Jem Poster – författare

Edward Thomas is an important figure in the English literary canon, a major twentieth-century poet, he was also one of England's most experienced and respected Edwardian and Georgian critics, and an observer of the countryside second to none. Although he died at the age of only 39, his prose output was massive and encompassed a range of genres: biography, autobiography, essays, reviews, fiction, nature books, travel writings, and anthologies. While Thomas's stature as a poet is widely appreciated, his prose works have yet to be given their critical due - in large part because scholarly editions have hitherto been lacking. Edward Thomas: Prose Writings: A Selected Edition shows that Thomas's prose deserves to be much better known, by literary scholars but also the general reading public. This six-volume edition establishes him as one of the most important prose writers in English, who contributed remarkable ideas and representations of the self and community, the landscape and ecology, literature and history, the spiritual and artistic life. It is the definitive edition of Thomas's prose and a significant scholarly resource for the twenty-first century. The third volume provides the annotated texts of two biographies by Thomas: Richard Jefferies: His Life and Work (1909) and George Borrow: The Man and His Books (1912). A detailed introduction addresses a range of matters relating to the subjects of these two biographies as well as to Thomas's approach to them. Among the topics discussed in relation to Jefferies are: the correspondences between Jefferies' life and Thomas's; the influence of Jefferies on Thomas's thought and writing, including such matters as mystical experience and the passage of time; Thomas's unwarranted anxieties about the quality of the biography; and the high standing of the biography in the century since its publication. Among the topics discussed in relation to Borrow are: Thomas's ambivalence towards his subject; the influence of Borrow on later attitudes to walking and the open air, particularly as these were expressed in literature; the popular and literary interest (again attributable in part to Borrow's influence) in Romani life; and the way in which Thomas's approach to the Borrow biography, with its emphasis on the value of impressions as distinct from facts, chimes with Modernist thinking about the nature of narrative. The edition's extensive notes provide further insights into the texts and their cultural context.

In the first of a thrilling new Victorian detective series, Eliza Mace, on the cusp of adulthood, is battling for her independence. Stuck in a crumbling manor house in the Welsh borders in the 1870s, she is thwarted by powers that conspire to protect, control and deceive her. But when her father goes missing in mysterious circumstances, Eliza’s determination to uncover the truth is unstoppable.Joining forces with the charismatic new police constable, Dafydd Pritchard, she sets out to solve the case, but that’s no easy task. Her father has run up debts in town and beyond, and there are many who bear him a grudge. As she searches for evidence, Eliza exposes dark secrets that threaten to tear her world apart...

"Though nature's sternest painter yet the best" ByronGeorge Crabbe (1754-1832) arrived late on the Augustan scene. Born in the same decade as Burns and Blake, he outlived Keats by more than ten years. His father was a warehouse-keeper in Aldeburgh, Suffolk. Schooled in Bungay and Stowmarket, he was apprenticed to an apothecary. In 1779 he went to London as a literary adventurer, arriving without introductions. Edmund Burke became his patron and transformed his fortunes. The Village (1783),and after a silence The Parish Register (1807), The Borough (1810) and Tales (1812), his main works followed.Crabbe wanted his readers to feel his writing - accounts of rural and provincial life, of individuals and communities, of landscapes - not only as narrative but in circumstantial detail - some of it harsh and shocking. Peter Grimes is his most famous character, one whom Benjamin Britten found irresistible. 'It is worth registering from the outset,' Jem Poster says, 'the enduring intimacy of Crabbe's contact with the world, the sheer physicality of his grasp of things: the strengths of his poetry are more easily understood if we can visualise him actually grubbing at the slimy roots of the marshplants he so vividly described, delivering a neighbour's child, or assisting his father by piling butter-casks in a quayside warehouse'.

Have you ever wanted to write a novel or short story but didn't know where to start? If so, this is the book for you. It's the book for anyone, in fact, who wants to write to their full potential. Practical and jargon-free, rejecting prescriptive templates and formulae, it's a storehouse of ideas and advice on a range of relevant subjects, from boosting self-motivation and confidence to approaching agents and publishers. Drawing on the authors' extensive experience as successful writers and inspiring teachers, it will guide you through such essentials as the interplay of memory and imagination; plotting your story; the creation of convincing characters; the uses of description; the pleasures and pitfalls of research; and the editing process. The book's primary aim is simple: to help its readers to become better writers.

Have you ever wanted to write a novel or short story but didn''t know where to start? If so, this is the book for you. It''s the book for anyone, in fact, who wants to write to their full potential. Practical and jargon-free, rejecting prescriptive templates and formulae, it''s a storehouse of ideas and advice on a range of relevant subjects, from boosting self-motivation and confidence to approaching agents and publishers. Drawing on the authors'' extensive experience as successful writers and inspiring teachers, it will guide you through such essentials as the interplay of memory and imagination; plotting your story; the creation of convincing characters; the uses of description; the pleasures and pitfalls of research; and the editing process. The book''s primary aim is simple: to help its readers to become better writers.

Have you ever wanted to write a novel or short story but didn''t know where to start? If so, this is the book for you. It''s the book for anyone, in fact, who wants to write to their full potential. Practical and jargon-free, rejecting prescriptive templates and formulae, it''s a storehouse of ideas and advice on a range of relevant subjects, from boosting self-motivation and confidence to approaching agents and publishers. Drawing on the authors'' extensive experience as successful writers and inspiring teachers, it will guide you through such essentials as the interplay of memory and imagination; plotting your story; the creation of convincing characters; the uses of description; the pleasures and pitfalls of research; and the editing process. The book''s primary aim is simple: to help its readers to become better writers.

How can you take your writing to the next level? In this follow-up to their acclaimed handbook The Book You Need to Read to Write the Book You Want to Write, Sarah Burton and Jem Poster offer exercises and practical advice designed to set aspiring authors of fiction on their way to creating compelling short stories and novels. Carefully explaining the purpose and value of each exercise and encouraging writers to reflect on what they have learned in tackling each task, this themed collection of writing prompts provides both encouragement and inspiration. There are many books of prompts already available, but this one is different. Its structured, in-depth approach significantly increases the impact of the exercises, ensuring that storytellers use their time and talent to best effect - not only exploring their own creativity but also developing a wider and clearer understanding of the writer's craft.

Have you ever wanted to write a novel or short story but didn't know where to start? If so, this is the book for you. It's the book for anyone, in fact, who wants to write to their full potential. Practical and jargon-free, rejecting prescriptive templates and formulae, it's a storehouse of ideas and advice on a range of relevant subjects, from boosting self-motivation and confidence to approaching agents and publishers. Drawing on the authors' extensive experience as successful writers and inspiring teachers, it will guide you through such essentials as the interplay of memory and imagination; plotting your story; the creation of convincing characters; the uses of description; the pleasures and pitfalls of research; and the editing process. The book's primary aim is simple: to help its readers to become better writers.

Archipelago is one of the most important and influential literary magazines of the lasttwenty years. Running to twelve editions, it was edited by Andrew McNeillie, with theassistance later of James McDonald Lockhart, and began as an attempt to reimagine therelationships between the islands of Ireland and Britain. Archipelago has brought togetherestablished and emerging artists in creative conversations that have transformed the studyof islands, coasts and waterways. It journeys from the Shetlands to Cornwall, from theAran Islands to the coast of Yorkshire, tracing the cultures of diverse zones through someof the best in contemporary writing about place and people.This collection gathers poetry, prose and visual art in clusters grouped around the Irishand British archipelago, with contributions from an array of significant artists. It includesnewly commissioned work as well as an interview between Andrew McNeillie andRobert Macfarlane on the development of Archipelago across the years.