Proceedings of the XVII UISPP World Congress (1–7 September 2014, Burgos, Spain) – serie

This volume presents the proceedings of the session ‘Intellectual and Spiritual Expression of Non-literate Peoples’ part of the XVII World UISPP Congress, held in Burgos (Spain), the 4th September 2014. The session brought together experts from various disciplines to share experience and scientific approaches for a better understanding of human creativity and behaviour in prehistory.

This volume presents proceedings from the session ‘Monumental Earthen Architecture in Early Societies: Technology and power display’, part of the XVII World UISPP Congress, held in Burgos (Spain), the 4th September 2014. The theme of the symposium is the archaeology of earthen architecture in pre- and protohistoric cultures, with an emphasis on constructive techniques and systems, and diachronic changes in those aspects. The main interest is in monumental architecture (not domestic), where it is better possible to appreciate the building strategies that show raw earth to be as noble a material as stone or wood, but with its very own characteristics which required the development of original solutions and construction techniques. The scope on monumental buildings also allows analyzing the political, social and economical factors that made such architecture a recognized expression of societal values and political power.

In many European areas, the Neolithic period corresponds to the development of architectural monumentality which left important marks in the landscape, as well as the land clearing and the cultivation by the first agro-pastoral societies. This volume presents proceedings from the session ‘Monumentality and territory: relationship between enclosures and necropolis in the European Neolithic’, part of the XVII World UISPP Congress, held in Burgos (Spain), the 4th September 2014. The session considered the various manifestations of the relationship between Neolithic enclosures and tombs in different contexts of Europe, notably through spatial analysis; the concept of landscape appropriation, combining domestic, symbolic, economic or natural spaces; and the patterns of territorial organization, in which enclosures and tombs have a fundamental role in some Neolithic contexts.

Filiform rock art appears as a spontaneous technique, more simple and immediate than pecking, good either for autonomous strands of expression, or for sketches and first drafts regarding works of painting or pecking. According to the order of presentation of the session’s papers during the XVII IUPPS (UISPP) Conference in Burgos, the articles published here are the following: Late prehistoric incised rock art in southern Europe: a contribution for its typology, by Fernando A. Coimbra, where the author presents a preliminary typology of this kind of rock art, divided in two groups (geometric and figurative), approaching not only common themes to several countries, but also some examples that have only a regional character; Filiform rock art in mount Bego (Tende, Maritime Alps, France), by Nicoletta Bianchi, which analyses some cases where pecked carvings overlap filiforms, therefore pre-dating pecked engravings and studies the interaction of the two carvings tradition; Filiform figures in the rock art of Valcamonica from Prehistory to the Roman age, by Umberto Sansoni, Cinzia Bettineschi and Silvana Gavaldo, that provides a general corpus of the figurative incised rock art of Valcamonica with a quantitative and qualitative approach, by considering the typological variety, the long-lasting chronological dating and the strong relation with the local pecked rock art of the Camunian filiforms; Threadlike engravings of historical period on the rocks and plaster of churches and civic buildings. Some comparisons and proposals of interpretation, by Federico Troletti, which presents the incised engravings exclusively of historical time located in some sites of Valcamonica – the area of Campanine di Cimbergo and Monticolo di Darfo; The rock art from Figueiredo (Sertã, Portugal): typology, parallels and chronology, by Fernando A. Coimbra and Sara Garcês, focusing vi on the description of the engravings from three carved rocks with incised motives from the place of Figueiredo, in central Portugal, which were studied during different fieldworks. Two other papers of researchers that couldn’t attend the Conference were also presented: The filiform rock art from Kosovo, by Shemsi Krasniqi, which presents recent findings from Kosovo with a similar typology of figures from other European countries; The filiform rock engravings of the Parete Manzi of Montelapiano (Chieti, Italy), by Tomaso Di Fraia, which analyses the problematic of incised rock art from a rock shelter in the centre of Italy.