Visar resultat för..."Carcanet Press Ltd"
477 produkter
477 produkter
Häftad, Engelska, 1998
158 kr
Skickas
Gabriel Josipovici's acclaimed novel reissued in 2018.Josipovici's novel is based on the life of Pierre Bonnard, the painter of enchanting domestic interiors and innocently unsensual nudes. A thoughtful and deeply felt piece told in three parts from the perspectives of Bonnard's wife, daughter, and the painter himself.
Häftad, Engelska, 1998
179 kr
Skickas
During his career John Ashbery has been hailed as the "eminence grise" of postmodernism, championed by W.H. Auden and has carried off every major literary prize. His startling work alternately (and sometimes simultaneously) playful and recondite, affirms poetry's power to astonish and tackle fundamentals. Drawn from the work he published up to 1984, from the spare, beautiful lyrics of "Some Trees" and the disjunctive, experimentalism of "The Tennis Court Oath", to the powerful mediations on subjectivity of "Self-Portrait in a Convex Mirror" and "A Wave", this collection makes a wide range of this poet's writing available.
Häftad, Engelska, 2000
122 kr
Skickas
Recipient of the Nobel Prize in Literature 2020 Since Ararat in 1990, Louise Glück has been exploring a form of her own invention, the book-length sequence which combines worldly dramas and ecstatic utterance, a literal world and the worlds of legend and myth that impart meaning or irony to our ways of life, love and separation. Vita Nova exists in a long moment of spring, of deaths and beginnings. The verse is far-seeing, written in the elected shadow of Dante. Glück brings her subjects into sharp focus: the smallest human hopes in the light of the vast forces that shape and thwart them.
Häftad, Engelska, 2026
179 kr
Skickas
The Poetry Book Society Translation Choice Spring 2026‘May the stone steps and the deep-sleeping door summonthe camellia’s impossible paradiseand your face the impossible keyMay the window shudderMay the notes be blueand the candleflame shake unequivocally’(from ‘May the Rain’)One of Taiwan’s most celebrated poets, Chen Yuhong draws on both Western and Asian literary traditions, inflected by her work as a translator of contemporary English-language women poets (Glück, Oswald, Duffy). This selection makes her art widely available in English for the first time.Her award-winning translators, George O’Connell and Diana Shi, carry across the richly metaphorical lexicon of her poems and their uncanny inhabitation of places both real and imagined, conjuring mood, angles of thought or light, animal presence, and the tides of the seasons.In a world where much that seemed united has frayed, Chen Yuhong’s finely balanced poems bring us news of other imagined worlds, and acknowledge the unexpected, its capacity to terrify or astonish.
Häftad, Engelska, 2005
180 kr
Skickas
John Polidori (1795-1821) is a fascinating but always shadowy figure of Romanticism, an impetuous, sensitive writer of fierce talent. His encounter with Byron, Shelley and their circle has contributed both to his fame and notoriety on the one hand, and to his neglect on the other: he is too often known only at second-hand through the recollections of his famous friends.That encounter with Byron, Shelley et al was the inspiration for his most celebrated work, the influential and still compelling tale of The Vampyre (1819). With this story, Polidori created a figure of seductive evil who continues to exert a powerful hold over literature and popular culture. The Vampyre alone would confirm Polidori's importance within the Gothic tradition. This collection also makes available many of the Polidori's lesser-known works, showing him to be a resourceful, sensitive writer whose literary career was cut short by his early death. Polidori's medical thesis on the subject of nightmares, his essay 'Upon the Source of Positive Pleasure' and his Gothic novel The Modern Oedipus (both included in full), his poetry, diaries and letters, illuminate the context in which The Vampyre was written and deepen our understanding of Romanticism and the Gothic. Many of these works have rarely, if ever, been republished since the nineteenth century.
Häftad, Engelska, 2004
178 kr
Skickas
For the first time, The New York Poets gathers in a single volume the best work of four extraordinary poets: Frank O'Hara, John Ashbery, Kenneth Koch, and James Schuyler. By the early 1950s all four were settled in Manhattan, collaborating, competing and encouraging each other's radical experiments with language and form. Much of their work reflects their participation in the creative energies of the New York art scene, 'the floods of paint', to quote James Schuyler, 'in whose crashing surf we all scramble'. Believing that anything could be material for a poem, they transformed American poetry with their irreverent wit and daring.Mark Ford's anthology is an essential introduction to four poets whose work has influenced poetry around the world. It includes detailed background information and a substantial bibliography.
Häftad, Engelska, 2007
122 kr
Tillfälligt slut
When Odysseus Elytis was awarded the Nobel Prize for Literature, the Swedish Academy’s citation singled out The Axion Esti, first published in 1959, as ‘one of twentieth-century literature’s most concentrated and richly faceted poems.’ It can be seen both as a secular oratorio, reflecting the Greek heritage and the country’s revolutionary spirit, and also as a kind of autobiography, in which the spiritual roots of the poet’s very individual sensibility are set in the wider philosophical context of the Greek tradition. In his evocation of eternal Greece, his vision of the war and its aftermath, and his concluding celebration of human life, Elytis is a true voice of our age – a deeply personal lyric poet who speaks for humanity at large.
Häftad, Engelska, 1998
122 kr
Skickas
This is a short, powerful novel dealing with the complicities and accomodations of power within Italian politics.
Häftad, Engelska, 1996
115 kr
Skickas
Recipient of the Nobel Prize in Literature 2020Winner of The Pulitzer Prize for Poetry 1993Helen Vendler wrote in The New Republic: 'Louise Glück is a poet of strong and haunting presence. Her poems, published in a series of memorable books over the last twenty years, have achieved the unusual distinction of being neither "confessional" nor "intellectual" in the usual senses of those words, which are often thought to represent two camps in the life of poetry'.What a strange book The Wild Iris is, appearing in this fin-de-siècle, written in the language of flowers. It is a lieder cycle, with all the mournful cadences of that form. It wagers everything on the poetic energy remaining in the old troubadour image of the spring, the Biblical lilies of the field, natural resurrection.
- Nyhet
Häftad, Engelska, 2026
156 kr
Skickas
The Poetry Book Society Summer Choice 2026Drunken Driving is the funny and subversive sequel to Martina Evans’s narrative poem The Coming Thing, set ten years on. Imelda, now a young mother, is married to Carl. When she gets a job in the X-ray Department at Pentonville Prison and learns to drive, her previous preoccupations with life and death and abuse of power are intensified within the prison walls.The sonnets are ‘cuffed’ by quotes from Dracula and prison security rules, providing ironic commentary on the main narrative exploring issues of control. This timely collection delivers dark comedy as it raises serious questions about human society during the present international prison crisis, with the UK prison system on the verge of collapse.
Häftad, Engelska, 2027
156 kr
Kommande
Oksana Maksymchuk's second collection constitutes a poetic study of the connection between war and eros. What forms does sex take during war? How do lovers and families endure and survive destruction? And how is ruination and renewal remembered and commemorated?
Häftad, Engelska, 2022
145 kr
Skickas
The Feeling Sonnets are written in an English that is translingual not only because it engages other languages but also because it reflects upon itself in uncertainty as if it were the work of a language learner. Words, idioms, sentences, poetic conventions are made strange, dislocated, recontextualised to convey some of the linguistic effects of the migration experience, the experience of non-nativeness. The book includes four cycles of fourteen unrhymed, unmetered, logically Petrarchan sonnets. The first cycle asks about the relationship between interpretation and emotion: whether ‘we feel the feelings that we call ours’. The second, mainly composed of ‘daughter sonnets’, describes bringing up children in a foreign language. The third, ‘Die Schreibblockade’, German for writer’s block, talks about foreign-language processing of inherited historical trauma. The fourth cycle is about translation. A libretto commissioned by Italian composer Lucia Ronchetti follows, about Ravel’s interaction with Paul Wittgenstein over the Piano Concerto for the Left Hand.Gwyneth Lewis writes, 'Eugene Ostashevsky is a multilingual language explorer. His The Feeling Sonnets are an exhilarating and witty enquiry into the designs that language has on us as intellectual, domestic and historical beings. This is poetry as punning philosophy, both entertaining and deeply serious. This book is a tour de force, turning languages' spotlights onto speech itself. Yet again, Carcanet is publishing important poetry.'Born in Leningrad, Ostashevsky grew up in Brooklyn. He is now based in Berlin and New York. In his last full book of poetry, The Pirate Who Does Not Know the Value of Pi, published by NYRB Poets, discusses migration, translation, and second-language writing as practiced by pirates and parrots. His previous book, The Life and Opinions of DJ Spinoza, published by Ugly Duckling Presse in Brooklyn, examines the defects of natural and artificial languages.
Häftad, Engelska, 2026
179 kr
Skickas
Leontia Flynn is one of the key poets of her generation. This first selection of her work reveals how her poetry, so often pained, funny, and heartfelt, also describes a life lived in the first quarter of the twenty-first century with unmistakable freshness and vivid clarity. Flynn brings dark humour and tenderness to her characteristic subjects: childhood inheritance, the North of Ireland and its history, physical fragility, mothers and single motherhood, love and loss.Bringing together work from her five previous collections, this Selected Poems, in its variety of forms, registers the trajectory of a life: the awful and exhilarating experiment of existing in a turbulent world.
![Jorie Graham - [To] the Last [Be] Human, Häftad](https://image.bokus.com/images2/9781800172937_766)
Häftad, Engelska, 2022
239 kr
Skickas
A Poetry Book Society Special Commendation Autumn 2022. [To] The Last [Be] Human collects four extraordinary poetry books—Sea Change, PLACE, fast, and Runaway—by Pulitzer Prize winner Jorie Graham.From the introduction by Robert Macfarlane:The earliest of the poems in this tetralogy were written at 373 parts per million of atmospheric CO2, and the most recent at 414 parts per million; that is to say, in the old calendar, 2002 and 2020 respectively. The body of work gathered here stands as an extraordinary lyric record of those eighteen calamitous years: a glittering, teeming Anthropocene journal, rife with hope and raw with loss, lush and sparse, hard to parse and hugely powerful to experience. Graham's poems are turned to face our planet's deep-time future, and their shadows are cast by the long light of the will-have-been. But they are made of more durable materials than granite and concrete, and their tasks are of record as well as warning: to preserve what it has felt like to be a human in these accelerated years when "the future / takes shape / too quickly", when we are entering "a time / beyond belief". They know, these poems, and what they tell is precise to their form... Sometimes they are made of ragged, hurting, hurtling, and body-fleeing language; other times they celebrate the sheer, shocking, heart-stopping gift of the given world, seeing light, tree, sea, skin, and star as a "whirling robe humming with firstness".To read these four twenty-first-century books together in a single volume is to experience vastly complex patterns forming and reforming in mind, eye, and ear. These poems sing within themselves, between one another, and across collections, and the song that joins them all is uttered simply in the first lines of the last poem of the last book:The earth saidremember me.The earth saiddon't let go,said it one daywhen I wasaccidentallylistening
Häftad, Engelska, 1996
156 kr
Skickas
"Though nature's sternest painter yet the best" ByronGeorge Crabbe (1754-1832) arrived late on the Augustan scene. Born in the same decade as Burns and Blake, he outlived Keats by more than ten years. His father was a warehouse-keeper in Aldeburgh, Suffolk. Schooled in Bungay and Stowmarket, he was apprenticed to an apothecary. In 1779 he went to London as a literary adventurer, arriving without introductions. Edmund Burke became his patron and transformed his fortunes. The Village (1783),and after a silence The Parish Register (1807), The Borough (1810) and Tales (1812), his main works followed.Crabbe wanted his readers to feel his writing - accounts of rural and provincial life, of individuals and communities, of landscapes - not only as narrative but in circumstantial detail - some of it harsh and shocking. Peter Grimes is his most famous character, one whom Benjamin Britten found irresistible. 'It is worth registering from the outset,' Jem Poster says, 'the enduring intimacy of Crabbe's contact with the world, the sheer physicality of his grasp of things: the strengths of his poetry are more easily understood if we can visualise him actually grubbing at the slimy roots of the marshplants he so vividly described, delivering a neighbour's child, or assisting his father by piling butter-casks in a quayside warehouse'.
Häftad, Engelska, 1997
122 kr
Skickas
A mixture of stories, poems and autobiography: the donkey survives the fire, and the poet survives in a northern world where the sun does not shine equally or often on all and where Postman Pat pens a suicide note, maddened by his theme tune, but keeps on driving all the same. Ian McMillan is a regular radio and television presenter and contributor to "NMW" and other magazines.
Häftad, Engelska, 1996
122 kr
Skickas
Forms of Distance is Bei Dao’s second bilingual collection since his enforced exile from China in 1989. Michael Hofmann described the first, Old Snow, as ‘the work of one of the great poets of our time’, and John Cayley wrote in the Times Literary Supplement that ‘in a sense he is the only contemporary Chinese poet who is knowable for the non-specialist … we can hear the maturing poetic voice of a highly talented, individual Chinese writer.’
Häftad, Engelska, 2002
202 kr
Skickas
Nâzim Hikmet’s poetry combines passion and simplicity with sophistication, producing work of enduring significance. He was both a superb narrative and lyric poet; his immense and continuing popularity in Turkey testifies to his common touch. This extensive selection ranges from his epic poem ‘Sheikh Bedreddin’ to the moving prison poems addressed to his wife. The book is introduced by the leading expert on Turkish literature, Talât Sait Halman, former Professor of Turkish Literature at Princeton and New York Universities and currently at Bilkent University, Ankara.
Häftad, Engelska, 2002
253 kr
Skickas inom 3-6 vardagar
Yehuda Halevi, who wrote both secular and devotional poems, is considered one of the finest poets in post-biblical Hebrew literature. Suffused with warmth, moving easily between the mundane and the otherworldly, and, above all, delicately elegiac, the poet's voice cuts across all the literary genres and religious modes on which he drew. Born in the second half of the 11th century, Halevi wandered in his youth between Muslim and Christian Spain before settling in Cordoba around 1110. Towards the end of his life, to the amazement and consternation of his friends and admirers, he set out on a pilgrimage to the Holy Land, at the time under Crusader rule. He arrived in Alexandria in 1140 and recorded his perilous sea voyage in a celebrated sequence of poems, remarkable for their fusion of startling realism and religious longing. Months later Halevi embarked for Palestine. The exact date, location and circumstances of his death have remained a mystery.
Häftad, Engelska, 2007
156 kr
Skickas
This representative selection from the work of one of modern Greece’s most fascinating poets was made shortly after his award of the Nobel Prize for Literature in 1979. It is drawn from all periods of his distinguished career and traces his development from early surrealism, in which he transforms French influence into a distinct personal voice and mythology, through the dramatic style of The Axion Esti with its blend of spirituality and earthiness, up to the later work in which he experiments with new modes for expressing his perennial themes. The poems are chosen, introduced and mainly translated by the leading translators of modern Greek poetry, Edmund Keeley and the late Philip Sherrard, whose collaborations also included translations of Seferis, Cavafy and Sikelianos. Other contributors to the book include George Savidis, Nanos Valaoritis and John Stathatos.
Häftad, Engelska, 2003
156 kr
Skickas
In this generous selection of nearly half of Hauge’s poetic work, Robin Fulton displays the range, variety and distinctive qualities of his poetry. Though deeply rooted in the West Norwegian landscape which he evokes so memorably, Hauge’s poetry has a kinship in background and temperament with that of Robert Frost, while also sharing the wry humour and cool economy of William Carlos Williams and Brecht, whom he translated. Often epigrammatic, yet lyrical in impulse, his poems have a serenity which makes them unusually rewarding.
Häftad, Engelska, 2004
179 kr
Skickas
Dennis O’Driscoll is among the finest and most popular poets of his generation. New and Selected Poems shows him to be a poet of humanity and wit whose observant, rhythmically supple poetry is attuned to the tragedies and comedies of contemporary life. One of the book’s highlights is ‘The Bottom Line’, a multi-voiced and multifaceted portrait of business managers and bureaucrats.Closing with a generous selection of previously unpublished work, New and Selected Poems – which follows Dennis O’Driscoll’s acclaimed Exemplary Damages, chosen as a Book of the Year by Seamus Heaney in 2002 – makes for a compelling collection, wide in its appeal and yet imbued with a distinctive and often startling world-view.
Häftad, Engelska, 2014
253 kr
Skickas inom 3-6 vardagar
Martina Evans's fifth collection moves from the impact of American culture and rock'n'roll in the 1960s on her home town, a small Catholic community in rural Ireland, to life in contemporary London. Her poems spring from memories, anecdotes of local characters, children's books, shoes and cats; finally they revisit her Burnfort schooldays in sharp, truthful and often funny poems. Her poems will appeal to all who enjoy her unique blend of poetry and storytelling, her astute mimicry of conversational styles and her gift for offbeat humour.
Inbunden, Engelska, 2016
202 kr
Skickas
“He brought symbolist-inflected poetry and drama to the US, became a respected art critic publishing in Alfred Stieglitz’s Camera Work and Alfred Kreymborg’s Others, wrote some of the earliest English-language haiku, and even became a Hollywood showman later in life, famously playing the court magician in Douglas Fairbanks’s The Thief of Bagdad. Despite increasing attention to Hartmann, not until this collection, beautifully put together by Floyd Cheung in a Little Island Press edition, do Hartmann’s achievements in the lyric come into full view.” – the Modernist Review
Häftad, Engelska, 2016
123 kr
Skickas
Finalist for the Neustadt International Prize for Literature 2020. Winner of an English PEN Award. Beyond the Barbed Wire is a selection of work by Morocco's greatest living poet. Abdellatif Laabi's poetry and literary activism has inspired a generation of writers and thinkers, and it resulted in his decade-long imprisonment. This volume gives a career-spanning overview of Laabi's poetry, from the late 1960s to the 2010s. It includes a generous selection of the prison-writings of the 1970s, poems that speak from 'beyond the borders of what is human', as the poet writes, a hinterland of physical and emotional torture, in which hunger strikes are 'the only weapon we've left'. Among these is a poem addressed to the poet's cell, which is 'right here / inside me / like a second body', and another written piecemeal to friends on the outside and later reassembled. Beyond the Barbed Wire pays testament to the human need to speak in the face of censorship, that 'epic of silence'. These poems, Laabi's 'bitter fruits of the murderous twilight', renew the possibility of a poetry that is genuinely urgent, necessary: a poetry of anger, anguish, love, wit, and hope, touched by a philosopher's vision and perspicuity.The book includes an interview with the poet in which he discusses his practice, his views on education, his beliefs about a poet's duty, the influence of his parents, and his optimism. With Laabi's renewed prominence in the Moroccan intellectual scene following the Arab Spring, and with a new generation of artists and activists looking to him as a source of inspiration, this book shows why Laabi is more than Morocco's leading poet, but also a guiding cultural and political force.
Häftad, Franska, 2017
236 kr
Skickas
France’s greatest poet of the last half century, Yves Bonnefoy wrote many books of poetry and poetic prose, as well as celebrated critical essays on literature and art (to which a second volume will be devoted). At his death in 2016 aged ninety-three, he was Emeritus Professor of Comparative Poetics at the Collège de France. The selection for this volume (and the second one) was made in close collaboration with the poet. The lengthy introduction by John Naughton is a significant assessment of Bonnefoy’s importance in French literature.Bonnefoy started out as a young surrealist poet at the end of the Second World War and, for seven decades, he produced poetry and prose of great, and changing, depth and richness. In his lines we encounter `the horizon of a voice where stars are falling, / Moon merging with the chaos of the dead’. Fellow poet Philippe Jaccottet spoke of his abiding gravité enflammée. Bonnefoy knew what translation demands, having himself translated Shakespeare, Donne, Yeats, and Keats; Petrarch and Leopardi from Italian; and, from Greek, George Seferis. This volume is edited and translated by three of Bonnefoy’s long-time translators –Anthony Rudolf, John Naughton, and Stephen Romer – with contributions from Galway Kinnell, Richard Pevear, Beverley Bie Brahic, Emily Grosholz, Susanna Lang, and Hoyt Rogers.
Häftad, Engelska, 2015
201 kr
Skickas inom 3-6 vardagar
The poems in Breezeway move lightly between the everyday world, with its pleasures and absurdities, and the worlds of literature and art, with theirs. John Ashbery’s poems are haunting, surprising, hilarious, and knowing, the work of an old and always a new master with an uncanny understanding of our age, its fears and fragmentation, its fulfilments. Here is Mr Salteena and the station of the Metro, demystified Middle English mysticism and a peculiarly-paced samba, a drugstore, a supermarket, Batman and his dog Pastor Fido, all concluding in ‘A Sweet Disorder’, in which Herrick is decisively transformed: ‘Pardon my sarong. I’ll have a Shirley Temple.’
Häftad, Engelska, 2015
179 kr
Skickas
Ezra Pound’s Posthumous Cantos collects unpublished pages of his great poem, drawn from manuscripts held in the archive at Yale’s Beinecke Library and elsewhere. They are assembled by Pound’s Italian translator, the critic and scholar Massimo Bacigalupo, into a companion book to the Cantos, running from 1917 to 1972 and including the Cantos he wrote in Italian in 1944-5. An Italian edition was published in 2002 and revised in 2012. This is the first English edition of a crucial part of the Pound canon. Posthumous Cantos is arranged to reflect the eight phases of the Cantos’ composition. Pound’s writing suffered the consequences of the turbulent history of his century. World War I left the cultural world he came to Europe for in ruins; and the aftermath of the World War II in which he took a contrary side, made his work, like his life, discontinuous, a sequence of brilliant moments and profound ruptures.
Häftad, Engelska, 2015
179 kr
Skickas
In her foreword to All The Poems (2003) Muriel Spark wrote, ‘Although most of my life has been devoted to fiction, I have always thought of myself as a poet. I do not write “poetic” prose, but feel that my outlook on life and my perceptions of events are those of a poet.’ Including previously uncollected work, this new edition demonstrates her ear for the rightness of a line and her eye for the telling detail, her command of poetic forms and her ability to rise to the different challenges of freer verse. Spark’s poems are witty, idiosyncratic and haunting, transforming the familiar into glittering moments of strangeness, revealing the dark – and light – music beneath the mundane.
Häftad, Engelska, 2016
122 kr
Skickas
Winner of the 2016 Poetry Book Society ChoiceWinner of the 2016 Forward Prize for Best CollectionShort-listed for the 2016 T.S. Eliot Prize‘Expatriation: my having had a patria, a fatherland, to leave, did not occur to me until I was forced to invent one. [...] This luxury of inattention, invention, and final mismatch... a ‘Trinidad’ being created that did not take my Trinidad away (my Trinidad takes itself away, in reality, over time)... that is expatriation, no? An exile, a migrant, a refugee, would have been in more of a hurry, would have been more driven out or driven towards, would have been seeking and finding not.’In Measures of Expatriation Vahni Capildeo’s poems and prose-poems speak of the complex alienation of the expatriate, and address wider issues around identity in contemporary Western society. Born in Trinidad and resident in the UK, Capildeo rejects the easy depiction of a person as a neat, coherent whole – ‘pure is a strange word’ –embracing instead a pointilliste self, one grounded in complexity. In these texts sense and syntax are disrupted; languages rub and intersect; dream sequences, love poems, polylogues and borrowed words build into a precarious self-assemblage. ‘Cliché’, she writes, ‘is spitting into the sea’, and in this book poetry is still a place where words and names, with their power to bewitch and subjugate, may be disrupted, reclaimed. The politics of the body, and cultures of sexual objectification, gender inequality and casual racism, are the borders across which Capildeo homes, seeking the modest luxury of being ‘looked at as if one is neutral ground’. In the end it is language itself, the determination to speak, to which the poet finds she belongs: ‘Language is my home, I say; not one particular language.’ Measures of Expatriation is in the vanguard of literature arising from the aftermath of Empire, with a fearless and natural complexity. ‘Expatriation: my having had a patria, a fatherland, to leave, did not occur to me until I was forced to invent one. [...] This luxury of inattention, invention, and final mismatch... a ‘Trinidad’ being created that did not take my Trinidad away (my Trinidad takes itself away, in reality, over time)... that is expatriation, no? An exile, a migrant, a refugee, would have been in more of a hurry, would have been more driven out or driven towards, would have been seeking and finding not.’