Flyboy 2

Greg Tate is a music and popular culture critic and journalist whose work has appeared in many publications, including the Village Voice, Vibe, Spin, the Wire, and Downbeat. He is the author of Flyboy in the Buttermilk: Essays on Contemporary America and Midnight Lightning: Jimi Hendrix and the Black Experience and the editor of Everything but the Burden: What White People Are Taking from Black Culture. Tate, via guitar and baton, also leads the conducted improvisation ensemble Burnt Sugar the Arkestra Chamber, who tour internationally.

"Tate has been an important if underread critic for the past several decades, and this collection will allow more readers to discover him. Not a fast or simple read, but a worthwhile one for fans of music and culture."  - Craig L. Shufelt (Library Journal) "Flyboy 2 will be like no other collection of writing you will read this year, and probably this decade. Refer back to the original Flyboy book to whet your palate, and to note and compare the evolution of Tate’s voice and his perception of the world and music around him. Take comfort in knowing that there is a Black writer who has no choice but to be real, poised and dignified, denying all pressures to bastardize the class and power of Black arts criticism and literary excellence." - Jordannah Elizabeth (Amsterdam News) "Whether you are new to his work or a longtime reader, the universe of Black magic lovingly curated in Flyboy 2 will do your soul good." - Steven W. Thrasher (The Guardian) "Flyboy 2 is an immersive, fluid, and genre-bending collection of commentary, essays, and exposition of the self, a beautiful text solidly grounded in the critical theories of late twentieth- and early twenty-first-century academia."  - Patty Comeau (ForeWord Reviews) "What Flyboy 1 and 2 show is that Tate has come a long way in the study of this, the feared black planet and, in so doing, came out a more skilful, more humble man. What his style won’t let me forget is this: we are simultaneously in command of this world, and others." - Kwanele Sosibo (Mail & Guardian) "What made Tate’s criticism special was his ability to theorize outward from his encounters with genius and his brushes with banality-to telescope between moments of artistic inspiration and the giant structures within which those moments were produced. . . . Tate has a keen sense for the way that both artists and communities discern where they fit in the world, and what is expected of them, and then either go along for the ride or carefully plot their escapes." - Hua Hsu (The New Yorker) "[T]hought-provoking. . . . There's lots to unpack in Tate's writing, challenging us to come along for the ride--if we're up to it." - David Hershkovits (Paper Magazine) "A Rolling Stone contributor, Greg Tate's ferocious, slang-tinged salvos and deep-rooted historical analysis have inspired readers and intimidated colleagues for decades. This sequel to the 1992 collection Flyboy in the Buttermilk felt particularly acute in the context of 2016's nonstop stream of racial horror, whether Tate is delineating visual artist Kara Walker's unflinching slavery-era silhouettes or eulogizing Richard Pryor and Michael Jackson. . . ." - Michaelangelo Matos (Rolling Stone) "Greg Tate has been responsible for some of the most erudite and energetic cultural criticism of the past thirty years. . . . The book stands as a testimony to the richness and variety of contemporary Black artistic production, and to Tate’s restless curiosity and learning." - Michael Lapointe (TLS) “Like all of Greg Tate's work, this is required reading for anyone interested in the last several decades of life and culture in the United States.” - Charles L. Hughes (Journal of Popular Music Studies) "Flyboy 2 collects more pieces that prove Tate, a Rolling Stone contributor, hasn't lost a step, with riffs on young artists like Azealia Banks ('a freaky-geeky, speed-rapping succubus') and forebears such as Jimi Hendrix ('one of our most agile and adept freedom fighters'). It's a dive into what Tate calls 'Black Cognition,' a cornerstone of the American mind."  - Will Hermes (Rolling Stone)

• Introduction: Lust, of All Things (Black)  11. The Black Male ShowAmiri Baraka  9Wayne Shorter  16Jimi Hendrix  24John Coltrane  41Gone Fishing: Remembering Lester Bowie  44The Black Artists' Group  50Butch Morris  55Charles Edward Anderson Berry and the History of Our Future  57Lonnie Holley  68Marion Brown (1931–2010) and Djinji Brown  71Dark Angels of Dust: David Hammons and the Art of Streetwise Trancendentalism  73Bill T. Jones: Combative Moves  78Garry Simmons: Conceptual Bomber  81The Persistence of Vision: Storyboard P  83Ice Cube  91Wynton Marsalis: Jazz Crusader  102Thonton Dail: Free, Black, and Brightening Up the Darkness of the World  110Kehinde Wiley  124Rammellzee: The Ikonoklast Samurai  127Richard Pryor: Pryor Lives  136Richard Pryor  146Gil Scott-Heron  149The Man in Our Mirror: Michael Jackson  152Miles Davis  1582. She Laughing Mean and Impressive TooBorn to Dyke: I Love My Sister Laughing and Then Again When She's Looking Mean, Queer, and Impressive  167Joni Mitchell: Black and Blond  175Azealia Banks  177Sade: Black Magic Woman  180All the Things You Could Be by Now If Iames Brown Was a Feminist  186Itabari Njeri  193Kara Walker  196Women at the Edge of Space, Time, and Art: Ruminations on Candida Romero's Little Girls  202Ellen Gallagher  208To Bid a Poet Black and Abstract  210"The Gikuyu Mythos versus the Cullud Grrrl from Outta Space": A Wangechi Mutu Feature  213Come Join the Hieroglyphic Zombie Parade: Deborah Grant  219BjÖrk's Second Act  223Thelma Golden  2283. Hello Darknuss My Old MemeTop Ten Reasons Why So Few Black Women Were Down to Occupy Wall Street Plus Four More  235What Is Hip-Hop?  239Intelligence Data: Bob Dylan  242Hip-Hop Turns Thirty  246Love and Crunk: Outkast  252White Freedom: Eminem  254Wu-Dunit: Wu-Tang Clan  256Unlocking the Truth vs. John Cage  2604. ScreeningsSpike Lee's Bamboozled  265It's A Mack Thing  270Sex and Negrocity: John Singleton's Baby Boy  272Lincoln in Whiteface: Jeffrey Wright and Don Cheadle in Susan-Lori Parks's Topdog/Underdog  275The Black Power Mixtape  2785. Race, Sex, Politricks and Belle LettresClarence Major  285The Atlantic Sound: Caryl Phillips's The Atlantic Sound  288Acocalypse Now: Patricia Hill Collins's Black Sexual Politics; Thomas Shevory's Notorious H.I.V.; Jacob Levenson's The Secret Epidemic  290Blood and Bridges  292Nigger-'Tude  296Triple Threat: Jerry Gafio Watts's Amiri Baraka; Hazel Rowley's Richard Wright; David Macey's Frantz Fanon  299Bottom Feeders: Natsuo Kirino's Out  306Scaling the Heights: Maryse CondÉ's Windward Heights  307Fear of a Mongrel Planet: Zadie Smith's White Teeth  310Adventures in the Skin Trade: Lisa Teasley's Glow in the Dark  313Generous Hexed: Jeffery Renard Allen's Rails under My Back  315Going Underground: Gayl Jones's Mosquito  317Judgment Day: Toni Morrison's Love and Edward P. Jones's The Known World  320Black Modernity and Laughter, or How It Came to Be That N*g*as Got Jokes  322Kalahari Hopscotch, or Notes toward a Twenty-Volume Afrocentric Futurist Manifesto  330Sources  343Index  347