David Edgar – författare

Business Strategy is a compact, plain-speaking textbook for those approaching strategy for the first time. Key features include: international case studies; chapters on current issues such as CSR, emerging markets and new technologies; hot topics: research project areas to investigate, and guru guides: bite-sized bios of key thinkers in the field.Accompanying online resources for this title can be found at bloomsburyonlineresources.com/business-strategy-3e. These resources are designed to support teaching and learning when using this textbook and are available at no extra cost.

Latin America represents one of the most dynamic business regions in the world. Innovation Support in Latin America and Europe explores the need for training innovation professionals, identifies appropriate strategies and best practice for ensuring its delivery, and reflects the outcomes of a major innovation and knowledge transfer project. Academics, business professionals, policy makers, and trade representatives, all contribute to review the literature and existing practices of innovation, and explore the often misunderstood and contested terrain that surrounds innovation theory, policy and practice. In this book you will find a comparative insight into Latin American and European approaches to innovation management and innovation in practice, and an examination of how innovative ideas are exploited for a specifically Latin American context. With chapters which offer insights from both academics and practitioners, the text offers a refreshing, contemporary and trans-national perspective and a clear, concise and enriching discussion on the interplay between research, policy and practice. Innovation Support in Latin America and Europe will appeal to academics and researchers, higher level students, policy makers and business leaders, particularly those with any interest in Latin America.

This volume contains the best of David Edgar's work from the seventies The Jail Diary of Albie Sachs is an adaptation of the famous South African writer's diaries and deals with solitary confinement and loneliness - "a remarkable, persuasive picture." (Observer); Mary Barnes is based in a commune in the sixties and focuses on schizophrenia "promulgating the theory that schizophrenia can be effectively treated through behaviourist methods alone"; Saigon Rose tackles venereal disease and is "intriguing and entertaining...Edgar handles his themes - loss of innocence and a sense of betrayal - in a bitty, playful style laced with black comedy" (Independent); Oh Fair Jerusalem deals with the black death and Destiny deals with the loss of Empire and the rise of fascism in contemporary Britain "A play which astonished me with its intelligence, density, sympathy and finely controlled anger." Dennis Potter (Sunday Times).

"David Edgar, like Balzac, seems to be the secretary for our times" (Guardian) Nicholas Nickleby: "With uncommon audacity Nicholas Nickleby not only takes on Dickens' sprawling novel, it fractures all the petty limitations we have imposed upon the stage as well...A landmark" (New Statesman); In Entertaining Strangers, a community constructs a nativity play: "English left-wing social drama at its sturdiest and finest: human, argumentative, utterly unafraid of human realities, and seething with indignation and compassion" (Sunday Times) and Ecclesiastes, a radio play that looks at the rise and fall of a "fundamentalist" Christian clergyman in the US.

"David Edgar, like Balzac, seems to be the secretary for our times" (Guardian) Our Own People: "A courageous and intelligent discussion of race and industrial relations" (City Limits); Teendreams (written with Susan Todd of Monstrous Regiment theatre company) is about the failed revolutionary dreams of a set of teenagers. Maydays compares the phenomenon of post-war social rebellion from Western and Eastern perspectives; That Summer is an "elegantly tangential treatment of the 1984 miners' strike" (Plays and Players) "Edgar never lets his drama simplify into ideological diagram...This elegant, humane play keeps its emphasis on the...results that can ensue when diverse lives briefly brush against each other." (Independent)

The production of this play established David Edgar as a major playwright, one of the most important of the young generation of dramatists to emerge out of the 'portable' theatre movement of the late sixties.

Based on Robert Louis Stevenson’s classic horror story, this dramatic adaptation shows the transformation of the mild-mannered Dr Jekyll into the fiendish Mr Hyde. When Jekyll discovers a drug that can transform him, he becomes able to unleash the dark side of his nature onto the streets of Victorian London. But he soon discovers the price of his double life.

What are the themes?

The struggle between good and evil, the conscious and unconscious, family relationships,Victorian society and morality.

Teaching points

With one actor taking the roles of both Jekyll and Hyde, the play allows pupils to more easily understand that these characters are ‘one’ person. The play is suitable for use either at Key Stage 3, or to support the study of the novel at Key Stage 4.

 

Combining a rich blend of research, best practice and policy, Strategic Information Systems Management is the eagerly awaited new introduction to the interconnected world we live and work in. A top-ranked team of global experts combine both industrial and scholarly perspectives, bringing a wealth of experience to make this the complete introduction for 21st century business.This textbook is essential reading for all Information Systems modules with a strategic focus and for broader Strategic Management, Information Management and professional courses. Contributions come from these global experts: David Avison ESSC, France; Peter Baloh, Ljubljana University, Slovenia & University of Washington, USA; Alexis Barlow Glasgow Caledonian University, UK; Egon Berghout University of Groningen, Netherlands; Colin Combe, Glasgow Caledonian University, UK; Thomas Connolly,University of the West of Scotland, UK; David Coss, Virginia Commonwealth University, USA;Kevin Desouza, University of Washington, USA; Gurpreet Dhillon, Virginia Commonwealth University, USA; David Duncan, Wolters Kluwer, UK; Peter Duncan, Glasgow Caledonian University, UK; David Edgar, Glasgow Caledonian University, UK; Guy Fitzgerald, Brunel University, UK; Stuart Fitz-Gerald, Kingston University, UK; Arnoud Franken, Cranfield University, UK; Tom Fuller, Deloitte Touche Tohmatsu, UK; Robert Galliers, Bentley University, USA; Merlin Gardner, Deloitte Touche Tohmatsu, UK; Kevin Grant, Glasgow Caledonian University, UK; Ray Hackney, Brunel University, UK; Feng Li, University of Newcastle, UK; Laszlo Nemeth, Dex, Hungary; Sue Newell, Bentley University, USA; David Paton, Deloitte MCS Limited, UK; Philip Powell, Birkbeck, University of London, UK; Vivien Reid, Glasgow Caledonian University, UK; Mark Stansfield, University of the West of Scotland, UK; Anne Wiggins, UNCTAD, Switzerland; John Wright, NHS Ayrshire and Arran, UK.

Latin America represents one of the most dynamic business regions in the world. Innovation Support in Latin America and Europe explores the need for training innovation professionals, identifies appropriate strategies and best practice for ensuring its delivery, and reflects the outcomes of a major innovation and knowledge transfer project. Academics, business professionals, policy makers, and trade representatives, all contribute to review the literature and existing practices of innovation, and explore the often misunderstood and contested terrain that surrounds innovation theory, policy and practice. In this book you will find a comparative insight into Latin American and European approaches to innovation management and innovation in practice, and an examination of how innovative ideas are exploited for a specifically Latin American context. With chapters which offer insights from both academics and practitioners, the text offers a refreshing, contemporary and trans-national perspective and a clear, concise and enriching discussion on the interplay between research, policy and practice. Innovation Support in Latin America and Europe will appeal to academics and researchers, higher level students, policy makers and business leaders, particularly those with any interest in Latin America.

In How Plays Work, distinguished playwright David Edgar examines the mechanisms and techniques which dramatists throughout the ages have employed to structure their plays and to express their meaning.Written for playwrights and playgoers alike, Edgar's analysis starts with the building blocks of whole plays – plot, character-creation, genre and structure – and moves on to scenes and devices. He shows how plays share a common architecture without which the uniqueness of their authors' vision would be invisible.How Plays Work is both a masterclass for playwrights and playmakers and a fascinating guide to the anatomy of drama. In this revised edition, Edgar brings the book right up to date with analyses of many recent plays, as well as explorations of emerging genres and new innovations in playwriting practice.'A brilliantly illuminating, bang-up-to-date, unmissable read' April De Angelis'A book of real theoretical heft written by a major working playwright' Steve Waters'An essential accompaniment for anyone fascinated by the craft of dramatic storytelling' John Yorke'Every theatremaker should read this book' Pippa Hill, Literary Manager, Royal Shakespeare Company'Even if you've read the book before, it demands to be reread' Simon Callow'Combines theoretical acumen with the assured know-how of a working dramatist' Terry Eagleton, Times Literary Supplement

'I'm saying there's someone who could stop this madness. If you stood up, and said "no".'On a rainswept afternoon in 1952, Hollywood and Broadway's leading director Elia Kazan met his closest collaborator, the playwright Arthur Miller. As the anti-Communist crusade of McCarthyism blacklisted hundreds of their colleagues, Kazan and Miller faced a stark choice. Should they betray their friends, or risk never working again?David Edgar's play Here in America is a compelling drama that imagines a confrontation between two giants of stage and screen, both passionately involved with an actress about to become the most famous movie star in the world. It was first performed at the Orange Tree Theatre, London, in 2024, directed by James Dacre.

It's the 2000s. We're in a faraway country. Rachel, a stellar American political strategist, and Caro, her British data expert, have been hired to fight a ferocious election, in a place where it's hard to tell what's real and what's fake.They think they're here to teach the Eastern Europeans how to do democracy, but it turns out they're here to learn. And when Rachel's former political partner turns up on the rival side, their showdown threatens to change global politics, from Warsaw to Wisconsin. Forever.The New Real is David Edgar's epic, panoramic play about how the political fault-line was redrawn. It is an origin story, for right now. It was first performed in 2024 by the Royal Shakespeare Company in association with Headlong at The Other Place, Stratford-upon-Avon, directed by Holly Race Roughan.'Edgar's writing has a vigour, a swagger, a taut, tense texture that portrays men and women in the white heat of ambition, duplicity, conscience and tortured idealism' Sunday Times'There is no more incisive commentator on politics currently working in British theatre' The Times

The significance of the Epistle of James within early Christianity, when not neglected, has been disputed. In recent years the letter, and its author, have received renewed attention, and this contribution to the revival examines the way in which the author and his addressees are depicted within the social world of emerging Christianity. Edgar finds strong points of contact with the sayings of Jesus and with early Christian itinerant proclaimers, who are often seen as having been active in preserving and transmitting these sayings. The Epistle challenges the shaky commitment of its readers to their new allegiance, and, in the light of the coming of Gods eschatological ruoe, employs the model of patronage to lay out the choice between loyalty to God and identification with the earthly value system dominated by the rich.

Two plays by David Edgar, written thirty-five years apart, both exploring the theme of youth and revolution.Maydays tells the story of the twenty-somethings who came of age in 1968 and were drawn into revolutionary politics; of defection from East to West as well as from Left to Right. It is told through a number of interlocking stories, across three continents and twenty-five years of tumultuous history.First performed by the Royal Shakespeare Company at the Barbican, London, in 1983, Maydays was revived in this new version, also by the RSC, in 2018.Trying It On is an autobiographical monologue, written to be performed by Edgar, in which the author at seventy confronts the ideals of his twenty-something self. Does he still share the beliefs which once defined him as a person and as an artist? If not, is it he that has changed, or the world itself?Presented by Warwick Arts Centre and China Plate, Trying It On toured the UK in 2018, including performances at the Birmingham Repertory Theatre, the Midlands Arts Centre and at the Royal Court Theatre, London – as well as at the Royal Shakespeare Company, alongside the revival of Maydays.This edition also includes a new introduction by the author.

A collection of shorter plays from stage and television by one of the UK's foremost political playwrights.Included are:Blood Sports, five hilarious sketches on sporting subjectsBall Boys, an unlikely match between Marx and tennisBaby Love, a powerful and moving account of a baby-snatcherThe National Theatre, 'Three Sisters' in a strip clubThe Midas Connection, an ironic look at gold dealingEspecially suitable for performances by groups with limited time and/or resources, all the pieces engage – however wryly – with important issues. The whole collection sheds fascinating new light on Edgar the dramatist.

A valuable fresco is discovered in a church in war-torn Eastern Europe. As international and local art historians argue over who should claim ownership, the fate of the painting becomes a metaphor for the future of the emergent nations of Eastern Europe.David Edgar's play Pentecost was first performed by the Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, in October 1994. The production transferred to the Young Vic, London, with performances from 31 May 1995. It went on to win the 1995 Evening Standard Award for Best Play.Pentecost is part of David Edgar's trilogy of plays about post-Communist Eastern Europe, which also includes The Prisoner's Dilemma and The Shape of the Table.

A timely, provocative and witty look at the campaign to redefine Britishness for a multicultural society.Who is head of the Church of England? How many members are there in the Welsh Assembly? What is the main function of the Council of Europe?Emma is a dedicated ESOL teacher (English for Speakers of Other Languages), teaching British citizenship to people from Somalia, Serbia, the Congo, India and Egypt. At the same time, Tetyana, Mahmood and Chong have their own, very different reasons for wanting to pass the citizenship test. As the Home Office worries away at the questions in the test, Emma faces a challenge to her deepest-held beliefs.David Edgar's play Testing the Echo was first staged by Out of Joint on a UK tour in 2008.

The third in David Edgar's post-Cold War trilogy, which also includes Pentecost and The Shape of the Table.An urgently topical account of a bloody conflict on Europe's Eastern borders.Beginning in early 1989 and spanning some twelve years, the play follows a team of peace negotiators attempting to resolve an ethnic conflict occurring within a fictional former Soviet republic.The Prisoner's Dilemma was first performed by the Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, in July 2001, transferring to the Pit Theatre, Barbican, London, in January 2002.

This book presents a groundbreaking interdisciplinary approach to business transformation by applying Jungian analytical psychology and alchemical symbolism to organizational development. Drawing on depth psychology, literary criticism, and strategic management, it reveals how enterprises can evolve from the factual enterprise—fixated on operational efficiency—to the total enterprise, integrating unconscious dimensions, archetypal identity, and symbolic meaning. The transformation unfolds through three alchemical phases: Nigredo (deconstructing corporate myths and confronting shadow material), Albedo (distilling strategic paradoxes), and Rubedo (integrating opposites into living cultural infrastructure). Real-life business cases illuminate each phase, enriched by literary imagery, philosophy, and visual arts. This rigorous yet flexible framework of individuation empowers leaders, consultants, and scholars to achieve authentic organizational transformation beyond superficial branding. Essential for anyone exploring Jungian organizational studies, psychoanalytic business approaches, corporate identity development, and alternative methodologies for sustainable enterprise transformation.

1989. An Eastern Bloc government on the brink of collapse. As the old regime retreats, former political prisoners join banned writers around the negotiating table...The Shape of the Table is part of David Edgar's post-Cold War trilogy of plays, which also includes Pentecost and The Prisoner's Dilemma.Witty and informative, this play is both an intensely topical account of what actually went on in the corridors of power and a timeless analysis of revolution in action. In particular the play explores not only the challenge of seizing power, but also the difficulty of relinquishing it.The Shape of the Table was first performed at the National Theatre, London, in 1990.