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Given the current climate of results-driven accountability, school-based professionals have a significant contribution to make in improving the impact of programs and initiatives through the application of program evaluation methods and tools to inform decision making within a multi-tier system of supports framework. And yet there is currently a dearth of practical resources dedicated to developing school psychologists' competencies in program evaluation.Advancing Evidence-Based Practice through Program Evaluation will meet the needs of school psychologists and other school-based professionals seeking to use program evaluation approaches to enhance data-based decision making and accountability at a program and systems-level. This practical guide provides the most cutting-edge evaluation frameworks, methods, and tools available, with particular emphasis on the rapidly-developing areas of implementation research, evidence-based professional learning, and innovative approaches to communicating evaluation findings. The book will support school professionals in daily practice by enhancing and extending their knowledge and skills in measurement, assessment, consultation for systems change and the use of evidence-based interventions for academic and social/behavioral concerns, with a focus on evaluating the implementation and outcomes of school-based programs. The book will also facilitate the professional development of those currently engaged in graduate preparation programs in education, educational leadership, school counseling, and school social work, as well as the university faculty who guide their professional preparation. Finally, school professionals may also use Advancing Evidence-Based Practice through Program Evaluation to develop their professional competencies in implementing new initiatives funded by grants with clear expectations for program evaluation.

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Before Rosa Parks and the March on Washington, four African American women risked their careers and freedom to defy the United States Army over segregation. Women Army Corps (WAC) privates Mary Green, Anna Morrison, Johnnie Murphy, and Alice Young enlisted to serve their country, improve their lives, and claim the privileges of citizenship long denied them. Promised a chance at training and skilled positions, they saw white WACs assigned to those better jobs and found themselves relegated to work as orderlies. In 1945, their strike alongside fifty other WACs captured the nation's attention and ignited passionate debates on racism, women in the military, and patriotism. Glory in Their Spirit presents the powerful story of their persistence and the public uproar that ensued. Newspapers chose sides. Civil rights activists coalesced to wield a new power. The military, meanwhile, found itself increasingly unable to justify its policies. In the end, Green, Morrison, Murphy, and Young chose court-martial over a return to menial duties. But their courage pushed the segregated military to the breaking point "and helped steer one of American's most powerful institutions onto a new road toward progress and justice.

Before Rosa Parks and the March on Washington, four African American women risked their careers and freedom to defy the United States Army over segregation. Women Army Corps (WAC) privates Mary Green, Anna Morrison, Johnnie Murphy, and Alice Young enlisted to serve their country, improve their lives, and claim the privileges of citizenship long denied them. Promised a chance at training and skilled positions, they saw white WACs assigned to those better jobs and found themselves relegated to work as orderlies. In 1945, their strike alongside fifty other WACs captured the nation's attention and ignited passionate debates on racism, women in the military, and patriotism. Glory in Their Spirit presents the powerful story of their persistence and the public uproar that ensued. Newspapers chose sides. Civil rights activists coalesced to wield a new power. The military, meanwhile, found itself increasingly unable to justify its policies. In the end, Green, Morrison, Murphy, and Young chose court-martial over a return to menial duties. But their courage pushed the segregated military to the breaking point "and helped steer one of American's most powerful institutions onto a new road toward progress and justice.

'This book is heaven. Elspeth Barker writes like no one else'OLIVIA LAING'Deserves to be permanently on the bedside table - to cheer, reassure and inspire'OBSERVER'Gothic, poetic and exuberantly funny. What a pleasure it was to read'ESTHER FREUD'Joyous, startling, funny, lush, dark and complex'THE TIMESIn Notes from the Henhouse, you will find:A Gothic castle, a draughty Norfolk farmhouse and a malevolent AgaA pet pig, Portia with a penchant for drama, an obsession with geraniums and an addiction to wine (the Bulgarian vintage)George Barker, poet and beloved husband, warbling cowboy songs into his glass and declaiming Hopkins and Houseman in The Drinking RoomFive entrancing baby cherubimos, rolling and bouncing about in a big brass bed, before growing up at breakneck speedThe ecstasy of writing, the dither of procrastination, and the endless adventures to be had in the wild realms of the imaginationThe outrage of death, the loneliness of widowhood, and then the surprising joys of dereliction: of moving very slowly round the garden in a shapeless coat, planting drifts of narcissus bulbs for latter springs.This collection of autobiographical essays from the inimitable Elspeth Barker, author of the beloved modern classic O Caledonia, is a delightful portrait of a riotous, rapturous, remarkable life.

Nikolai Gogol's short fiction, collected here as The Diary of a Madman, The Government Inspector and Selected Stories, deeply influenced later Russian literature with powerful depictions of a society dominated by petty bureaucracy and base corruption. This Penguin Classics edition is translated with notes by Ronald Wilks, and an introduction by Robert A. Maguire.This volume includes a selection of Gogol's most admired short fiction and his most famous drama. A hilarious and biting political satire, 'The Government Inspector' has been popular since its first performance and was regarded by Nabokov as the greatest Russian play ever written. The stories gathered here, meanwhile, range from comic to tragic and describe the isolated lives of low-ranking clerks, lunatics and swindlers. They include 'Diary of a Madman', an amusing but disturbing exploration of insanity; 'Nevsky Prospect', a depiction of an artist infatuated with a prostitute; and 'The Overcoat', a moving consideration of poverty.Edited and translated by Ronald Wilks, this new collection of Gogol's shorter writings skilfully captures the savage wit of the original works. Robert Maguire's introduction considers recurrent themes and explores Gogol's influence on realism. This edition also includes detailed notes, a publishing history for each story and a chronology.Nikolai Gogol (1809-52) was born in the Ukraine. His experience of St Petersburg life informed a savagely satirical play, The Government Inspector, and a series of brilliant short stories including Nevsky Prospekt and Diary of a Madman. For over a decade, Gogol laboured on his comic epic Dead Souls - before renouncing literature and burning parts of the manuscript shortly before he died.If you enjoyed The Diary of a Madman, you might like Anton Chekhov's The Steppe and Other Stories, also available in Penguin Classics.'Everything he started to imagine transformed itself and began to wriggle with life'A.S. Byatt, author of Possession

'A strange, tragic, inspired book ... It is absolutely unafraid' E. M. ForsterA party of English people are aboard the Euphrosyne, bound for South America. Among them is a young girl, Rachel Vinrace, innocent and wholly ignorant of the world of politics and society, books, sex, love and marriage. She is a free spirit half-caught, momentarily and passionately, by Terence Hewet, an aspiring writer, but her greatest discovery will be her own self. Virginia Woolf's first novel, published in 1915, is a haunting exploration of a young woman's mind, signalling the beginning of her fascination with capturing the mysteries and complexities of the inner life.Edited with an Introduction and Notes by Jane Wheare

Forests are in decline, and the threats these outposts of nature face - including deforestation, degradation, and fragmentation - are the result of human culture. Or are they? This volume calls these assumptions into question, revealing forests' past, present, and future conditions to be the joint products of a host of natural and cultural forces. Moreover, in many cases the coalescence of these forces - from local ecologies to competing knowledge systems - has masked a significant contemporary trend of woodland resurgence, even in the forests of the tropics. Focusing on the history and current use of woodlands from India to the Amazon, The Social Lives of Forests attempts to build a coherent view of forests sited at the nexus of nature, culture, and development.With chapters covering the effects of human activities on succession patterns in now-protected Costa Rican forests; the intersection of gender and knowledge in African shea nut tree markets; and even the unexpectedly rich urban woodlands of Chicago, this book explores forests as places of significant human action, with complex institutions, ecologies, and economies that have transformed these landscapes in the past and continue to shape them today. From rain forests to timber farms, the face of forests-how we define, understand, and maintain them-is changing.

Forests are in decline, and the threats these outposts of nature face-including deforestation, degradation, and fragmentation-are the result of human culture. Or are they? This volume calls these assumptions into question, revealing forests' past, present, and future conditions to be the joint products of a host of natural and cultural forces. Moreover, in many cases the coalescence of these forces-from local ecologies to competing knowledge systems-has masked a significant contemporary trend of woodland resurgence, even in the forests of the tropics.Focusing on the history and current use of woodlands from India to the Amazon, The Social Lives of Forests attempts to build a coherent view of forests sited at the nexus of nature, culture, and development. With chapters covering the effects of human activities on succession patterns in now-protected Costa Rican forests; the intersection of gender and knowledge in African shea nut tree markets; and even the unexpectedly rich urban woodlands of Chicago, this book explores forests as places of significant human action, with complex institutions, ecologies, and economies that have transformed these landscapes in the past and continue to shape them today. From rain forests to timber farms, the face of forests-how we define, understand, and maintain them-is changing.

"Intro to Poetry Writing is always like this: a long labor, a breech birth, or, obversely, mining in the dark. You take healthy young Americans used to sunshine (aided sometimes by Xanax and Adderall), you blindfold them and lead them by the hand into a labyrinth made from bones. Then you tell them their assignment: 'Find the Grail. You have a New York minute to get it.'"--The Poetry Lesson The Poetry Lesson is a hilarious account of the first day of a creative writing course taught by a "typical fin-de-siecle salaried beatnik"--one with an antic imagination, an outsized personality and libido, and an endless store of entertaining literary anecdotes, reliable or otherwise. Neither a novel nor a memoir but mimicking aspects of each, The Poetry Lesson is pure Andrei Codrescu: irreverent, unconventional, brilliant, and always funny. Codrescu takes readers into the strange classroom and even stranger mind of a poet and English professor on the eve of retirement as he begins to teach his final semester of Intro to Poetry Writing.As he introduces his students to THE TOOLS OF POETRY (a list that includes a goatskin dream notebook, hypnosis, and cable TV) and THE TEN MUSES OF POETRY (mishearing, misunderstanding, mistranslating ...), and assigns each of them a tutelary "Ghost-Companion" poet, the teacher recalls wild tales from his coming of age as a poet in the 1960s and 1970s, even as he speculates about the lives and poetic and sexual potential of his twenty-first-century students. From arguing that Allen Ginsberg wasn't actually gay to telling about the time William Burroughs's funeral procession stopped at McDonald's, The Poetry Lesson is a thoroughly entertaining portrait of an inimitable poet, teacher, and storyteller.

A Sydney Taylor Book Award 2023 Middle Grade Notable! A Jewish Book Council Award Middle Grade Finalist! The moving true story of how young Ukrainian Jewish piano prodigies Zhanna (alias “Anna”) and her sister Frina outplayed their pursuers while hiding in plain sight during the Holocaust. A middle grade nonfiction novel-in-verse by award-winning author Susan Hood with Greg Dawson (Zhanna’s son).She wouldn’t be Zhanna. She’d use an alias. A for Anna. A for alive.When the Germans invade Ukraine, Zhanna, a young Jewish girl, must leave behind her friends, her freedom, and her promising musical future at the world’s top conservatory. With no time to say goodbye, Zhanna, her sister Frina, and their entire family are removed from their home by the Nazis and forced on a long, cold, death march. When a guard turns a blind eye, Zhanna flees with nothing more than her musical talent, her beloved sheet music, and her father’s final plea: “I don’t care what you do. Just live.” This incredible true story in-verse about sisterhood, survival, and music is perfect for fans of Lifeboat 12, Inside Out and Back Again, and Alan Gratz.Includes extensive back matter with original letters and photographs, additional information, and materials for further reading.A NERDY BOOK CLUB 2022 BEST NOVEL-IN-VERSE BOOK!A NEW YORK PUBLIC LIBRARY 2022 BEST BOOK FOR KIDS!A CHICAGO PUBLIC LIBRARY BEST INFORMATIONAL BOOKS FOR YOUNGER READERS OF 2022!

Elizabeth Gaskell's remarkable first novel, Mary Barton: A Tale of Manchester Life portrays a love that defies the rigid boundaries of class with tragic consequences. This Penguin Classics edition is edited with an introduction and notes by MacDonald Daly.Mary Barton, the daughter of disillusioned trade unionist, rejects her working-class lover Jem Wilson in the hope of marrying Henry Carson, the mill owner's son, and making a better life for herself and her father. But when Henry is shot down in the street and Jem becomes the main suspect, Mary finds herself painfully torn between the two men. Through Mary's dilemma, and the moving portrayal of her father, the embittered and courageous Chartist agitator John Barton, Mary Barton powerfully dramatizes the class divides of the 'hungry forties' as personal tragedy. In its social and political setting, it looks towards Elizabeth Gaskell's great novels of the industrial revolution, in particular North and South.Macdonald Daly's introduction discusses Gaskell's first novel as a pioneering work in the recognition of the conditions of the poor and working class; this edition also contains full notes and a chronology of Gaskell's life.Elizabeth Gaskell (1810-65) was born in London, but grew up in the north of England in the village of Knutsford. In 1832 she married the Reverend William Gaskell and had four daughters, and one son who died in infancy. Her first novel, Mary Barton, was published in 1848, winning the attention of Charles Dickens, and most of her later work was published in his journals. She was also a lifelong friend of Charlotte Brontë, whose biography she wrote.If you enjoyed Mary Barton, you might like George Eliot's The Mill on the Floss, also available in Penguin Classics.

A searing account of the time Dostoyevsky spent in a Siberian prison camp for his part in a political conspiracy‘Here was the house of the living dead, a life like none other upon earth’In January 1850 Dostoyevsky was sent to a remote Siberian prison camp for his part in a political conspiracy. The four years he spent there, startlingly re-created in The House of the Dead, were the most agonizing of his life. In this fictionalized account he describes his soul-destroying incarceration through the cool, detached tones of his narrator, Aleksandr Petrovich Goryanchikov: the daily battle for survival, the wooden plank beds, his strange ‘family’ of boastful, cruel convicts. Yet this is far more than a work of documentary realism; it is also a powerful novel of redemption, exploring one man’s spiritual death and the miracle of his reawakening.Edited with an Introduction and Notes by David McDuff

The unfinished manuscript of The First Man was discovered in the wreckage of car accident in which Camus died in 1960. Although it was not published for over thirty years, it was an instant bestseller when it finally appeared in 1994. The 'first man' is Jacques Cormery, whose poverty-stricken childhood in Algiers is made bearable by his love for his silent and illiterate mother, and by the teacher who transforms his view of the world. The most autobiographical of Camus's novels, it gives profound insights into his life and the powerful themes underlying his work.Albert Camus was born in Algeria in 1913. The works that established his international reputation include THE PLAGUE, THE FALL, THE REBEL and THE OUTSIDER. Camus died in a road accident in 1960 and is remembered as one of the greatest philsophical novelists of the twentieth century.

Unfinished at the time of his death, F. Scott Fitzgerald's The Last Tycoon is a story of doomed love set against the extravagance of America's booming film industry. This Penguin Modern Classics edition is edited with an introduction by Edmund Wilson.The studio lot looks like 'thirty acres of fairyland' the night that a mysterious woman stands and smiles at Monroe Stahr, the last of the great Hollywood princes. Enchanted by one another, they begin a passionate but hopeless love affair, starting with a fast-moving seduction as slick as a scene from one of Stahr's pictures. The romance unfolds, frame by frame, watched by Cecilia, a thoroughly modern girl who has taken her lessons in sentiment and cynicism from all the movies she has seen. Her buoyant humour and satirical eye perfectly complement Fitzgerald's panorama of Hollywood at its most lavish and bewitching.F. Scott Fitzgerald (1896-1940) has acquired a mythical status in American literary history, and his masterwork The Great Gatsby is considered by many to be the 'great American novel'. In 1920 he married Zelda Sayre, dubbed 'the first American Flapper', and their traumatic marriage and Zelda's gradual descent into insanity became the leading influence on his writing. As well as many short stories, Fitzgerald wrote five novels This Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Night and, incomplete at the time of his death, The Last Tycoon. After his death The New York Times said of him that 'in fact and in the literary sense he created a "generation" '.If you enjoyed The Last Tycoon, you might enjoy Fitzgerald's The Beautiful and the Damned, also available in Penguin Classics.'Wonderful ... a novel about Hollywood, written from the inside'Helen Dunmore, Sunday Times

At the Diamond County Home for the Aged, the inmates prepare for the annual ritual of the Poorhouse Fair, a summer celebration at which the old and infirm sell their produce on stalls to the people of the local town. Bitter, resentful and edging towards senility, the elderly residents of the Home take pride every year in the responsibility and self-respect they gain from this one day. But when the fair goes less well than the old folks had hoped, they are in no doubt who to blame: Conner, the new prefect of the home. Together, they begin to revolt against the younger man, and reassert their own independence.