NHB Modern Plays – serie

The Bronze Age. The Iron Age. The Age of Oil.The Stone Age didn't end for want of stones.Oil follows the lives of one woman and her daughter in an epic, hurtling collision of empire, history and family.Ella Hickson's explosive play drills deep into the world's relationship with this finite resource. It is 'the single most gloriously audacious piece of playwriting of the last few years' (Evening Standard) and won the Catherine Johnson Award for Best Play in 2013.Oil premiered at the Almeida Theatre, London, in October 2016, in a production directed by Carrie Cracknell and starring Anne-Marie Duff.

'Something is shifting between you – again.Something terrifyingand comforting.'Dre and Des. Young. Gifted. Black. He stayed. She left.Years later, Des and Dre come crashing back into each other's lives, carrying new secrets and old scars. With the clock counting down until Des has to leave again, memories of their past collide with their present and they're forced to question if destiny has brought them back together for a reason.Benedict Lombe's play Shifters is a fierce, funny and beautifully intoxicating celebration of the enduring power of memory and first love. It was performed at the Bush Theatre, London, in 2024, directed by Artistic Director Lynette Linton, before transferring to the Duke of York's Theatre in London's West End. It went on to win Best Production (Play) at the 2025 Black British Theatre Awards, and was staged in an Off-Broadway production in 2026.

In 1969 Loren McIntyre, a National Geographic photographer, found himself lost among the people of the remote Javari Valley in Brazil. It was an encounter that was to change his life, bringing the limits of human consciousness into startling focus.  Inspired by the book Amazon Beaming by Petru Popescu, The Encounter traces McIntyre’s journey into the depths of the Amazon rainforest, incorporating innovative technology into a solo performance to build a shifting world of sound. The Encounter opened at the Edinburgh International Festival in August 2015 performed by Simon McBurney, and received its London premiere at the Barbican in February 2016 before embarking on a world tour.

Jez Butterworth's hugely acclaimed, prize-winning play - a comic, contemporary vision of life in England's green and pleasant land.On St George's Day, the morning of the local country fair, Johnny 'Rooster' Byron, local waster and Lord of Misrule, is a wanted man. The council officials want to serve him an eviction notice, his son wants to be taken to the fair, a vengeful father wants to give him a serious kicking, and a motley crew of mates wants his ample supply of drugs and alcohol.Jerusalem premiered at the Royal Court Theatre, London, in July 2009 in a production directed by Ian Rickson and starring Mark Rylance. It transferred to the Apollo Theatre in the West End in January 2010, and played on Broadway in 2011.Jez Butterworth's play won the Evening Standard Best Play Award and the Critics Circle and Whatsonstage.com awards for Best New Play.

'I spend the night in an officer’s barracks, where no woman has ever set foot.' In the darkest recesses of Ukraine, a war is raging.A journalist takes a research trip to the front line. Teenage girls wait for soldiers on benches. A medic mourns her lover killed in action.Natal'ya Vorozhbit's play Bad Roads is a heartbreaking, powerful and bitterly comic account of what it is to be a woman in wartime.It was premiered at the Royal Court Theatre, London, in the Jerwood Theatre Upstairs, in November 2017, in a production directed by Vicky Featherstone. It was developed by the Royal Court International Department, and translated by Sasha Dugdale.Natal’ya Vorozhbit is the leading Ukrainian playwright of her generation and has worked with the Royal Court since 2004. Her work includes The Khomenko Family Chronicles, Maidan Diaries (Royal Court) and The Grain Store (RSC).

‘I know you’re there… Miranda? Miranda!’On a summer’s day in 1900, three Australian schoolgirls on a picnic expedition to the remote Hanging Rock abscond from their group. They are last seen heading towards the beckoning Rock…In Tom Wright’s chilling adaptation of Joan Lindsay’s classic novel, five performers struggle to solve the mystery of the missing girls and their teacher. Euphoria and terror reverberate throughout the community, as the potential for history to repeat itself becomes nightmarishly real.This adaptation of Picnic at Hanging Rock was first co-produced by Malthouse Theatre and Black Swan State Theatre Company, Perth, and first performed at Malthouse Theatre, Melbourne, in 2016. The play received its European premiere at the Royal Lyceum Theatre Edinburgh, in 2017.

'I never know what to say when I have to go over all this. It starts to sound like some story I tell that's about some other person entirely.'From the outside, they're the picture of a nice, normal family. Inside, they're in crisis. At their heart is Diana Goodman, a suburban wife and mother living with bipolar disorder and haunted by her past. How far will she go to keep her family's world intact?With powerful lyrics and an electrifying score of more than thirty original songs, next to normal is an intimate exploration of family and loss. It opened in New York in 2008, and transferred to Broadway in 2009, winning three Tony Awards including Best Original Score, and the 2010 Pulitzer Prize for Drama.This new edition features the complete book and lyrics of the musical, and exclusive new material, including testimonials on creating the show by James Lapine, Michael Greif, Alice Ripley, David Stone and Michael Longhurst, an essay on its presentation of mental health, and the lyrics to a dozen deleted or alternative songs.It was first published alongside the acclaimed 2023 London premiere at the Donmar Warehouse, which was nominated for four Olivier Awards including Best New Musical, and transferred to the West End in 2024.

'I've been waiting for something like this to happen. I'm surprised it's taken so long. The signs have been building up for a while.'An ordinary Tuesday turns really, really weird when the sky over the school playground suddenly rips open. Pupils and teachers are sucked up to a parallel universe, whilst a new set of people start raining down from above. 'Us' and 'Them' must come together to work out what is going on, and how they can get things back to how they were.Alison Carr's play Tuesday is funny and playful, with a little bit of sci-fi and a lot of big themes: friendship, family, identity, grief, responsibility – and what happens when an unexpected event literally turns the world upside-down.Written specifically for young people, the play formed part of the 2020, 2021 and 2023 National Theatre Connections Festivals and was premiered by youth theatres across the UK. It offers opportunities for a large, flexible cast of any size, age and mix of genders.This bilingual edition includes the original English play with a Welsh-language translation, Un Bore Mawrth, by playwright Daf James.Un Bore Mawrth''Wi 'di bod yn aros i rywbeth fel hyn ddigwydd. 'Wi'n synnu'i fod e 'di cymryd mor hir. Ma'r arwyddion 'di bod 'ma ers sbel.'Dydd Mawrth digon cyffredin yw hi, ond yn sydyn mae'n troi'n ddiwrnod rhyfedd iawn pan mae'r awyr uwch ben yr ysgol yn rhwygo'n agored. Caiff disgyblion ac athrawon eu sugno i fyny i fydysawd cyfochrog wrth i garfan newydd o bobl arllwys i lawr oddi uchod. Rhaid i 'Ni' a 'Nhw' ddod ynghyd i ddeall beth sy'n digwydd ac i ddatrys sut i gael pethau'n ôl fel yr oedden nhw.Mae'r ddrama wreiddiol hon gan Alison Carr, Tuesday, yn ddoniol ac yn chwareus, gyda phinsiad o ffugwyddoniaeth a thomen o themâu mawr: cyfeillgarwch, teulu, hunaniaeth, galar, cyfrifoldeb – a beth sy'n digwydd pan fydd digwyddiad annisgwyl yn llythrennol yn troi’r byd wyneb i waered.Wedi'i hysgrifennu ar gyfer pobl ifanc, roedd y ddrama'n rhan o Ŵyl National Theatre Connections yn 2020 a 2021, a chafodd ei llwyfannu am y tro cyntaf gan theatrau ieuenctid ar draws y DU.Mae'n cynnig cyfleoedd i gastiau mawr, hyblyg o unrhyw faint, oedran a rhywedd.Mae Tuesday yn waith gosod ar fanyleb TGAU Drama CBAC. Yn y gyfrol ddwyieithog hon, fe welwch y ddrama wreiddiol Saesneg ynghyd â chyfieithiad Cymraeg y dramodydd Daf James, Un Bore Mawrth.

Six short plays in two complementary programmes, exploring estrangement and loneliness, moving towards redemption and hope.Inside looks at the lives of three women forgotten by the world, but not by themselves.Guidesky and I by Deborah BruceWhen the Daffodils by Joel TanUrsa Major by Joe WhiteOutside presents three stories of finding connection in the darkness and coming together after so long apart.Two Billion Beats by Sonali BhattacharyyaThe Kiss by Zoe CooperProdigal by Kalungi SsebandekeThe six plays were first performed at, and livestreamed from, the Orange Tree Theatre, Richmond, in March 2021.

The Crump family is adrift and in trouble. Recently widowed Godfrey is under the spell of Sweet Father Divine, while his teenage daughters, Ernestine and Ermina, immerse themselves in the illusions of Hollywood to escape racial prejudice. But things change quickly when free-spirited Aunt Lily shows up…This arresting, thought-provoking play about racial and social issues of the late 1950s was first performed Off-Broadway in 1995, and has since been revived numerous times.

A dinner party during the Second World War unites celebrated writers Agatha Christie, Lillian Hellman, Dorothy Parker, Gertrude Stein and Alice B. Toklas – with a mysterious guest.With copious booze flowing, acid-tongued barbs flying, and the threat of global conflict looming, the guests – and the world around them – are close to boiling point. Everyone has a confession. Someone has a secret.Set in the French Alps in 1940, Steven Carl McCasland’s Little Wars is an enthralling, entertaining and ultimately moving portrait of seven exceptional women – and a thrilling fiction based on truth.It was workshopped Off-Off-Broadway, first performed in 2015, and received an acclaimed digital premiere in 2020, featuring Linda Bassett, Sarah Solemani, Juliet Stevenson and Sophie Thompson. It provides glorious opportunities for an all-female cast to play some of the greatest literary figures of the twentieth century.

'I have caused what might soon be a global situation because you've stopped thinking people like me are worth hearing.'Is something incredible happening in Merthyr? Sixteen-year-old Carys claims to have received the stigmata: Christ's wounds from the Cross. Are her wounds a sign from God?Carys thinks so – she wants to tell the world and demands to be heard. Siân, her teacher, is not so sure, and believes silencing Carys will keep her safe. But can she make sense of what is happening to her student?Lisa Parry's play The Merthyr Stigmatist is a fierce and exhilarating exploration of faith and truth, a hymn to community, and a testament to the power of young people. The play was shortlisted for the inaugural Theatre Uncut Political Playwriting Award, and first presented online in 2021, as a co-production between Sherman Theatre, Cardiff, and Theatre Uncut.

'When the barman pointed to the cordoned-off area I was like, who are all these old people at our reunion?'It's been thirty years since former flames Alex and Jason last saw each other. With their carefree university days long behind them, the student reunion seems the perfect opportunity to reconnect, revive and relive their heyday. But as they flirt with reigniting their passion – even if just for one night – will the march of time get in the way?Deborah Bruce's Raya is a witty and tender play about whether or not we can ever turn back – or stop – the clocks. It opened at Hampstead Theatre Downstairs, London, in June 2021, directed by the theatre's Artistic Director, Roxana Silbert.Deborah Bruce's other plays include Godchild, The Distance and The House They Grew Up In.

Mothers who are blissed out. Mothers who are pissed off. Mothers who are great, or grateful, or grating. Mothers who have changed, mothers who can't, mothers who can't even change nappies. Women who aren't mothers. Welcome to the 'hood.The Motherhood Project draws together dramatic monologues and real-life reflections by some of the UK's leading writers, artists and thinkers, and explores all the guilt, joy and absurdity, the regrets, pressures and taboos surrounding motherhood.Contributors: Kalhan Barath, E.V. Crowe, Juno Dawson, Suhayla El Bushra, Jodi Gray, Hannah Khalil, Katherine Kotz, Morgan Lloyd Malcolm, Siggi Mwasote, Irenosen Okojie, Anya Reiss, Naomi Sheldon, Lemn Sissay, Athena Stevens and Joelle Taylor.The project was produced online in 2021 by Katherine Kotz in association with Drift Studio, and presented in association with Battersea Arts Centre, London.

'This is nice, innit? Yeah. Good little set-up to tell you the story of my name. The story of my true name.'When a woman receives an unexpected letter from the British Passport Office, she is forced to confront an old mystery: why does her South African passport not carry her first name? Armed with the wisdom of favourite '90s TV shows, she sets out on a journey that will take her back to the turmoil of Mobutu's Congo, growing up in post-Apartheid South Africa, moving to Ireland, and finding love in a hostile England.As her journey becomes inextricably linked with the tides of global history, how far will she go to unravel the truth? By turns wickedly funny and strikingly lyrical, Benedict Lombe's Lava is an explosive debut play that will turn the way you see the world on its axis.It premiered at the Bush Theatre, London, in July 2021, performed by Ronke Adékoluejo and directed by Anthony Simpson-Pike.Lava was awarded the prestigious Susan Smith Blackburn Prize in 2022. It also won Best Performance Piece at the 2022 Offies (Off West End Awards), and Benedict Lombe won the Book and Lyrics Recognition Award at the 2021 Black British Theatre Awards.

'We are here to make sense of it all.'From the everyday to the astonishing, and the ordinary to the miraculous, the Roman poet Ovid's stories of epic impossibilities explore the power of transformation, the resilience of humans, and the wonder of life.The myths of Metamorphoses have inspired generations of writers, including Shakespeare. Over two thousand years later, they are reimagined for our world by three leading British playwrights, and feature anarchy, shape-shifting and a burning chariot of fire.This entertaining and provocative new play, by Sami Ibrahim, Laura Lomas and Sabrina Mahfouz, was written for the candlelit Sam Wanamaker Playhouse at Shakespeare's Globe, London. It was first performed by four actors in 2021, and directed by Globe Associate Artistic Director, Sean Holmes and Associate Artistic Director of Headlong, Holly Race Roughan.

'I'd watch you eat. I'd eat you up. Look at you. You get it, don't you? You're real.'Lori is a professional chef. Bex waits on tables to make ends meet. One night together in a walk-in fridge and it's the beginning of something beautiful.Lori has big plans, while Bex is struggling. If we are what we eat, then Bex is in real trouble. It's not her fault – the system is rigged. No one on minimum wage and zero hours has the headspace to make their own yoghurt.Chris Bush's Hungry is a play about food, love, class and grief in a world where there's little left to savour. It was premiered in July 2021 in Paines Plough's the Roundabout, directed by Katie Posner, as a co-production between Paines Plough and Belgrade Theatre as part of Coventry City of Culture 2021, before touring the UK.'One of the UK's most exciting young playwrights' The Stage'A writer of great wit and empathy' The Times

When Rob was twelve, they attempted a full-blown Disney parade in their house for their Grandma. As Rob donned wigs and played Mary Poppins, Ariel, Mickey Mouse and Belle, their Dad doubled as Stage Manager, Sound Technician and Goofy.Unfortunately, Dad missed all his cues and pushed all the floats in the wrong direction. Mum mistook Aladdin for Ursula. The costumes went awry. And Ariel's bubble gun didn't work properly. Grandma had a nice time, though.My Son's a Queer (But What Can You Do?) is the joyous, chaotic, autobiographical story of actor, writer and social-media sensation Rob Madge as they set out to recreate that parade – and this time, nobody, no, nobody is gonna rain on it.It was first performed at London's Turbine Theatre in June 2021, directed by Luke Sheppard, with music by Pippa Cleary – and starring Rob Madge as Rob Madge. It was a critical and commercial hit at the 2022 Edinburgh Festival Fringe, and later that year transferred to the Garrick Theatre in London, to make the West End that little bit more queer.The play won Best Off-West End Production at the 2022 WhatsOnStage Awards, the Theatre Award at the 2023 Virgin Atlantic Attitude Awards and was nominated for Best Entertainment or Comedy Play at the 2023 Olivier Awards. Rob Madge was joint winner of Best Creative West End Debut at the 2023 Stage Debut Awards.This revised edition features the complete text of the play as performed in Edinburgh and the West End, including links to and transcriptions of the video footage, colour photographs and extra bonus content from the RDM* Productions Archive. It concludes with an afterword by Mum and Dad about the joys to be found in championing the creativity of children – and why playing Tinker Bell, with a smile, might be the best thing you can do for your kids, and for yourselves.* Robert Dennis Madge

Johann Sebastian Bach, irascible and turbulent, writes music of sensuous delight and deep religious fervour. He's touchy, he's fabulously rude, he has impossibly high standards (he stabs a bassoonist for playing badly), and he's constantly in trouble with his patrons.Music is the family business – but the burden of their father's genius weighs heavily on his sons. Wilhelm is brilliant but self-destructive. Tense, industrious Carl is more successful than his father, but knows he is less talented. As the years pass, their rivalry provokes furious arguments about love, God and above all music. What is it for – to give pleasure, like a cup of coffee in the sun, or to reveal the divine order that gives life its meaning?Beautiful, profound and funny, Nina Raine's play Bach & Sons is a gripping family drama and an anthem to the art that draws us together and sings of our common humanity. It premiered at the Bridge Theatre, London, in June 2021, directed by Nicholas Hytner, with Simon Russell Beale playing J. S. Bach.

If you could spend eternity with just one precious memory, what would it be?A group of strangers grapple with this impossible question as they find themselves in a bureaucratic waiting room between life and death. Encouraged by enigmatic officials, they must sift through their past lives to choose their forever.Adapted from Hirokazu Kore-eda's award-winning film, After Life is a surreal and powerfully human look at the way we view our lives, and a haunting meditation on what it is to live – and to die.Written by Jack Thorne from a concept by Bunny Christie, Jeremy Herrin and Thorne, After Life was first performed at the National Theatre, London, in June 2021.It was directed by Herrin, in a co-production with Headlong, by special arrangement with Buena Vista Theatrical.

'30 just matters, innit. Like there's no doubt you're a proper adult then. Like 25 to 29 is just training, but 30, it's real.' Tunde's thirtieth birthday is fast approaching. So he's started therapy because he hasn't been able to get to the gym for weeks, and a recent one-night stand ended in tears – his.Interrogating the challenge of opening up and accepting our own vulnerabilities, Ifeyinwa Frederick's Sessions is a raw, funny, bittersweet deep-dive into the complexities of masculinity, depression and therapy. It was first produced in 2021 on tour of the UK, before a run at Soho Theatre, London, co-produced by Paines Plough and Soho, and directed by Philip Morris.

'Bit risky though, isn't it? Just sort of turning up to an isolated peninsula in the North Sea without any sandwiches…'Kilnsea, East Yorkshire. Angie and Lauren are closing up the café for another winter; the birds have gone south and taken the tourists with them. The last visitor is Dennis, stopping by for his pasty and beans. But there’s another arrival – one that’s unforeseen and life-changing for them all.Tom Wells' Big Big Sky is a beautifully tender play which explores nature's influence on love, friendship and family – the belief that anyone who's lost can be found, even in the remotest of places. It was premiered at Hampstead Theatre in July 2021, directed by Tessa Walker.

'You do not know me yet but I am the heroine of this drama. I am told that here I must give a taste of what is to unfold. I am to convey that this tale is set in Jamaica during the last turbulent days of slavery and the early years of freedom.'I am to say that it is a true and thrilling journey through that unsettled time.'Cha, I say, what fuss-fuss. Come, let them just see it for themselves.'The Long Song is adapted from Andrea Levy's award-winning novel by Suhayla El-Bushra. It premiered at Chichester Festival Theatre in October 2021, directed by Charlotte Gwinner.

'I dunno how it happened,But I like you.I don't know where it came from,But I…Need to stop saying I like you.'Eve's eyes are green like guacamole, she has posh hair, a freckle on her chin (it might be chocolate), and when she puts her hand on Elle's arm…Bloody Elle – A Gig Musical is a heart-warming and belly-achingly funny story about falling in love for the very first time, stuffed full of stomach-flipping, time-stopping moments, touches, glances, kisses.Written and originally performed by Lauryn Redding, this one-person gig musical, set to an original score, was first performed at the Royal Exchange Theatre, Manchester, in June 2021. It was directed by the theatre's Joint Artistic Director Bryony Shanahan and co-produced with Rebel Productions. It was revived at the Royal Exchange in June 2022, before transferring to the Traverse Theatre for the Edinburgh Festival Fringe.

'everything i do kills you. i don't know if i love you because i have to or because i can't help it… i don't know if both of those things are bad.'It's one of those hot April evenings that feel like summer, and the heat is stifling in Sissy's London flat as she dances, unrestrained, beautiful, alive…But when sixteen-year-old Eshe arrives, powerful emotions come to the surface – and the two women are locked in a dance where freedom clashes with duty.babriye bukilwa's play …cake is a psychological drama that asks if the cycle of generational trauma can ever be broken. Can queer, Black femmes find love and belonging when the soil beneath them – and the climate around them – is hostile? It was first performed at Theatre Peckham, London, in 2021, directed by the venue's Associate Director, malakaï sargeant.

'On the way over I saw three vipers copulating… I know what you're thinking… monogamy is under threat.'1943. Four months into the Nazi occupation of Tunisia. You're imprisoned in a labour camp. You're buried up to your neck in earth. You're dying of thirst, you miss your wife, and your best friend just pissed on your face. How could things possibly get any worse?Josh Azouz's Once Upon A Time in Nazi Occupied Tunisia is a brutally comic play about home and identity, marriage and survival, blood and feathers. It was first produced at the Almeida Theatre, London, in August 2021, directed by Eleanor Rhode.

John Kane sits on a hospital trolley. Very shortly, a giant lobster, two women called Mary, a very old man and a jazz percussionist arrive. Then everything starts.Enda Walsh's Medicine is a dark and frequently absurdist play. Devastatingly funny and profoundly moving, it examines how, for decades, we have treated those we call 'mentally ill'.It was first produced by Landmark Productions and Galway International Arts Festival as part of the 2021 Edinburgh International Festival, prior to performances in Galway and New York. It was directed by Enda Walsh, with a cast including Clare Barrett, Aoife Duffin and Domhnall Gleeson, with drummer Seán Carpio.This edition also includes Walsh's play The Same, about two women who meet in a psychiatric institution. Published here for the first time, it was produced by Corcadorca in 2017, and won The Irish Times Irish Theatre Award for Best Play.'One of the most fiercely individual voices in the theatre today' New York Times

Meet Aurora and Orion: Sister and Brother. Constellations in time. More than blood. More than just fam. They look after each other in their small London flat, filled with the memories of their parents' Black Love.When that love is threatened, they must confront their own worst fears as they find their way back to each other and to what it means to love whilst Black.Black Love by Chinonyerem Odimba, with music by Ben and Max Ringham, is an explosion of form-busting storytelling, combining real-life stories, imagined worlds, and new songs inspired by an R&B heritage.It was premiered in July 2021 in Paines Plough's the Roundabout as a co-production between Paines Plough and Belgrade Theatre in association with tiata fahodzi, co-directed by Odimba and Katie Posner, as part of Coventry City of Culture 2021, before touring the UK.Black Love won Best Musical Theatre Bookwriting at the 2022 Writers' Guild of Great Britain Awards.

'I am the slave ship. Wrecked. Empty. I am a shark, livid with the desire for blood. I am the sea, boiling with fury.'On the set of a new film about Victorian artist J.M.W. Turner, young actress Lou is haunted by an unresolved history. Meanwhile, in 1840, Londoners Lucy and Thomas try to come to terms with the meaning of freedom.Moving between London past and present, Winsome Pinnock's astonishing play retells British history through the prism of the slave trade. Fusing fact with fiction, and the powerfully personal with the fiercely political, Rockets and Blue Lights asks who owns our past – and who has the right to tell its stories?Winner of the 2018 Alfred Fagon Award, the play opened at the Royal Exchange Theatre, Manchester, in 2020, directed by Miranda Cromwell. It transferred to the National Theatre, London, in 2021.'Rockets and Blue Lights places at its center one of the nineteenth century's most famous paintings: J. M. W. Turner's "The Slave Ship". Moving between several sets of characters and ranging from the 1800s to the present, this intricately plotted drama compels us to confront the horrors of our shared past. It does so with compassion and wit, never once compromising Pinnock's vision of theater as the communal creation of new, stranger, and perhaps truer histories' Windham-Campbell Prize committee, on awarding Winsome Pinnock a Windham-Campbell Prize for Drama in 2022