Playhouse/Fifth Word, 2018; revived 2022); Parliament Square (Royal Exchange Theatre, Manchester, and Bush Theatre, London, 2017); Start Swimming (Young Vic Taking Part, Edinburgh Fringe, 2017); The Fall (National Youth Theatre at the Finborough Theatre, London, 2016); Comment is Free (Old Vic New Voices, 2015; BBC Radio 4, 2016; winner of the Imison and Tinniswood Awards for audio drama, 2017); Ross & Rachel (MOTOR at Assembly George Square, Edinburgh Festival Fringe, 2015; 59E59 Theaters, New York); Four Minutes Twelve Seconds (Hampstead Theatre, 2014; Most Promising Playwright, Critics' Circle Awards) and Lines (Rosemary Branch Theatre, 2011).

'Both a caustic critique of contemporary society's treatment of young people and an exploration of the role of language in the perpetuation and justification of the practices under critique'

James Fritz is a playwright whose work includes: The Flea (Yard Theatre, London, 2023); Lava (Nottingham Playhouse/Fifth Word, 2018; revived 2022); Parliament Square (Royal Exchange Theatre, Manchester, and Bush Theatre, London, 2017); Start Swimming (Young Vic Taking Part, Edinburgh Fringe, 2017); The Fall (National Youth Theatre at the Finborough Theatre, London, 2016); Comment is Free (Old Vic New Voices, 2015; BBC Radio 4, 2016; winner of the Imison and Tinniswood Awards for audio drama, 2017); Ross & Rachel (MOTOR at Assembly George Square, Edinburgh Festival Fringe, 2015; 59E59 Theaters, New York); Four Minutes Twelve Seconds (Hampstead Theatre, 2014; Most Promising Playwright, Critics' Circle Awards) and Lines (Rosemary Branch Theatre, 2011).

'Both a caustic critique of contemporary society's treatment of young people and an exploration of the role of language in the perpetuation and justification of the practices under critique'