SUNY series in Contemporary Studies in Philosophy and Literature – serie
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This book brings together diverse aspects of postmodernism by philosophers, literary critics, historians of architecture, and sociologists. It addresses the nature of postmodernism in painting, architecture, and the performing arts, and explores the social and political implications of postmodern theories of culture.The book raises the question of whether postmodernism is to be seen as one more epoch or period within a succession of eras, or as a challenge to the modernist practice of periodization itself.The nature of the subject and of subjectivity is explored in order to resituate and contextualize the autonomous subject of the modern literary traditions.Postmodern approaches to philosophy, both analytical and continental (including the work of Deleuze, Derrida, Foucault, Rorty, and Cavell) are scrutinized and compared with a view to the question of foundationalism and with respect to philosophy's historical reflection on its own exclusionary practices.After the Future discusses the ramifications of technology and programs for the renewal of community in a radically pluralistic society. It also discusses the question of language and the diverse ways of distinguishing the articulate from the inarticulate.
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Dialectic and narrative reflect the respective inclinations of philosophy and literature as disciplines that fix one another in a Sartrean gaze, admixing envy with suspicion. Ever since Plato and Aristotle distinguished scientific knowledge (episteme) from opinion (doxa) and valued demonstration through formal final causes over emplotment (mythos), the palm has been awarded to dialectic as the proper instrument of rational discourse, the arbiter of coherence, consistency, and ultimately of truth.The matter becomes more complicated when we recognize the various uses of the term "dialectic" in the tradition, some of which complement and even overlap the narrative domain. By confronting these concepts with one another, either de facto or ex professo, the following essays not only raise anew the ancient questions of the identities of philosophy and literature, but do so in the context of recent "postmodern" challenges to their relative autonomy.
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A collection of essays focusing on conventions of change in the arts, philosophy, and literatureThis book examines the nature of change in history, philosophy, and culture. Precisely because the idea of change is so vast, the book's strategy is to exercise some control over it by organizing itself as a structured progression of theoretical, political, and ideological concerns whose focus is on change.Barker begins with the idea of history and historicity and proceeds through an investigation of the relationship of semiotics and hermeneutics to change, to topography and topology as functions of change, to sexuality and gender as political aspects of a hypothetical theory of change, and to the seemingly culminative issue of life and death themselves as functions of change. Finally, the book concludes with a "coda" concerning alterity both as concept and as lived and literary phenomenon ranging from the avant-garde's "drunkenness" to the alterity of the characters in Chinese poetry. Not only does the book not attempt to make categorical statements about the nature of change, but it delights in an open-ended discussion of the implications and reverberations of change throughout the world of human experience.