Visar resultat för..."High Museum of Art"
58 produkter
58 produkter
672 kr
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The direct action social protest movement of the 1950s and 1960s resulted in marches, and showdowns with armed police officers and National Guardsmen. This work presents a narrative of some of the moments of the civil rights movement, including the Freedom Rides of 1961, the Birmingham hosings of 1963, and the Selma to Montgomery March of 1965.
Portrait Unbound: Photographs by Robert Weingarten
Inbunden, Engelska, 2010
344 kr
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Traditional portraiture proceeds from the assumption that we can learn about a person by looking at their face. But crucial biographical truths are rarely visible on the surface. Robert Weingarten (born 1941) addresses this with The Portrait Unbound, in which his "portraits" of 21 eminent Americans--among them playwrights, musicians, scientists, architects and actors--show not physical appearances but the subjects' memories and associations. Thus Stephen Sondheim is represented by musical staff paper and is superimposed on Seurat's "La Grande Jatte," and Colin Powell is figured in a somber composition based on the mausoleum-esque slabs of the Vietnam War Memorial. Other subjects include Hank Aaron, Edward Albee, Buzz Aldrin, Mikhail Baryshnikov, Chuck Close, Frank Gehry, Jane Goodall, Billy Graham, Dennis Hopper, Quincy Jones, Carl Lewis, Sandra Day O'Connor, Alice Waters and James Watson. Includes a bonus DVD.
616 kr
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In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us. Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history's unexplored underside: the image itself as an enemy.An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists--including Bosch's notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner's A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.
535 kr
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Illustrious Illuminations – Christian Manuscripts from the High Gothic to the High Renaissance (1250–1540)
Häftad, Engelska, 2016
273 kr
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414 kr
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606 kr
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The first comprehensive study of these rare, influential objects, documenting a formative moment in the noted photographer’s early careerThis elegant book unites all of the known carte postale prints by the photographer André Kertész (1894–1985), including portraits, views of Paris, careful studio scenes, and exquisitely simple still lifes. Essays shed new light on the artist’s most acclaimed images; themes of materiality, exile, and communication; his illustrious and bohemian social circle; and the changing identity of art photography. Playful yet refined, the book’s design reflects the spirit of 1920s Paris while underscoring the modernity of the catalogue’s more than 250 illustrated works. Kertész made his rigorously composed prints on inexpensive but lush postcard stock, sharing them with friends and sending them back to family in Hungary. The works reveal the artist learning his craft as he encountered an international group of modernists—including Piet Mondrian, Fernand Léger, and Joseph Csáky—in the interwar metropolis. Prized by collectors as well as by Kertész himself, the cartes postales influenced his compositions and the intimate scale of his picture making for decades.Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago(October 2, 2021–January 17, 2022)High Museum of Art, Atlanta(February 18–May 29, 2022)
149 kr
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A collection of essential quotations and other writings from artist and icon Jean-Michel BasquiatOne of the most important artists of the late twentieth century, Jean-Michel Basquiat explored the interplay of words and images throughout his career as a celebrated painter with an instantly recognizable style. In his paintings, notebooks, and interviews, he showed himself to be a powerful and creative writer and speaker as well as image-maker. Basquiat-isms is a collection of essential quotations from this godfather of urban culture. In these brief, compelling, and memorable selections, taken from his interviews as well as his visual and written works, Basquiat writes and speaks about culture, his artistic persona, the art world, artistic influence, race, urban life, and many other subjects. Concise, direct, forceful, poetic, and enigmatic, Basquiat’s words, like his art, continue to resonate.Select quotations from the book:"I cross out words so you will see them more; the fact that they are obscured makes you want to read them.""I think there are a lot of people that are neglected in art, I don’t know if it’s because of who made the paintings or what, but, um . . . black people are never really portrayed realistically or I mean not even portrayed in modern art.""Since I was 17, I thought I might be a star.""The more I paint the more I like everything.""I think I make art for myself, but ultimately I think I make it for the world."
291 kr
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Featuring never-before-seen drawings by the renowned contemporary artist, a beautiful facsimile edition that reveals the working process of an extraordinary creative mindSketchbook reproduces original working drawings and sketches by the contemporary American artist and designer Daniel Arsham, whose work freely crosses the boundaries of art, architecture, film, and design, and also speaks to fans of pop culture, including sneakerheads, car enthusiasts, and anime devotees. Spanning a decade and featuring previously unpublished drawings by this highly skilled draftsman, this beautifully produced facsimile edition provides an unprecedented, intimate look at Arsham’s working process, revealing a new side of an extraordinary creative mind.Published in association with No More Rulers
344 kr
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In fall 2012, the hardcover edition of this book was released to critical acclaim and received several awards, including the 2013 American Society of Landscape Architects Honor Award for its innovative collaborative approach and design. Now available in a smaller, more afford - able paperback edition, Petrochemical America features Richard Misrach’s haunting photo-graphic record of Louisiana’s Chemical Corridor, accompanied by landscape architect Kate Orff ’s Ecological Atlas—a series of “speculative drawings” developed through research and mapping of data from the region. Their joint effort depicts and unpacks the complex cultural, physical, and economic ecologies along 150 miles of the Mississippi River, from Baton Rouge to New Orleans, an area of intense chemical production that first garnered public attention as “Cancer Alley” when unusual occurrences of cancer were discovered in the region. This collaboration has resulted in an unprecedented, multilayered document presenting a unique narrative of visual information. Petrochemical America offers in-depth analysis of the causes of decades of environmental abuse along the largest river system in North America. Even more critically, the project offers an extensively researched guidebook to the ways in which the petrochemical industry has permeated every facet of contemporary life. What is revealed over the course of the book, however, is that Cancer Alley—although complicated by its own regional histories and particularities—may well be an apt metaphor for the global impact of petrochemicals on the human landscape as a whole.
181 kr
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No German painter evokes such strong emotions as Caspar David Friedrich: his evening skies remain icons of longing, his mountain vistas testaments to the grandeur of nature. He inspired Samuel Beckett to write Waiting for Godot and Walt Disney to create Bambi. Goethe, however, was so enraged by the enigmatic melancholy of Friedrich’s paintings that he wanted to smash them on the edge of a table.In a sweeping journey through time, bestselling author Florian Illies tells the story of Friedrich’s paintings and their impact on subsequent generations. Many of his most beautiful paintings were burned, first in his birthplace and then in World War II; others, like the Chalk Cliffs on Rügen, emerge from the mists of history a hundred years after Friedrich's death. Illies recounts the story of how Friedrich's paintings ended up at the Russian czar's court, others among a pile of winter tires in a Mafia car repair shop, and others still in the kitchen of a German social housing apartment. Adored by Hitler and Rainer Maria Rilke, despised by Stalin and by the generation of 68, this compelling narrative dances through 250 years of history as seen through Friedrich’s art and life. As a result, the man himself becomes flesh and blood before our very eyes.
2 097 kr
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Drawing together a selection of high quality, intellectually robust and stimulating articles on both theoretical and practice-based developments in the field, this Reader investigates the closely linked areas of management and marketing in the museum.The articles, from established and world-renowned contributors, practitioners and writers at the leading edge of their fields, deal with the museum context of management and how marketing and management practices must take account of the specifics of the museum and the not-for-profit ethos.Key writings from broader literature are included, and the collection of key writings on the investigation and study of management and marketing in the museum are of great benefit not only to those studying the subject, but also to professionals working and developing within the field.
New York's New Edge
Contemporary Art, the High Line, and Urban Megaprojects on the Far West Side
Inbunden, Engelska, 2014
787 kr
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This is the story of New York's west side no longer stars the Sharks and the Jets. Instead it's a story of urban transformation, cultural shifts, and an expanding contemporary art scene. The Chelsea Gallery District has become New York's most dominant neighborhood for contemporary art, and the streets of the west side are filled with gallery owners, art collectors, and tourists. Developments like the High Line, historical preservation projects like the Gansevoort Market, the Chelsea galleries, and plans for megaprojects like the Hudson Yards Development have redefined what is now being called the "Far West Side" of Manhattan. David Halle and Elisabeth Tiso offer a deep analysis of the transforming district in New York's New Edge, and the result is a new understanding of how we perceive and interpret culture and the city in New York's gallery district. From individual interviews with gallery owners to the behind-the-scenes politics of preservation initiatives and megaprojects, the book provides an in-depth account of the developments, obstacles, successes, and failures of the area and the factors that have contributed to them.
New York's New Edge
Contemporary Art, the High Line, and Urban Megaprojects on the Far West Side
Häftad, Engelska, 2016
243 kr
Skickas inom 7-10 vardagar
The story of New York's west side no longer stars the Sharks and the Jets. Instead it's a story of urban transformation, cultural shifts, and an expanding contemporary art scene. The Chelsea Gallery District has become New York's most dominant neighborhood for contemporary art, and the streets of the west side are filled with gallery owners, art collectors, and tourists. Developments like the High Line, historical preservation projects like the Gansevoort Market, the Chelsea galleries, and plans for megaprojects like the Hudson Yards Development have redefined what is now being called the "Far West Side" of Manhattan.David Halle and Elisabeth Tiso offer a deep analysis of the transforming district inNew York's New Edge, and the result is a new understanding of how we perceive and interpret culture and the city in New York's gallery district. From individual interviews with gallery owners to the behind-the-scenes politics of preservation initiatives and megaprojects, the book provides an in-depth account of the developments, obstacles, successes, and failures of the area and the factors that have contributed to them.
261 kr
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With a powerful juxtaposition of portraiture and landscape photography, this book explores Dawoud Bey’s vivid evocations of race, history, time, and placeDawoud Bey (b. 1953) is an American photographer best known for his large-scale portraits of underrepresented subjects and for his commitment to fostering dialogue about contemporary social and political topics. Bey has also found inspiration in the past, and in two recent series, presented together here for the first time, he addresses African American history explicitly, with renderings both lyrical and immediate. In 2012 Bey created The Birmingham Project, a series of paired portraits memorializing the six children who were victims of the Ku Klux Klan’s bombing of Birmingham, Alabama’s 16th Street Baptist Church, a site of mass civil rights meetings, and the violent aftermath. Night Coming Tenderly, Black is a group of large-scale black-and-white landscapes made in 2017 in Ohio that reimagine sites where the Underground Railroad once operated. The book is introduced by an essay exploring the series’ place within Bey’s wider body of work, as well as their relationships to the past, the present, and each other. Additional essays investigate the works’ evocations of race, history, time, and place, addressing the particularities of and resonances between two series of photographs that powerfully reimagine the past into the present.Published in association with the San Francisco Museum of Modern ArtExhibition Schedule:San Francisco Museum of Modern Art(February 15–October 12, 2020)High Museum of Art, Atlanta(November 7, 2020–March 14, 2021)Whitney Museum of American Art, New York(April 16–October 3, 2021)
642 kr
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A lavish exploration of how contemporary jewelry pushes the boundary between ornament and art This thematic exploration of more than 950 works from the contemporary jewelry collection at the Dallas Museum of Art spans nearly a century up until the present and includes work by some of the field’s most innovative and genre-defying makers. These masterpieces—from artists in Italy to Japan, New Zealand to the United States—assert the centrality of ideas beyond aspects of materiality and function. Through stunning photography and essays focusing zones of the body, geometries as archetypes of form, identity as projection or protection, notions of movement and play, and the history of the museum’s seminal collection, the author illuminates new ways of understanding and appreciating contemporary jewelry. Constellations is a valuable resource for jewelry scholars and enthusiasts alike. Distributed for the Dallas Museum of Art Exhibition Schedule: Dallas Museum of Art(November 9, 2025–May 3, 2026)
683 kr
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This groundbreaking book is the first to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture. Ceramic objects form a major part of museum collections, with connections to anthropology, archaeology and other disciplines that engage with the cultural and social history of humankind. In recent years museums have provided the impetus for cutting-edge artistic practice, either as a response to particular collections, or as part of exhibitions. But the question of how museums have staged contemporary ceramics and how ceramic artists respond to museum collections has not been the subject of published research to date. This book examines how ceramic artists have, over the last decade, begun to animate museum collections in new ways, and reflects on the impact that these new initiatives have had in the broad context of visual culture. Ceramics in the Expanded Field is the culmination of a three-year AHRC funded project, and reflects its major findings. It brings together leading international voices in the field of ceramics, research undertaken throughout the project and papers delivered at the concluding conference. By examining the benefits and constraints of interventions and the dialogue between ceramics and museological practice, this book will bring focus to an area of museology that has not yet been theorized, and will contribute to policy debates and art practice.
Avant-Garde Art and Non-Dominant Thought in Postwar Japan
Image, Matter, Separation
Inbunden, Engelska, 2020
2 167 kr
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This book offers a reassessment of how "matter" – in the context of art history, criticism, and architecture – pursued a radical definition of "multiplicity", against the dominant and hierarchical tendencies underwriting post-fascist Japan. Through theoretical analysis of works by artists and critics such as Okamoto Taro, Hanada Kiyoteru, Kawara On, Isozaki Arata, Kawaguchi Tatsuo, and Nakahira Takuma, this highly illustrated text identifies formal oppositions frequently evoked in the Japanese avant-garde, between cognition and image, self and other, human and thing, and one and many, in mediums ranging from painting and photography, to sculpture and architecture. In addition to an "aesthetics of separation" which refuses the integrationist implications of the human, the author proposes the "anthropofugal" – meaning fleeing the human – as an original concept through which to understand matter in the epistemic universe of the postwar Japanese avant-garde. Chapters in this publication offer critical insights into how artists and critics grounded their work in active disengagement, to advance an ethics of nondominance.Avant-Garde Art and Nondominant Thought in Postwar Japan will appeal to students and scholars of Japanese studies, art history, and visual cultures more widely.
Avant-Garde Art and Non-Dominant Thought in Postwar Japan
Image, Matter, Separation
Häftad, Engelska, 2022
634 kr
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This book offers a reassessment of how "matter" – in the context of art history, criticism, and architecture – pursued a radical definition of "multiplicity", against the dominant and hierarchical tendencies underwriting post-fascist Japan. Through theoretical analysis of works by artists and critics such as Okamoto Taro, Hanada Kiyoteru, Kawara On, Isozaki Arata, Kawaguchi Tatsuo, and Nakahira Takuma, this highly illustrated text identifies formal oppositions frequently evoked in the Japanese avant-garde, between cognition and image, self and other, human and thing, and one and many, in mediums ranging from painting and photography, to sculpture and architecture. In addition to an "aesthetics of separation" which refuses the integrationist implications of the human, the author proposes the "anthropofugal" – meaning fleeing the human – as an original concept through which to understand matter in the epistemic universe of the postwar Japanese avant-garde. Chapters in this publication offer critical insights into how artists and critics grounded their work in active disengagement, to advance an ethics of nondominance.Avant-Garde Art and Nondominant Thought in Postwar Japan will appeal to students and scholars of Japanese studies, art history, and visual cultures more widely.
732 kr
Skickas inom 10-15 vardagar
Drawing together a selection of high quality, intellectually robust and stimulating articles on both theoretical and practice-based developments in the field, this Reader investigates the closely linked areas of management and marketing in the museum.The articles, from established and world-renowned contributors, practitioners and writers at the leading edge of their fields, deal with the museum context of management and how marketing and management practices must take account of the specifics of the museum and the not-for-profit ethos.Key writings from broader literature are included, and the collection of key writings on the investigation and study of management and marketing in the museum are of great benefit not only to those studying the subject, but also to professionals working and developing within the field.
3 097 kr
Skickas inom 10-15 vardagar
This International Handbook brings together leading writers on Arts in Education to provide a much-needed, authoritative guide to the main debates in the field and an informed account of contemporary developments in policy and practice. Providing a detailed overview of key concepts and practical challenges, the book combines theoretical insight with specific examples of innovative projects drawing on theoretical, historical and empirical research perspectives to inform understanding. The range of content highlights the breadth of the field, addressing such issues as the importance of community arts and partnership as well as school education, and providing insight into developments in multiple and connecting arts as well as traditional art forms. Topics such as assessment, creativity, cultural diversity, special needs, the arts in early childhood, adult education, arts based research, are all addressed by recognised authorities in each area. The collection of chapters also serves to define the field of arts education, recognising its diversity but highlighting the common elements that provide its identity. The collection addresses generic issues common to all the arts while acknowledging differences and recognising the dangers of over-generalisation. It also includes specific chapters on each of the art forms (visual art, dance, drama, literature, music, media arts) providing a cutting-edge analysis of key contemporary issues in each subject. Bringing together specially commissioned pieces by a range of international authors, this Handbook will make an important contribution to the field of Arts Education.
494 kr
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries-hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past-including photography, painting, sculpture, "living pictures," film, video, digital and performance art-even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory-it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
250 kr
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Imperiled Innocents
Anthony Comstock and Family Reproduction in Victorian America
Häftad, Engelska, 1998
454 kr
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Moral reform movements claiming to protect children began to emerge in the United States over a century ago, most notably when Anthony Comstock and his supporters crusaded to restrict the circulation of contraception, information on the sexual rights of women, and "obscene" art and literature. Much of their rhetoric influences debates on issues surrounding children and sexuality today. Drawing on Victorian accounts of pregnant girls, prostitutes, Free Lovers, and others deemed "immoral," Nicola Beisel argues that rhetoric about the moral corruption of children speaks to an ongoing parental concern: that children will fail to replicate or exceed their parents' social position. The rhetoric of morality, she maintains, is more than symbolic and goes beyond efforts to control mass behavior. For the Victorians, it tapped into the fear that their own children could fall prey to vice and ultimately live in disgrace. In a rare analysis of Anthony Comstock's crusade with the New York and New England Societies for the Suppression of Vice, Beisel examines how the reformer worked on the anxieties of the upper classes.One tactic was to link moral corruption with the flood of immigrants, which succeeded in New York and Boston, where minorities posed a political threat to the upper classes. Showing how a moral crusade can bring a society's diffuse anxieties to focus on specific sources, Beisel offers a fresh theoretical approach to moral reform movements.
506 kr
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During the economic boom of the 1990s, art museums expanded dramatically in size, scope, and ambition. They came to be seen as new civic centers: on the one hand as places of entertainment, leisure, and commerce, on the other as socially therapeutic institutions. But museums were also criticized for everything from elitism to looting or illegally exporting works from other countries, to exhibiting works offensive to the public taste. Whose Muse? brings together five directors of leading American and British art museums who together offer a forward-looking alternative to such prevailing views. While their approaches differ, certain themes recur: As museums have become increasingly complex and costly to manage, and as government support has waned, the temptation is great to follow policies driven not by a mission but by the market. However, the directors concur that public trust can be upheld only if museums continue to see their core mission as building collections that reflect a nation's artistic legacy and providing informed and unfettered access to them.The book, based on a lecture series of the same title held in 2000-2001 by the Harvard Program for Art Museum Directors, also includes an introduction by Cuno and a fascinating--and surprisingly frank--roundtable discussion among the participating directors. A rare collection of sustained reflections by prominent museum directors on the current state of affairs in their profession, this book is without equal. It will be read widely not only by museum professionals, trustees, critics, and scholars, but also by the art-loving public itself.
308 kr
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The site of North America's greatest battle is a national icon, a byword for the Civil War, and an American cliche. Described as "the most American place in America," Gettysburg is defended against commercial desecration like no other historic site. Yet even as schoolchildren learn to revere the place where Lincoln delivered his most famous speech, Gettysburg's image generates millions of dollars every year from touring, souvenirs, reenactments, films, games, collecting, and the Internet. Examining Gettysburg's place in American culture, this book finds that the selling of Gettysburg is older than the shrine itself. Gettysburg entered the market not with recent interest in the Civil War nor even with twentieth-century tourism but immediately after the battle. Founded by a modern industrial society with the capacity to deliver uniform images to millions, Gettysburg, from the very beginning, reflected the nation's marketing trends as much as its patriotism. Gettysburg's pilgrims--be they veterans, families on vacation, or Civil War reenactors--have always been modern consumers escaping from the world of work and responsibility even as they commemorate.And it is precisely this commodification of sacred ground, this tension between commerce and commemoration, that animates Gettysburg's popularity. Gettysburg continues to be a current rather than a past event, a site that reveals more about ourselves as Americans than the battle it remembers. Gettysburg is, as it has been since its famous battle, both a cash cow and a revered symbol of our most deeply held values.
217 kr
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Americans agree about government arts funding in the way the women in the old joke agree about the food at the wedding: it's terrible--and such small portions! Americans typically either want to abolish the National Endowment for the Arts, or they believe that public arts funding should be dramatically increased because the arts cannot survive in the free market. It would take a lover of the arts who is also a libertarian economist to bridge such a gap. Enter Tyler Cowen. In this book he argues why the U.S. way of funding the arts, while largely indirect, results not in the terrible and the small but in Good and Plenty--and how it could result in even more and better. Few would deny that America produces and consumes art of a quantity and quality comparable to that of any country. But is this despite or because of America's meager direct funding of the arts relative to European countries? Overturning the conventional wisdom of this question, Cowen argues that American art thrives through an ingenious combination of small direct subsidies and immense indirect subsidies such as copyright law and tax policies that encourage nonprofits and charitable giving.This decentralized and even somewhat accidental--but decidedly not laissez-faire--system results in arts that are arguably more creative, diverse, abundant, and politically unencumbered than that of Europe. Bringing serious attention to the neglected issue of the American way of funding the arts, Good and Plenty is essential reading for anyone concerned about the arts or their funding.
348 kr
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An in-depth look at how democratic values have widened the American arts scene, even as it remains elite and cosmopolitanTwo centuries ago, wealthy entrepreneurs founded the American cathedrals of culture—museums, theater companies, and symphony orchestras—to mirror European art. But today’s American arts scene has widened to embrace multitudes: photography, design, comics, graffiti, jazz, and many other forms of folk, vernacular, and popular culture. What led to this dramatic expansion? In Entitled, Jennifer Lena shows how organizational transformations in the American art world—amid a shifting political, economic, technological, and social landscape—made such change possible.By chronicling the development of American art from its earliest days to the present, Lena demonstrates that while the American arts may be more open, they are still unequal. She examines key historical moments, such as the creation of the Museum of Primitive Art and the funneling of federal and state subsidies during the New Deal to support the production and display of culture. Charting the efforts to define American genres, styles, creators, and audiences, Lena looks at the ways democratic values helped legitimate folk, vernacular, and commercial art, which was viewed as nonelite. Yet, even as art lovers have acquired an appreciation for more diverse culture, they carefully select and curate works that reflect their cosmopolitan, elite, and moral tastes.
194 kr
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An in-depth look at how democratic values have widened the American arts scene, even as it remains elite and cosmopolitanTwo centuries ago, wealthy entrepreneurs founded the American cathedrals of culture—museums, theater companies, and symphony orchestras—to mirror European art. But today’s American arts scene has widened to embrace multitudes: photography, design, comics, graffiti, jazz, and many other forms of folk, vernacular, and popular culture. What led to this dramatic expansion? In Entitled, Jennifer Lena shows how organizational transformations in the American art world—amid a shifting political, economic, technological, and social landscape—made such change possible.By chronicling the development of American art from its earliest days to the present, Lena demonstrates that while the American arts may be more open, they are still unequal. She examines key historical moments, such as the creation of the Museum of Primitive Art and the funneling of federal and state subsidies during the New Deal to support the production and display of culture. Charting the efforts to define American genres, styles, creators, and audiences, Lena looks at the ways democratic values helped legitimate folk, vernacular, and commercial art, which was viewed as nonelite. Yet, even as art lovers have acquired an appreciation for more diverse culture, they carefully select and curate works that reflect their cosmopolitan, elite, and moral tastes.
183 kr
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Essential quotations from renowned artist and pop icon Keith Haring Keith Haring remains one of the most important and celebrated artists of his generation and beyond. Through his signature bold graphic line drawings of figures and forms dancing and grooving, Haring’s paintings, large-scale public murals, chalk drawings, and singular graffiti style defined an era and brought awareness to social issues ranging from gay rights and AIDS to drug abuse prevention and a woman’s right to choose. Haring-isms is a collection of essential quotations from this creative thinker and legendary artist.Gathered from Haring’s journals and interviews, these lively quotes reveal his influences and thoughts on a variety of topics, including birth and death, possibility and uncertainty, and difference and conformity. They demonstrate Haring’s deep engagement with subjects outside of the art world and his outspoken commitment to activism. Taken together, this selection reflects Haring’s distinctive voice and reminds us why his work continues to resonate with fans around the globe.Select quotations from the book:“Art lives through the imaginations of the people who are seeing it. Without that contact, there is no art.”“It’s a huge world. There are lots and lots and lots of people that I haven’t reached yet that I’d like to reach.”“Art is one of the last areas that is totally within the realm of the human individual and can’t be copied or done better by a machine.”“The artist, if he is a vessel, is also a performer.”“No matter how long you work, it’s always going to end sometime. And there’s always going to be things left undone.”“I decided to make a major break. New York was the only place to go.”“I came to believe there was no such thing as chance. If you accept that there are no coincidences, you use whatever comes along.”“There was a migration of artists from all over America to New York. It was completely wild. And we controlled it ourselves.”“I couldn’t go back to the abstract drawings; it had to have some connection to the real world.”
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