SUNY series in Contemporary Studies in Philosophy and Literature – serie
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3 produkter
3 produkter
Inbunden, Engelska, 1990
1 241 kr
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This book addresses the question of deconstruction by asking what it is and discussing its alternatives. To what extent does deconstruction derive from a philosophical stance, and to what extent does it depend upon a set of strategies, moves, and rhetorical practices that result in criticism? Special attention is given to the formulations offered by Jacques Derrida (in relation to Heidegger's philosophy) and by Paul de Man (in relation to Kant's theory of the sublime and its implications for criticism). And what, in deconstructive terms, does it mean to translate from one textual corpus into another? Is it a matter of different theories of translation or of different practices? And what of difference itself? Does not difference already invoke the possibility of deconstruction's "others"? Althusser, Adorno, and Deleuze are offered as exemplary cases. The essays in this volume examine in detail these differences and alternatives.The Textual Sublime is particularly concerned with how a text (philosophical or literary) sets its own limits, borders, and margins, how it delimits what constitutes the text per se and how it invokes at the same time what is not determinately in the text. The textual sublime is that aspect of a text that deconstruction shows to be both an element of the text and what surpasses the text, what takes it outside itself (in view of alternatives and alterities) and what ties it to differing philosophical, rhetorical, historical, and critical practices.
Häftad, Engelska, 1993
472 kr
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Dialectic and narrative reflect the respective inclinations of philosophy and literature as disciplines that fix one another in a Sartrean gaze, admixing envy with suspicion. Ever since Plato and Aristotle distinguished scientific knowledge (episteme) from opinion (doxa) and valued demonstration through formal final causes over emplotment (mythos), the palm has been awarded to dialectic as the proper instrument of rational discourse, the arbiter of coherence, consistency, and ultimately of truth.The matter becomes more complicated when we recognize the various uses of the term "dialectic" in the tradition, some of which complement and even overlap the narrative domain. By confronting these concepts with one another, either de facto or ex professo, the following essays not only raise anew the ancient questions of the identities of philosophy and literature, but do so in the context of recent "postmodern" challenges to their relative autonomy.
Häftad, Engelska, 1996
488 kr
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A collection of essays focusing on conventions of change in the arts, philosophy, and literatureThis book examines the nature of change in history, philosophy, and culture. Precisely because the idea of change is so vast, the book's strategy is to exercise some control over it by organizing itself as a structured progression of theoretical, political, and ideological concerns whose focus is on change.Barker begins with the idea of history and historicity and proceeds through an investigation of the relationship of semiotics and hermeneutics to change, to topography and topology as functions of change, to sexuality and gender as political aspects of a hypothetical theory of change, and to the seemingly culminative issue of life and death themselves as functions of change. Finally, the book concludes with a "coda" concerning alterity both as concept and as lived and literary phenomenon ranging from the avant-garde's "drunkenness" to the alterity of the characters in Chinese poetry. Not only does the book not attempt to make categorical statements about the nature of change, but it delights in an open-ended discussion of the implications and reverberations of change throughout the world of human experience.