Routledge Studies in Anthropology and Museums – serie
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9 produkter
9 produkter
2 138 kr
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Pragmatic Imagination and the New Museum Anthropology shifts museum anthropology’s relationship to the broader field from marginal to central by revealing the sophisticated transdisciplinary praxis (theory + practice) at the heart of current museum anthropologies. The book features international case studies that operate at the interfaces of critical museology, anthropology, material culture studies, art practice, and more. The theory of pragmatics proposes that meaning-making is collaborative and best evaluated through its impact in the world. Collectively the chapters in this volume evidence a ‘pragmatic imagination’ at work as museum anthropology practitioners ingeniously combine inventiveness (the possible) and practicality (the actual) in ways that drive the field forward. Defining museum anthropology as a pragmatic practice explicitly theorizes this work in order to mark its significance; demystify its processes of knowledge production; connect it more readily to debates within and beyond anthropology; and facilitate critique.
639 kr
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Pragmatic Imagination and the New Museum Anthropology shifts museum anthropology’s relationship to the broader field from marginal to central by revealing the sophisticated transdisciplinary praxis (theory + practice) at the heart of current museum anthropologies. The book features international case studies that operate at the interfaces of critical museology, anthropology, material culture studies, art practice, and more. The theory of pragmatics proposes that meaning-making is collaborative and best evaluated through its impact in the world. Collectively the chapters in this volume evidence a ‘pragmatic imagination’ at work as museum anthropology practitioners ingeniously combine inventiveness (the possible) and practicality (the actual) in ways that drive the field forward. Defining museum anthropology as a pragmatic practice explicitly theorizes this work in order to mark its significance; demystify its processes of knowledge production; connect it more readily to debates within and beyond anthropology; and facilitate critique.
1 919 kr
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Material Culture in Transit: Theory and Practice constellates curators and scholars actively working with material culture within academic and museal institutions through theory and practice. The rich collection of essays critically addresses the multivalent ways in which mobility reshapes the characteristics of artefacts, specifically under prevailing issues of representation and colonial liabilities. The volume attests to material culture as central to understanding the repercussions of problematic histories and proposes novel ways to address them. It offers valuable reading for scholars of anthropology, museum studies, history and others with an interest in material culture.
584 kr
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Material Culture in Transit: Theory and Practice constellates curators and scholars actively working with material culture within academic and museal institutions through theory and practice. The rich collection of essays critically addresses the multivalent ways in which mobility reshapes the characteristics of artefacts, specifically under prevailing issues of representation and colonial liabilities. The volume attests to material culture as central to understanding the repercussions of problematic histories and proposes novel ways to address them. It offers valuable reading for scholars of anthropology, museum studies, history and others with an interest in material culture.
Collections as Relations
Contestations of Belonging, Cultural Heritage, and Knowledge Infrastructures
Inbunden, Engelska, 2024
1 990 kr
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This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relations—between and among objects and media, people, and material and immaterial contexts—define, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves. The contributors argue that a focus on the—often contested—making and remaking of relations provides a unique conceptual entrypoint for understanding collections’—and ‘their’ objects’ and media’s—complex histories, contemporary webs of interactions, and potential futures. The chapters examine the local, translocal, and transregional relations of collections with regard to their affective, aesthetic, performative, and socio-moral qualities and situate them in the larger geopolitical constellations of precolonial, colonial, and postcolonial settings. Together they investigate ongoing shifts in the relations of collections and collecting institutions by identifying alternative approaches to conceive of, and deal with, anthropological and global art collections, objects, and media in the future. The book is of interest to scholars from anthropology, global art history, museum studies, and heritage studies.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.
- Nyhet
Collections as Relations
Contestations of Belonging, Cultural Heritage, and Knowledge Infrastructures
Häftad, Engelska, 2026
658 kr
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This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relations—between and among objects and media, people, and material and immaterial contexts—define, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves. The contributors argue that a focus on the—often contested—making and remaking of relations provides a unique conceptual entrypoint for understanding collections’—and ‘their’ objects’ and media’s—complex histories, contemporary webs of interactions, and potential futures. The chapters examine the local, translocal, and transregional relations of collections with regard to their affective, aesthetic, performative, and socio-moral qualities and situate them in the larger geopolitical constellations of precolonial, colonial, and postcolonial settings. Together they investigate ongoing shifts in the relations of collections and collecting institutions by identifying alternative approaches to conceive of, and deal with, anthropological and global art collections, objects, and media in the future. The book is of interest to scholars from anthropology, global art history, museum studies, and heritage studies.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.
2 207 kr
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This book focuses on the development of the National Museum of Natural History’s David H. Koch Hall of Human Origins. As one of the most visited human evolution exhibits in the world and the largest such exhibit in the United States, it has tremendous influence on public perception and knowledge of human evolution. The chapters explore how this exhibit came about, how it has changed since opening, and the associated educational and public outreach activities of members of the Smithsonian’s Human Origins Program. The author uses the term “adaptive resilience” to describe a central theme of the exhibit, our species’ adaptation to changing environments as a key feature of our success, and to refer to the resilience of Richard B. Potts in creating his vision for the hall. Contextual sections situate the hall’s development within the history of paleoanthropology, the politics of evolution and climate change, and African contributions. The book will be of particular interest to scholars of anthropology and museum studies as well as the history of science and science communication.
- Nyhet
658 kr
Skickas inom 10-15 vardagar
This book focuses on the development of the National Museum of Natural History’s David H. Koch Hall of Human Origins. As one of the most visited human evolution exhibits in the world and the largest such exhibit in the United States, it has tremendous influence on public perception and knowledge of human evolution. The chapters explore how this exhibit came about, how it has changed since opening, and the associated educational and public outreach activities of members of the Smithsonian’s Human Origins Program. The author uses the term “adaptive resilience” to describe a central theme of the exhibit, our species’ adaptation to changing environments as a key feature of our success, and to refer to the resilience of Richard B. Potts in creating his vision for the hall. Contextual sections situate the hall’s development within the history of paleoanthropology, the politics of evolution and climate change, and African contributions. The book will be of particular interest to scholars of anthropology and museum studies as well as the history of science and science communication.
Museum Temporalities
Time, History and the Future of the (Ethnographic) Museum
Inbunden, Engelska, 2025
2 124 kr
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Museum Temporalities analyzes how museums relate to time. It explores the hidden temporal assumptions and practices that define museums. How might these assumptions help us to better understand and address museums’ often problematic and painful relationship to the colonial past? Since the nineteenth century, the globalization of the museum has spread specific understandings of permanence and temporariness that inform museum display, separated the modern from the traditional, and promoted preservation and development in ways that tacitly assume a North Atlantic cultural outlook as the end point of history and the standard that determines a hierarchy of science, art, technology, craft, and natural history. Questioning linear and epochal genealogies that assume Enlightenment surveys of the classifiable universe as the origin of the museum, Modest and Pels present evidence that global exhibitionary complexes will fail to sufficiently address questions of decolonization and restitution if they do not make room for the ethnographic museum as a principal site where suggestions for the future of all museums can be generated. They show that any attempt to address the problematic and painful relationship that museums have to colonial pasts requires them to reorient their relationship to time. The chapters in this volume assembles building blocks for a theory and practice of museums that no longer assumes the need for identities, objects, and collections to be permanent; for the museum to be the end point of knowledge; and for "art" or "science" to be the universal measure to which other forms of cultural production can only aspire. This pathbreaking collection centralizes and develops current concerns in critical museology and is valuable reading for scholars and students